| | | | | | | | | | | | | Thu May 18, 11.00 - 19.00 hrs | Fri May 19, 11.00 - 21.00 hrs Sat May 20, 11.00 - 19.00 hrs | Sun May 21, 11.00 - 17.00 hrs | | | | | | | | | Amsterdam Art Fair is the quality fair of contemporary art in the Netherlands for both art lovers and collectors. After a successful first edition in the former Citroën garage (2015) and a fantastic second edition in the middle of Museumplein (2016), this year Amsterdam Art Fair will open its doors at Huidekoperstraat, next to De Nederlandsche Bank. From May 17, the fifty best Dutch galleries will move into this temporary location for five days. It’s renamed Kunsthal Koper for the occasion, and shows the latest work of some of the best artists. | |
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| | | | | | | | | | Veronica Bailey / Lectures on Art - Weekes from the series Hours of Devotion 2007 Framed Fuji archival Lambda print framed in Black box frame UV Perspex Image Size 181 x 121 cm / framed 186 x 126 cm / Edition of 4 | | Veronica Bailey » Philippe Braquenier » | | | | | | | | | | Philippe Braquenier / Wikileaks, Pionen Data Centre – Stockholm, Sweden – 04/11/02014 from the series Palimpsest Inkjet Print on Baryta Paper, mounted, museum glass Image size 100 x 110 cm / framed 102 x 112 cm / Edition of 5 + 1AP | | | | Veronica Bailey’s work, Hours of Devotion, creates a new narrative from the archives of one of the oldest and prestigious banking firms in London, Coutts & Co. The artist examined over a 1000 delicate and valuable books from their archive and photographed a selection of titles, re-interpreting them as Neo-Gothic monuments that bear witness to the politics and culture of the time. Philippe Braquenier, in Palimpsest, addresses contemporary infrastructures for information safe-keeping and the relationship between natural environments with technological ones, aesthetically inquiring how to safeguard the archives of human knowledge. Putting the work of these artists together results in an intriguing overview of one of the most pressing issues of our time: data and the storage of data, as well as the role photography plays in archiving and visualising our historical knowledge and information. | |
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| | | | | | | | | | Stephan Vanfleteren, Sean, 2016. | | Stephan Vanfleteren » Bastiaan Woudt » | | | | | | | | | | Bastiaan Woudt, Unveil, 2016. | | | | Stephan Vanfleteren (1969) studied photography at Sint-Lukas in Brussels. He started working as a freelance photographer for De Morgen newspaper. Four years after his graduation Vanfleteren won the first of his five World Press Photo Awards. Many national and international prices followed. His works are about everyday life in Belgium, among other things. He is specialized in black and white portraits and comprehensive national and international assignments. Bastiaan Woudt (1987) is a rising star in the world of photography. He was named New Dutch Photography Talent in 2014 and won the Fentener van Vlissingen Art Foundation Award in 2016. Woudt studied history of photography and has a preference for classical subject matter such as portraits. He adds a contemporary flavour to classical subjects by his highly advanced use of the camera and experiments with production techniques. | |
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