Read the Yesteryear Issue cover story, features, and more from New York Magazine’s April 8 issue.
Go to any city in America and you can likely find a good Italian place, the hot Korean spot, and a semi-secret sushi counter. It’s only in New York that we have the rap-mogul restaurant, the supermodel café, the indie-director diner, and the club kids’ breakfast nook. We go to restaurants for oxtail or cocktails, but we also go to find our people. The great New York critic Vivian Gornick recently told my colleague Hilary Reid about the first time she was taken to Café Loup on West 13th Street by an editor: “He told me it was a ‘writer restaurant.’ I was thrilled. I thought, Oh boy, I’m being initiated.” It was not always this way. As William Grimes writes in his 2009 book, Appetite City, the word restaurant entered popular usage only about 200 years ago. Paris was the western world’s culinary capital. New York subsisted on tavern grub: beef, bread, beer, oysters. Then the Delmonico brothers gussied up their downtown café with European-style glamour and a new era was born. Restaurants are extensions of our offices and refuges from our tiny kitchens, many of which are barely functional. With respect, our best spots are not defined only by their cooks and their hosts and their servers; they are defined by us, the indefatigable regulars. For our tenth “Yesteryear” issue, we dove into the haunts and the joints, choosing the moments when individual scenes flourished. Through dozens of snapshots, we found a history of the city that hasn’t otherwise been told. The restaurants here were great not because of what they were but because of who we were and who we became while we were there. Landmarks may fade, but the feeling of ease that comes from finding your place — or, failing that, the place where the SNL cast likes to hang out — is timeless and universal. —Matthew Schneier, chief restaurant critic |
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Belly of the Barbz Nicki Minaj’s fans take parasocial to a new level on her latest world tour. |
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How’d You Make That? New York’s former editor-in-chief gets artists to open up on their creative process. |
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The Album Review: Cowboy Carter showcases Beyoncé’s ability to crash any scene she pleases. By Craig Jenkins The Movie Review: Fantasy looms on the edges of Alice Rohrwacher’s playful La Chimera. By Bilge Ebiri The TV Review: In his HBO series, Jerrod Carmichael makes the camera his god. By Kathryn VanArendonk |
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On Intelligencer LISTEN NOW Olivia Nuzzi visits Arizona, a swing state at the heart of Trump's claims that the election was stolen, where his preoccupation with the border and immigration are the most visible and urgent, and where the control of the senate hangs in the balance. On the Cut Beloved literary couple Daniel and Grace Lavery, along with their partner Lily, are all living and working full time in their Brooklyn apartment. Now, they have to find space for a baby. (Online Wednesday)On Curbed The Look Book carbo-loads at a baguette competition. (Online Thursday) |
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https://link.nymag.com/oc/56fef2e2487ccdd51a8b983cktpau.1u1/5ea2e393 |
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