| | | | | | | | Ezra Stoller
TWA Terminal at Idlewild (now JFK) Airport.
Eero Saarinen. New York, NY, 1962
© Ezra Stoller, Courtesy Yossi Milo Gallery, New York | | | | | | Pioneers of American Modernism | | | | 20 September – 2 December 2018 | | | |
| | | | | The Lumiere Brothers Center for Photography Bolotnaya embankment 3, bld. 1, 119072 Moscow
T +7 495-228 98 78
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Tue-Fri 12am-9pm | Sat-Sun 12am-10pm | |
| | | | | | | | | Ezra Stoller
Guggenheim Museum. Frank Lloyd Wright.
New York, NY, 1959
© Ezra Stoller, Courtesy Yossi Milo Gallery, New York | | | | | | The Lumiere Brothers Center for Photography is presenting to the Russian public, for the first time, the work oftheoutstanding American architectural photographer of the 20th century—Ezra Stoller.
The Guggenheim Museum, the former Whitney Museum of American Art building, Manhattan skyscrapers, the TWA Terminal at Kennedy International Airport, the famous Fallingwater house, the iconic building of the 20thcentury—the RonchampChapel and many other architectural landmarks of the modernist era captured by one of the most influential architectural photographers will be presented at the Center for Photography at the Red October.
Works for the exhibition in Moscow were specially selected from Ezra Stoller's archive. The display includes black and white photographs of public buildings, offices and private homes from the very beginning of his career in the late 1930s to the 1970s.
For many years, Stoller worked with the pioneers of modern American architecture and the most famous representatives of Modernism, including Frank Lloyd Wright, Ludwig Mies van der Rohe, Louis Kahn, Le Corbusier, Paul Rudolph and Marcel Breuer.
Stollerized—was the name that architects gave to the architecture photographed by Ezra. | | | | | | | | | Ezra Stoller
Miami Parking Garage. Robert Law Weed and Associates.
Miami, FL, 1949
© Ezra Stoller, Courtesy Yossi Milo Gallery, New York | | | | | | After initially studying architecture and graduating from New York University with a degree in Industrial Design, Stoller began his career bytaking photographs of the architectural models of his fellow students. Quite quickly,he realized that he hada much stronger feeling for photography than for architecture, and he therefore made the choice to work in two dimensions rather than three.
Stolleroften worked onassignmentsfor magazines, architectural companies, manufacturers and large corporations. His photographs, published in magazines such asArchitectural Record, Architectural Forum, Fortune and House Beautiful, made a strong contribution to promoting the new movement.
According tothe Pulitzer Prize Winner, American architecture critic and writer for The New Yorker, Paul Goldberger: “[Stoller’s photos] are surely among the most reproduced, and they have in and of themselves played a major role in shaping the public's perceptions of what modern architecture is all about”.
Although Stoller positioned himself as a commercial photographer, the artistic qualities of his photographs are beyond doubt and make him an influential figure in the history of architectural photography. In 1950, his works became a part of the exhibition Color Photography curated by Edward Steichen, the legendary Director of MoMA’s Department of Photography in New York. This exhibition also presented works by Ansel Adams, Richard Avedon, Henri Cartier-Bresson, Robert Capa and Erwin Blumenfeld. | | | | | | | | | Ezra Stoller
Exxon Building on Sixth Avenue. Harrison and Abramovitz.
New York, 1974
© Ezra Stoller, Courtesy Yossi Milo Gallery, New York | | | | | | Ezra Stoller was the first photographer to receive the American Institute of ArchitectsGold Medal in 1961, with the wording “the chief enabler of our experiences of Modern architecture”.
His photographs are in the collections of major museums in the USA, such as the Museum of Modern Art (MoMA), the Whitney Museum of American Art in New York, the Museum of Fine Arts (Houston) and the San FranciscoMuseum of Modern Art.
The Center for Photography is including an extensive educational program within the exhibition: lectures, discussions, movie screenings and scheduled curatorial excursions.
The project is supported by the Shchusev State Museum of Architecture. Guest architect of the exhibition: Julia Napolova, P.S. Culture. |
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