| Barenreiter News – June II 2020 |
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| Barenreiter News – June II 2020 |
Dear musicians
We are pleased to be able to present you with Barenreiter’s new publications.
Further information on these editions and music samples can be found on our website. All editions can be ordered directly from our webstore.
We are still continuing to service all orders and if you have any enquiries, please contact us.
We wish you much strength and confidence for the coming weeks. Stay safe and healthy.
With kind regards
Your international sales and marketing team
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Please join Baerenreiter!
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| | Up-to-date Urtext edition on the cutting-edge of scholarship with new findings and readings
Fingering and in-depth notes on historical performance practice by Hardy Rittner (Ger/Eng)
Practical page turns (with a fold-out page) and reader-friendly engraving
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| Chopin, Frederic | | Barcarolle for Piano in F-sharp major op. 60 | BARENREITER URTEXT
Editor: Bitzan, Wendelin | | BA 11831 | EUR 8.95 | 9790006566105 | In 1845/46 Chopin composed his bel canto inspired "Barcarolle" in F-sharp major op. 60, which became a model for subsequent generations of composers.
In his evaluation of the divergent and partly even contradictory sources – due to the different engraving models (Stichvorlagen) for the first editions published almost simultaneously in Paris, London, and Leipzig – the editor obtains new results and readings, especially regarding problematic passages.
Chopin's pedal indications from the other sources, which differ from the main source, are added in small print. Information on this is provided in the Critical Commentary, which also documents the numerous variants of the sources and editorial decisions. An informative preface (Ger/Eng) discusses the genesis of the work and Chopin's specific understanding of the final shape of his works.
Hardy Rittner supplements Chopin's fingering from a historically informed perspective. He gives in-depth advice on central questions of performance practice (including cantilena style, rubato and pedal use) and discusses different interpretational approaches (Ger/Eng).
Practical page turns (with a fold-out page) and a reader-friendly engraving round off this new edition. | | |
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| | More than 250 music examples, diagrams and tables
Some 100 audio samples recorded on instruments ranging from the serpent to the microtonal tuba
Detailed fingering charts for F, E-flat, C and B-flat tubas as well as for the euphonium, ophicleide and serpent
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| Adler-McKean, Jack | | The Techniques of Tuba Playing | |
| BVK 2421 | EUR 54.00 | German/English text | 9783761824214 | This book on the tuba is a companion for composers and players alike, deepening their understanding of this somewhat neglected family of instruments. It gives tuba players an opportunity to master and employ new performance techniques on their instrument, particularly in contemporary music.
Jack Adler-McKean offers helpful instruction in various tuning mechanisms, resonance properties, new forms of notation and contemporary practices. Using the most recent research, he subdivides and reconstructs processes of sound generation and modification to display the broad range of tonal possibilities in the tuba family, many of which can also be applied to other brass instruments.
The text is illustrated with numerous music examples and diagrams and is supplied with instructive audio samples which can be downloaded from the Barenreiter website (under Multimedia).
The author:
Born in London in 1988, Jack Adler-McKean works primarily as a tuba player with a focus on contemporary music. He has played in orchestras including the WDR Sinfonieorchester Köln and the BBC Scottish Symphony Orchestra. He has also given solo and ensemble recitals, for example in New York and Buenos Aires with Klangforum Wien, Ensemble Modern and the Deutsche Oper Berlin | | |
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| | Urtext edition based on the Halle Handel Edition
Includes literal translations into German and English
Bilingual Foreword (Ger/Eng)
With a practical, idiomatic piano reduction
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| Handel, George Frideric | | Apollo e Dafne ("La terra è liberata") HWV 122 | BARENREITER URTEXT
Editor: Marx, Hans Joachim | Piano reduction: Sokolowski, Christopher | | BA 4104-90 | EUR 12.95 | Vocal score (Ital) | 9790006568222 | The episode from Ovid's "Metamorphoses" in which Daphne attempts to escape Apollo's advances by turning into a laurel tree, causing the devastated god to weave a laurel crown in memory of the nymph, has inspired the masterworks of many artists. Gian Lorenzo Bernini, whose famous marble sculpture is housed in the Galleria Borghese in Rome, is only one example of this. Many composers set this myth to music including young George Frideric Handel with his grand-scale dramatic cantata "Apollo e Dafne". The composer started working on the work shortly before leaving Italy in 1709, most likely finishing it the following year in Hanover.
Barenreiter now presents a vocal score of the opera-like cantata, the highlights of which include Dafne's aria "Felicissima quest'alma" (accompanied by solo oboe) and Apollo's famous lament "Cara pianta".
This Urtext edition is based on the "'Halle Handel Edition", offering a Foreword (Ger/Eng) as well as literal translations into German and English. | | |
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To order now, please e-mail to international@baerenreiter.com or print this out and fax it to +49 (0)561 3105310.
Errors excepted; price changes and delivery terms subject to change without notice.
Responsible for content (i.S. des § 10 Abs. 3 MDStV): Corinne Votteler.
Your contact at Baerenreiter: Carolin Jetter · Jetter@baerenreiter.com | Fax +49 (0)561 3105310
Baerenreiter-Verlag Karl Voetterle GmbH & Co. KG · Heinrich-Schütz-Allee 35-37 · 34131 Kassel · Germany
Managing Directors: Prof. h. c. Barbara Scheuch-Vötterle, Leonhard Scheuch
Firma und Registergericht: Kassel HR A 6553 · Komplementärin: Vötterle-Vermögensverwaltungs-GmbH Kassel HR B 3965
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