"Logan Noir:" Creating the Stark, Soulful Black-and-White Version

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Cinematographer Newsletter

THIS WEEK'S NEWS - 5.24.17

Black and White and Wolverine: "Logan Noir"

"Wonderstruck" Achieves Era-Specific Looks With Era-Specific Equipment

Cinematographer Jim Frohna on Shooting "I Love Dick" Like an Indie Film

"The Handmaid's Tale:" Developing a New Vision of Dystopia

Before and After: How Color Tells the Two Stories of "13 Reasons Why"

Inside the Covert Production on "Inside the FBI: New York"

Cinematographer Colin Watkinson Reveals How He Lit a Key Scene in "The Handmaid's Tale"

Choose Your Own Adventure: Inside Google's National Parks Project

Understanding the 180-Degree Rule

DIGITAL CINEMATOGRAPHY NEWS

Digital Video Announces 2017 NAB Best of Show Award Winners

Blackmagic Design Heading Cross Country With NAB 2017 Roadshow

Bringing the Cinematic Look to Television

The Split Diopter Lens: An Appreciation

AbelCine's NAB Show in Review

Better, Sharper, Richer: The Promise of HDR

NEWS FROM THE CREATIVE PLANET NETWORK

"City of Ghosts" Subjects Fight ISIS (With Cameras)

Cate Blanchett is Everything/Everyone in "Manifesto"

"Risk" Documentary Director Rethinks Assange

Evan Peters and Jay Bahadur Take on a New Perspective With "Dabka"

Tracing the Life and Work of an Artist in "Burden"

With "The Commune," Thomas Vinterberg Begins Again

"The Wall" Moves from Legos to the Mojave Desert

Ana Lily Amirpour on "The Batch Batch:" "Dark, Weird, Crazy, Chaotic"

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