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| PHOTOGRAPHY INTERNATIONAL | | 17 – 24 November 2021 | |
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| | The sixth edition of The Photo Vogue Festival, the first conscious fashion photography festival dedicated to the common ground between ethics and aesthetics, is back in Milan and it will be both physical and digital. Between November 18 and 21, 2021, the event will unfold through exhibitions, talks, portfolio reviews both on the territory and within the new digital platform, and satellite events all around the city of Milano. |
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| | Paolo Gasparini
26 July, Havana, 1961
Fundación MAPFRE Collections
© Paolo Gasparini | | | | | | | | ... until 16 January 2022 | | | | | | | | | | | | | The exhibition Paolo Gasparini. Field of Images provides a comprehensive overview of the artist’s career, focusing not only on his photography but also another of his main expressive supports, the photobook, a crucial narrative mechanism for defining the history of photography in Latin America. His six decades as a photographer offer a broad itinerary through several mutating cityscapes: Caracas, Havana, São Paulo, and Mexico City, not forgetting feedback from Munich, Paris, London and Barcelona.
The exhibition is divided into sixteen sections that feature some of the artist’s most important projects, with an emphasis on his photobooks, which the photographer recognizes as a means of expression that is just as valid has his photographs. | | |
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| | | | | | Graduates’ exhibition #30, supervised by Eva Bertram | | | | | | | Fri 19 Nov 19:00
20 Nov 2021 – 23 Jan 0122 | | | | | |
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| | | | | | | | Judith Weber: Bluebird, 2021 |
| | | | Master class Ute Mahler und Ingo Taubhorn - Ostkreuzschule für Fotografie, Berlin | | | | | | | Sun 21 Nov 12:00
21 Nov 2021 – 30 Jan 2022 | | | | | |
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| | | | | | | Elsa & Johanna,
A Couple of Them, 2014-2016
© Elsa & Johanna, courtesy Galerie La Forest Divonne |
| | | | | | | | | | | | Wed 17 Nov 19:00
18 Nov 2021 – 13 Mar 2022 | | | | | |
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| | Judith Joy Ross
Untitled, Easton, Pennsylvania, 1988
© Judith Joy Ross, courtesy Galerie Thomas Zander, Cologne | | | | | | | | ... until 9 January 2022 | | | | | | | | | | | | | Fundación MAPFRE presents the largest retrospective of Judith Joy Ross (Pennsylvania, 1946) to date, which explores the photographic archive that the artist has been developing over the last thirty years.
In 1966 she began taking photographs of the people in her city as a way of understanding the emotional world of those around her. In 1979, after several trips around Europe, Ross definitively focuses on the portrait genre and marksa turning point in this genre with her images. Thanks to the use of large format, she manages to capture the past, present and even the future of the subjects posing before her lens. | | |
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| | | © River Claure | | | | | | | Photo VOGUE Festival 2021 | | | | | | | | 18 – 21 November 2021 | | | | Opening: Friday 18 November 2021 15:00-21:00 | | | | | | | | | | | | | The 35 artists on show in this section of the exhibition were selected by an international jury through an Open Call initiative, among over 25,000 images and 2500 photographers from 98 different countries
Artists: Abhishek Rajaram Khedekar | Alessandro Iovino | Bettina Pittaluga | Bryan Thomas | Delali Ayivi and Malaika Nabillah | Diego Moreno | Dimakatso Mathopa | Elena Helfrecht | Elliott Verdier | Fabiola Cedillo | Gabriele Cecconi | Heather Agyepong | Irene Antonia Diane Reece | Ismail Zaidy | Jair Fernando Coll Rubiano | Jodie Bateman | Juan Brenner | Kai Yokoyama | Laura Pannack | Lebo Thoka | Léonard Pongo | Lisandro Suriel | Magda Kuca | Mous Lamrabat | Plantation (Ayomide Tejuoso) | River Claure | Robert Andy Coombs | Roberto Tondopó | Sara Bennett | Silvana Trevale | Suleika Mueller | Sushavan Nandy | Tamary Kudita | Thembinkosi Hlatshwayo | Tomasz Kawec
It features projects that have reclaimed an alternative way of telling a tale, from projects that reframe overlooked historical figures to ones that reclaim an idea of beauty that has been stereotyped. Helping to achieve what Chinua Achebe called “a balance of stories” is one of the founding missions of the PhotoVogue platform, which celebrates its 10th anniversary. Human beings are storytelling creatures: the stories we tell become the very world we inhabit. There's a great African proverb that Achebe quotes often, "until the lions have their own historians, the history of the hunt will always glorify the hunter." This edition of the festival is looking at the lions' stories. | | |
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| | | Daniel Obasi, "Corridors of Power" | | | | | | | Photo VOGUE Festival 2021 | | | | | | | | 18 – 21 November 2021 | | | | Opening: Friday 18 November 2021 15:00-21:00 | | | | | | | | | | | | | Photo Vogue Festival 2021 • Reframing History Reframing History/12 chapters
The 12 artists on show in this section of the exhibition were selected by members of the jury and Vogue Italia's photographic department
Akinola Davies Jr | Ashley Peña | Campbell Addy | Daniel Obasi | David Uzochukwu | Kennedi Carter | Lakin Ogunbanwo | Mary Sibande | Namsa Leuba | Omar Victor Diop | Stacey Gillian Abe | Trevor Stuurman
Curated by Vogue Italia’s photo department and the festival jury, the exhibition explores and expands on the take of Black creators on the concept of Reframing History. From alternative and counter- history to a radical reinvention and critique of Western art canons and mythologies, these artists shift the spotlight onto territories that have been left in the shadow for too long, carving a luminous path that is now influencing, shaping, and subverting the contemporary photography panorama worldwide. | | |
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| | Barbara Niggl Radloff
The car ride, Munich, um 1960
© Münchner Stadtmuseum | | | | | | | | 19 November 2021 – 20 March 2022 | | | | | | | | | | | | | Artist Barbara Niggl Radloff (1936–2010), after spending her youth surrounded by the ruins of the Second World War, discovered photography, seeing in it the ideal medium to document the story of the people of post-war Munich and the stark reality of their lives. Niggl Radloff left behind an impressive body of work from her early career as a photojournalist and her many years spent creating portraits of artists. In 2018, the Radloff family donated her artistic estate to the Münchner Stadtmuseum Photography Collection. The archive contains more than 2,500 prints and in excess of 50,000 negatives. Her oeuvre occupies a unique place in post-1945 German photography yet has largely been overlooked until very recently. The Münchner Stadtmuseum is now privileged to present a major retrospective of her work to the public for the first time.
In the words of Museum Director, Frauke von der Haar: "We are delighted to present the first major retrospective of Barbara Niggl Radloff’s work. This allows us to showcase one of the leading 1960s photojournalists and an outstanding portrait photographer. Niggl Radloff’s fascinating early photographs capture the quintessence of post-war Munich and the optimism of the 1960s."
After completing a preliminary course at Munich’s "Meisterschule für Mode" (Master School of Fashion), Niggl Radloff studied photography under Hans Schreiner at the city’s "Institut für Bildjournalismus", one of post-war Germany’s leading photography schools. Some of Niggl Radloff’s early pictures had already appeared in the "Süddeutsche Zeitung", and in 1960 she was recruited by the "Münchner Illustrierte", where she was the only… | | |
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| | | | | | | Chris Marker
PASSENGERS Untitled #104, 2011
color photograph mounted on white Sintra
13 1/4 x 16 3/8 inches (33.7 x 41.6 cm)
edition of 3 |
| | | | | | | | | | | | 20 Nov 2021 – 21 Jan 2022 | | | | | |
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| | | | | | | | Michaela Moscouw: from the series "Die Loge", 1991/ 92 |
| | | | Bilder, Dokumente, Artefakte | | | | | | | Sat 20 Nov 16:00
23 Nov 2021 – 22 Jan 2022 | | | | | |
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| | | | | | | Partitur aus der Ausstellung "one artist − one minute"
Tamara Grcic, 2021 (Detail) |
| | | | Artists from 40 Years of FOTOHOF | | | | | | | Sat 20 Nov 16:00
23 Nov 2021 – 20 Jan 2022 | | | | | |
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| | | | | | | | Wendy Red Star, Fall, from the series Four Seasons, 2006, printed 2017; collection SFMOMA, gift of Loren G. Lipson, M.D.; © Wendy Red Star |
| | | | Photographs in Dialogue | | | | | | | 20 Nov 2021 – 21 Aug 2022 | | | | | |
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| | PAUL CAPONIGRO
Winter, Redding Woods, CT, c. 1960
3 5/16 x 4.5”
unique one-of-a-kind
vintage Polaroid, Type 53 | | | | | | | | 19 November 2021 – 15 January 2021 | | | | Opening reception: Friday, 19 November, 5-7pm | | | | | | | | | | | | | Obscura Gallery is honored to debut an exclusive gallery exhibition of vintage, one-of-akind Polaroid prints made during Paul’s tenure with the Polaroid Corporation in the 1960’s.
In 1959, Ansel Adams introduced the Polaroid Corporation to Paul’s work and that following year Paul became a consultant to the company, testing out their Type 55 negative/positive film, and their Type 53 positive film on his 4 x 5 view camera using a Polaroid back. The 44 images in the exhibition were created in New England as well as Ireland and a majority of the prints were created on Polaroid Type 53 which does not produce a negative and creates a one-of-a-kind positive print. The project came to a close in 1969 with a selection of images created in Ireland, when that same year Paul began his Guggenheim fellowship photographing in that country. Other than exhibiting the work at the Polaroid Corporation and a couple of universities or non-profits this is the first extensive gallery exhibition of this unique work.
In 1988 this project was published by the Polaroid Corporation in the book "Seasons", which also included a biographical essay written by the photographer and shares the course of his artistic development during these early years – telling the story of how he began his passion for photography at a very young age, alongside his passion for the piano and classical music.
Paul recalls how he first worked as a photographer during his army service from 1952-55, during which he was stationed at San Francisco’s Presidio in which he met his first mentor, Benjamin Chin who worked the darkroom and ended up introducing Paul to the photographic work of the West Coast luminaries Ansel Adams, Edward Weston, Minor White a… | | |
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| | | | | | | | Carla Rippey, Fire, 2010. From the series: Immolation, 2009-2019 © Carla Rippey, Prix Pictet |
| | | | | | | | | | | | 20 Nov 2021 – 23 Jan 2022 | | | | | |
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| | | | | | fair of today for art, antiques and design | | | | | | | – 21 Nov 2021 | | | | | |
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| | Lot 2024
Henri Cartier-Bresson
Playground in Madrid, Spain. 1933.
Gelatin silver print, 1959.
17.2 × 25.1 cm.
Estimate EUR 15,000–20,000 | | | The Art of Photography – A New York Collection | | | | | | | | | | | | | | | | | Grisebach is delighted to offer over 120 lots from a prime photography collection in the United States on December 1st, 2021, as part of its Anniversary Auctions in Berlin. This spectacular trove of works, with a low-end estimate of EUR 1.3 million, includes works of museum-level importance and of breathtaking quality and beauty. That they will be put up for auction with us is a mark of confidence in the German market – and in our expertise.
The auction’s top lot is Helmut Newton‘s legendary diptych "Sie Kommen" (Dressed/Naked). Created in 1981 for French VOGUE, this is one of the iconic images of Newton’s oeuvre: Four women in the studio, striding forward in high heels – and nothing else! The second image shows the women stepping toward us in exactly the same arrangement, but this time, they are dressed. Viewing both images side by side makes us aware that nudity can be more than just erotic allure; it can also be a statement of self-confidence and verve (EUR 150,000/200,000). Another standout is "Dovima with Elephants," created in 1955 by the consummate visualizer of absolute beauty, Richard Avedon: The top model Dovima, resplendent in a black evening gown with sash by Christian Dior, poses between two circus elephants. With an allegorical nod, the figures refer to the fairytale of "Beauty and the Beast." The image often has been described as the most famous fashion photo of the 20th century, testifying as it does to a golden age of glamour (EUR 100,000/150,000).
Likely the best-known work by Rudolf Koppitz, the leading international exponent of the Symbolist style in photography, is the movement study Bewegungsstudie showing a group of … | | |
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| | ROBERT FRANK (1924–2019)
Candy Store, New York, 1955
Rare signed print, published in the book "The Americans"
20 x 30 cm
Starting price: 22,000 € / Estimate: 35,000–40,000 € | | | | | | | | | | | | Aution:
Friday, 19 November 2021, 5pm
Preview:
Thursday 11 – Friday 19 November 2021
2pm to 6pm
Online catalogue: here |
AUGUST SANDER (1876–1964)
Varnisher, Cologne 1932
Large-format print from the series
"Menschen des 20. Jahrhunderts"
("People of the 20th century")
58.4 x 40.5 cm
Starting price: 6,000 € /
Estimate: 10,000–12,000 € |
| | | | | | | | | | | | | It is a picture that everyone knows and that has never lost its appeal despite being reproduced many times: Derrière la Gare Saint-Lazare (Behind the Gare Saint-Lazare) is the ingenious picture Henri Cartier-Bresson took in 1932 of his now legendary »puddle jumper«. Like no other, this masterly shot stands for his photographic approach, which was only explained twenty years later in the photobook Images à la Sauvette (The Decisive Moment). The jumping man is captured a split second before the moment when his foot would have touched the smooth surface of the water and destroyed the perfect reflection. This motif of doubling occurs several times and in complex intertwinings in this photographic icon, which comes up for auction in an excellent, very rare large-format exhibition print from 1960 and is sure to be one of the most sought-after lots of the 24th OstLicht Photo Auction (estimate: 30,000 - 35,000 €).
Certainly, no less coveted among collectors is Robert Frank's shot from the Candy Store, 86th Street, which he took in 1958 for his groundbreaking book The Americans. For the photographer, who died two years ago, the group of teenagers crowded around a jukebox was one of the paradigmatic motifs with which he aptly described the US lifestyle of the 1950s like no other. OstLicht is auctioning the approximately 60-year-old, well-preserved vintage print of this photograph, which is also one of the highlights of the collection of the Art Institute of Chicago (estimate: 35,000 - 40,000 €).
Additionally, the numerous exhibits from the history of Austrian photography form a focal point of the auction portfolio, which comprises a total of 181 lots and was personally… | | |
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| | | Akinola Davies Jr / Nuuksio Films "Black To Life, 2019" | | | | | | | REFRAMING HISTORY | | | | | | | | 18 – 21 November 2021 | | | | Digital Platform photovoguefestival.vogue.it – online from 18 November 2021 | | | | | | | | | | | | | | PHOTO VOGUE FESTIVAL 2021 BASE Milano - Via Bergognone, 34, Milano - 18-21 November 2021 Digital Platform photovoguefestival.vogue.it – online from 18 November 2021 The sixth edition of The Photo Vogue Festival, the first conscious fashion photography festival dedicated to the common ground between ethics and aesthetics, is back in Milan and it will be both physical and digital. Between November 18 and 21, 2021, the event will unfold through exhibitions, talks, portfolio reviews both on the territory and within the new digital platform, and satellite events all around the city of Milano.
The photographic exhibitions will revolve around the theme "Reframing History": an exploration of projects that aim to present an alternative view, reinventing neglected historical figures or questioning stereotyped narratives. As every edition, the Festival will be a unique opportunity for those interested in photography, fashion and art to come into contact with a showcase of innovative photography and industry leaders, from curators to practitioners. | | |
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| | | | | | guest country: Azerbaijan | | | | | | | 19 – 28 Nov 2021 | | | | | |
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| | | | | | VI BIENNIAL OF PHOTOGRAPHY ON INDUSTRY AND WORK: 11 EXHIBITIONS / 10 VENUES | | | | | | | – 28 Nov 2021 | | | | | |
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| | | | | | The Makeable Mind: 15 locations, over 70 artists | | | | | | | – 28 Nov 2021 | | | | | |
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| | | | | | | | | | | | | | ... until 1 December 2021 | | | | | | | | | | | | | | The PHOTOVILLE Festival, New York City’s FREE premier photo destination, returns on September 18 for its 10th anniversary year with a free community day, virtual online storytelling events, artist talks, workshops, demonstrations, educational programs, community programming, and open-air exhibitions across parks and public spaces throughout New York City till December 1, 2021. | | |
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| | | | | | PLACE À LA PHOTO ! . UNE VIRÉE PHOTO . VIDÉO | | | | | | | – 30 Nov 2021 | | | | | |
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| | | | | | Edition 2021 | | | | | | | – 1 Dec 2021 | | | | | |
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| | | | | | | | Main Exhibition: 12 – 21 November 2021 | Opening: Fri 12 Nov 18:00 | | | | | | | | Ten satellite exhibitions: 4 November - 5 December | | | | | | | | | | | | | | | | | | | | | During a month of exhibitions and events located in the 20th arrondissement of Paris, the Biennale de l'Image Tangible presents a selection of works that tend to break free from a classic use of the photographic medium.
Whether it is looking for new supports, hybrid techniques or a new relationship to reality, this event tends to demonstrate that photography never stops inventing. In this, the Tangible Image Biennale supports the emergence of new languages and new practices related to photography : a photograph which upsets the assumptions of reality, a photograph which changes in nature, form and postulate, and which thus participates in a broadening of the field of its discipline.
The second edition of the Tangible Image Biennale focuses its calendar on the month of November 2021. It retains its roots in the 20th arrondissement, following the idea already acclaimed by the public to draw an artistic journey in eastern Paris.
Its program revolves around an exhibition curated by the organizers of the Biennale, and ten exhibitions bringing together the 31 winning artists of the call for projects (February - May 2020), selected by a jury of professionals from the world of art, image and photo. As well as an Instagram prize, an afternoon of meetings and discussions, and an in situ project in the public space.
The 2021 edition of the Biennale is the one which was to be held in 2020 but which has been postponed for health reasons. | | |
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| | | | | | | | Leopoldo Cebrián Alonso — Cortesía de TEA Tenerife Espacio de las Artes |
| | | | International Photography Festival of Tenerife | | | | | | | – 9 Jan 2022 | | | | | |
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| | | | | | THOUGH IT'S DARK, STILL I SING | | | | | | | – 5 Dec 2021 | | | | | |
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| | | | | | 9th International Photography Festival | | | | | | | – 27 Nov 2021 | | | | | |
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| | | | | | 19 exhibitions of Greek and international photography, of 94 artists from 18 countries | | | | | | | – 20 Feb 2022 | | | | | |
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| | | | | | Corpo / Body | | | | | | | – 8 Dec 2021 | | | | | |
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© 17 November 2021 photo-index UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editor: Claudia Stein & Michael Steinke
contact@photo-index.art . T +49.30.24 34 27 80 |
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