It’s shaping up to be a busy (and discourse-driving) post-strike awards season. With Oscar nominations announced, Oppenheimer leads the pack with thirteen, while Barbie picked up eight, but was snubbed in some major categories. The awards ceremony will take place on March 10, 2024 at 7 p.m. ET on ABC and will be hosted by Jimmy Kimmel.

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When did Sterling K. Brown and Diane Warren become besties?

by Jason P. Frank

The Couples of This Year’s Awards Season, Ranked

The Oscar nominations gave us a reason to update our ranking of the smooching duos we may see this award season.

by Fran Hoepfner

More Oscars News

All the Best Picture Nominees (That We Reviewed)

We’re Going to Be Talking About American Fiction All Awards Season Long Cord Jefferson’s directorial debut, American Fiction, is a sharp comedy about racial commodification anchored by a terrific Jeffrey Wright.

We Don’t Know Anything The Palme d’Or–winning Anatomy of a Fall is a courtroom thriller and a marital drama, but it’s also about how we’ve lost the ability to grasp reality.

We Shouldn’t Have to Grade Barbie on a Curve Greta Gerwig made a weird movie based on a famous toy line. Should that be enough?

Paul Giamatti Is Never Better Than When He’s in an Alexander Payne Movie Prep school dramedy The Holdovers, the pair’s first collaboration since Sideways, showcases Giamatti’s capacity for the prickly and the heartbreaking.

Killers of the Flower Moon Turns Out to Be the Simplest, Slipperiest of Things It’s not Martin Scorsese’s western, and it’s not another gangster epic. It’s his marriage story.

Maestro Is a Masterful Reconstruction That Remains Just That The Leonard Bernstein biopic somehow proves that Bradley Cooper is a director of genuine vision, even though it’s not a particularly successful movie.

Oppenheimer Is a Tragedy of Operatic Grandeur Christopher Nolan’s movie about the invention of the atomic bomb is almost too big to wrap your head around.

Past Lives Is Tasteful, Understated, and Unconvincing Celine Song’s directorial debut reaches for wistful romances but ends up just feeling calculated.

Is Poor Things the Best We Can Do for Female Sexuality Onscreen? Emma Stone fully commits to a banal rendition of faux-feminist sexual freedom.

Jonathan Glazer’s Auschwitz Drama Borders on the Unwatchable The shock of his new movie, Zone of Interest, which premiered to wild reception at Cannes, is not in the graphic terrors it depicts, but in what it doesn’t show.

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