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| PHOTOGRAPHY INTERNATIONAL | | 11 – 18 May 2022 | |
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| | Somerset House is delighted to welcome back Photo London with the seventh edition of the Fair running from 11–15 May 2022, featuring more than 100 exhibitors. |
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| | The second düsseldorf photo+ Biennale for Visual and Sonic Media featuring over 50 exhibitions and a wide range of accompanying events, the keynote exhibition, Think We Must opens on 12 May. |
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| | Michel Lamoller
ANTHROPOGENIC MASS 6 (OSAKA), 2022
Three-dimensional photographic work, consisting of cut out archival pigment prints / aerial photo by Alexander Hafeman
Framed 90 x 180 x 25 cm
Unique piece | | | | | | | | ... until 11 June 2022 | | | Opening: Thursday, 12 May, 17 - 21:00 as part of Amsterdam Art Week
Artist Tour with Michel Lamoller: Saturday, 14 May, 16:30 | | | | | | | | | | | | | The Ravestijn Gallery is pleased to present Anthropogenic Mass, the first solo exhibition of German artist Michel Lamoller with the gallery. The exhibition will comprise of unique, photographic relief works that make visible the mass of our man-altered world.
Anthropogenic Mass exists somewhere in between photography and sculpture. At a distance, the works on show appear to be deadpan photographs of impossibly dense cities; akin in some ways to Andreas Gursky’s images of commerce and industry. A few steps closer, however, and we realise that, unlike Gursky, Lamoller’s works are not photographs of man-made landscapes, but objects about man-made landscapes. Lamoller starts with a photograph, but that image is not then printed, framed and hung in the modernist sense of a picture. Instead, Lamoller prints the same photograph multiple times, before stacking them on top of each other like the bellows of an accordion. Lamoller then uses a scalpel to meticulously cut away sections of each photograph — a process that can take several weeks. Each photograph becomes a single stratum in a unique relief work, with each absent section revealing the image behind. In doing so, Lamoller creates works that are photographic, but not quite photography. Or, put another way, photography here is not the final work of art but a material, something for Lamoller to cut into, give order to and build with. What emerges from this process are images that have been expanded and given presence, extending out into the gallery space before receding into themselves, no longer bound by a flat surface. | | |
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| | Jacquie Maria Wessels, Memory Master Tree Installation, 2021
© Jacquie Maria Wessels | | | | | | | | | | | | | 1 May – 25 Sep 2022 | | | | Opening: Sunday 15 May 14:30 | | | | | | | | | | | | | The exhibition Inside the outside: Pioneers in lens-based media explores the relationship between man and nature through the lens of the camera with the works of 16 artists and photographers. After all, we love nature, but at the same time we also see how indifferent nature can be when great dramas and disasters are taking place and how we affect and destroy it with our actions.
Inside the outside has its origins in the work of Richard Tepe (1864-1952), one of the first nature photographers in the Netherlands and with work represented in the collection of CODA Archief. His analogue photography is surrounded by the work of 15 contemporary artists who show the impressive beauty and overwhelming power of nature or who examine, question and criticize the relationship between man and nature.
The Memory Master Tree Installation (2021) by Jacquie Maria Wessels is an installation consisting of six works printed on thin silk from the analogue photo series Memory Master. This poetic series represents the memory of places you might have been. Mostly the memory is not clear with precise detail. It can act as an afterimage, vague sometimes veiled with tatters ... The mysterious impressionist images evoke an atmosphere of vanishing memories.
The Memory Master Tree Installation comprises a selection of photos concentrating on trees. Details of the trees are barely perceptible, yet each tree expresses its own nature. This installation plays with the idea that the memories may be captured by the trees as witnesses of what passes. The photos are printed on large delicate silk fabrics. The fluttering works are moved by fans, emphasizing the fragile, ephemeral and painterly character of the works.
Since 1988, Jacquie Maria Wessels has been making these Memory Masters with an analog 35mm camera. Especially from special places during her many travels around the world, but also closer to home, although the geographical context of the scenes remains indefinite.. The works in the installation were made in Nikko Japan 2018, Sicily Italy 2012, Rotterdam Netherlands 2012, Capri Italy 2016, and Cape Town South Africa 2019.
Jacquie Maria Wessels’ work is exhibited worldwide and is in the collection of various museums including the Rijksmuseum in Amsterdam (NL), Huis Marseille - Museum for Photography in Amsterdam (NL) and the Surinaams Museum in Paramaribo (SR), as well as in private collections. | | |
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| | | | | | | Dorf Pistyn, Oblast Iwano-Frankiwsk
© Ruslan Hrushchak |
| | | | | | | | | | | | Thu 12 May 18:00
13 May – 18 Jun 2022 | | | | | |
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| | | © Eugene Harris, Popular Photography | | | | | | | UNESCO Memory of the World | | | | | | | | ... until 1 January 2023 | | | On the weekend of May 14 and 15, 2022, take the opportunity to discover Luxembourg's cultural heritage by wandering through the exhibition rooms of Clervaux Castle!
Free guided Family tours: Saturday, 14 May 10:00 in German / Lux., 15:00 : in French, 16:00 in English
Sunday, 15 May 10:00 in French, 15:00 in German, 16:00 in English
A new online educational platform for Edward Steichen's collection 'The Family of Man':
www.thefamilyofman.education | | | | | | | | | | | | | Presented for the first time in 1955, the exhibition was meant as a manifesto for peace and the fundamental equality of mankind, expressed through the humanist photography of the post-war years. Images by artists such as Robert Capa, Henri Cartier-Bresson, Dorothea Lange, Robert Doisneau, August Sander and Ansel Adams were staged in a modernist and spectacular manner.
Having toured the globe and been displayed in over 150 museums worldwide, the last, complete version of the exhibition was permanently installed in Clervaux Castle in 1994. Since its creation, The Family of Man has attracted over 10 million visitors and entered the history of photography as a legendary exhibition. In 2003, the collection was inscribed in the UNESCO Memory of the World register.
Today, the restored collection is accessible to the public as a permanent exhibition at Clervaux Castle. | | |
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| | Hito Steyerl, November, 2004; Videostill
Courtesy Hito Steyerl, Andrew Kreps Gallery, New York and Esther Schipper, Berlin
©️ Hito Steyerl, VG Bild-Kunst, Bonn, 2022 | | | | | | | | | | | | | 13 May – 19 June 2022 | | | | Opening: Thursday 12 May 18:00 | | | | | | | | | | | | | "Think we must." – seems as relevant today as it was in 1938 when proposed by Virginia Woolf in an essay-long response to the question: "How, in your opinion, are we to prevent war?"
Furthermore, Look we must and Tell we must. Continuously, with a multitude of tongues and from a variety of perspectives, to come closer to what the many we’s consider to be our reality systems. Even if these realities never overlap.
The exhibition Think We Must poses a question; how can we think in images? Or shall we say imagine in images? And once we look at them through the prism of history – what do we see? How can we emancipate the image from the given narrative and thus imagine what it can become?
Deploying storytelling strategies that are very much inspired by a what if proposition and sensitive to the notions of fact and fiction, Think We Must attempts to destabilize the way we see power structures which define the course of history. The works in the show offer ways to think through the lens that animates and expands our own position and ability to perceive, question, and create. | | |
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| | | | | | | Claudia van Koolwijk
C-Print, 80 x 60 cm |
| | | | | | | | Portraits und Selbstportraits | | | Fri 13 May 19:00
13 May – 26 Jun 2022 | | | | | |
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| | | | | | | Friederike Näscher
Sparkling Darkness No. 5
Fineart Pigment Print auf Photo Rag
50 x 50 cm
© Friederike Näscher |
| | | | | | | | und Heine-Zyklus Meer und Himmel hör ich singen | | | Fri 13 May 19:00
13 May – 26 Jun 2022 | | | | | |
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| | | | | | | Talia Chetrit
Courtesy Talia Chetrit, Sies + Höke, Düsseldorf |
| | | | | | | | düsseldorf photo+ Biennale for Visual and Sonic Media | | | Fri 13 May 14:00
14 May – 18 Jun 2022 | | | | | |
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| | | | | | | Herbert List
Freunde an der Elbe zwischen Blankenese und Schulau, 1934
Münchner Stadtmuseum, Sammlung Fotografie
© Herbert List Estate / Magnum Photos / Agentur Focus |
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| | | | | | | Köln, Frühstück der Roten Funken vor dem Rosenmontagszug
© Hans-Jürgen Burkard |
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| | | | | Pink Powder, Lily Donaldson wearing John Galliano, 2008 © Nick Knight | Devon Aoki for Alexander McQueen, 1997 © Nick Knight |
| | | Nick Knight » 2022 MASTER OF PHOTOGRAPHY | | | | 12 – 15 May 2022 | | | | Preview Day: Wednesday 11 May | | | | | | | | | | | | | This year’s Photo London Master of Photography Nick Knight presents an exhibition of key works that spans the length and the breadth of his extraordinary career presenting works from the 1980s through to new pieces made this year. Encompassing fashion, portraiture, still life, landscape and the nude — across images manifested as photography, film, painting, porcelain, sculpture and installation — the exhibition is an invitation to consider new ways of looking at the world.
For more than four decades Knight has been at the forefront of creativity in photography, constantly pushing at the medium’s limits to explore its expressive potential. Renowned as one of the world’s most visionary and influential photographers, Knight has always challenged conventional ideals of beauty through images that are both transgressive and poetic. His collaborations with designers, choreographers, editors, models and musicians inscribe a universe that is both dreamlike and revelatory, while his landscapes and still lives of the past decade experiment fundamentally through technology and materials to rewrite the processes of photography. It’s an oeuvre that is in dialogue with art history while being driven by the newest in technological possibilities and a sensitivity that celebrates the now and the future.
‘My quest has always been to use photography to show me things I could not see,’ says Knight. ’Photography has been my passport into life, giving me access to people from all backgrounds and walks of life. The same skill set has allowed me to create films, sculptures, and now even virtual versions of our world and ourselves. From politics to AI, I have been able to use the voice that photography gave me to present a vision of our future and find new way… | | |
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| | | Mark Ruwedel, ‘Orchard # 14C, 2021’, 2021 | | | Mark Ruwedel » Inland: Haunted by the Desert | | | | 11 May – 9 July 2022 | | | | | | | | | | | | | Mark Ruwedel's third solo exhibition with the gallery develops on from his on-going project Los Angeles: Landscapes of Four Ecologies. For over three decades, Ruwedel has photographed American deserts and wild spaces that bear traces of human intervention.
In Ruwedel's Los Angeles series, he has identified and photographed four overlapping landscape 'systems': The Rivers, The Eastern Edge (transitioning from the basin to the desert), The Hills and Canyons, and The Western Edge (the coast). His work captures the dynamic landscapes of the greater LA metropolitan area, which is shaped by floods, fires, earthquakes and landslides. For his work depicting the effects of fire on the landscape, Ruwedel was nominated for the Prix Pictet in 2021.
In this exhibition, Ruwedel turns his attention to an area culturally known as the Inland Empire: a semi-arid zone between the Mediterranean climate of Southern California's coastal regions and the harsher weather of the deserts to the east.
Before European colonisation, Southern California was, to a great extent, tree-less. The three trees that characterise the region – eucalyptus, palm and citrus – are all imports. Ruwedel focuses on these nonnative trees, which are gradually disappearing as human activity encroaches further on the landscape. With the edge lands of the city apparent, these imported trees mark a solitary presence and suggest past economies, histories and values. | | |
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| | | | | | | Paul Mpagi Sepuya, Daylight Mirror (0X5A2167), 2021
Archival pigment print
13 x 9 in (33 x 22.9 cm), Framed: 24 x 21 in (61 x 53.3 cm) |
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| | | | | | | Linda Paul McCartney
© Paul McCartney/Fotografin Linda McCartney
Courtesy Sammlung Reichelt und Brockmann |
| | | | | | | | (A photographer among musicians) | | | The Sixties and more | | | Sat 14 May 19:00
15 May – 11 Sep 2022 | | | | | |
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| | Ellen Carey
Crush & Pull with Penlight: Yellow, Magenta, Cyan, 2021 (triptych)
Polaroid 20 X 24 Color Positive (3) and Negative (3) Prints = 6 total prints
60 x 22 inches (each)
150 x 56 cm (each)
Unique | | | Ellen Carey »
Let There Be Light: the Black Swans of Ellen Carey | | | | ... until 25 June 2022 | | | | | | | | | | | | | A première for her new bodies of work, and the artist's second personal exhibition at Galerie Miranda, Ellen Carey’s handbook guides us through photography’s nearly two centuries’ arc of light, photogram, colour and Polaroid as seen in her constantly intersecting practices. For the 21st century, for Paris, the City of Light, Ellen Carey brings her arc into the future with Crush & Pull with Rollbacks & Penlights, a completely new 21st century photo-object from Polaroid’s monumental negative, which allows Carey, its camera operator, to reposition light drawing anew. It highlights Polaroid and its huge 20 X 24 camera as one of the medium’s 20th century game changers. The Black Swan theory sees unexpected events become game changers in this, the global world, as it is, now. Carey’s performance in the black box of the darkroom — folding, crushing, creasing, and nothing seen until it is finished — abounds with affinities to the Surrealist drawing game of the exquisite corpse.
For Let There Be Light: The Black Swans of Ellen Carey, the artist introduces another new photo-object, the Finitogram. Here, she gathered abandoned sheets of photographic paper bearing random chemical marks striking a pose as light drew. She sees the once-hidden, latent image become visible. Like her practice in Polaroid, the object begins at the zero of an unknown time, made somewhere in the void of the dark room, and left behind unfinished. However the object may have travelled through Dada, Surrealism, and Duchamp’s ready-made visitations; her re-invented ready-made now presents as a new 'self'. Ellen Carey’s Finitogram, from the Italian non finito for incomplete works of art, re-i… | | |
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| | | | | | | | Heinrich Heine und die Loreley © Berthold Steinhilber |
| | | | | | | | | | | | Thu 12 May 19:00
13 May – 31 Jul 2022 | | | | | |
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| | | | | | | | | | | | | | 12 – 15 May 2022 | | | | Preview day: Wednesday 11 May 2022 | | | | | | | | | | | | | Somerset House is delighted to welcome back Photo London with the seventh edition of the Fair running from 11–15 May 2022, featuring more than 100 exhibitors.
Highlights for the 2022 Fair include solo presentations by Mikhael Subtozky (Goodman Gallery London, Cape Town, Johannesburg), Melanie Manchot (Parafin, London), Hannah Hughes (Robert Morat, Berlin); Marianne Maric (Christophe Guye, Zurich) plus Edward Burtynsky (Flowers Gallery, London). A wealth of publishers will join the Fair to celebrate the photobook, with Aperture (New York), Thames & Hudson (London), Osmos (New York), Dobedo (London) and Overlapse Books, (London) gracing the Publishers section.
A special focus on galleries from China marks the partnership with the World Photography Organisation and PHOTOFAIRS Shanghai, including See+ Gallery; Matthew Liu Fine Arts, Gaotai Gallery, X Contemporary Art, Three Shadows = +3 Gallery, M Arts Center and HdM Gallery. There's also a spotlight on Ukrainian photographers, featuring Viktor & Sergiy Kochetov, Vladyslav Krasnoshchok , Sergiy Lebedynskyy, Evgeniy Pavlov, Roman Pyatkovka and Sergiy Solonsky, together with emerging photographers like Alexander Chekmenev, Misha Pedan and Elena Suback. | | |
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| | | | | | | | | | | | | | Sat 14 May 13-20:30
14 – 15 May 2022 | | | | | |
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| | | | | | curated section: photography and video (Photography and moving images) | | | | | | | Thu 12 May
13 – 15 May 2022 | | | | | |
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| | | | | | | | | | | | | | Thu 12 May
13 – 15 May 2022 | | | | | |
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| | | | | | | | from the Susanne von Meiss Collection | | | | | | | | online from 12 – 24 May | | | | Live sale on Tuesday 24 May 16:00 | | | | | | | | | | | | | Christie’s is pleased to present "Fashion Photographs from the Susanne von Meiss collection", a selection of 113 photographs among which 57 photographs will be offered online from 12 – 24 May and 56 photographs will be sold during the Live sale on May 24th.
This online sale showcases 57 works spanning 100 years of Fashion Photographs History with leading names ranging from the 1930s and 1940s with works by Fernand Fonssagrives, Lillian Bassman, Madame d’Ora and Horst P. Horst to the early 21st century curated with a precise collector’s vision. The collection also includes iconic fashion photographs by Richard Avedon, Frank Horvat, Ellen von Unwerth, William Klein and Irving Penn – which all represent a moment in fashion history with the most important designers of their time such as Coco Chanel, Cristóbal Balenciaga, Christian Dior, Jacques Fath, Hubert de Givenchy, Christian Lacroix, Yves Saint Laurent or Vivienne Westwood.
In total 130 works from the 20th and 21st century will be presented by leading practitioners of the medium. | | |
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| | Filmwerkstatt Düsseldorf
Jonathan Forsythe: Loraine, Philadelphia, Pennsylvania, 2017
© Jonathan Forsythe, 2019 (Kaput Publishing) | | | düsseldorf photo+ Biennale for Visual and Sonic Media | | | | 45 Participating Institutions, Galleries and Fringe Venues | | | | | | | | | 13 May – 19 June 2022
Opening: Thursday, 12 May, 6 pm | | | Opening weekend: Friday, 13 May, 2-8 pm
Saturday, 14 May, 12-6 pm; Sunday, 15 May, 12-6 pm | | | | | | | | | | | | | The second düsseldorf photo+ Biennale for Visual and Sonic Media opens on 13 May. Featuring over 50 exhibitions and a wide range of accompanying events, the participating Düsseldorf art institutions, galleries and fringe venues collectively offer an insight into the issues and debates current within the world of photography and time-based media.
The keynote exhibition, Think We Must, curated by Pola Sieverding and Asya Yaghmurian opens on 12 May at the Akademie Galerie on Burgplatz and plays a pivotal role thematically within the Biennale. Featuring works by Frida Orupabo, Walid Raad, Hito Steyerl, David Wojnarowicz and others, the exhibition examines how reality, history and a dispositional analysis of society can be constituted and altered when thought is based around photographic images.
The Biennale will be accompanied throughout its run by a comprehensive programme of panel discussions, talks and workshops, including a roundtable debate, with discussants Vivien Trommer, Akinbode Akinbiyi, Aino Laberenz and Max Jorge Hinderer Cruz, on 14 May at K21 at the Kunstsammlung Nordrhein-Westfalen on curating and art education as a means of interrogating power.
The Julia Stoschek Collection places a spotlight on the work of the Turner Prize-winner, Laure Prouvost, with screenings interrogating the intimate relationship between language, image and perception. At Düsseldorf University, Professor Mareike Foecking’s students investigate how artistic production can make a contribution to societal knowledge and the nature of the framework of rules within … | | |
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| | | | | | Rotterdam Photo Fair 2022 XL | | | | | | | 18 – 22 May 2022 | | | | | |
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| | Yuki Kihara
Fonofono o le nuanua: Patches of the rainbow (After Gauguin), 2020
Image courtesy of Yuki Kihara and Milford Galleries,
Aotearoa New Zealand. | | | | | | | The Milk of Dreams | | | | | | | | ... until 27 November 2022 | | | | | | | | | | | | | The 59th International Art Exhibition of La Biennale di Venezia, titled The Milk of Dreams, will open to the public from Saturday April 23 to Sunday November 27, 2022, at the Giardini and the Arsenale; it will be curated by Cecilia Alemani and organised by La Biennale di Venezia chaired by Roberto Cicutto. The Pre-opening will take place on April 20, 21 and 22; the Awards Ceremony and Inauguration will be held on 23 April 2022
Read the statement by Cecilia Alemani »
Read the statement by Roberto Cicutto »
THE INTERNATIONAL EXHIBITION
The Exhibition will take place in the Central Pavilion (Giardini) and in the Arsenale, including 213 artists from 58 countries; 180 of these are participating for the first time in the International Exhibition. 1433 the works and objects on display, 80 new projects are conceived specifically for the Biennale Arte.
The artists »
NATIONAL PARTICIPATIONS
The Exhibition will also include 80 National Participations in the historic Pavilions at the Giardini, at the Arsenale and in the city centre of Venice. 5 countries will be participating for the first time at the Biennale Arte: Republic of Cameroon, Namibia, Nepal, Sultanate of Oman, andUganda. Republic of Kazakhstan, Kyrgyz Republic and Republic of Uzbekistan participate for the first time with their own Pavilion.
The National Participations » | | |
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| | | | | | V edizione Le forme del ritratto | | | | | | | – 24 Jul 2022 | | | | | |
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| | | | | | | | | | PIPAS - Photographie et Image Pour l’Apprentissage Scolaire | | | – 15 May 2022 | | | | | |
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| | | | | | international festival of photography | | | | | | | – 22 May 2022 | | | | | |
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| | | | | | Rencontres photographiques de Montpellier 18th edition | | | | | | | – 29 May 2022 | | | | | |
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| | | | | | | | | | Rencontres de la jeune photographie internationale 2022 - 27 artists | | | | | | | – 28 May 2022 | | | | | |
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| | | | | | European young photography festival | | | | | | | – 29 May 2022 | | | | | |
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| | | | | | First edition of Jeu de Paume festival: exhibition, performance, film | | | | | | | – 22 May 2022 | | | | | |
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| | | | | | UN’INVINCIBILE ESTATE | | | | | | | – 12 Jun 2022 | | | | | |
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| | | | | | Denmark, Estonia, Finland, Iceland, Norway, Sweden | | | | | | | – 19 Jun 2022 | | | | | |
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© 27 April 2022 photo-index UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editor: Claudia Stein & Michael Steinke
contact@photo-index.art . T +49.30.24 34 27 80 |
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