When you really stop and think about it, it’s wild how common it is in the US to graduate college or
When you really stop and think about it, it’s wild how common it is in the US to graduate college or art school with thousands of dollars of debt. While I’m fortunate to be in a better position than many of my peers, it’s likely I’ll be paying my undergrad alma mater back until I die or mysteriously win the lottery. (Oberlin, you can count on the former.) Can’t Pay, Won’t Pay, a new text by the Debt Collective, picks apart how we got here and what we might be able to do to shift this dystopian reality. Check out Alexis Clements’s insightful review of their case for “economic disobedience.”Also worth adding to your reading list is a new “pocket guide” to overlooked women artists. Lydia Pyne offers her take on Susie Hodges’s The Short History of Women Artists. Likewise, Ayoola Solarin and Ysabelle Cheung each dive into two timely and compelling graphic novels on our list, Ben Passmore’s Sports is Hell and Ancco’s Nineteen, respectively.Lastly, check out this compelling excerpt of Darmon Richter’s haunting new text, Chernobyl: A Stalkers’ Guide.And if you’re observing Yom Kippur, g’mar chatima tovah.– Dessane Lopez Cassell, Editor, Reviews | |
|
| Making the Case for Debt Abolition Saddled with student loan debt? Now might be a good time to pick up the Debt Collective’s Can’t Pay, Won’t Pay, which makes a compelling case for “economic disobedience.” Alexis Clements |
|
The Shadow of Chernobyl Darmon Richter ventured to the Chernobyl Exclusion Zone to record the remnants of one of the world’s most serious nuclear disasters. Hrag Vartanian |
|
The End of Art History Writing a global art history demands that we give up historical thinking. David Carrier |
|
"You Might Be An Artist If..." An addictive assortment of comics by Lauren Purje about the ups and downs of life in the arts. Flights of fancy, bitter grumblings, pep talks, self-doubt, inspiration, procrastination, and more are all captured with a wry and relatable sense of humor. |
|
Support Hyperallergic | As arts communities around the world experience a time of challenge and change, accessible, independent reporting on these developments is more important than ever. Please consider supporting our journalism, and help keep our independent reporting free and accessible to all. | Become a Member |
|
|
|
Did you enjoy this issue? |
|