It’s been a big week, but it’s finally the weekend.
 ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌

June 28, 2025

It’s been a big week, but it’s finally the weekend. That means it’s time to see some art, but before you head to the major Diane Arbus retrospective at the Park Avenue Armory, Hyperallergic’s Managing Editor Hakim Bishara has some thoughts you should consider. He writes: “with all the cruelty of the world right in our faces, we don’t need Arbus’s bleak style of confrontational art.”

Another must-read this weekend is by writer and curator Laura Raicovich. In her essay, the former Queens Museum director describes the intimidation and smear campaign leading up to her 2018 resignation from the position.

In uplifting news, New York State Assemblymember Zohran Mamdani’s victory in Tuesday’s mayoral primary race has led to some pretty clever memes. Hyperallergic Staff Writer Isa Farfan gathers the best ones. Meanwhile, climate activists aren’t taking Jeff Bezos’s extravagant Venice wedding lightly. Greenpeace unfurled a giant banner in Venice’s Piazza San Marco criticizing the billionaire (seen in the banner, and probably somewhere in the world, laughing maniacally).

This is the last weekend of Pride Month so make the most of it. Get out to some events and catch up on some LGBTQ+ history with stories from our staff writers on Harlem’s drag balls, the gay culture of New York City’s piers, and the city’s first Pride March.

And, as always, there’s plenty of art to read about, from AX Mina’s glittering take on sculptor Young Joon Kwak to Anthony Majanlahti’s intense look at Caravaggio to Anne Anlin Cheng on what The Met got right about Asian femininity. Enjoy!

— Natalie Haddad, Reviews Editor

You’re currently a free subscriber to Hyperallergic. To support our independent arts journalism, please consider joining us as a member.

Become a Member

A Massive Diane Arbus Exhibition Does So Little

Questionable curatorial choices seem intended to prevent critical discussion in a major survey at Manhattan’s Park Avenue Armory. | Hakim Bishara

SPONSORED

Lessons on Art and Community From America’s Cultural Treasures 

These institutions shrink the space between art and life by serving as places where entire communities can cohere through storytelling.

Learn more

THE LATEST

QUEER HISTORY

How New York City Got Its First Pride March

What started as a response to the 1969 Stonewall Uprising has evolved and expanded, taking on an added urgency amid Trump’s ongoing attacks on LGBTQ+ people. | Maya Pontone


The Enduring Legacy of ’80s Harlem Drag Balls

More than three decades since Paris Is Burning put the underground scene on a world stage, ball culture remains a haven for the queer community. | Isa Farfan


When NYC’s Piers Were a Sanctuary for Gay Gathering 

In the 1960s, amid the shipping industry’s decline, the empty piers became a site for cruising and creativity for gay men in particular. | Rhea Nayyar

SPONSORED

Lisa Yuskavage’s Genre-Defying Works on Paper Presented at the Morgan Library & Museum

The first comprehensive museum presentation of the artist’s drawings features over 40 works spanning her entire career.

Learn more

OPINION

The Met Finally Meets Asian Femininity on Its Own Terms

After an exploitative 2015 show, I was wary about being an academic “beard” for another exhibition in the guise of “revision.” Monstrous Beauty is a different beast. | Anne Anlin Cheng


This Is the Story of My Resignation From the Queens Museum 

It’s a story about power, leverage, and fear during the first Trump administration, and also about the potential for solidarity and love in the second. | Laura Raicovich


As ICE Raids Stir Fear, My LA Neighborhood Perseveres

In my home in Downtown LA, I see artists and activists continuing to rise up. | Angella d’Avignon

FROM OUR CRITICS

Wayne Thiebaud’s Art Is More Than a Piece of Cake

A lot of the enjoyment of Thiebaud’s retrospective is spotting the Easter eggs of earlier art, whether overt, covert, or something more subtle. | Bridget Quinn


Barbara T. Smith’s Experiments in Xerox 

Years before her feminist performance art, she channeled her feelings through a copy machine. | Renée Reizman


The Intense Intimacy of Caravaggio

He seems to speak to us directly and clearly, given his love of striking light and shadow. We experience him personally. | Anthony Majanlahti

The All-Over Art of Hamid Zénati 

A new retrospective of Hamid Zénati is also an important record of an interconnected North African modernism. | Dahlia Elsayed


Young Joon Kwak’s Luminescent Bodies

The artist’s magnificent, rhinestone-encrusted cast sculptures tell multiple stories that look at contemporary queer and trans existence. | AX Mina


Chloë Bass Eschews the Clichés of Mixed-Race Art

The artist’s Twice Seen explores visibility and perception, challenging us to refuse to turn one another into novelties. | Lakshmi Rivera Amin

ANNOUNCEMENTS

ALSO ON HYPERALLERGIC

Remembering Arnaldo Pomodoro, Who Uncovered Worlds Within Sculptures 

The artist and my dear friend, who died this week just before his 99th birthday, was always curious, always carving away at a shiny surface. | Anthony Majanlahti


A View From the Easel

“Sometimes, I need to live with a piece to fall in love with it and get rid of any doubt that brews, a struggle many artists know well.” | Lakshmi Rivera Amin


Required Reading

This week: the Black Arts Movement’s radical aesthetics, Gatsby boat tours, advice columns, Hot Girls for Zohran, Gen Z dumps glitter on ICE, and much more. | Lakshmi Rivera Amin

MEMBER COMMENT

Jean Mensing on “Is the New Frick Collection Just the Same Old Thing?

I am relieved with the anger as there is and has been so much controversy over ART. This is not a sterile academic subject. The whole vast history of Art Production (from Lascaux to Banksy) is the story of our species’ slog through time. We probably should feel a bit of inner turmoil when we enter a place of Art. It’s not just a pretty picture.

You’re currently a free subscriber to Hyperallergic. To support our independent arts journalism, please consider joining us as a member.

Become a Member

View in browser  |  Forward to a friend

This email was sent to newsletter@newslettercollector.com

Update your email preferences


Hyperallergic, 181 N 11th St Suite 302, Brooklyn, NY 11211, United States
Click here to stop receiving all Hyperallergic emails.