To make something beautiful is revolutionary. | | | | Bob Marley & the Wailers arriving at the Birmingham Odeon, Birmingham, England, July 19, 1975.
(Ian Dickson/Redferns/Getty Images) | | | | | | “To make something beautiful is revolutionary.”
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| | rantnrave:// There are eight CHARLES MANSON albums on SPOTIFY. APPLE MUSIC, too. Most of them, I believe, recorded behind bars. My knowledge of Manson's music oeuvre is limited, but I do know at least one of them pre-dates his residency in the federal prison system and includes a couple lo-fi underground rock classics, if you're into that sort of thing. I admit I bought a copy on CD myself a couple decades back. Haven't listened to it in almost as long and don't know where the disc is at the moment, probably in storage, but I'm a Spotify subscriber so I guess I'm good. Here's a link to the hit on YOUTUBE. You're welcome. It has 1.4 million views. My YouTube autoplayed CHILDISH GAMBINO's "SATURDAY" next; make of that what you will, universe. DAVID TURNER, whose weekly newsletter, PENNY FRACTIONS, has become a favorite of mine, ties together several strands of the Spotify "Hateful Conduct" discussion in this week's issue and it's a great, skeptical read on the music service as "Judge, Jury, and Gatekeeper." Key line: "Spotify now dons a moral cop badge over music, when the company might’ve wanted to remember every good deed doesn’t need a press release." To be clear, it is *not* hypocritical for Spotify to make Manson albums available while banning R. KELLY from its own playlists and promotions. It isn't putting Manson on playlists either, as far as I can tell, and it hasn't removed Kelly's music from the system. It is, however, of interest. Also of interest is this hip-hop-specific take on a number of other men who a service with a hateful conduct policy may want to be thinking about. This is a discussion that absolutely should be happening—in music, in film, in media, in business, in government—and it's a discussion where communication, collaboration and lots and lots of deliberation will be helpful. In my humble opinion. MusicSET: "The Playlist Police"... YOUTUBE MUSIC will soft-launch next Tuesday as the newest major entrant in the subscription music space, and the company is promising it will be highly personalized, "audio-biased" (as opposed to video-), and receptive to your search for "that hipster song with the whistling"... YouTube also has started adding songwriting, musician and other credits under the "Show More" section of official uploads. Which is awesome, and a little messy in a way that makes clear how difficult it remains to do credits justice in a service with tens of millions of songs. For starters, the output is only as good as the input. And somebody input WALTER AFANASIEFF and MARIAH CAREY as the composers of AVICII's "LEVELS," which, um, no. And LEONARD COHEN appears as the writer of the Charlie Manson I link to above, which, um, hahaha. A for effort, though, and let's assume it's going to get better... The LAUREL vs. YANNY slider tool you've been breathlessly waiting for since at least Tuesday... Someone in the FBI likes the ROLLING STONES... JANELLE MONÁE is here to erase your Spotify playlists... KHRUANGBIN at the TINY DESK... RIP LARA SAINT PAUL.
| | | - Matty Karas, curator |
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| Los Angeles Review Of Books |
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| Why the Music Modernization Act matters. | | |
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| This is the first interview she has done for her new record, she says, and she is still working out exactly what she wants to say about it. In her own way, Barnett is a difficult artist to interview. Though she's disarmingly polite and engaging in conversation, she's also unfailingly humble, seemingly uninterested in self-promotion and even less in self-mythology | | |
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| Listening to "Space Gun" is like discovering a classic that you somehow missed out on when it first hit. | | |
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| The streaming giant's new policy on artists who engage in 'hateful conduct' is a half-measure, but it demonstrates the power the company now wields - and the challenge it now faces. | | |
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| With rap albums getting longer, young rap stars are learning to fight listener fatigue. | | |
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| Muqata'a includes the iPhone-recorded city sounds of Palestine in his avant garde productions. | | |
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