| | Missing sections were completed by drawing from other fragmentary sacred works by Mozart
Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment
Alternative performance options for the "Lacrimosa", "Sanctus" and "Benedictus"
Easy-to-play piano reduction
Extensive foreword (Ger/Eng) on the work's history, reception and modern completions, with analytical stylistic critique
Detailed Critical Commentary (Eng), partly available as digital edition |
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| Mozart, Wolfgang Amadeus | Requiem
Completed and edited by Michael Ostrzyga | BARENREITER URTEXT
Editor: Ostrzyga, Michael | | BA 11310 | EUR 69.00 | Full score | 9790006569199 | This publication offers a source-critical edition of Mozart's fragmentary "Requiem" as well as an alternative to the traditional Sussmayr version.
It makes it possible to perform
1) the fragment, identified in print in both the score and the parts,
2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and
3) those sections missing entirely in the fragment, newly added in Mozart's idiom taking into account historical additions by Sussmayr and Eybler.
When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozart's church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the "Requiem" fragment, is taken into account in those sections requiring completion or fresh composition.
At two points readers may choose between alternative movements (or sections), since proceeding from Sussmayr's historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozart's intentions: the "Lacrimosa" may end with or without "Amen" fugue, and the "Sanctus" may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major "Hosanna" from Sussmayr's autograph, a movement which, until now, has not been appreciated as compositionally flawless.
Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and a CD recording with Concerto Cologne, Chorwerk Ruhr and Florian Helgath (awarded "Le Disque classique du jour" by francemusique.fr and nominated for Opus Klassik 2021 in the categories "Ensemble", "Choral Recording" and "Editorial Achievement"). | | BA 11310-65 | Wind set | EUR 42.95 | Minimum order quantity: 1 copy |
| | BA 11310-67 | Organ / Harpsichord | EUR 15.95 | Minimum order quantity: 1 copy |
| | BA 11310-74 | Violin 1 | EUR 6.95 | Minimum order quantity: 4 copies |
| | BA 11310-75 | Violin 2 | EUR 6.95 | Minimum order quantity: 4 copies |
| | BA 11310-79 | Viola | EUR 6.95 | Minimum order quantity: 3 copies |
| | BA 11310-82 | Violoncello / Double Bass | EUR 6.95 | Minimum order quantity: 4 copies |
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| Mozart, Wolfgang Amadeus | Requiem
Completed and edited by Michael Ostrzyga | BARENREITER URTEXT
Editor: Ostrzyga, Michael | Arranger: Piano reduction by Michael Ostrzyga | | BA 11310-90 | EUR 14.95 | Vocal score (Latin) | 9790006569267 | | |
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Fact and Fiction - Mozart's Requiem
An Introduction | |
(German/English), approx. 250 pages
To be published in July
Digital Edition - DBA 1088-01 approx. EUR 8.50 |
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| Handel's Song for St Cecilia's Day |
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| | Urtext from the "Halle Handel Edition"
Detailed notes on performance practice in the text section (Ger/Eng) |
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| Handel, George Frideric | Song for St Cecilia's Day HWV 76
Ode to St Cecilia | BARENREITER URTEXT
Editor: Blaut, Stephan | | BA 10722 | EUR 44.95 | Full score | 9790006567713 | Following upon "Alexander's Feast" (1736), in 1739 Handel produced a second setting of the "Ode to St Cecilia" ("Song for St Cecilia's Day"). At its premiere it was combined with "Alexander's Feast". Rather than a dramatic plot presentable in the theatre, the Ode, in its seven sections, offers a general hymn of praise to music and its impact. Accordingly, it largely consists of emotion-laden arias and festive orchestration.
This edition, based on the Urtext from the "Halle Handel Edition", offers the version heard at the first performance - the version preferred in today's concert life. The foreword (Ger/Eng) provides many detailed notes on performance practice with regard to orchestration. | | BA 10722-65 | Wind set | EUR 34.95 | Minimum order quantity: 1 copy |
| | BA 10722-67 | Organ | EUR 21.95 | Minimum order quantity: 1 copy |
| | BA 10722-74 | Violin 1 | EUR 8.95 | Minimum order quantity: 2 copies |
| | BA 10722-75 | Violin 2 | EUR 8.95 | Minimum order quantity: 2 copies |
| | BA 10722-79 | Viola | EUR 8.95 | Minimum order quantity: 1 copy |
| | BA 10722-82 | Violoncello / Double Bass | EUR 8.95 | Minimum order quantity: 2 copies |
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| Handel, George Frideric | Song for St Cecilia's Day HWV 76
Ode to St Cecilia | BARENREITER URTEXT
Editor: Blaut, Stephan | Arranger: Piano reduction by Andreas Kohs | | BA 10722-90 | EUR 17.50 | Vocal score (English) | 9790006567720 | | |
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| Vocal Scores to Gluck Operas |
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| | Revised and newly engraved (replacing BA 2301-90)
Detailed foreword (Ger/Fr/Eng) on the work's genesis and reception history, together with a summary of the plot
Practical, easy-to-play piano reduction |
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| Gluck, Christoph Willibald | Iphigenie en Aulide
Tragedy - opera in three acts | BARENREITER URTEXT
Editor: Flothuis, Marius | Arranger: Piano reduction by Heinz Moehn and Michael Topel | | BA 5849-90 | EUR 78.00 | Vocal score (French/German) | 9790006562169 | "Iphigenie en Aulide" is the first of six operas that Gluck composed for the Academie Royale de Musique. In keeping with his plans for operatic reform, he sought to create noble, expressive and natural melodies that did justice to every language and every national spirit while eliminating the "ridiculous distinction" between national styles of music. Although the premiere was coolly received at first by the contemporary press, "Iphigenie" developed into a tremendous success. The onrush of listeners was said to have been so great that the management of the Paris Opera considered placing guards in front of the theatre.
Now Barenreiter are issuing the carefully revised and corrected vocal score in a new engraving adapted to meet their current standards. | | |
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| | Revised and newly engraved (replacing BA 2281-90)
Detailed foreword (Ger/Eng) on the work’s genesis and reception history, together with a summary of the plot
Practical, easy-to-play piano reduction |
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| Gluck, Christoph Willibald | Iphigenie auf Tauris
Music drama in four acts
Vienna Version of 1781 | BARENREITER URTEXT
Editor: Croll, Gerhard | Arranger: Piano reduction by Heinz Moehn | | BA 5843-90 | EUR 49.95 | Vocal score (German) | 9790006558711 | Following upon the great success of "Iphigenie en Tauride", Gluck arranged the popular drama of human passions, guilt and unconditional friendship once again for Vienna's Burgtheater, where it was premiered in 1781. Especially remarkable is the masterly orchestration, which, among other things, turns the forces of Nature into a character in the drama and projects a striking contrast between civilization and savagery.
Now Barenreiter are issuing the carefully revised and corrected vocal score in a new engraving adapted to meet their current standards. | | |
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| Haydn's "Laudon" Symphony |
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| | First performing Urtext edition
Urtext of the Complete Edition "Joseph Haydn Works" published by G. Henle Verlag
Orchestral parts in the format 25.5 cm x 32.5 cm |
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| Haydn, Joseph | Symphony in C major Hob. I:69
"Laudon" | Urtext from the G. Henle Complete Edition of the "Works of Joseph Haydn"
Editors: Stockmeier, Wolfgang / Gerlach, Sonja | | BA 10989 | EUR 43.95 | Full score | 9790006575534 | Letters of the composer have come down to us only on a few of Haydn's symphonies, amongst them the "Laudon" Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher's suggestion to name the symphony after the widely known and favoured general Gideon Ernst von Laudon (1717-1790). By using this name, both composer and publisher hoped to increase the commercial success of the work which possibly deserved a military eponym considering its instrumentation with timpani and trumpets. Also, the symphony requires two bassoons, but no flutes, corresponding with the available musicians at the court of Esterhazy between 1775 and 1776.
In continuation of the collaboration between Barenreiter and G. Henle Verlag, this edition is based on the Urtext of the Complete Edition "Joseph Haydn Works" published by G. Henle Verlag. | | BA 10989-65 | Wind set | EUR 55.00 | Minimum order quantity: 1 copy |
| | BA 10989-74 | Violin 1 | EUR 11.95 | Minimum order quantity: 4 copies |
| | BA 10989-75 | Violin 2 | EUR 11.95 | Minimum order quantity: 4 copies |
| | BA 10989-79 | Viola | EUR 11.95 | Minimum order quantity: 3 copies |
| | BA 10989-82 | Violoncello | EUR 11.95 | Minimum order quantity: 2 copies |
| | BA 10989-85 | Double Bass | EUR 11.95 | Minimum order quantity: 2 copies |
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Errors excepted; price changes and delivery terms subject to change without notice.
Responsible for content (i.S. des § 10 Abs. 3 MDStV): Ivan Dorenburg
Your contact at Barenreiter: Carolin Jetter · jetter@baerenreiter.com
Bärenreiter-Verlag Karl Voetterle GmbH & Co. KG · Heinrich-Schütz-Allee 35-37 · 34131 Kassel · Germany
Managing Directors: Prof. h. c. Barbara Scheuch-Vötterle, Leonhard Scheuch, Clemens Scheuch
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