We have a saying at Nike – ‘be a sponge’. Take in everything around you, and find inspiration in anything, from the texture of that table, or the colour of the sunset, to the chromatic effect of the surface of a beetle’s shell. It’s endless. We’re looking at the big world, but we’re also looking at it microscopically, and we’re finding really interesting blends of all of that. | | | | | Monogramouflage Mousepad + iPhone, 2009. (Achim Hepp) | | | | | | “We have a saying at Nike – ‘be a sponge’. Take in everything around you, and find inspiration in anything, from the texture of that table, or the colour of the sunset, to the chromatic effect of the surface of a beetle’s shell. It’s endless. We’re looking at the big world, but we’re also looking at it microscopically, and we’re finding really interesting blends of all of that.”
| - | Mike Parker, Nike CEO, 2016. |
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| | rantnrave:// Like it or not, some designers imagine what clothes will look like on INSTAGRAM when they design. Image-heavy consumption of fashion can belie how it's made, what it's made of, and who made it, which his why brands that are chill with their supply chains focus so much on “storytelling”… Excellent read from CORE77 on Design Culture in this interview with CRANBROOK’s SCOTT CLINKER: “The 'mass' context can be severely limited by conventional ideas…Design Culture is more focused on cultural production—the insertion of new ideas into society…providing a space to test new ideas for their own sake.” In fashion, there are designers’ designers—those who push the boundaries of said convention, yet it doesn't always translate to the demands of public trading (scent-water notwithstanding). Fashion is a culturally driven business, and you can’t design for ideas and try to sell something to everyone at the same time… Novelty clothing lines arguably prioritize a punchline over the clothes themselves. BUZZFEED, PRINCESS DI, and ICYMI, ADOBE STOCK IMAGES. Was ADOBE inspired by DISIMAGES here? Regardless, every time I see a new line of hoodies, sweats, and tees, I’d like to know more about it than a slideshow… Strange confluence of HENRY J. FORD in fashion exhibitions: one in LONDON explores an alternate reality of FORD's failed utopia and another, literally at the HENRY J. FORD museum in DEARBORN, MICHIGAN, is about a family’s stuff. CRANBROOK's showing fashion too. | | | - HK Mindy Meissen, curator |
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| Discussing design as an expanding discipline and cultural agency. | | |
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| While other streetwear brands have come and gone, kids and celebrities still flock to A Bathing Ape. | | |
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| We sat down in Rio with the figurehead of the sports behemoth to talk Lee McQueen, his ever-growing art collection, and the best piece of advice he's ever received | | |
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| Before white settlers came, tribes revered those who embodied both genders. This year’s Miss International Two Spirit is bringing that reverence back. | | |
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| Takashi Murakami, the legendary Japanese pop artist and ComplexCon creative director, talks about working with Kanye and Louis Vuitton, his quest to outdo himself, and inspiring the next generation. | | |
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| Advancing beyond simple communications purposes, mobile devices have become a constant companion with powerful benefits. Among global respondents, 74% say they appreciate the freedom of being connected anywhere, anytime, and 70% strongly or somewhat agree that their mobile device has made their life better. | | |
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| URBN-owned Anthropologie is taking its experiential retail concept to the next level, integrating dining, beauty and home goods within 30,000-square-foot superstores. | | |
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| Cotton futures surged as much as 3.9 percent in New York after the U.S. government made a larger-than-expected cut to its estimate for domestic inventories, citing higher Chinese demand. | | |
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| MasterCard is moving from trials of facial biometrics for payment authentication, including one in the U.S. and Canada launched earlier this year, to its first proper rollout of what is colloquially referred to as ‘selfie pay’ (aka MasterCard Identity Check). So basically enabling app users to confirm an online payment by showing their face to their smartphone’s camera. | | |
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| From the off, The Vulgar assumes intelligence on the part of the viewer. If only if all fashion exhibitions were so. | | |
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| From the mess of see-now, shop-now to the Kim Kardashian West robbery, social media cast a dark shadow over the last show season. | | |
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| Supermodels are increasingly deciding to go behind the camera, as well as in front of it. Is Instagram to blame? | | |
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| Everlane's 'radical transparency' story is misleading, argues Eunice Lee. Her antidote: long-term perseverance, gradual growth, and a focus on bricks-and-mortar. | | |
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| Even when "dress for success" doesn't officially apply, it's still a good idea to get out of your PJs or sweats. | | |
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| Today, we are talking about the first male Cover Girl, and what a cool process it is. | | |
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| The ballroom scene brought a whole new meaning to being "in vogue." | | |
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| Luxury goods group LVMH said there was "no way" it would do business with Amazon even though the Internet retailer was keen to take on more high-end brands. | | |
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| The 12-minute short doc illustrates the benefits of conscious consumption on both individuals and the bottom line. | | |
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| More than 90 percent of consumers are unhappy with the fit of their clothes. That means that an industry worth $3 trillion is selling stuff that fits almost no one. | | |
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| Zara arguably does not need famous names and faces to sell help its goods; it has something better: A near-perfect supply chain. | | |
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| Gucci displaces Chanel for the top spot in Vogue Runway’s most-viewed shows of the Spring 2017 season. | | |
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| | via YouTube. Kaikai Kiki + Toei Animation, 2003. |
| | | | Fantastic Plastic Machine |
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| © Copyright 2016, The REDEF Group |
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