Cardi B is right.
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Jazzit: Herbie Hancock in the 1980s.
(Michael Ochs Archives/Getty Images)
Thursday - April 19, 2018 Thu - 04/19/18
rantnrave:// Existential question of the day: Should artists be paid when brands put them on their SPOTIFY playlists? This is a more complicated question than it might at first seem, no matter which side of the argument you're inclined to add your 0.0002 cents to, and BILLBOARD's JESSICA MEISELMAN does a nice job laying out the various rights and obligations in play here. From a brand's point of view, you're pointing listeners to content that's already on the service and for which artists are already being paid and saying, essentially, "This is cool. We like this." From an artist's or songwriter's point of view, you're being placed in an ad or, at least, attached to a brand. And if the brand is paying Spotify to sponsor that playlist, shouldn't it also be paying the creators of the content that makes the playlist possible? And what if a creator doesn't want to be associated with a given brand? You can't put a song in an actual commercial without getting the sync rights from both artist and composer. You can, on the other hand, play any song you want on the soundsystem of your store, as long as you're up to date with your PRO payments. Branded playlists would seem to fall somewhere in the middle of those two uses and, as Meiselman reports, Spotify and other services including PANDORA and IHEARTRADIO have guidelines for how brands can and can't use music. But the guidelines are soft and open to interpretation, and don't have the force of law. Add they don't appear to cover the concept of payment. A good way to get rid of any doubt: Ask. Ask the creator, that is... You hear her voice all the time in videos, but you don't see her face. Is BIG FREEDIA the new MARTHA WASH? And is the reason for her invisibility even uglier?... Can a new YO! MTV RAPS succeed where a new TRL and UNPLUGGED haven't quite? MTV is giving it a go... "oh by the way this is my book that I'm writing in real time"... My next job (my typing skills are mad accurate, just sayin')... STEELY DAN vs. LAURA INGRAHAM, circa 1999... RIP RANDY SCRUGGS.
- Matty Karas, curator
head hunters
Billboard
Should Artists Get a Cut When Their Songs Land On Branded Playlists on Spotify?
by Jessica Meiselman
The acts featured in advertorial content help boost a brand's visibility without permission.
The A.V. Club
What ever happened to the mashup artist?
by Luke Winkie
It appears we’re living in a post-mashup world. The genre still has its classics, but it seems that these days, most people regard mashups as a faddish gag or even a mistake, something lame and now woefully out of style.
Noisey
The Ghost of Big Freedia
by Myles E. Johnson
Mainstream artists like Drake and Beyonce continue to borrow Big Freedia's voice and New Orleans flavor, but she remains completely absent from their videos.
The New York Times
What New York Was Like in the Early ’80s — Hour by Hour
by Caroline Bankoff, Heather Corcoran, Nancy Hass...
Kim Gordon, Larry Gagosian, Nile Rodgers and many others revisit their wild nights and disjointed days.
The Washington Post
What the classical-music world can learn from Kendrick Lamar’s Pulitzer Prize
by Alyssa Rosenberg
Lamar's win exposes a generational divide in the classical and new music communities - and it's a reminder that the Pulitzer Prizes are a symptom of much larger issues.
BBC
Sting and Shaggy: 'Cultural appropriation is an ugly term'
by Mark Savage
"Reggae is something I respect," says the star as he releases an album with dancehall legend Shaggy.
Advertising Age
Blockchain? More Like Rockchain
by Jesse Kirshbaum
Spotify going public was a huge marker in the convergence of technology and music. Its transformative success has helped usher in a new era for music, one marked by growth. Finally, a music tech company is the talk of Wall Street, and tech investors can feel safe putting money back into music again.
Genius
Drugs, Disses, and Cindy Crawford: The Crazy Story Behind Prince’s ‘The Black Album’
by Ken Partridge
The mysteries around the album may have helped it reach mythical status.
Dazed Digital
Kamasi Washington on how South Central shaped his experiential new record
by Ammar Kalia
The spiritual jazz musician reflects on growing up in LA, working with Kendrick Lamar, and making his new album Heaven & Earth in two weeks.
Noisey
I Got High As Hell and Listened to 10 Straight Edge Albums
by Lawrence Burney
One writer's introduction to everything from Earth Crisis to Youth of Today, under the influence of weed.
future shock
Dummy
Inside HATE, every techno fan’s favourite YouTube channel
by Sam Davies
How two friends from Poland became the gatekeepers of forward-thinking electronic music.
The Guardian
From Madonna to Janelle Monáe: how female sexuality progressed in pop
by Rachel Brodsky
In her new song Pynk, Janelle Monáe crafts a milestone for how women’s bodies are referenced within music after years of sexualization aimed at a male audience.
Billboard
No Grammy, No Cry: Female Reggae & Dancehall Artists Talk Challenges and Victories
by Patricia Meschino
"Women have gone through some very serious things in this industry."
Ultimate Classic Rock
Meet the Beatstalkers, Band David Bowie ‘Climbed Over’ for Fame
When Scottish upstart band the Beatstalkers were linked with David Bowie for a series of singles in the mid ‘60s, the fight for fame meant there would be only one winner.
The New York Times
Fury in Germany as Rap Duo With Anti-Jewish Lyrics Gets Award
by Melissa Eddy and Andrew Curry
A Grammy-like honor for two rap artists has sparked a debate over anti-Semitism in German hip-hop and the rise in anti-Jewish sentiment among the country’s young people.
Variety
The Music Behind the Guru: Inside the Making of the ‘Wild Wild Country’ Soundtrack
by Charlie Amter
Despite working with a "micro-budget," music supervisor Chris Swanson weaves an inspired sonic accompaniment to the Netflix hit.
The Cipher
The Cipher: Jean Grae & Quelle Chris
by Shawn Setaro, Jean Grae and Quelle Chris
Everything's fine, really. Jean and Quelle are here to tell you why not.
Adam Neely
How to See Ghosts (using Infrasound)
by Adam Neely
This video is about infrasound, and making music with infrasound. No actual ghosts were detected, but it was fun trying to see them anyway. Oh well.
The Fader
JPEGMAFIA is the out-of-pocket rap rebel the world needs right now
by Briana Younger
JPEGMAFIA on his 'Veteran' album and the difficult task of making political music in 2018.
The Common Reader
Dogmatism and the Judgments of the Music Critic
by Kelsey Klotz
What does winning a Grammy actually mean about a musician’s worth?
MUSIC OF THE DAY
YouTube
"Anna Wintour"
Azealia Banks
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@JasonHirschhorn


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