Duchamp's evocative dust, Grayson's Brexit pots and Velázquez with garlic – the week in art

Richard Wright beguiles Glasgow, modern art takes London, and a dog urinates in New York – all in your weekly dispatch

Élevage de poussière (Dust Breeding, 1920) by Man Ray and Marcel Duchamp, showing at Whitechapel Gallery, London. Photograph: Succession Marcel Duchamp/Man Ray Trust/ADAGP/DACS

Exhibition of the week

A Handful of Dust

Man Ray and Marcel Duchamp’s collaborative artwork Dust Breeding, a photograph of dust building up on Duchamp’s masterpiece The Bride Stripped Bare By Her Bachelors, Even, is the starting point for this far from dusty look at the history of modern art. The show also includes Walker Evans, Jeff Wall and Gerhard Richter.
Whitechapel Gallery, London, from 7 June until 3 September.

Also showing

Richard Wright
This Turner-winning artist of beguiling modern frescoes and stained glass creates another site-specific slice of beauty.
The Modern Institute, Glasgow, until 26 August.

Painting on the Edge
Alberto Burri, Marcos Grigorian and Sheila Hicks are among the artists using sacks, mud and fibre in this history of the reinvention of painting since 1945.
Stephen Friedman Gallery, London, from 8 June until 29 July.

Grayson Perry
The renowned pundit unveils his pots in a show he promises will be hugely popular.
Serpentine Gallery, London, from 8 June until 10 September.

Balenciaga
The fantastical formal creations of this Spanish designer who died in 1972 still shape fashion.
V&A, London, until 18 February 2018.

Masterpiece of the week

Christ in the House of Martha and Mary, by Diego Velázquez (probably 1618)
In this great early work, painted when Velázquez was still in his home town, Seville, a poignantly portrayed young servant goes miserably about her chores. The ingredients for the dish she is preparing make a superb still life: garlic, eggs, fish and a dried chilli pepper from the Americas, for Seville was the centre of shipping between Spain and the New World. Religious allegory aside, this is a rare portrait of the oppressed in history.
National Gallery, London.

Image of the week

Untitled, 1966, by Susan Te Kahurangi King
Susan Te Kahurangi King has not spoken since she was a child. But the 66-year-old New Zealand artist – recently diagnosed with autism – has drawn, methodically and expressively, all her life. Her family collected her works and are now exhibiting them to give a fascinating insight into her world.
Marlborough Contemporary, London, until 1 July.

What we learned this week

Oxford’s Ashmolean has a five-star hit with Raphael’s drawings

Tate said farewell to Sir Nicholas Serota

… as the David Hockney show kept Tate Britain up late

Librarians revealed all

Counter-narrative artists challenge fake news and editorialisation

… while artists gave Britain’s general election posters a sideways twist

A new guerrilla art row hits the Spanish church

… as street artists freshen up Old Masters in New York

Wall Street gained a new statue

We took a close look at Rei Kawakubo’s fashion creations

Postcards sent us travelling back in time

Grayson Perry pondered the creative dangers of popularity

… and unveiled new Brexit vases

Britain’s master art forger spilled the beans on his craft

A painting of Rossetti’s muse Fanny is coming to auction

Get involved

Guardian members can book now for an exclusive private view: True Faith, a group show exploring the impact of Joy Division and New Order on the art world, part of Manchester international festival.

Don’t forget

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