Son Seals is another unsung master from the old days. I was surprised to learn he appeared on Albert King's "Live Wire, Blues Power " album from 1968. The album is awesome. His birthday is today. He passed in 1984 at 62 , way too young. Maybe it was the fourteen children that did him in.
Those Delgado hombres are back in town on Saturday night. They're bringing Blues diva Deb Ryder with them. Gonna be a good'n'...
Also Bob is bringing in some Chicago heavies to tear it up on Friday. Big weekend ahead.
Big Daddy has a cool new jam in full swing at the Steel Horse on Sunday. Some real good players always show up. Check it out.
And, Showdown is on its way. Get with it guys/gals. We wanna see and hear from you, win, lose or draw.
Make it a point to hug somebody this week.
It'll make you feel real good.
Have a week!!
Sincerely,
Jim Crawford - PBS
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Compilation
An icon of the Chicago blues, Son Seals was known for his intense and innovative guitar playing and his grainy singing. Seals brought the musical traditions of Muddy Waters, Sonny Boy Williamson, and Howlin' Wolf to a new generation of blues guitarists and fans, at a time when the music seemed to be dying out. An energetic performer, Seals took his hard electric blues on the road, revitalizing traditional Delta blues and introducing rock-influenced blues to a broad new audience. Unlike many of his contemporaries, Seals wrote most of his own material. Between 1973 and 1996 he recorded eight albums for Chicago's Alligator Records. Born on August 14, 1942, in Osceola, Arkansas, the youngest of 13 children, Frank Seals was raised with the blues. His mother played the piano and sang. His father, Jim Seals, was a blues musician who had played piano, guitar, trombone, and drums with the Rabbit Foot Minstrels, a vaudeville and tent-show band in which both Ma Rainey and her protégé Bessie Smith had begun their careers. Frank Seals was nicknamed "Little Son" after his father, who then became "Ol' Man Son." Son Seals was quoted on the Alligator Records Web site: "My father taught me everything from the start. Tuning the guitar, fingering. Where I wanted to be riffing around all up and down the neck right away, he'd keep me on one chord for hours, until I could feel it in my sleep. I'd get up the next morning, grab the guitar, and I'd be right on that chord." The Seals family lived behind Jim Seals's famous nightclub, the Dipsy Doodle, which featured blues up front and dice in the back room. There, in the sleepy town of Osceola, blues legends such as Sonny Boy Williamson and Albert King hung out and performed. King, a native of Osceola, became Son Seals's mentor. By the age of 13, Seals was playing drums with Williamson, Robert Nighthawk, and Earl Hooker. In addition to the blues, Seals loved the big band music of Count Basie and the swing bands out of Memphis, Tennessee. In an October 2001 interview with Charles Chapman, published on the Guild Guitars Web site, Seals recalled: "In all the movies back then there were always big bands in them and I just loved it. The arrangements of the horns really stood out to me and I especially liked Basie's sound. Many people do not realize that blues music has always consisted of horns." In later years Seals included prominent horn sections on his recordings. Seals formed his first band, Son Seals and the Upsetters, in 1959, playing throughout Arkansas, Tennessee, and Mississippi. By 1960 Son Seals was playing guitar with his band four nights a week at the Chez Paris in Little Rock, Arkansas, while spending his weekends playing drums behind blues masters at the Dipsy Doodle. In 1963, while visiting his sister in Chicago, Seals joined Earl Hooker's Roadmasters on guitar. After six months on the road, he returned to Little Rock and rebuilt his band. In 1966 Seals went on the road again as Albert King's drummer and appeared on King's Live Wire/Blues Power, recorded at the Fillmore West in San Francisco. When his father became ill, Seals returned to Osceola, playing in local clubs until his father's death in 1971. That year Seals moved to Chicago's South Side to be near his sister. His career took off. He jammed with Hound Dog Taylor and Howling Wolf Jr. at the Psychedelic Shack. He played with blues greats Buddy Guy, James Cotton, and Junior Wells, and led his own band on guitar. Bruce Iglauer, who had founded Alligator Records to produce Hound Dog Taylor, first heard Seals at the Flamingo Club. When Taylor's first album became a hit and he went on the road, Seals sat in for him at the South Side's Expressway Lounge. He became the third artist to sign with Alligator and Iglauer became his manager. Seals's first album, The Son Seals Blues Band, was released in 1973 and he began a life of touring clubs, colleges, and festivals. For the next 30 years, Seals drove his beat-up van around the country, playing about a hundred one-night stands a year. His second album, Midnight Son, was a critical success and came to be regarded as a classic blues recording. Seals began making regular European tours and appeared in a national beer commercial. In 1981 he received a Grammy Award nomination as one of the performers on Blues Deluxe, recorded live at Chicagofest '80. Seals appeared in the documentary film Big City Blues and performed at the White House for President Bill Clinton. While continuing to tour and play the Chicago clubs, Seals produced his albums with Iglauer. His nickname, "Bad Axe," became the title of his 1984 album on Alligator. However, following a dispute with Iglauer, Seals stopped recording for six years. By that time Seals was incorporating more rock and jazz influences into his music. He appeared on stage with B.B. King and Johnny Winter, as well as the popular rock group Phish. In January of 1997 Seals's ex-wife shot him in the jaw with a handgun. Months of reconstructive surgeries followed and his voice was never the same. Seals was hospitalized numerous times for complications of diabetes and in 1999 he lost part of his left leg, forcing him to perform from a seated position. His prized custom guitar was stolen and fire destroyed his motor home following a concert in Miami, Florida. Despite these hardships, Seals's music reached a much larger audience beginning in 2000, when he recorded Lettin' Go with studio rock legend Al Kooper and Phish guitarist Trey Anastasio. That year Seals told Rusty Russell of Guitar Player, "In the past, I wasn't able to do all the things I wanted, but this time I was completely free. There wasn't anyone looking over my shoulder telling me what I should or shouldn't record. There's all kinds of music buried in me-rock, big band, and even country and western. You don't necessarily have to play those styles, but it's good to let different pieces of them slip in when it sounds right. After all, blues is the mother of all that music." Seals's last performance was in California in October of 2004. He died in Chicago, where he lived with his son Rodney, on December 20, 2004, of complications from diabetes. He was 62. In his obituary in Sing Out!, Iglauer wrote: "Son was a bluesman through and through. He never tried to smooth the rough edges off his guitar sound, nor the grit from his voice. His music was all about healing." |
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| Out & About Tuesday, August 13 Wednesday, August 14 Hans Olson, 7 p.m., Time Out Lounge, Tempe Chuck Hall, 6 p.m., Corrado's, Carefree Thursday, August 15 Sugar Thieves Duo, 6 p.m., Culinary Dropout, Gilbert Paris James, 7 p.m., St. Armand Kitchen, Chandler Eric Ramsey Hosts OPEN MIC, 6 p.m., Fatso's Pizza, Phoenix Hans Olson EVERY THURSDAY, 6 p.m., Handlebar, Apache Junction Arizona Blues Project, 8 p.m., Harold's, Cave Creek Friday, August 16 Chicago Blues Throwdown, 8 p.m., Rhythm Room, Phoenix Rocket 88s, 8 p.m., McKenzie's Midtown, Phoenix Innocent Joe & The Hostile Witnesses, 8 p.m., Lucky Strikes, Apache Junction Nina Curri w/Doug Schultze, 8 p.m., Irish Hare, Ahwatukee Mother Road Trio, 7 p.m., Sound Bites, Sedona
Saturday, August 17 Delgado Brothers w/Deb Ryder, 9 p.m., Rhythm Room, Phoenix Rocket 88s, 8:30 p.m., McCaffery's, Phoenix Pop Top, 1 p.m., Yucca Tap Room, Tempe Joe Kopicki (solo), 7 p.m., Desert Eagle Brewing Co., Mesa Tommy Grills Band, 8 p.m., El Dorado, Scottsdale Outback Blues Band, 3 p.m., American Legion Post 138, Tempe BluZone, 7 p.m., West Alley BBQ, Chandler Sunday, August 18 Hans Olson, 2 p.m., The Windrock, Prescott Big Daddy's Big Damn Blues Jam, 2p.m., Steel Horse, Phoenix True Flavor Blues, NOON , Copper Star, Phoenix Monday, August 19
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| Jams
Rocket 88s JAM, 4 p.m., Chopper John's, Phoenix
Bourbon Jack's JAM w/Kody Herring, 6 p.m., Chandler
JAM Hosted by The Scott O'Neal Band. Every other Thursday, Windsock, Prescott
Sir Harrison, JAM every other Sunday, The Windsock, Prescott MONDAY
Bam Bam & Badness Open JAM, 9 p.m., Char's, Phoenix
Weatherford Hotel JAM, 6:30 p.m., Flagstaff
TUESDAY
OPEN JAM Hosted by Jilly Bean & The Flipside Blues Band, 7 p.m., Steel Horse Saloon, Phoenix
JAM Sir Harrison, 9 p.m., Char's, Phoenix
Gypsy's Bluesday Night JAM, 7 p.m. Pho Cao, Tempe
Tailgaters JAM, 7 p.m., Glendale
WEDNESDAY Rocket 88s, JAM, 6 p.m., The Last Stop (Old Hideaway West), Phoenix
Tool Shed JAM Party, 6 p.m. Gabby's, Mesa
THURSDAY Tool Shed JAM Party, 7 p.m., Steel Horse Saloon, Phoenix Jolie's Place JAM w/Adrenaline, 9 p.m., Chandler
NEW JAM @ The Bench, Hosted by BluZone, 7 p.m., The Bench, Tempe
Friday
Saturday Bumpin' Bud's JAM 2nd & 4th Saturdays JAM, 6 p.m., Marc's Sports Grill |
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Moved? Changed email addresses? Please let us know of any changes in your address, email, or phone number so we can keep you informed about the Blues community in Arizona. Email us at: info@phoenixblues.org or write to: Phoenix Blues Society P.O. Box 36874 Phoenix, Arizona 85067 |
| GOT BLUES? If you are a Blues musician, a group, or a club that features Blues music, and would like to be listed, please send your info to info@phoenixblues.org and we'll be happy to list your event in our weekly Out & About section of the newsletter
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