| | | | | | | | CHRIS SIMPSON
Allée des Baobabs, Madagascar, 1997
Archival pigment print | | | | | | Carnets de Voyage | | | | 23 May – 22 June 2019 | | | | | | | | | | | | | | | | CHRIS SIMPSON
Ricardo with his Chevrolet, Cuba (1994)
Archival pigment print | | | | | | 'It's the journey, and not just the destination, that makes up the whole picture of one's travels.'
– Chris Simpson
Atlas Gallery is pleased to present a selection of black and white prints by British-based photographer Chris Simpson. The photographs, selected from his book, Carnet de Voyage, are works Simpson made during his years travelling the globe from 1987 to 2008. His images distil the visual essence of people and places in Australia, Cal- ifornia, Mauritius, Cuba, Mali, England, Namibia, Madagascar, New Zealand, Argentina. With each photograph, the viewer is immersed in an exquisite landscape or comes face to face with the character of an individual in images of timeless freshness, grandeur and vitality.
The pared back quality of Simpson's photographs is the hallmark of his work. The strong lines, high contrast, clean cut almost austere compositions lend his subject matter a gravity that addresses the power of the natural landscape. Simpson's ability to create compositional tension within an image is technically brilliant, creating integration between subject matter and print. | | | | | | | | | CHRIS SIMPSON
Wolwedans Namibia VII, 2007
Archival pigment print | | | | | | Chris Simpson started travelling very early in life. Born in Zurich (1952), his family soon went to live in Ghana. Once he started boarding school in England, he travelled back and forth to the new family home, now in Mauri- tius, sometimes stopping off in Cairo, Khartoum, Nairobi, Entebbe, Dar es Salam. Calling Mauritius his 'spiritual home', Simpson describes how growing up for part of his life there 'tuned me into the beauty of light, shape and form.' His response to the Mauritian landscape was linked to his experience of the culture as an 'ethnic melting pot' where people lived together harmoniously.
Simpson explains how his work has also been inspired by two particular influences: the photographer and an- thropologist Baldwin Spencer (1860-1929), and travel writer Bruce Chatwin. Simpson's career radically changed direction after travelling to Darwin not long after the death of his paternal grandfather who came from the Northern Territory. There he found Spencer's book about his extraordinary Australian expeditions. Simpson subsequently abandoned his career in fashion photography and embarked on a life travelling and photographing the world.
In Songlines (1987), Bruce Chatwin writes about Aboriginal song and its connections to nomadic travel and their belief in the reciprocal relationship between humankind and the planet: 'To wound the earth is to wound your- self, and if others wound the earth, they are wounding you.' | | | | | | | | | CHRIS SIMPSON
Dead Vlei IV - Namibia, 1996
Archival pigment print | | | | | | Simpson's personal philosophy can be seen in Himba Mother (1996). The image was inspired by one of Amer- ican photographer Dorothea Lange's most famous images, Migrant Mother, taken in the mid-1930s during the Depression. For this image Lange speaks about the equality she experienced between herself and the mother when she shot the image. Throughout Carnets de Voyage, Simpson adopts this viewpoint and Lange's quote – 'the camera is an instrument that teaches people how to see without a camera'. He strives to help us see the world differently and, through them, to experience an equality with others and our shared environment.
Chris Simpson was educated in the UK and trained as photographer in London and worked as a fashion pho- tographer in London and Paris before setting out on his personal photographic journey. Awards for his work include the Hasselblad Master (2005). | | | | | | | | | CHRIS SIMPSON
Woman with Umbrella Madagascar, 1997
Archival pigment print | | | | | | unsubscribe here
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© 19 May 2019 photo-index UG (haftungsbeschränkt)
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