Let the world note that a great American influence on pop music, the American Beatle, the secret link between so many artists and records that we can only marvel, has passed and cannot be replaced. | | | | Yeah, that's probably him playing on that record: Glen Campbell, 1936 – 2017.
(Silver Screen Collection/Archive Photos/Getty Images) | | | | | | “Let the world note that a great American influence on pop music, the American Beatle, the secret link between so many artists and records that we can only marvel, has passed and cannot be replaced.”
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| | rantnrave:// I interviewed GLEN CAMPBELL once, before his diagnosis but after his memory started failing him. He was charming and gracious and sweet and couldn't remember what songs were on the album he was supposed to be promoting. I didn't know how to start asking questions. I still don't know where to start. With the nearly anonymous hot-rod albums he cut in the 1960s? The BEACH BOYS discards he picked up off a HOLLYWOOD floor? The heart-stopping poetry of the pop records he made with his greatest collaborator, JIMMY WEBB? The country-pop majesty of his commercial peak? The soft beauty of the modern-rock covers he seemed to have forgotten moments after he finished recording them in his final decade? The melancholy beauty (and unerring pitch) of his voice? The flat-picking precision of his guitar playing? (Plus also too: He played rhythm guitar on pretty much every American record made in the 1960s, which is sort of an exaggeration but sort of not.) And of course TV and movies, too. His free and fluid mix of country, pop and light rock left a heavy mark on the likes of KEITH URBAN, KACEY MUSGRAVES and possibly everyone else who works within 200 miles of NASHVILLE today. I love this quote from TOM PETTY on the orchestrated country-pop productions that made Campbell in AM staple in an FM world: "At first, you go, 'Oh, I don't know about that.' But it was such pure, good stuff that you had to put off your prejudices and learn to love it. It taught me not to have those prejudices." RIP to the king of the middle-of-the-road, who spent his life searchin' in the sun for something more... The TAYLOR SWIFT trial—which has potentially wide implications—begins with spilled coffee on a laptop... DIPLO explores African pop while JAMES VAN DER BEEK explores DIPLO... From the raw emotions of her music to her outspoken politics to her continuing struggles with mental illness, SINÉAD O'CONNOR has given the world countless opportunities to misunderstand her, and the world has complied. Can the world judge less and listen more? Can we acknowledge—and appreciate—both her beauty and her pain? MusicSET: "Sinéad O'Connor's Universal Truths"... RIP BARBARA COOK. | | | - Matty Karas, curator |
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| Pop music’s always been made in Los Angeles, but what is it about the place that is so conducive to hit-making and collaboration? | | |
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| Motor City is asking whether its history of electronic music can boost its fortunes. It should also ask what techno can do for Detroiters today. | | |
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| What happens when a superstar DJ leaves a pile of Coachella cash on the table to go break even on a tour of Africa, where a red-hot music scene is on the verge of going global? We flew to Uganda and Ethiopia to find out. | | |
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| A sharecropper’s son who became a recording, television and movie star, Mr. Campbell also battled alcohol and drugs and became a public face of Alzheimer’s disease. | | |
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| The singer, guitarist, TV host and actor sits down with Yo La Tengo frontman Ira Kaplan on the eve of releasing his final album and final tour as he battles an increasingly debilitating case of Alzheimer’s disease. (Originally published Nov. 3, 2011.)Read more: https://www.relix.com/articles... | | |
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| Is the official narrative on the origins of "We Shall Overcome" one big lie? A judge will soon decide. | | |
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| From her music to her outspoken politics to her continuing struggles with mental illness, Sinéad O'Connor has given the world countless opportunities to misunderstand her, and the world has complied. Can the world judge less and listen more? | | |
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| An update to the classic rhythm machine aims to be everything its moment demands. | | |
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| Although this case currently has the public's eye, it's not the first of its kind nor the one to capture the most attention. | | |
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| Juggalos and Sooners apparently don't get along. By the end of this year's Gathering, cries of "F*** Oklahoma!" rang out across the festival. | | |
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| Why Steve Jobs told me he loved the littlest iPod-and why we're going to miss it. | | |
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| This month, 70,000 revelers will flock to the 10th anniversary of Outside Lands—the brainchild of an exceedingly modest 65-year-old in dad sneakers. | | |
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| Wuilly Arteaga, a 23-year-old violinist, was beaten and arrested after playing at the front lines of protests. Here’s why his message is resonating in Boston. | | |
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| Director Alan Yang explains the concept behind Jay Z’s star-studded “Moonlight” video. | | |
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| When Barack Obama was elected President of the United States, M.I.A.’s “Paper Planes” was a top 10 pop song in America. There may have never been a better time in American history. | | |
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| Five albums in, Atlanta’s finest talk creativity, comfort zones and Kanye. | | |
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| Radio host Dennis Prager, who won fans and inflamed critics with homophobic comments, has spurred some Santa Monica Symphony musicians to boycott an Aug. 16 concert where he's guest conductor. | | |
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| On Alanis Morisette's underrated follow-up to 1995's "Jagged Little Pill." | | |
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| Jazz started out as a dance music. Its syncopated rhythms made dancing wilder than even ragtime, and when the musicians detoured into improvisation, it shifted the dancing frenzy into a higher gear. | | |
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| Hits like “Wild Thoughts,” “Bad Things” and “Crying in the Club” suggest that the past generation’s pop gems are coming back in a big way. | | |
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| | | | | | | From "I'll Be Me" (2014). |
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