Since the dawn of time, one question has eluded artists and curators alike: What makes a good studio visit?
 ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌

April 29, 2025

Since the dawn of time, one question has eluded artists and curators alike: What makes a good studio visit? Today at 3pm EDT, Editor-in-Chief Hrag Vartanian is moderating a conversation with curators Kimberli Gant, Candice Hopkins, and Caroline Liou on this very subject. They’ll discuss tips, best practices, and general guidelines for making the most of your studio visits. It’s not too late to sign up — become a Hyperallergic Member to tune in!

Meanwhile in New York, the sky is blue, dog parks are popping, and champagne is flowing at gallery openings again. As spring reinvigorates the city and your appetite for art, we’ve got you covered for the best shows to see this week. Read our recommendations below, plus Reviews Editor Natalie Haddad on the fierce pussy collective at Participant Inc. and Associate Editor Lisa Yin Zhang on the “humanistic bent” of John Singer Sargent’s tender portraiture at the Met Museum.

More in today’s issue, including a remembrance of legendary Los Angeles photographer John Humble, the Rome mural lampooning Trump and other right-wing attendees of Pope Francis’s funeral, and the multimillion-dollar Rothko damaged by a child. (Gives new meaning to “my kid could draw that,” huh?)

— Lakshmi Rivera Amin, Associate Editor

You’re currently a free subscriber to Hyperallergic. To support our independent arts journalism, please consider joining us as a member.

Become a Member

The Tender Specificity of John Singer Sargent

What comes through most strongly in the Met Museum exhibition is his humanistic bent: Sargent loved people, and it shows. | Lisa Yin Zhang

SPONSORED

Claudia Alarcón and Silät, on View at James Cohan’s 52 Walker Street Gallery

Claudia Alarcón & Silät, a collective of Indigenous women artists from the Wichí communities of northern Salta, Argentina, make their New York debut with new textile works exploring celestial themes. The show presents the artists’ contribution to the rich tradition of South American geometric abstraction and highlights the ongoing significance of Wichí artworks to global modernism.

Learn more

THE LATEST

  • A child damaged a prized Mark Rothko painting last Friday while it was on display at the Museum Boijmans Van Beuningen in Rotterdam.

  • A new public mural near the Vatican takes a satirical aim at the conservative world leaders who attended Pope Francis’s funeral service.

  • John Humble, a photographer who insightfully documented the urban landscape of Los Angeles, died on April 13 at the age of 81.

  • The Smithsonian Institution has denied reports that objects related to the Civil Rights Movement will be removed from two museums amid Trump’s threats to erase “race-centered ideology.”

ART & FILM

Five New York City Shows to See Right Now

From historical shows about labor to investigations of color to John Singer Sargent’s renderings of hands, we’re enjoying a variety of art this week. | Natalie Haddad, Lisa Yin Zhang, Julia Curl, Daniel Larkin, and Julie Schneider

SPONSORED

The Charles H. Wright Museum Set the Template for Narrating the African-American Experience

From its beginning in Wright’s Detroit basement, the museum has cultivated increased visibility for all African Americans by showing other institutions how to build their own storytelling apparatuses.

Learn more

A Collective of Lesbian Activists Is a Fierce Family

A show highlighting work by members of the collective fierce pussy presents them not out on the streets, but communing with one another, like family. | Natalie Haddad

The Darkness of Thomas Kinkade, Painter of Light

One of a new documentary’s most intriguing strands is the way that brand seemed to eclipse the man, according to his own family. | Dan Schindel

FROM THE ARCHIVE

What Does God Even Look Like?

God: An Anatomy meticulously maps the anatomy of God’s body over 20 chapters, as well as an autopsy in an epilogue. | Sarah E. Bond

FEATURED OPPORTUNITY

Jonathan and Barbara Silver Foundation – 2025 Grant for Sculpture

In 2025, the Jonathan and Barbara Silver Foundation, committed to supporting the field of sculpture, will award a $20,000 grant to a sculptor who demonstrates an exceptional commitment to sculpture and an imaginative engagement with its materials, histories, and situation.
Deadline: May 31, 2025 | jonathanandbarbarasilverfoundation.org

See more in this month’s list of opportunities for artists, writers, and art workers!

MOST POPULAR

  1. The Small Magazines That Birthed Surrealism

  2. Exhibition at Children’s Museum Decolonizes Color

  3. How a Tiny Crab Museum in the UK Stood Up For Trans Rights

  4. Puerto Rican Painter and NYC Arts Advocate Tony Bechara Dies at 83

  5. Amid Market Uncertainty, Expo Chicago Brings a Spirit of Hope

You’re currently a free subscriber to Hyperallergic. To support our independent arts journalism, please consider joining us as a member.

Become a Member

View in browser  |  Forward to a friend

This email was sent to newsletter@newslettercollector.com

Update your email preferences


Hyperallergic, 181 N 11th St Suite 302, Brooklyn, NY 11211, United States
Click here to stop receiving all Hyperallergic emails.