Each Wednesday, Editor's Choice brings you a poem from a new book selected as a must-read. Our feature editor this week is Susan Tichy.
Martha Collins
42

another beach, the last one we walked

together, hand in hand in the August sun,

and I walked on while you rested there, and now

it is winter and I am here with almost the last

 
of you in my hand, a tiny part of some parts

of you—your hand, your blue eye, shoulder,

mouth—and I try to gentle you in

to the sea, but a sudden wave rushes over

 
my feet and the wind catches this part

of some parts of you, and instead you are in

the air and more than before you are on

me: you have met me again, you will not let

 
me let you go, you are in the sea where you wanted

to be, but you are also in air and sand and earth

where your grandson will bury another small part—

and now I lick my finger and you are in me

 
 
43

as if I had swallowed the fact at last

as if the fact were a mass of lead

as if the mass made a space around it

 
as if the mass were a tiny planet

as if the planet were you, your life

the one you didn't want anymore


as if what I am were in orbit around you

not as a moon, but as random debris

myself in pieces, space between fact and me
from the book BECAUSE WHAT ELSE COULD I DO /University of Pittsburgh Press
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Poet Linda Bierds' Geometry and Chaos

"Her work draws on ekphrasis, historical personae, scientific thinking, and artifacts to create whole worlds of made thought. In her newest book, The Hardy Tree, Bierds uses fragments of borrowed text and a variety of received forms—centos, erasure, identity matrix (a form invented by Bierds’s student Gabrielle Bates), and more—to render the many violences of war, language, and power."

viaTHE RUMPUS
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"The ars poetica is a poem that takes the art of poetry as its subject matter. The tradition can be traced back to the Roman lyric poet Horace (ca. 19 B.C.E.) and his poem titled 'Ars Poetica,' in which he argues that poetry should be both amusing and instructive. Modern and contemporary poets have approached the genre in a myriad of ways over the years, employing it, for example, to construct broad defenses of poetry, or to make arguments for particular kinds of poetics, or as a space to meditate on or define their own aesthetics."

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