Good afternoon, Los Angeles readers and beyond. For those who don't already know me, my name is Elisa
Good afternoon, Los Angeles readers and beyond. For those who don’t already know me, my name is Elisa Wouk Almino, and I am the Los Angeles Editor at Hyperallergic.Starting this week, we’re trying a new newsletter style that we hope you’ll enjoy. In addition to drawing out the week’s highlights, I will be making an effort to share pieces from our archives that are relevant or worth revisiting. Occasionally, I might also share a fun image or Tweet to brighten or enlighten your day.This week, LACMA shares its winners of the Art + Technology Grant, an artist discusses ableism in the art world, meet artist Cauleen Smith, and the escalating debt crisis at private art colleges.– Elisa Wouk Almino, Senior Editor, Los Angeles | |
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An Urgent Conversation About Ableism in the Art World |
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| Panteha Abareshi, “Unlearn the Body” (2020), performance shot on super 8mm color negative |
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LACMA Art + Technology Grant Winners |
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| MUD Frontiers (image courtesy Rael San Fratello) |
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Since 2013, the Art + Technology Lab at the Los Angeles County Museum of Art (LACMA) has been offering yearly grants to artists working with emerging technologies. The four winning projects this year are truly imaginative — and fun. One of the grantees, Agnieszka Kurant, is inviting us all to collectively care for a Tamagotchi (remember those?). |
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Meet LA’s Art Community: Cauleen Smith |
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Every other week, we interview a different artist or art worker living in Los Angeles. It’s a really wonderful opportunity to hear about what they are working on and what is important to them at this time. This week, I had the pleasure of interviewing the artist Cauleen Smith, who talks about being in “sponge mode” during quarantine and reflects on her love for Los Angeles: I love how LA is not a nostalgic place and people here do not have to constantly remind themselves of why it’s great to live here like, say, in New York, where “only in New York!…” boosterism seems like a balm for the hardship of living in a place with $5 avocados. Ha! Read the full interview, or check out our past interviews here. |
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Private Art Colleges Are Drowning in Debt |
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What to See This Week in LA |
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| How Latinx Artists Were Shut Out Of Art History Arlene Dávila’s Latinx Art: Artists, Markets, Politics considers the plights of Latinx artists through the lens of race and class disparities in both North and South America. Valentina Di Liscia |
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From our partners at KCET |
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“Southland Sessions,” a new multiplatform project by L.A. public TV station, KCET, connects you to SoCal’s resilient arts scene one session at a time. |
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Mariachi - from Romance to Resistance Hosted by Mariachi musician Julian Torres, this episode explores the tradition of Mariachi music and its transformation through time and circumstance. |
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USC Pacific Asia Museum Decolonizes Its Collections Many museum collections were built on the imperialist and exploitative practices of collectors. University of Southern California Pacific Asia Museum is taking steps to rectify this problematic situation. |
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