| Paris during Paris Photo 2022 |
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| Exhibitions ... Openings ... Art Fairs ... Events ... Auctions ... |
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| | | | Installation view Vue de la série « Red » dans l'exposition « Boris Mikhaïlov - Journal ukrainien © Tadzio
MEP - Maison Européenne de la Photographie | | | | Photography in Paris: 200 exhibitions | fairs | auctions | festivals | events | | | | Institutional Highlights | | | For the first time, Jeu de Paume» and LE BAL» are presenting a joint thematic exhibition: REVERSING THE EYE Arte Povera and Beyond 1960-75: Photography, Film, Video
The MEP - Maison Européenne de la Photographie» is exhibiting Boris Mikhailov and Antony Cairns, Pinault Collection» also Boris Mikhailov and Anri Sala
Centre Pompidou» is showing Unframing Colonialism, visual images generated at the time of France's imperialist policy.
Musée de l'Orangerie» Mickalene Thomas, Musée d'art du judaisme» Erwin Blumenfeld, Deutsche Börse Photography Foundation» and Goethe Institut» The End / Not the End? - La jeune photographie allemande
Fondation Henri Cartier-Bresson» is exhibiting Jan Groover and Henri Cartier-Bresson avec Martin Parr, MAM Musée d'art moderne de Paris» Zoe Leonard, Musée du Quai Branly» Dinh Q. Lê, Fondation Carmignac» Fabiola Ferrero 12th Carmignac Photojournalism Award and Magnum Photos» Martin Parr and The Anonymous Project. | |
Giuseppe Penone 1970 (Jeu de Paume) Rovesciare i propri occhi - progetto
[Reversing One’s Eyes - project]
Photocollage of black and white, selenium-tinted gelatinsilver prints on baryta paper
© Archivio Penone / Adagp, Paris, 2022 |
| | | | Gallery Highlights | | | | | | | | | | | | Festivals and Events | | | 50 photography EXIBITIONS are gathering through PhotoSaintGermain» or Photo Days». | | |
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| Exhibitions Paris 1e | 2e | 3e | 4e Arr. (Selection) |
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| | | | | | | Mickalene Thomas
Le Jardin d'Eau de Monet, 2022
Photographie couleur, papiers imprimés et strass sur papier, montage sur dibond, 113.03 x 139.7 cm
© Mickalene Thomas © Adagp, Paris, 2022 |
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| | | | | | | | Jan Groover, Sans titre, ca.1978 © Photo Elysée - Fonds Jan Groover |
| | | | | | | | | | | | | | Tue-Sun 13-18:30 . Wed 13-20:30 | | |
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| | | | | | | | Hair salon, Wolverhampton, 2012 | © Martin Parr / Magnum Photos |
| | | | Henri Cartier-Bresson avec Martin Parr | | | | | | | | | Tue-Sun 13-18:30 . Wed 13-20:30 | | |
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| | | | | | | | Intim Univerzum © Nadja Massün |
| | | | | | | | | | | | Thu 10 Nov 2022 18:00 | | | Mon-Fri 10-13:00, 14:30-18 . Sat 15-19:00 | | |
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| | Mom and David After School,
Series From America, Santa Barbara, 2019 | | | | | | | | Tue-Sat 11-18:30 | | | | | | | | | | | | | Following the collapse of the Soviet Union, one of the first American television programs to be broadcast in Russia was Santa Barbara (1984–93). Watching from her childhood home in Moscow with her family, Diana Markosian saw the soap opera as a window into a world of fantasy, escape, and the American Dream. Santa Barbara, California, became a mythical place that loomed large in the family imagination, and eventually, through her mother’s sacrifices, it became their home.
In her version of Santa Barbara, Markosian reconstructs and reexamines both the Russia and the United States of her childhood, tracing her family’s real-life move as their dream became reality. An extension of her documentary practice, the project allows Markosian to relive her childhood on her own terms, inviting us to step into her family’s collective memory, using archival family materials, staged images, and a scripted film.
Markosian grants access to her family’s story and also to her process. The tension between performance and reality is further complicated by her willingness to pull back the curtain and expose her tools. As it moves from Moscow to the United States, Santa Barbara tests and challenges the limits of truth, fiction, documentary, and memory.
David Campany | | |
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| | | | | | | Double autoportrait à la Linhoff
Paris, 1938
© The Estate of Erwin Blumenfeld 2022 |
| | | | | | | | | | | | | | | | | | | | | | Mon, Tue, Thu, Fri 11-18, Wed 11-21, Sun 10-19:00 | | |
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| | | | | | | 3e | 5, rue des Haudriettes | Ithaque | |
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| | | | | | | From the series « Case History », 1966-68
© Boris Mikhailov, VG Bild-Kunst, Bonn
Courtesy Galerie Suzanne Tarasiève, Paris. |
| | | | | | | | | | | | | | | | | | | | Wed, Fri 11:20; Thu 11-22:00; Sat, Sun 10-20:00 | | |
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| Exhibitions Paris 5e | 6e Arr. (Selection) |
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| | | | | | | Pieter HUGO
Portrait #3, Rwanda, 2014, c-print
courtesy Priska Pasquer Gallery, Cologne |
| | | | | | | | | | | | Thu 10 Nov 18:00 | | | Mon-Sat 10-18:00 | | |
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| | | | | | | | Antoine Henault, Touristes, "Insolations", Martinique, 2021 |
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| | Mark Steinmetz
Marietta, Georgia, 1995 (Denny’s)
From the series Greater Atlanta
Silver gelatin print, 40 x 50 cm
Edition of 15 + 2AP
© Mark Steinmetz, Kominek Gallery Berlin | | | PhotoSaintGermain - Room Service | | | | | | Thu-Sun 15-20:00 | | | | | | | | | | | | | Chambre 30 Bandini books Rafael D'Aló, Grace
Chambre 31 Stéphanie Solinas Le soleil ni la mort (chambre de lecture)
Chambre 32 Charlotte de Mezamat Les résidents
Chambre 33 Alexia-Lazare Monduit Pink Flag, Wire
Chambre 34 Sasori Books Love Hotel
Chambre 35 Galerie Kominek Mark Steinmetz, The South Trilogy
Chambre 37 Hannah Darabi & Benoit Grimbert Neuköln « Heroes »
Chambre 38 Un livre-une image. Collection Précipité
Chambre 40 Raymond Foye & L U M I A, présentés par Adad Books
Caféteria Matthieu Nicol Better food for our fighting men
Mark Steinmetz started his career at MoMA in 1993 when, at the age of 32, he was one of four artists selected for New Photography 9 (together with Christopher Giglio, Boris Mikhailov and Beat Streuli). Since then, he has received a Guggenheim Fellowship, published over 20 monographs, and taught at some of America’s top MFA programs, including Yale and Hartford. Although he has photographed extensively in Italy and France, the foundation of his oeuvre is his portraits and landscapes of the American South, his homeland for the last two decades.
Steinmetz does not pretend to be avant-garde or an inventor. His pictures are committed to a documentary-humanistic black-and-white tradition that he inherited and that he would like to preserve and continue for the younger generation. His influences and connections range from Walker Evans and Dorothea Lange to later descendants Robert Frank, William Gedney, Roy DeCarava, Nicholas Nixon, Diane Arbus, Robert Adams, Judith Joy Ross, Thomas Roma, Gerry Winogrand and Helen Levitt.
Kominek Gallery is showing a selection of works from South Trilogy, wich were created between 1991 and 2009 and are published by Nazraeli Portland.
His publications South East, Greater Atlanta and South Central are available at the the exhibition. | | |
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| | An oil tank inside Lake Maracaibo, Zulia State.
© Fabiola Ferrero for Fondation Carmignac | | | | | | | Indoor: Réfectoire des Cordeliers: Mon-Sun 10-18:00
Outdoor: Port de Solférino: 7/24 | | | Saturday, November 12, 2022 5pm – 8 :30pm
CatchLight and Fondation Carmignac explore innovation in visual journalism with two conversations and a reception.
1) The future of Local Visual Journalism: A View from Europe and the United States
2) Documentary practices bringing new visions forward: The Change We Want to See
Reservation required here
Program presented in English. | | | | | | Fondation Carmignac Indoor: Réfectoire des Cordeliers, 15 rue de l’École de Médecine, 75006 Paris Outdoor: Port de Solférino, 75006 Paris www.fondationcarmignac.com | |
| | | | | | The 12th edition of the Carmignac Photojournalism Award is dedicated to Venezuela and its hardships at the individual, social and ecological levels. Chaired by Quentin Bajac, Director of the Jeu de Paume, the jury met in November 2021 and awarded Fabiola Ferrero.
The exhibition Venezuela, The Wells Run Dry by Fabiola Ferrero, laureate of the 12th Carmignac Photojournalism Award, explores the disappearance of the Venezuelan middle class. A prosperous democracy in the 1960s and 1970s, the country is struggling to extricate itself from a deep economic crisis, marked by the plummeting price of oil, endemic corruption and hyperinflation. Seven consecutive years of economic collapse and political crisis have widened the inequality gap and destroyed the middle class.
The Venezuelan photographer set out to document years of wealth that now exist only in memory. She travelled to places that were once symbols of prosperity, looking for the remnants of a vanished economic success story. Her reportage took her across the country, photographing the disappearing oil and salt industries and the communities that depend on them, the looted and abandoned universities, and the last traces left behind by Venezuelans who decided to leave the country for a better future. Combining archival images, videos and photographs, Ferrero creates a visual capsule that documents the economic downturn in her country and the consequences for its people. She compares her project to trying to photograph a lake before it becomes a desert. "If there is a time to document and leave a trace of the memory of who we were, it is now."
Exhibition at Réfectoire des Cordeliers and Port de Solférino
This year, Fabiola Ferrero’s reportage will be the subject of a double exhibition, part of PhotoSaintGermain festival. An indoor exhibition at the Réfectoire des Cordeliers will combine photographs, archives, texts and 360° videos. An outdoor exhibition will be held at the Port de Solférino, opposite the Musée d’Orsay, in partnership with the City of Paris.
Echoing this exhibition, in a desire to give a voice to those who make and think about photography and photojournalism today, the Fondation Carmignac and PhotoSaintGermain will also offer an associated program of talks and screenings at the Réfectoire des Cordeliers, bringing together photographers, curators, photo editors, collectives, and researchers, and turning the space into an effervescent hub of exchange. | | |
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| | | | | | | | Pascal Maitre/ MYOP /Prix Marc Ladreit de Lacharrière en partenariat avec l’Académie des beaux-arts |
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| | | | | | | | Jabulani Dhlamini, ma-Shabalala, Enkuthu, Ladysmith, 2011 |
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| | | | | | | | Photogramme tiré du film « Qui êtes-vous Polly Maggoo ? » (1966) © Films Paris New York |
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| Exhibitions Paris 10e Arr. (Selection) |
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| | JAN GROOVER
Untitled, 1979
Kitchen Still Lifes 073.3
Vintage chromogenic colour print
16 x 20 in. / 40 x 50 cm sheet | | | | | | | | | Tue-Sat 12-19:00 | | | | | | | | | | | | | During Paris Photo week, Galerie Miranda will be presenting selected works by Jan Groover (b.1943- d.2012), whose retrospective exhibition opens at the Fondation Henri Cartier-Bresson on 8 November 2022. Groover's works are presented at Galerie Miranda in a two-person exhibition with Jo Ann Callis (b. 1940) and featuring selected vintage prints by Groover, notably from her famous series "Kitchen Still Lifes" (1979), alongside contemporary prints from the series "Early Color" (1976) by Callis.
In New York in the mid 70s, Jan Groover created "Kitchen Still Lifes" series from a kitchen sink piled up with fork tines, butter knife blades, scalloped cake tins and indoor plants. In 1979 an image from this series graced the cover of ArtForum magazine: according to critic Andy Grundberg, it announced that “photography had arrived in the artworld - complete with a marketplace to support it." At the same time on the west coast, in Los Angeles, Jo Ann Callis was producing her seminal series "Early Color", influenced notably by Paul Outerbridge but also Hans Bellmer and Pierre Molinier. Creating cinematographic scenes with household props, Callis sought to capture the tensions and anxiety of a claustrophobic domestic environment where freedom, pleasure and curiosity are bridled. | | |
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| Exhibitions Paris 14e | 15e | 16e Arr. (Selection) |
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| | Thomas Jorion, series "No Man’s Time", 2022
Inkjet print 120 × 150 cm
© Thomas Jorion courtesy Galerie Esther Woerdehoff | | | | | | | | | | Wed-Sat 12-19:00 | | | | | | | | | | | | | The photographer Thomas Jorion adds with the series "No Man’s Time" a chapter to a remarkable body of work. This work on the ruin invites us to question ourselves in front of the sublime of places whose history can only be read in their erosion and their abandonment. Devoured by the surrounding nature, the palaces, cinemas, factories are memento mori which proposes us a journey in which several temporal frames are linked.
The ruin becomes the center of a wider reflection on our relationship to our environment and to our common history. The exhibition No Man’s Time presents a particular series of the artist’s work of the artist’s work, the ruins photographed with a large format camera are here often disproportionate constructions that have never been completed. Like a nuclear reactor wide open to the sky, their function is revealed in hollows, or leaves the viewer facing an architectural ambition without conclusion.
The places, passed from building sites to ruins, are immediately imagined and immediately abandoned. The contemporary concrete of places that have no more history than their conception is offered to the sprawling nature, inviting us to think about our relationship to the imprint that our generation leaves on the world we inhabit.
For the first time, Thomas Jorion will unveil a new work of sculptures inspired by these places in dialogue with eleven large format photographs. The sculpture is the opportunity for the artist to seize a form in space and to give body to his privileged material: concrete. The monoliths explore various aspects of this material, notably that of recording photographic images. | | |
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| | Javkhlan Ariunbold: Trophy
© Javkhlan Ariunbold | | | | | | | La jeune photographie allemande - works by students of Beate Gütschow and Alex Grein | | | | | | | Opening: Thursday 10 November 18:30Mon-Fri 9-21:00 . Sat 9-14:00 | | | | | | | | | | | | | Deutsche Börse Photography Foundation and Goethe-Institut Paris show works by students of Beate Gütschow and Alex Grein.
As part of the exhibition series "La jeune photographie allemande", this year, students of the Academy of Media Arts in Cologne are showing photographic-installative works under the title "The End/ Not the End?" that deal with the global dimension and complexity of the ecological crisis. The Deutsche Börse Photography Foundation organises the exhibition series annually in cooperation with the Goethe-Institut Paris.
The artists, supervised by Prof. Beate Gütschow and Alex Grein, develop poetic narratives of doom in which grief is paired with a will to act. The aim of the art is to make the invisible visible. The exhibition will open at the Goethe-Institut Paris, on 10 November 2022 at 18:30 during the international photography fair PARIS PHOTO.
The artistic positions of the exhibition "The End / Not the End?" reflect on the progressing destruction of our planet as well as the resulting need for action. They question artificial intelligences about the future of the world, describe the climate crisis as a temporally and spatially delimited hyper object and find new, haptic images for the dying of ecosystems, that are essential to the balance of nature and the planet. Their works address illegal waste disposal as well as the effects of coal mining or the permanent pollution of rivers through water use in large cities in Germany. They also impressively visualise the influence our consumer behaviour has on regions of other continents, be it the hunting of protected animals in Mongolia or the mining of lithium in Argentina. The images produced by the artists are also an emotional … | | |
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| | Gerard Rancinan » | | | | | | | | | | | | L'ABSOLU by artist-photographer Gérard Rancinan and author Caroline Gaudriault | | Mon 13:30-18, Tue-Sat 10-18:00 | | | | | | | |
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| | | | | | | Zoe Leonard; Al río / To the River, 2016–2022
Approximativement 500 épreuves gélatino-argentiques et 50 tirages C-print | Copie d’exposition, Ed. de 3 + 1 EA
Courtesy l’artiste, Galerie Gisela Capitain, Cologne, et Hauser & Wirth, New York |
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| | | | | | ASIA NOW 2022 off | | | | | | | | | | | | | | | | | | | | | | | | | | | Mon, Wed-Sun 10-18:00 | | |
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| Exhibitions Paris 7e | 8e | 9e | 18e Arr. (Selection) |
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| | Rosalind Fox Solomon,
Getting Ready for the Dance, Scottsboro, Alabama
1976 | | | | | | | Wed by appt, Thu-Sat 13-20:00, Sun 13-19:00 | | | | | | | | | | | | | The MUUS Collection is a body of preeminent American photography archives that mark formative shifts in American history. With nearly half a million prints, negatives, contact sheets, and other ephemera, MUUS seeks to preserve and share these seminal works with new audiences.
Following the presentation of Deborah Turbeville in 2021, the MUUS Collection features the work of Rosalind Fox Solomon (American, b. 1930), a photographer renowned for her portraiture. Spanning a period of fifty years, from the American South to India, Guatemala, Brazil, and beyond, Solomon has managed to gain access to closed circles and communities through her intuitiveness and curiosity. Determined to reject stereotypes and preconceived notions, she depicts her subjects with an unflinching honesty.
The exhibition showcases one of the artist’s earliest projects, made between 1972 and 1976, devoted to Scottsboro Alabama’s First Monday market. At the age of 40, Solomon had begun experimenting with photography and started to capture life around Chattanooga, Tennessee, where she was living at the time. She regularly attended the flea market in Scottsboro and began to photograph it, first focusing her lens on broken dolls, then on vendors, and finally on other frequenters of the market. These incisive portraits attracted the attention of Lisette Model, whom she had met in New York in 1971, and she soon began studying under Model’s tutelage in order to hone her craft. Solomon’s first photographs were taken with a 35 mm camera, but she soon switched to the square format that she would remain faithful to throughout her career. Though she discovered it by chance, photography soon became a lifelong passion, one which has never abated. Today, at the age of 92, Solomon remains act… | | |
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| | | | | | | | Above from the JPMorgan Chase Art Collection: Cig Harvey (British, born 1973), Claire in the Forsythia, Rockport, ME, 2010. Chromogenic print. Acquired in 2022. © Cig Harvey, courtesy Robert Klein Gallery |
| | | | ICONIC & RECENT PHOTOGRAPHS IN THE JPMORGAN CHASE ART COLLECTION | | | | | | | | | | | |
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| | | | | | | | "I Begin to see" Impression Diasec, Courtesy Arash Hanaei/BMW ART MAKERS |
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| | | | | | | Brodbeck & de Barbuat
Les Mille vies d’Isis - 0920, 2020 – 2021
Procédés mixtes et tirage baryté réalisé par les artistes, 40x55cm, Camargue France 2020
© Brodbeck & de Barbuat / Cnap |
| | | | SELECTION OF THREE PROJECTS FROM THE NATIONAL PHOTOGRAPHIC COMMISSION | | | | | | | | | | | |
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| | | | | | | Alberto García-Alix, Untitled, 2018, Photogravure, 65 x 50 cm
© Fundación Amigos del Museo del Prado, Madrid, 2022 |
| | | | TWELVE PHOTOGRAPHERS AT THE PRADO MUSEUM | | | | | | | | | | | |
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| | | | | | | | Alessandra Leta (b. 1997, IT) |
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| | | | | | | Frida Kahlo dans son jardin, Coyoacán, Mexique, vers 1948. Gisèle Freund
©RMN – Grand Palais/ Gisèle Freund/IMEC
Service presse – Maison de l’Amérique latine |
| | | | | | | | Photographies d’Amérique latine | | | Mon-Fri 10-20:00, Sat 14-18:00 | | | | | |
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| | | | | | | © Jean-Baptiste Huynh
Courtesy Galerie Lelong Paris |
| | | | | | | | un projet global aux sources de la beauté, au travers de l’homme et la nature | | | Tue 8 Nov 14:30 | | | Tue-Fri 10-18, Sat 14-18:30 | | |
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| | | | | | | Nancy WILSON-PAJIC
Falling Angel n° 14 (dollars), 1995-1997
Unique photogram in cyanotype on archive paper
courtesy Galerie Miranda |
| | | | | | | | | | | | Mon-Fri 7:30-23:00, Sun 10-18:00 | | | | | |
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| | | | | | | 18e | 6, Impasse de la Défense | LE BAL» | |
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| | | from Personal Ties: Bed-Stuy, Brooklyn and Street Dailies © Amy Touchette | | | | | | | | Opening night & book signing: Thusday, November 10, 6-9pm | | | | Tue-Fri 14:30-19:30, Sat 11-19:30 + | | | | | | | | | | | | | Amy Touchette is joining Denis Bourges during Paris Photo week at Little Big Galerie
Usual heroes, is a remarquable work done by Denis Borges in the streets of Los Angeles where he caught and framed people in action like possible movie scene, Arming herself with a camera and a compassionate heart, Amy Touchette photographed ordinary people in her Bedford-Stuyvesant community, creating intimate portraits of personal ties, kinship, and individuality that are now frozen moments in time.” books and prints for both work
New York Street Portraits comprises a selection of photographs by Brooklyn-based fine art photographer Amy Touchette, who has spent the past twenty years making street portraits. The exhibition includes photographs from her latest monograph, Personal Ties: Bed-Stuy, Brooklyn, a series of Rolleiflex street portraits she made in her adopted neighborhood from 2015-2018. Published in January 2022 by Schilt Publishing (Amsterdam), the book includes a foreword by photographer Larry Fink and an afterword by third-generation Bed-Stuy resident, C. Joi Sanchez. Signed copies will be available.
The exhibition also includes photographs from her impromptu street portrait series, Street Dailies. Begun in 2012 and ongoing, with over 2,800 street portraits and counting, these candid iPhone images are made and released regularly by Touchette on Instagram. Her deck of poker-sized playing cards, NYC Street Dailies, are culled from this series and will also be available. A celebration of New York City’s denizens, each card features a unique portrait of a New Yorker, and each suit comprises some of her favorites muses: grannies (spades), workers (diamonds), twins & sets (clubs), and quintessential, beloved NYC characters. | | |
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| | | Usual Heroes © Denis Bourges | | | | | | | | | | Tue-Fri 14:30-19:30, Sat 11-19:30 + | | | | | | | | | | | | | Sunset Boulevard, angels play their part not far from Hollywood Majors.
On the city’s giant screen, anonymous strike a pose. Shadows and lights frame the scene playing in front of us, Los Angeles, a huge studio with endless possibilities , becomes the ideal setting where fiction and reality mingle.
Nourished with film noirs from the 50’s and trashy images of B movies, Denis Bourges makes his own cinema. Book also available.
Denis Bourges is one of the founder of Tendance Floue, a photographic collective well known in France and in Europe.
“The tightly knit and highly resourceful photographic collective Tendance Floue has, for more than fifteen years, shared everything from money to authorship. In addition to exhibitions and a trilogy of publications, the group has enacted many novel performances, and has covered areas of photojournalistic interest”
- ICP (International Center of Photography) | | |
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| Exhibitions Paris 12e | 13e Arr. (Selection) |
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| Exhibitions Paris 11e | 19e | 20e Arr. (Selection) |
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| | | | | | | Boulogne-Billancourt | 62 rue Jean-Baptiste Clément | INITIAL LABO | |
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| | | | | | | Child, Ergy Landau’s photography studio, 1930s Vintage gelatin silver print.
©Ergy Landau / ARJL |
| | | | | | | | | | | | | | | | Wed+Fri 12-19:00, Sat+Sun 14-19:00 | | |
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| | Prince Gyasi (B. 1995)
The Power of Choice / The Choice of Power, 2021
Fujiflex print, flush-mounted on aluminium
24.1/2 x 31.1/2 in.
Estimate : €4,000-6,000
© Prince Gyasi | | | Photographies | | | | | | Online Auction:
... until 8 November 2022 4pm
Viewing Paris: From 4 - 8 November, 10 am – 6 pm
Sun 6 November, 2 – 6 pm
Online catalogue: here
Contacts:
Elodie Morel-Bazin
emorel-bazin@christies.com
+33 (0) 1 40 76 84 16
Fannie Bourgeois
fbourgeois@christies.com
+33 (0)1 40 76 84 41 | |
| | | | | | | | | | | | | Christie’s Paris is proud to present Photographies, an online sale taking place from 25 October to 8 November, ahead to Paris Photo Art Fair. 108 lots will be offered, bringing together some of the most recognized photographers from the 20th and 21st centuries such as Zanele Muholi, Nan Goldin, Candida Höfer and Alex Prager, as well as Man Ray, Irving Penn, Richard Avedon, Hiroshi Sugimoto and Peter Lindbergh. The overall estimate for the sale is around €1.4m with lots ranging from €1,000 to 120,000.
Contemporary photography, the main focus of the sale, is magnified through a selection of great diversity. A section is dedicated to African photography, including The power of choice / The choice of power (estimate: €4,000-6,000) by the young and talented Ghanaian photographer Prince Gyasi.
The sale also explores contemporary themes through strong pieces that use symbolically charged aesthetics such as Spix's Macaw, Rearview, Unextinct, 2022 by Tim Flach. The photographer celebrates the return to the wild of the Spix's Macaw in a large print showing the cerulean blue feathers of the magnificent bird taking flight (estimate: €10 000-15 000).
Several pieces in this sale explore the nude, a classic theme playing with the forms of body as an abstract pictorial element. A group of seventeen prints from a chronophotographic film by Etienne-Jules Marey presents The Walking Man, Chronophotography, c. 1890-1895 (estimate: €30 000-50 000). Mario Testino, the world-renowned Peruvian fashion photographer, unveils Naomi Campbell & Sean 'P Diddy' Combs in a life-size print (estimate: €15,000-20,000).
Six pieces from the collection Pierre Borhan, curator, author and cultural manager will also be offered in the sale. From Henri Cartier-Bresson to Diane Arbus, to a diverse selection of photographs belonging to Louis Aragon, such as this portrait of him by Man Ray - Portrait de Louis Aragon, 1925 (estimate: €4,000- 6,000) this selection intertwining/harmonizing the private and the intellectual, the sensual and the abstract. | | |
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| | Lot 14 (section Act & Help)
Sebastião Salgado (1944)
A Desert on Fire. Kuwait, 1991.
Gelatin silver print, signed. | | | Photographs Photographies | | | | | | | | | | | | | | | | | First section : sale for the benefit of the association Act & Help
Photos légendaires légendées (legendary photos with captions)
Fifty lots are being sold to benefit the Act and Help association, founded by Elisabeth Bernard, former director of the Paris office of Liaison agency. Photographers - William Klein, Sarah Moon, Martin Parr, Matthieu Ricard, Noémie Goudal, etc. - have generously consigned some of their prints. Each photo sold is accompanied by an autograph letter in which the photographer describes the creative process of his or her photograph.
19th century photographs by :
Hippolyte Bayard | Eugène Atget | Auguste Salzmann | Édouard Baldus | Charles Marville | Émile Béchard | Henri Becquerel | Julia Margaret Cameron | Lewis Carroll | Henry-René d'Allemagne | Guillaume Duchenne de Boulogne | Louis Ducos du Hauron | Louis-Émile Durandelle | Dmitri Ivanovitch Ermakov | George Robinson Fardon | Gustave Le Gray | Maison Adolphe Braun | Paul Nadar | Séeberger Frères | Edward Sherrif Curtis. Rare still life with the Venus de Milo by Hippolyte Bayard, one of the inventors of photography. Three exceptional albums (photographers' copies) on the construction of the Sacré-Coeur de Paris by Louis Durandelle and Albert Chevojon. Albums of Edmond and Marie Ternynck on their trip aboard the Transcaucasian and Transcaspian, composed in large part of prints by Paul Nadar. Modern and contemporary photographs by :
Berenice Abbott | Cecil Beaton | Denise Bellon | Jacques-André Boiffard | Bill Brandt | Brassaï | Claude Cahun | Walker Evans | Andreas Feininger | André Kertész | François Kollar | Germaine Krull | Eli Lotar | Man Ray | Willy Maywald | László Moholy-Nagy | Moï Ver | Horst P. Horst | Édouard Boubat | Robert Capa | Henri Cartier-Bresson | Lucien Clergue | Gisèle Freund | Marcel Bascoulard | Robert Doisneau | Robert Frank | Lee Friedlander | Mario Giacomelli | René Burri | Harry Callahan | Philippe Halsman | Sam Haskins | George Hoyningen-Huene | Peter Hujar | Pierre Molinier | Leonce Raphael Agbodjelou | Jane Evelyn Atwood | Cyrus Cornut | Antoine D'Agata | Bruce Davidson | Paolo Gioli | Nan Goldin | Noémie Goudal | Stanley Greene | Todd Hido | Frank Horvat | William Klein | Nico Koster | Ralph Eugene Meatyard | Susan Meiselas | Duane Michals | Alain Mingam | Tracey Moffatt | Edward Weston | Sarah Moon | Vincent Munier | Rafael Navarro | Marie-Paule Nègre | Arnold Newman | Helmut Newton | Robert Nickelsberg | Orlan | Martin Parr | Roger Parry | Matthieu Ricard | Reiner Riedler | Félicien Rodriguez | Paolo Roversi | Sebastião Salgado | Steve Schapiro | Emanuele Scorcelletti | Tazio Secchiaroli | Malick Sidibé | Goksin Sipahioglu | Aaron Siskind | Sanlé Sory | Louis Stettner | John Stewart | Brent Stirton | Jean-Pierre Sudre | Luke Swank | Miroslav Tichy | Deborah Turbeville | Peter Turnley | Ed van der Elsken | Hugues Vassal | Witkin | Joel Peter Witkin | Masao Yamamoto. Unique painted print of Gun 1, one of William Klein's cult images. Robert Frank's mockup elements for Aspesi, the photographer's only collaboration with a fashion brand. | | |
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| Photo Festivals & Events |
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| | | | | | au sein du programme VIP de Paris Photo | | | | | | | | | | | |
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| Art Fairs |
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| | | | | Grand Palais | Avenue Winston Churchill | Paris 8e
Wed November 09 : by invitation only
Thu November 10 : 12 pm - 8 pm
Fri November 11 : 12 pm - 8 pm
Sat November 12 : 12 pm - 8 pm
Sun November 13 : 12 pm - 7 pm
www.parisphoto.com |
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| | | | | Le Molière | 40, rue de Richelieu | Paris 1e
Thu November 10 : 1-8pm upon invitation
Fri November 11 : 1-8pm public by reservation
Sat November 12 : 1-8pm public by reservation
Sun November 13 : 1-6pm public by reservation
www.approche.paris |
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| | | | | Offprint Paris will host at the Pavillon de l’Arsenal a selection of independent, experimental and socially engaged publishers in the fields of art, architecture, design, humanities and visual culture.
Thu November 10 to Sun November 13
offprint.org |
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| | | | | Berges de Seine | Port Solferino | Paris 7e
Wed November 09 : 3pm - 10pm
Thu November 10 : 11am - 9pm
Fri November 11 : 11am - 9pm
Sat November 12 : 11am - 9pm
Sun November 13 : 12pm - 7pm
www.polycopies.net |
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Hotel de Sauroy | 58 Rue Charlot | Paris 3e
Thu November 10 : 11am - 8pm
Fri November 11 : 11am - 8pm
Sat November 12 : 11am - 7pm
paris-vintage-photobook.com/ |
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© 8 Nov 2022 photo-index UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editor: Claudia Stein & Michael Steinke
contact@photo-index.art . T +49.30.24 34 27 80 |
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