Julio Torres’s directorial debut takes a fantastical approach to depicting the very real trials of immigration and creative work.
| | Ichirō Kataoka and Kumiko Ōmori tell Hyperallergic about the modern-day conventions and challenges of the Japanese art of narrating silent films. | Dan Schindel |
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| | | | Julio Torres’s directorial debut takes a fantastical approach to depicting the very real trials of immigration and creative work. | Eileen G'Sell |
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| | | More than a quarter century after its original release, US audiences can finally watch Hideaki Anno’s mecha anime masterpiece in theaters. | Michael Piantini |
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| | | The new documentary All We’ve Got shows audiences the range of spaces designed as lesbian community hubs, performance venues, and places for dancing and partying. | AX Mina |
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| | | Alice Rohrwacher’s La chimera (2023) resists Hollywood’s compulsion to romanticize the Western archaeologist. | Billie Walker |
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| | | | This April: video essays on Palestine, AI, Nathan Fielder, and more. | Dan Schindel |
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| | | A partnership between the museum and Mubi will make a selection of films in this year’s biennial are now available to watch online from the US, UK, and Canada. | Maya Pontone |
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