Many years ago, friends of friends... wouldn't come and see me because I play techno. Now they say they do want to come and see me because I play techno. People used to be scared of my techno and now they're not. They should be. | | | | Money moves: Cardi B capping her album release day a week ago at E11even Miami.
(Alexander Tamargo/Getty Images) | | | | | | “Many years ago, friends of friends... wouldn't come and see me because I play techno. Now they say they do want to come and see me because I play techno. People used to be scared of my techno and now they're not. They should be.”
|
| |
| | rantnrave:// The fact that Cardi B's INVASION OF PRIVACY was certified gold immediately upon release was a simple accounting trick. The fact that it may be one of the most audacious pop debuts ever is something else. The reviews are as damn near close to unanimous and universal as I've seen for any album since maybe KENDRICK LAMAR, and they're warranted. One of those rare albums where pretty much every track sounds like a single, like this, and like this, not to mention this, but which also coheres into an actual album. Genius + soul + sass + craft. MusicSET: "Cardi B Made the Hip-Hop Album You've Been Waiting For"... Why is everyone saying NICKI MINAJ has to respond to Cardi B's album? I don't hear anyone saying MIGUEL has to do something about the WEEKND's album... (Minaj *is* dropping two songs today, though, now that you asked)... After months out of public view, following an accident that damaged her face, CARRIE UNDERWOOD returns with a single that doubles as an emotional TUMBLR announcing her return and an insta-classic feminist country anthem. NPR MUSIC's ANN POWERS does a nice job putting it in context... How and why we might start thinking about MARIAH CAREY differently... Hip-hop freeze-out in my old hometown: a long-running awards show in Asbury Park, N.J., with separate categories for indie-rock, Americana, punk, jam bands, rock and "psych/garage/surf," and then a single category covering the entirety of "R&B/soul/hip-hop." This in a city that's more than half African-American/black according to the 2010 census... This SPOTIFY/HULU bundle makes all kinds of potential sense as an optional package. Maybe several years from now when it's no longer optional, everyone will hate it and the buzzword will be unbundling. But we can worry about that later... APPLE MUSIC has 40 million subscribers and a new worldwide boss... Wait, I thought the entire point of vinyl is that it isn't digital... One billboard inside Detroit, Michigan... Fare thee well, PUREVOLUME... "Spotify Hard Mode" LOL... RIP TIMMY MATLEY. | | | - Matty Karas, curator |
|
|
| There remains one key physical distribution channel for music where streaming services fall far behind other, arguably outdated modes of consumption: the car. | | |
|
| It gave a powerful platform to artists of colour who were often female or gay - perhaps that’s why it attracted such hostility, writes Arwa Haider. | | |
|
| The fact that Cardi B's "Invasion of Privacy" was certified gold immediately upon release was a simple accounting trick. The fact that it may be one of the most audacious pop debuts ever is something else altogether. Meet pop's feminist, sassy, self-aware future. | | |
|
| "We've spent a lot of time trying to figure out emotionally where does this show need to begin?" says ACM CEO Pete Fisher. | | |
|
| The "music omnibus" bill represents the rare compromise between the music business and tech companies, who have spent years fighting each other over fractions of pennies. | | |
|
| ‘The Tree of Forgiveness’ is a deft, devastating late-period album, but its singer-songwriter still knows how to enjoy himself. | | |
|
| In search of the incendiary DJ who ruled the city's dancefloors and airwaves in the 1980s. | | |
|
| The company is tweaking the free service to make it easier to use, especially for customers on mobile phones, according to people familiar with the matter. An announcement is expected within a couple weeks. | | |
|
| An 11-year-old yodeler is the biggest thing on YouTube right now. | | |
|
| Ural Garrett writes about the evolution of the music-and-arts festival and how it has become a haven for hip-hop and R&B. | | |
|
| The co-founder of Chic and an architect of the disco-soul sound, Nile Rodgers comes to Coachella as a conquering hero. | | |
|
| Will Mariah Carey’s battle with bipolar II disorder make people reevaluate how they’ve talked about her behavior? | | |
|
| The Black Madonna, Mashrou' Leila, Brian Eno and others recently took part in a creative retreat in the shadow of the separation barrier in Bethlehem. In the first of a two-part feature, Tom Faber explains how the artists made music inspired by one of the modern world's most intractable conflicts. | | |
|
| “After the labels turned me down on ‘Who Let the Dogs Out’ I decided I’d find a band to record it, put it out myself and wrote in my diary that I’m going to have the biggest hit in the world,” Greenberg tells Music Ally. And that’s pretty much what happened. | | |
|
| One of country music's best voices delivers a subtly feminist statement on the double standards of grief and presentation. | | |
|
| In her debut album "Circa91," Ruby Ibarra addresses colorism and prejudice within the Filipino-American community and arms Pinoys with the knowledge to fight injustice. | | |
|
| Capshaw's Starr Hill Presents makes second pot-centric investment, buying into Northern Nights Fest. | | |
|
| What decisions have to be made when reissue labels package regional scenes into neat compilations? And what problems emerge in doing so? Nick Thompson spoke to Mr Bongo as they got to grips with the previously unexplored music of West African Burkino Faso. | | |
|
| Each year, Casa Verdi is inundated with applications from artists who want to live their twilight years in a neo-Gothic mansion surrounded by instruments. | | |
|
| © Copyright 2018, The REDEF Group |
|
|
