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New YorkApril 6, 2022 • View in browserBetsy Kaufman Puts Pressure on Geometric AbstractionKaufman’s sculptures can go from orderly to helter-skelter, making them seem like willful renegades from an industrial assembly line. | Ela Bittencourt SPONSORED There’s Something Special About Jim Osman’s SculptureOsman’s care for and attention to his modest materials, the particularities of their identity, is rare in a society where excess is celebrated daily. | John Yau Mungo Thomson’s Elegies to an Analogue WorldThomson’s videos conjure up the weird sublimity of internet wormholes, the familiar, swaddling mindlessness of allowing oneself to be swept up in a deluge of content and carried — where? | Cassie Packard SPONSORED Afro-Canadian Artist Sharon Norwood’s Drawing Room Opens at ISCPNorwood’s first solo exhibition in New York explores decoration, Black craft histories, and the politics of beauty, labor, and race. Learn more. The Films of Jonas Mekas Are More Often Discussed Than SeenA vigorous advocate for the avant-garde, the filmmaker often neglected to promote himself. | Nolan Kelly New York’s Best Documentary Festival Makes Its ReturnAfter 2020’s virtual festival and 2021’s severely abridged edition, Art of the Real is back with a full slate of exciting experimental nonfiction. | Dan Schindel Become a member today to support our independent journalism. CLOSING SOON Harriet Korman, "Untitled" (2021), oil on canvas, 48 x 60 inches (all images courtesy Thomas Erben Gallery, photos by Andreas Vesterlund) Adelita Husni Bey: These Conditions Harriet Korman: New Work Vik Muniz: Scraps The Slipstream: Reflection, Resilience, and Resistance in the Art of Our Time ON VIEW Betsy Kaufman: 14 Sculptures, 1 Painting Mungo Thomson: Time Life Julia Fish: Threshold/s with Hearth: recent paintings and a site intervention Mimi Park: Dawning: dust, seeds, Coplees Jule Korneffel: Here comes the night
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