I think for so many people, music is just like a part of their life. It’s what they do while they cook or while they work or something. They have music they love, but music discovery as a concept maybe isn’t so central. It’s not a core problem to their lives.
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Like they just don't care: Fans at Coachella, April 15, 2018.
(Frazer Harrison/Getty Images)
Wednesday - April 18, 2018 Wed - 04/18/18
rantnrave:// Existential question of the week: Is BEYONCÉ going to do the same set this Saturday that she did last Saturday?... KENDRICK LAMAR's PULITZER PRIZE, which is, deservedly, all anyone this side of SEAN HANNITY seems to have been talking about for the past 36 hours, comes a year after BOB DYLAN won his NOBEL PRIZE. Dylan's prize was for a body of work that reached its first zenith in 1965—a year in which the Pulitzer jury couldn't think of a single American worthy of its music prize and, therefore, gave it to nobody. Not Dylan. Not JOHN COLTRANE. Not TERRY RILEY. Not anyone. Walls can take a very, very long time to break down. Dylan's win was an interesting and noteworthy shove. Lamar's is a long-overdue earthquake. TED HEARNE, whose SOUND FROM THE BENCH was one of the Pulitzer finalists this year, tells SLATE that classical music has long been a closed, exclusionary club. "It's great," he says, that the Pulitzers are "recognizing a whole tradition of musical thinkers and bringing them into a space that has been, up until very recently, entirely white." Working with Lamar, says the other finalist, MICHAEL GILBERTSON, "would be a great honor." It wouldn't automatically be groundbreaking, though. Lamar has worked with major jazz voices; those collaborations were essential to his TO PIMP A BUTTERFLY. And the 2013 Pulitzer winner, CAROLINE SHAW, is featured on KANYE WEST's THE LIFE OF PABLO. Not surprisingly, the artists tend to figure things out first. The academy eventually comes around, sometimes five years later, sometimes 50. But it does come around... SPOTIFY for background music... SPOTIFY for kids... Is if fair to use "Spotify" as a generic like I just did? Is it unfair to APPLE MUSIC, which may have more paying subscribers than Spotify before too long, or to AMAZON or anyone else? Or do we all accept that Spotify is the KLEENEX or TYLENOL or WAZE of streaming music? Do we have consensus on this? Would you know what I was talking about it I said "Apple Music for kids"?... Watching themselves on TV, feeling high: DRAKE, MICHAEL MCDONALD... DAVID BOWIE underground... RIP RONALD DUNBAR and NATHAN DAVIS.
- Matty Karas, curator
runout groove
The Verge
Why did the Instagram of music fail?
by Ashley Carman, Kaitlyn Tiffany, Jordan McMahon...
It seems basically impossible to build a music social network
Los Angeles Times
A TV critic on watching Beyoncé's Coachella performance at home
by Robert Lloyd
The camera knew where to be and when to be there; one never felt something essential was being missed.
Ultimate Classic Rock
Michael McDonald Was ‘So Stoned’ While Watching ‘SCTV’ Sketch About Himself
by Matt Wardlaw
"I’m looking at the TV and I’m so stoned, I don’t even know where [I am]. I’m watching this guy on the TV, in this car, running [into] the session, they’re playing Christopher Cross and I went, ‘Am I having a psychotic breakdown?’ It’s like, I’m going, ‘I know that guy!’ And I’m going, ‘Who is that?’ I’m thinking, ‘Oh my God.’"
The New York Times
Kendrick Lamar Shakes Up the Pulitzer Game: Let’s Discuss
by Jon Pareles and Zachary Woolfe
The rapper’s win for “DAMN.” is overdue recognition for hip-hop but raises concerns about the shrinking number of platforms for noncommercial work.
Medium
On Pulitzer Prizes, And How “Hearing Kendrick” Is The New “Hearing Jimi”
by Marcus K. Dowling
The world loves trap, but (still) can't jump.
The New Yorker
Helping Foreign Artists Cut Through the Red Tape, Pro Bono
by Betsy Morais
Matthew Covey’s work as an immigration fixer has assumed greater urgency in the Trump era.
The Associated Press
As Prince heirs stew, bankers and lawyers cash in on estate
by Steve Karnowski
As the second anniversary of Prince's death approaches, his heirs have yet to collect a dollar of his estimated $200 million estate. But bankers, lawyers and consultants have earned millions from it.
KCRW
Outlaws of the Airwaves: The Rise of Pirate Radio Station WBAD
by Solomon Georgio and David Goren
Pirate radio station WBAD in New York was a beloved source for fans of underground, unsanitized hip-hop in the 1990s, but how high could this illegal operation fly while also staying under the radar?
Complex
J. Cole's Album Rollout Proves He's a New Kind of Rap Star
by Shawn Setaro
KOD’s unconventional rollout shows that Cole can do whatever the hell he wants and still succeed.
Slate
Anti-Abortion Activists Rush to Praise Cardi B as a “Pro-Life” Icon
by Christina Cauterucci
“Uh-oh! Cardi B rejects the narrative that you must to sacrifice your unborn baby to have a satisfying career.”
locked groove
Pitchfork
What It’s Like to Follow Graces Jones for a Decade, According to Documentarian Sophie Fiennes
by Max Mertens
“Grace onstage can be so extreme and then she comes backstage and she’s like, ‘I’ve had a chicken marinating for three days, do you want to have dinner?’” jokes the director of “Grace Jones: Bloodlight and Bami.”
Mixmag
‘Paying to play’ is a genuine threat to dance music culture
by The Secret DJ
"It’s pernicious, and it’s widespread," says our mystery spinner.
AListDaily
At Coachella, Brand Activations Are Starting To Matter As Much As Music
by Neal Ungerleider
The Coachella festival, with marquee 2018 headliners like Beyonce and the Weeknd, is a music fan's paradise. Coachella is also something else, and something almost as important: One of the biggest annual scrums for the advertising industry. 
Variety
Where Can You Watch Beyonce’s Coachella Performance? You Can’t — Not Legally, Anyway
by Jem Aswad
It seems impossible that such a world-beating, meaning-laden, meticulously planned and executed — not to mention completely awesome — performance could just vanish into the ether, existing only in the memories of those who saw it before the livestream expired, but that’s at least the official word at the moment.
The Creative Independent
Billy Corgan on the questions all artists should ask themselves
by Billy Corgan and T. Cole Rachel
Musician Billy Corgan discusses the ways in which his process has (and hasn't) evolved over the years, why you actually need a good producer, and the big questions all artists should try and ask themselves.
Lenny
Lucy Dacus on the Welcomed Emptiness of Touring
by Lucy Dacus
"The monotony is meditative."
MusicAlly
After 2017 growth, Sacem boss talks YouTube, Facebook and blockchain
by Eamonn Forde
French collecting society Sacem has reported that in 2017, its collections from online surpassed those from physical music products for the first time.
CNN
Rapper Meek Mill speaks out about possible retrial
by Don Lemon, Meek Mill and Stephanie Elam
Rapper Meek Mill speaks to CNN's Don Lemon after District Attorney Larry Krasner said during a hearing that Mill's sentence should be thrown out, and he should be granted a new trial.
Dazed Digital
What happened to Q, who sang ‘Goodbye Horses’?
by Thomas Gorton and Charlie Graham-Dixon
The woman who performed the cult hit has completely disappeared - those connected to her and a Q Lazzarus bandmate try to shed some light.
The Outline
The rise of the ambient video game
by Lewis Gordon
‘The Legend of Zelda: Breath of the Wild’ and its contemporaries are sensory soothing software several decades in the making.
MUSIC OF THE DAY
“REDEF is dedicated to my mother, who nurtured and encouraged my interest in everything and slightly regrets the day she taught me to always ask ‘why?’”
@JasonHirschhorn


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