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New YorkOctober 27, 2021 • View in browserDiane Simpson’s Sculpture Finds Beauty of a Different KindIn a world delighted and entertained by displays of material excess, Diane Simpson shows that there is another possibility. | John Yau SPONSORED The Voices Dawoud Bey HearsUnless you were already familiar with Bey’s documentary work, the horror he refers to might not be recognizable to you. | Seph Rodney SPONSORED Columbia University Is Accepting Applications for Visual Arts and Sound Art MFA ProgramsOn November 14, join Columbia University School of the Arts for virtual information sessions with the program chair, faculty, and staff. Learn more. Día de los Muertos Comes to NYC With a Dazzling Display of Mexican Folk ArtSculptures of Oaxacan alebrijes, envisioned as guardians of the nation’s immigrant community, and catrinas, Day of the Dead skeletons, are now at Rockefeller Center. | Valentina Di Liscia Tamara Kostianovsky Envisions a Whimsical SlaughterhouseThe animal carcass sculptures are gruesome yet their materials — the artist’s own discarded clothing — lend them some gentleness. | Louis Bury Exhibiting the Afterlives of Looted ArtThe exhibition at the Jewish Museum delves into “degenerate” art and art made under duress as part of a thought-provoking yet diffuse exhibition. | Chelsea Haines A New Manhattan Gallery Elevates the Careers of Latinx ArtistsFor Calderón Ruiz’s first exhibition, artists Esteban Ramón Pérez and Jaime Muñoz plumb the depths of Chicanx identity. | Valentina Di Liscia Support HyperallergicYour contributions support Hyperallergic's independent journalism and our extensive network of writers around the world. Join UsCLOSING SOON Philip Guston, "The Studio" (1969) (© The Estate of Philip Guston, courtesy the Estate and Hauser & Wirth. Photo: Genevieve Hanson) Philip Guston: 1969–1979 An Act of Seeing: Barry Jenkins’s The Gaze Kusama: Cosmic Nature Cross Pollination Tomashi Jackson: The Land Claim
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