Editor's Choice brings you a poem from a new book selected as a must-read. Our feature editor today is Heather Green.
Sawako Nakayasu
5

it was a wave all along

a passing moment reveals itself to have cued the long apology

the extent that we need another dollar

it’s haptic; it’s your membrane

sliding between the heat of now and surrender

and then somebody holds your wild you

which parts available for naming

atop a sharp manicured nail

a quiet neck is often mismeasured as discomfort which is
indifferent to the noise of the world

the desk is positioned at the wrong height

e-mails insert pointed arrows to indicate previous utterance in a
moment of refrain

the desk is a spacial deadline

replacing a hip

she was an elegy function; she happened at once; she pitched

so did i love

these goals are a great carrier of stillness
from the book PINK WAVES / Omnidawn
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One of the intentions in writing this book called "Pink Waves" was to venture towards the juicy edges between writing and translation, writing and performance. As is the case with many of the lines herein, a line like this—"and then somebody holds your wild you"—is what I call a “microtranslation” of a line from Adam Pendleton's "Black Dada"—based on the syntax from his line, “And then somebody kicks off the lid.” On the other hand, some lines—like “so did I love”—have not been altered at all.

Sawako Nakayasu on "Pink Waves"
The cover of Raymond Antrobus' album of spoken word poems, The First Time I Wore Hearing Aids
"A Diverse Experience of Sound"

Born deaf, poet Raymond Antrobus has just released a spoken-word album, produced by Grammy winner and music producer, Ian Brennan, called The First Time I Wore Hearing Aids. "I came to poetry through so many poets who also record their work....I wanted to be part of that enterprise with this album and with my poetry." 

via NPR
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Cover of Joshua Edwards' book, The Double Lamp of Solitude
What Sparks Poetry: Joshua Edwards on Gérard de Nerval's "Waking Up in a Stagecoach"

"I began with the title: “Le Réveil en voiture.” It seemed so simple. “Réveil” is “awaken” and “voiture” is something that carries someone, a vehicle. But which vehicle to put the reader in? What should carry them through the landscape of the poem? The obvious choices at first were “carriage” and “coach,” but those seemed too distant, too private, too monochrome. “Stagecoach” felt better! It was technicolor."
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