Each Wednesday, Editor's Choice brings you a poem from a new book selected as a must-read. Our feature editor this week is Ilya Kaminsky.
Katie Ford
Do you think I don’t know that when I say Lord
I might be singing into the silo where nothing is stored,
where it is written low lights were confused
by skyward light and flew its bodies

as birds against walls?
Well, everyone thrashes
against a wall
in this life.

I don’t know what I mean,
but I mean it. I don’t know what to want,
but I want it. And when I say God
it’s because no one can know it—not ever,

not at all—. It’s a wall.
And it drops to the floor as I fall.
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Isn’t it Byronic? Michael Caines on Don Juan at 200

"To Virginia Woolf, just shy of a century later, Don Juan was the real Byron.... thanks to 'the springy random haphazard galloping nature of its method.' Woolf saw that Byron’s turn to the Italian form of ottava rima meant he could 'write out his mood as it came to him.' 'He wasn’t committed to be poetical; & thus escaped his evil genius of the false romantic & imaginative.'"

via THE TIMES LITERARY SUPPLEMENT
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What Sparks Poetry:
Jennifer Chang on Robert Hass's
"Meditation on Lagunitas"


"After a year of college, I knew I was not going to major in Classics (early class times), Political Science (dry texts), or Philosophy (huh?), so I signed up for a course called Contemporary American Poetry. We met in the afternoon, in a classroom dominated by a wood table that had been worn by age into a dark honey. It was shaped like a pond, a near ellipse, and how it got into the room was unfathomable to me...”

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