| Barenreiter News – March 2020 |
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| Barenreiter News – March 2020 |
Dear musicians
During these difficult and challenging times, we are pleased to be able to present you with Barenreiter’s new publications.
Further information on these editions and music samples can be found on our website. All editions can be ordered directly from our webstore.
We are still continuing to service all orders and if you have any enquiries, please contact us.
Stay healthy!
With kind regards
Your international sales and marketing team
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| | One-of-a-kind Urtext edition of the complete Diabelli Variations
First Urtext edition of the "Fatherlandish Union of Artists" Part II variations
Includes notes on performance practice of Viennese piano music during Beethoven's day (Ger/Eng) |
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| Beethoven, Ludwig van / Composers of the "Fatherlandish Union of Artists" | | Beethoven, Czerny, Liszt, Moscheles, Schubert et al. / 33 Variations on a Waltz op. 120 and 50 Variations on a Waltz Composed by Vienna’s Most Excellent Composers and Virtuosos "Diabelli Variations" | BARENREITER URTEXT
Editor: Aschauer, Mario | | BA 9656 | EUR 27.95 | 9790006528141 | Beethoven's "Diabelli Variations", written between 1819 and 1823, mark the pinnacle of his oeuvre for variations and next to Bach's "Goldberg Variations" form one of the most important contributions to this genre. In addition to Beethoven, 50 other composers from Austria, mainly Vienna, followed Diabelli's call to create variations on his famous waltz, among them Czerny, Moscheles, Fr. X. Mozart, Schubert, the 11-year-old Liszt and J. N. Hummel.
The variations first printed by Diabelli fictively as "Fatherlandish Union of Artists Part I" (Beethoven's op. 120) and "Part II" (the 50 variations of Vienna's "most excellent composers and virtuosos") are presented here by Mario Aschauer for the first time in one edition. Furthermore the variations of Part II appear in an Urtext edition for the first time. The musical text is based on a meticulous study of the sources and for the first time relevant discrepancies between the main sources are presented in light grey print.
A detailed Critical Commentary (Eng) and notes regarding Viennese piano performance practice during Beethoven's day complete this special Urtext edition based on the most current research. | | |
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| | A selection of the easiest pieces from the Complete Edition
Piano literature from the Viennese Classic
Foreword by Christopher Hogwood and Ryan Mark (Eng/Cz/Ger) |
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| Kozeluch, Leopold | | Six Easy Sonatas for Piano | BARENREITER URTEXT
Editor: Hogwood, Christopher | | BA 11565 | EUR 13.95 | 9790260109100 | Leopold Kozeluch (also Kozeluh) was among the leading musical figures of 18th-century Vienna, well-known in his day as an excellent pianist and piano teacher.
Six delightful sonatas have been selected from the complete edition of his piano sonatas published by Barenreiter, namely the easiest, as this album is specifically aimed at moderately advanced pianists. The edition includes Piano Sonatas No. 37 in G major, No. 47 in E-flat major, No. 7 in D major, No. 46 in C major, No. 10 in F major and No. 14 in G major, inviting pianists to explore the piano music of the Viennese Classic. | | |
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| | First edition of the work as it was originally premiered
Includes passages unpublished to date
First volume of the new series "Terezin Composers" |
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| Haas, Pavel | | String Quartet no. 2 op. 7 "From the Monkey Mountains" | BARENREITER URTEXT
Editor: Pivoda, Ondrej | | BA 11525 | EUR 29.95 | Parts in slipcover | 9790260108868 | TP 525 | EUR 23.50 | Study score | 9790260108851
Pavel Haas was one of Leos Janacek's most gifted students. His String Quartet No. 2 "From the Monkey Mountains" is considered to be one of the first high points of his oeuvre.
In this work, Haas combined elements of Janacek's compositional technique with jazz, particularly in the fourth movement's instrumentation for string quartet and percussion ad libitum. This version was premiered in Brno in 1926; later, the work was revised for string quartet only. For this edition Ondrej Pivoda has reconstructed the original version, bringing to light passages that were never published until now.
This is the first critical edition of the work. It is based on all relevant sources, taking sketches of the final version of the score and contemporary performance material into account. It includes an extensive Foreword (Cz/Eng/Ger) as well as a Critical Commentary (Eng). | | |
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| | First scholarly-critical edition
Includes many new findings: a valuable source for performance and scholarly research
First edition to document and adhere to the composer's corrections in the first printed edition
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| Leoncavallo, Ruggero | | Pagliacci | Masterpieces of Italian Opera
Complete edition, Edition of selected works, Urtext edition, Score | Editor(s): Giger, Andreas / Izzo, Francesco | | BA 7648-01 | EUR 396,00 | 9790006543632 | Price reduction available on subscription (part of the MIO series)
Information on the series will follow at a later date
| The verismic opera “Pagliacci” by Ruggero Leoncavallo marks the start of Barenreiter's new series “Masterpieces of Italian Opera” (MIO). “Pagliacci” was Leoncavallo's most successful work and to this day it belongs to the core repertoire of opera houses worldwide. The role of the tragic clown Canio has helped many singers to achieve successful performances and iconic interpretations.
This new publication of “Pagliacci” which is edited by Andreas Giger is the first edition to follow clear editorial guidelines, documenting all amendments and editorial decisions in the Critical Commentary. The opera is presented in two versions which, at the time, were both regarded as complete: the version Leoncavallo presented to the Italian publisher Sonzogno (one act, without a “Prologue” and “Intermezzo”) and the “final version” (two acts with a “Prologue” and “Intermezzo”), the conception of which was influenced by Victor Maurel, Sonzogno, as well as the experiences collected during the first series of performances. The new edition adheres to the autograph score of the composer as closely as current opera practice allows, correcting erroneous notes, articulation markings and slurs as well as proposing dynamics marks that were not included in previous editions. Additionally, instrumentation issues have been addressed. | | |
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| | Hardcover vocal score
With a singable German translation
Informative, bilingual Foreword (Ger/Eng)
Uncluttered idiomatic piano reduction |
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| Mozart, Wolfgang Amadeus | | Idomeneo K. 366 | BARENREITER URTEXT
Editor: Heartz, Daniel | | BA 4562-93 | EUR 69.00 | Vocal score (Ital/Ger) | Hardback | 9790006568956 | Due to numerous customer requests, Barenreiter is successively offering vocal scores to major Mozart operas in hardback editions again. This means you now have the choice: perhaps you prefer a slightly lower-priced and lighter soft-cover edition with excellent lay-flat characteristics or you feel that sturdier hardcover editions of important repertoire works are more likely to survive the rigours of a singer’s life.
Following the publication of Don Giovanni K. 527 (BA 4553-93) and Cosi fan tutte (BA 4606-93) this is now the third vocal score we are publishing in a hardback version. It is based on the respective volume of the ”New Mozart Edition” edited by Daniel Heartz (NMA II/5/11).
This vocal score contains an appendix with markings and amendments for the premiere performance in Munich as well as the 1786 Vienna revision. Suggestions for cadenzas and the embellishment of fermatas in the vocal parts have been rendered as footnotes.
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| | Highly expressive composition
A work of diverse musical character
A valuable addition to both traditional and contemporary concert programs
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| Trojahn, Manfred | | V. String Quartet | |
| BA 11417 | EUR 28.50 | Score | 9790006567706 | BA 11417-22| EUR 36.95 | Set of parts | 9790006569311
Manfred Trojahn is known for his compositional treatment of texts that reflect “the failure of the artist from various perspectives”. Above all, “Le Ceneri di Gramsci“ by Pier Paolo Pasolini and “Ein Brief“ by Hugo von Hofmannsthal comprise the intellectual foundation of the work, while Trojahn’s eponymous compositions offer the aesthetic and musical-rhetoric backdrop. Trojahn wrote this composition for the Kuss Quartet. This expressive work in three movements is characterized by sharp contrasts that juxtapose polyphonic elements and block-like structures, weaving a tight net of audible motivic connections. | | |
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| | Commissioned work for the 2020 International Johann Sebastian Bach Competition in Leipzig
Registration marks by the composer for the Rotha Silbermann organ
Appealing contemporary music
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| Szathmary, Zsigmond | | Silberklange | Organova 15
| | BA 11263 | EUR 19.95 | 9790006569588 | The composition “Silberklange” was commissioned for the 2020 International Johann Sebastian Bach Competition in Leipzig.
The composer noted: “During my first visit to the Georgenkirche in Rotha, I was impressed by the immensely vibrant and noble sounds of the historic Silbermann organ (1721), the endless variety of possible timbre combinations, the stellar acoustics of the church, and the historic atmosphere, which shaped and tamed my musical thoughts, transporting me into my very own ‘baroque’ world.”
This edition contains registration marks that reflect the soundscape the composer intended to achieve with this particular organ. Performing the work on an organ with different registration possibilities will open up a new spectrum of possible timbres.
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To order now, please e-mail to international@baerenreiter.com or print this out and fax it to +49 (0)561 3105310.
Errors excepted; price changes and delivery terms subject to change without notice.
Responsible for content (i.S. des § 10 Abs. 3 MDStV): Corinne Votteler
Your contact at Baerenreiter: Carolin Jetter · jetter@baerenreiter.com · Fax +49 (0)561 3105-310
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