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Los AngelesOctober 5, 2022 • View in browserYour Concise Los Angeles Art Guide for October 2022Your list of must-see, fun, insightful, and very Los Angeles art events this month, including the Maya Codex of Mexico at the Getty, Beatrice Wood, Trenton Doyle Hancock, and more. | Matt Stromberg October will have us looking back and forward simultaneously in Los Angeles, with historical shows alongside new bodies of work from contemporary artists. These start 1,000 years back with the Maya Codex of Mexico (Códice Maya de México) at the Getty, then jump to the 20th century with exhibitions devoted to the “Mama of Dada” Beatrice Wood at LA Louver, and a homage to the late transgressive performance artist Bob Flanagan at Kristina Kite. SPONSORED Orange County Museum of Art Celebrates Its New Building With a 24-Hour Opening PartyDesigned by Pritzker Prize-winning architect Thom Mayne of Morphosis Studios, OCMA reopens on October 8 with performances, film screenings, and more. Learn more. HIGHLIGHTS THIS WEEK Ana Mendieta, “Untitled: Silueta Series 1976 / 2001” (July 1976) (© 2022 The Estate of Ana Mendieta Collection, LLC, courtesy Galerie Lelong & Co. / Licensed by Artists Rights Society (ARS), New York) Joan Didion: What She Means Curated by writer and critic Hilton Als, Joan Didion: What She Means attempts to reflect the writer's vast influence and legacy through the works of 50 or so visual artists, including Felix Gonzales-Torres, Ana Mendieta, Betye Saar, and more. Sarah Pucci and Dorthy Iannone This show at Hannah Hoffman pairs sculptures by Dorthy Iannone's mother, Sarah Pucci, with collages that Iannone made on a 1962 trip to Japan, drawing connections between the formal and familial. Códice Maya de México Only four pre-Conquest Maya manuscripts are known to have survived, and the Códice Maya de México is the oldest, estimated to have been written about 900 years ago. The Getty’s exhibition will be the first time the manuscript has been seen in the US in half a century. MORE FROM HYPERALLERGIC Trenton Doyle Hancock’s World-Building PowerThe works, and worlds, on display in Hancock’s exhibition seem saturated with a desire for narrative redemption through self-observation and aspects of his Christian upbringing. | Jennifer Remenchik The Dazzling Local Arts Scene of Southeast Los AngelesIn the shadow of a planned $150 million cultural center designed by Frank Gehry, a number of grassroots arts organizations are thriving in the predominantly Latino region. | Matt Stromberg Support Hyperallergic's independent journalismBecome a member today to help keep our reporting and criticism free and accessible to all. Become a MemberCLOSING SOON Kaari Upson, “Kris’s Dollhouse,” detail (2017–19) (photo by An Xiao Mina/Hyperallergic) Kaari Upson: never, never ever, never in my life, never in all my born days, never in all my life, never Lee Alexander McQueen: Mind, Mythos, Muse ON VIEW IN MUSEUMS & GALLERIES Stars Don’t Stand Still in the Sky: A Tribute to Lawrence Weiner Martin Roemers: Relics of the Cold War The Medium is the Message: Flags and Banners Beatrice Wood: Drawings, Prints, Ceramics Lily van der Stokker: What is it Trenton Doyle Hancock: Good Grief, Bad Grief Ray Anthony Barrett: …of frontiers and phantoms
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