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| PHOTOGRAPHY INTERNATIONAL | | 2 – 9 November 2022 | |
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| | Paris Photo 2022 opens with a Preview day on Wednesday, November 9th, 2022. Ader Nordmann (10 Nov), and CHRISTIE'S (online until 8 Nov) are auctioning masterpieces of photography, while PHILLIPS (7-11 Nov) presents a preview of highlights from their later London sale (22 Nov). In coherence with Paris Photo 2022 a number of photo exhibitions are already starting as part of festivals like Photo Days (Tue 8 Nov) or PhotoSaintGermain. (Thu 3 Nov)
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| | RIANNE VAN ROMPAEY / H.A.L. 9000, 2019
Pigment print on watercolour paper, mounted, ‘hydrangea flower’ painted wooden frame, museum glass
152,5 x 226 cm / framed 156 x 229,5 cm
Edition of 3 plus 1 artist's proof
© INEZ & VINOODH | | | I'M SORRY DAVE | | | | | | | 5 November 2022 - 7 January 2023 | | | | Opening: Saturday 5 November 2022, 17 - 19 | | | | | | | | | | | | | | First released in 1968, Stanley Kubrick's 2001: A Space Odyssey soon became a benchmark of science fiction, offering a speculative look into a distinctly dystopian future. | | | Across a sleek and clinical universe of Kubrick's own design, the movie projected an artificial intelligence so sophisticated that it would, sooner or later, defy its creators; "I’m sorry Dave," HAL 9000 – the sentient computer – famously tells his human operator, "I'm afraid I can't do that."
Over 50 years since its release, and in spite of the unforeseeable extent of technological advancement, the questions Kubrick’s masterpiece first kicked up remain pertinent. The aesthetic world he constructed, meanwhile, is reflected back in today’s data centres, international space programmes and self-driving cars. To what extent, then, might the foresight and futuristic visual languages of imaginative artists have shaped subsequent innovations in design and technology? | | |
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| | | Dawid, Rost, #6403, 1986 | | | | | | | | 5 November 2022 – 7 January 2023 | | | | Opening: Friday 4 November 2022 18:00 | | | | | | | | | | | | | | Björn Dawidsson, called Dawid, was born 1949. He has long been one of Sweden’s leading photographers, and was among the first to work with conceptual photography. He made his debut in 1973, but his real breakthrough came a decade later with the exhibition Rost (Rust) at Fotografiska Museet (now part of the Moderna Museet in Stockholm). | | |
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| | | | | | | Thomas Sandberg: "Ballaro Markt, Palermo", from the series "Ostinato", 2018-2021
© Thomas Sandberg |
| | | | | | | | | | | | Tue 8 Nov 19:00
9 Nov 2022 – 22 Jan 2023 | | | | | |
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| | CIG HARVEY
The Compost Heap (2020)
Archival Pigment Print 30” x 40” in.
Limited Edition of 7
© Cig Harvey, Courtesy Robert Klein Gallery | | | | | | | | ... until 17 December 2022 | | | | | | | | | | | | | Robert Klein Gallery is pleased to present EAT FLOWERS, a solo exhibition by renowned New England-based photographer Cig Harvey, showcasing a selection of her latest photographs from her recent monograph Blue Violet. This will be Cig Harvey’s fifth solo exhibition at Robert Klein Gallery.
Cig Harvey’s photographs in Blue Violet are a celebration of the natural world and the senses. With her magical use of color and wonder found in everyday life Harvey says, “I want my photographs to be sensory, like edible flowers, a visual taste. Color and flowers act as symbol and metaphor to access our senses.” One of the most extraordinary color photographers working today, Cig Harvey’s Blue Violet is a meditation on the procession of the seasons and sensory abundance. Plants, flowers, and our experience of the natural world are the threads that tie this unique body of work together. Exploring the five senses, Blue Violet takes the reader on a personal journey through nature and the range of human emotions.
Throughout her twenty-five-year career, Harvey’s work “has always incited a jolt, eliciting a reflexive gasp of awe, triggered by memory and emotion,” writes Jacoba Urist in the book’s afterword. “In this regard, Blue Violet is no exception,” she continues, “and readers may be forgiven for assuming this, her fourth monograph, is about botanicals.” Yet further viewing of the works reveals that Harvey’s photographs “despite being of flora, are about something else: something deeper and less tangible, more saddening and celebratory, something all-encompassing and inescapable, like color. | | |
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| | | De la série American Diorama – Streets, 2011 © Véronique Kolber | | | Saison 2022 – 2023: Kaleidoscope | | | Clervaux - cité de l'image enters its new season 2022-2023 with 6 new open-air exhibitions.
Co-produced by the Centre national de l'audiovisuel (CNA), this new edition focuses on the diversity of photographic creation in Luxembourg. | | | Marie Capesius » Heliopolis (2017-2019)
Veronique Kolber » American Diorama – Streets (2011)
Boris Loder » Particles, 2016-2019
Bruno Oliveira » Coentro e Cachorros (2018)
Marc Schroeder » Corona 2020 – Scenes of the Pandemic (2020)
Jeanine Unsen » I love you baby. Portraits de femmes résilientes (2016-2018) | | | | ... until 9 October 2023 | | | | | | | | | | | | | Various photographic installations throughout the city of Clervaux transform it into an open-air gallery. Discover the work of national and international contemporary photographers in an extraordinary setting: on the walls of houses, in flowering gardens and along the narrow streets.
Six different visions invite us on a journey, each uniquely opening up a world that unfolds in photography and lingers in our imagination. A play of momentary dialogues strikes up between the images, their open air exhibition setting – as it changes with the seasons - and the viewer that contemplates them. The photographers transform the image of the city and the gaze we bring to bear upon it by way of reflections from elsewhere.
The 2022-2023 photographic season celebrates the diversity of Luxembourg creation through the work of six contemporary photographers. On the market square, we set out with Bruno Oliveira to Cap Vert, via a documentary collection shot through with personal sensations, while along the rise to the church, Véronique Kolber presents a series of American street scenes, captured through her lens, that resonate in our cinematographic memory. Behind the church, Marie Capesius, by way of calm and sensual images, explores the question of paradise and the contrasts between the two worlds that co-exist on the Ile du Levant. Inspired by the methods of archaeology, Boris Loder collects objects, examines them, and thus condenses the identities of the City of Luxembourg’s various neighbourhoods and their stereotypes into sculptural photographs that can be seen in the arcades of Grand- Rue.
On the Castle concourse, we are greeted by Marc Schroeder’s black and white minimalist photographs capturing urban landscapes which seem to follow a strict graphic logic. While in the Castle gardens, the women portrayed by Jeannine Unsen share with us a moment that is both intimate and intense. Thus, by way of these encounters, different paths, readings and connections interweave to keep us questioning. | | |
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| | | from Through Our Eyes © Martin Beanz Warde | | | | | | | | 3 – 30 November 2022 | | | | Project launch and projection event: Thursday 3 November 6pm | | | | | | | | | | | | | Photo Museum Ireland is delighted to present Through Our Eyes - a new photography project led by artist Martin Beanz Warde. The project is being premiered at a special one-off outdoor projection screening event in Meeting House Square. An exhibition featuring selected photographs from the project is on show in Photo Museum Ireland’s Artists’ Project Space from 3rd–30th November 2022.
In collaboration with 9 participants from the Traveller Community – Winnie Ward, Patrick McDonagh, Chantelle Stokes, Emma Ward, Timmy Casey, Thomas Connors, Martin Ward, Helena Power and Emily Evans – Martin has made a series of photographs that respond to themes of identity and well-being. Martin’s images go beyond stereotypical or nostalgic representations to present a contemporary portrait that celebrates Traveller individuality and reflects their pride in their culture. | | |
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| | Melanie Issaka
Contact 7 and Contact 5, from "Locating the Personal"
Color photogram, 2022; ca. 180 x 120 cm; unique piece | | | | | | | | 5 November — 17 December 2022 | | | Opening reception: Friday, 4 November, 6—8 pm
Melanie Issaka will be present. | | | | | | | | | | | | | For the first time we present in a solo exhibition the two series Locating the Personal and Blueprint: Black Skin White Mask by the Ghanaian-British artist Melanie Issaka.
Melanie Issaka likes to work with cameraless photography. Using life-size color photograms, she imprints her own body into the photographic material. By exploring the spaces she simultaneously creates and occupies, and engaging with the materiality of her hair and body, Melanie Issaka produces images that blur the boundaries between the self and the other.
Working with cyanotypes in her Blueprint series, she presents her body as a white void shape, thus examining issues of simultaneous presence and absence, hyper-visibility and invisibility, and the representation of the Black female body in the history of art and photography.
"For too long the camera has aimed to 'capture' Blackness, to jar it shut, and trap it within chemicals and paper, to be used however the white eye deems fit. The perceived Black body rarely gets to rest, lie down, and simply exist. Issaka rejects this “violent” photography, replacing it with her own Black psychogeography. In her images, Blackness does whatever Blackness wants." Isaac Huxtable in his catalogue essay
Melanie Issaka (b. 1994, Ghana) is a visual artist and freelance photographer living and working in London, UK. She graduated from The Royal College of Art with a Photography MA, having previously studied Graphic Design BA at The University of Brighton.
Melanie aims to develop a social practice concerned with documentation, representation and archiving with reference to the intersectionality of Race and Gender, as well as exploring the materiality of print and lens-based media… | | |
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| | Catherine Henriette
Les baigneurs 1, 2014
From the series "Conte d'été"
66 x 99 cm
Edition of 5 | | | | | | | | ... until 12 November 2022 | | | | | | | | | | | | | Catherine Henriette’s works are autonomous universes in which the theatre of humans is played out in miniature.
With distance, the artist depicts a disproportionate world in which our reference points are lost, the sky and the earth, the infinitely large and small merge. This setting is inhabited by characters prey to the sublime of their present.
In her work, composed as a tale, the artist questions our relationship to space and to our collective individuality.
Fascinatingly precise, the artist’s photographs are invitations to contemplation and introspection. Newly represented by the gallery, Catherine Henriette’s work has been awarded the Prix of the Académie des Beaux-arts. | | |
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| | | | | | | Philip Cheung: Days of Destruction (2022)
1. Preis Beste Fotoserie 2022
VONOVIA AWARD FÜR FOTOGRAFIE |
| | | | PreisträgerInnen & Shortlist 2022 | | | | | | | Tue 8 Nov 18:30
9 Nov 2022 – 8 Jan 2023 | | | | | |
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| | | | | | | | | | | | | Different Worlds 2022 Exhibition of the 10th Open Call for Young Photographers | | Thu 3 Nov 19:00 4 Nov – 2 Dec 2022 | | | | | | | |
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| | | DOKU – Binary conflicts invert illusions, 2022. Production image. Cover design for King Kong magazine, issue 13 SS22. Courtesy the artist. | | | | | | | | ... until 12 February 2023 | | | | | | | | | | | | | This year's annual commission is a major new solo exhibition by the highly acclaimed Chinese multi-media artist LuYang . The exhibition will feature the world premiere of a new Zabludowicz Collection commission, alongside multiple immersive moving image installations, an interactive arcade gaming space, and a screening room presenting the ‘greatest hits’ of the artist’s videos from across the last decade. Visitors will be invited to step into the worlds LuYang creates.
LuYang’s work destabilises the divisions between past and future, human and machine, and life and death, reflected in the title of the exhibition, which incorporates the Sanskrit expression ‘Neti Neti’, meaning “not this, not that”, or “neither this, nor that”. Immersed in the cultures of anime, video games and sci-fi, the artist’s wildly engaging and darkly humorous projects are all-consuming in their visual and sonic intensity. They combine aspects of traditional spiritual belief with motifs from science and medicine to investigate the mysteries and mechanics of the human body and mind.
The exhibition will centre on DOKU, LuYang’s own digital avatar. Using advanced motion capture and CGI animation technology, DOKU combines ancient ideas of reincarnation with a contemporary exploration of the multiplicity of the self. LuYang has created six versions of the DOKU avatar to date, corresponding to the six paths of reincarnation as described in Buddhism. The movements assigned to these characters … | | |
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| | | Self-portrait from the Shelton Hotel Looking East, 2005 © Arno Rafael Minkkinen | | | | | | | | ... until 27 November 2022 | | | | | | | | | | | | | Finnish born Arno Rafael Minkkinen became a writer and photographer in America before becoming a teacher in Fin- land. Like a triplestranded coil of climbing rope, Minkkinen has interweaved his three pursuits continuously into his life as a Finnish American artist, essayist/curator, and educator for more than five decades now. After obtaining a Bachelor of Arts degree in English from Wagner College, Minkkinen launched into a career as a Madison Avenue copywriter. A headline he wrote for Minolta cameras (What happens inside your mind can happen inside a camera) persuaded him to take up photography at Rhode Island School of Design where he earned a Master of Fine Arts degree studying there from 1972 to 1974 with Harry Callahan and Aaron Siskind. With double two-year stints (the mid-1970s and mid- 1980s) teaching at Helsinki’s University of Industrial Arts (Aalto University today) and four years as assistant professor at MIT, Minkkinen served 28-years as a tenured Professor of Art at the University of Massachusetts in Lowell where he holds a Nancy Donahue Emeritus Professorship today. Along with a ten-year parttime teaching stint at Vevey’s École d’Arts Appliqués in Switzerland, Minkkinen also serves as a docent at Aalto University in Helsinki.
Major monographs include Frostbite (Morgan & Morgan, 1978); Waterline (Marval, Aperture, and Otava, 1995 (Grand Prix du Livre, 25th Rencontres d’Arles); Body Land (Motta, Nathan, and Smithsonian Institution Press, 1997); SAGA: The Journey of Arno Rafael Minkkinen: Thirty-Five Years of Photographs (Chronicle Books, 2005); Homework: The Finnish Photographs, 1973 to 2008; Balanced Equation (Lodima Press, 2010); and Minkkinen (Kehrer Verlag, winner of th… | | |
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| | | © Artist Giulia Grillo aka Petite Doll – The Untitled Space | | | | | | | | 4 – 19 November 2022 | | | | Opening: Friday 4 November 6:00 pm | | | | | | | | | | | | | The Untitled Space is pleased to present the debut U.S. solo exhibition of Italian photographic artist Giulia Grillo aka Petite Doll, opening on November 4th and on view through November 19th, 2022. Curated by Indira Cesarine, the self-titled exhibition showcases a range of artworks that highlight the artist’s surreal performance-based photography. A number of works from Grillo’s ongoing series The Crab Girl will premiere in the exhibition, as well as a selection from her latest mixed-media project, In the Name of Perpetual Connection.
The unconventional intricacies that characterize a Petite Doll image, whether still photograph or video, reflect a contemplation of the familiar, which Grillo warps and expands into fully-realized characters that forgo traditional beauty standards in favor of the bizarre. Petite Doll seeks to take photography out of its conventional, comfortable, and objective role, manifesting and distorting intricate concepts in her work, from the unsettling to the cute, holding a mirror to contemporary society and its underlying fears and desires. Using a wide array of symbolic objects, from elaborate sculptures to everyday objects, she transforms herself into distinct characters. Her sculptural molds made of polymer clay, SFX prosthetics, resin, and plaster, along with her distinctive makeup, costumes, and sets that she creates herself, build a bridge between the physical and digital worlds. Each carefully crafted scene she presents puts her preference for practical effects over digital manipulation on full display, often including intricate prosthetics to manifest darkly fantastical worlds that are nothing short of cinematic in their scale. Featuring photographs, videos, and behind-the-scenes archives spanning her arti… | | |
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| | | | | | | | Antoine Henault, Touristes, "Insolations", Martinique, 2021 |
| | | | | | | | | | | | Thu 3 Nov 17:00
3 Nov – 19 Nov 2022 | | | | | |
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| | | | | | | | Jan Groover, Sans titre, ca.1978 © Photo Elysée - Fonds Jan Groover |
| | | | | | | | | | | | Mon 7 Nov 14:00
8 Nov 2022 – 12 Feb 2023 | | | | | |
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| | | | | | | | Hair salon, Wolverhampton, 2012 | © Martin Parr / Magnum Photos |
| | | | Henri Cartier-Bresson avec Martin Parr | | | | | | | Mon 7 Nov 14:00
8 Nov 2022 – 12 Feb 2023 | | | | | |
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| | | | | | | © Jean-Baptiste Huynh
Courtesy Galerie Lelong Paris |
| | | | | | | | un projet global aux sources de la beauté, au travers de l’homme et la nature | | | Tue 8 Nov 14:30
8 Nov – 14 Nov 2022 | | | | | |
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| | | | | | | Pieter HUGO
Portrait #3, Rwanda, 2014, c-print
courtesy Priska Pasquer Gallery, Cologne |
| | | | | | | | | | | | Thu 10 Nov 18:00
8 Nov – 11 Dec 2022 | | | | | |
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| | | Alec Soth, Untitled 26 from Dog-Days, Bogotá © Alec Soth, Magnum Photos | | | L'APPARTEMENT SESSION 4 | | | | | | | | | | | | | | | | EXHIBITIONS until 13 November 2022 | | | | For its fourth exhibition session, L’Appartement – Espace Images Vevey presents four artists whose reflections echo domestic space, living together and intimacy. | | | | | | | | | | | | | The Dutch photographer Bertien van Manen created her Give Me Your Image series while travelling across Europe between 2002 and 2005. At each stage of her journey, while staying with friends or strangers she photographed their souvenir snapshots displayed amid everyday objects. These small pictures, as commonplace as they are moving, plunged the artist into the heart and soul of each home. With Give Me Your Image, van Manen creates a clever mise en abyme that evokes the time when L’Appartement – Espace Images Vevey was a family home.
In 2013, Gillian Wearing, a major figure in British contemporary art, started creating an open submissions participative project by inviting people around the world to film a short clip of the view from a window in their homes. From the United States to Saudi Arabia, Greece and India, Your Views shows a succession of curtains and blinds opening onto commonplace yet varied scenes. Both unique and universal, these views reveal a part of the participants’ private lives. Screened in Le Cinéma of L’Appartement – Espace Images Vevey, Your Views opens a multitude of windows onto the world, in keeping with the theme of a window that is at the very heart of the visual identity of this new venue, which once served as railway workers’ housing at Vevey station.
Dog Days, Bogotá is a project Alec Soth holds very dear to his heart. In 2003, while in the final stages of the official process to adopt his daughter, this well-known photographer spent two months in Colombia. With time on his hands, he explored her hometown and its inhabitants. Dog Days, Bogotá is presented in Le Couloir, the corridor of L’Appartement – Espace Images Vevey, specifically designed for children. This project tells the story of parents’ long wait as they prepare to adopt their daughter and start a new life.
Laureate of the Images Vevey Book Award 2021/2022, Carmen Winant presents her innovative Arrangements project, an assembly of pages torn out of various publications she gathered over the years. This American artist rearranged these images in pairs, in their original format, to compose new narratives. Her publication, displayed in the form of an exhibit, presents a journey into the heart of multiple archives examining, in a novel way, the recycling and reappropriation of printed objects for new editorial purposes. | | |
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| | | | | | | | | | | | | | 10 – 13 November 2022 | | | 183 EXHIBITORS (ALL SECTORS)
48 New exhibitors compared to 2021, including 18 first participations. 31 countries
180 stands in the Grand Palais Ephémère
24 solo shows, 14 duo shows, 92 group shows.
613 artists, including 31% women artists. | | | | | | | | | | | | | Paris Photo, the leading international fair dedicated to the photographic medium, returns to the Grand Palais Éphémère in the heart of Paris from November 10 to 13th, 2022. Since 1997, the fair has worked to develop and support photographic creation by promoting the work of gallery owners, publishers and artists.
The 25th edition of Paris Photo is organized around 3 sectors bringing together 183 exhibitors from 31 countries.
In the main sector gathers 134 galleries from 29 countries, including 18 new galleries compared to 2021. The Curiosa sector, dedicated to emerging art, brings together 16 galleries (including 11 new) from 9 countries under the direction of guest curator Holly Roussell.
The book sector gathers 34 publishers (including 4 new) from 9 countries, offering unique editions and avant-premiere book releases with a signature program bringing together the greatest names in photography from all over the world.
The Elles x Paris Photo fair path, orchestrated this year by Federica Chiocchetti promotes the visitbility of women artists and their contribution to the history of photography. A program of conversations, exhibitions and prizes is offered to visitors allowing them to develop their knowledge of the medium.
Thanks to the lasting engagement and support of BMW and J.P. Morgan Private Bank, official partners, and the fair's many public and private partners, Paris Photo reaffirms for its 25th edition its role as the most important annual meeting place for photography. | | |
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| | MARIO TESTINO
Naomi Campbell & Sean 'P Diddy' Combs, 2001
London, British Vogue - C-print, printed 2006, flush-mounted on Dibond 50 x 62 in.
Estimate: €15,000-20,000
© Mario Testino | | | Photographies | | | | | | Online Auction:
... until 8 November 2022 4pm
Viewing Paris: From 4 - 8 November, 10 am – 6 pm
Sun 6 November, 2 – 6 pm
Online catalogue: here
Contacts:
Elodie Morel-Bazin
emorel-bazin@christies.com
+33 (0) 1 40 76 84 16
Fannie Bourgeois
fbourgeois@christies.com
+33 (0)1 40 76 84 41 | |
| | | | | | | | | | | | | Christie’s Paris is proud to present Photographies, an online sale taking place from 25 October to 8 November, ahead to Paris Photo Art Fair. 108 lots will be offered, bringing together some of the most recognized photographers from the 20th and 21st centuries such as Zanele Muholi, Nan Goldin, Candida Höfer and Alex Prager, as well as Man Ray, Irving Penn, Richard Avedon, Hiroshi Sugimoto and Peter Lindbergh. The overall estimate for the sale is around €1.4m with lots ranging from €1,000 to 120,000.
Contemporary photography, the main focus of the sale, is magnified through a selection of great diversity. A section is dedicated to African photography, including The power of choice / The choice of power (estimate: €4,000-6,000) by the young and talented Ghanaian photographer Prince Gyasi.
The sale also explores contemporary themes through strong pieces that use symbolically charged aesthetics such as Spix's Macaw, Rearview, Unextinct, 2022 by Tim Flach. The photographer celebrates the return to the wild of the Spix's Macaw in a large print showing the cerulean blue feathers of the magnificent bird taking flight (estimate: €10 000-15 000).
Several pieces in this sale explore the nude, a classic theme playing with the forms of body as an abstract pictorial element. A group of seventeen prints from a chronophotographic film by Etienne-Jules Marey presents The Walking Man, Chronophotography, c. 1890-1895 (estimate: €30 000-50 000). Mario Testino, the world-renowned Peruvian fashion photographer, unveils Naomi Campbell & Sean 'P Diddy' Combs in a life-size print (estimate: €15,000-20,000).
Six pieces from the collection Pierre Borhan, curator, author and cultural manager will also be offered in the sale. From Henri Cartier-Bresson to Diane Arbus, to a diverse selection of photographs belonging to Louis Aragon, such as this portrait of him by Man Ray - Portrait de Louis Aragon, 1925 (estimate: €4,000- 6,000) this selection intertwining/harmonizing the private and the intellectual, the sensual and the abstract. | | |
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| | Lot 88 :
Kiki of Montparnasse (born Alice Ernestine Prin) nicknamed the Queen of Montparnasse, 1920's.
Gelatin silver print on baryta paper, from digital file (black and white lambda print).
Blind stamp AFP in the lower right margin. Stamp « AFP 5/11/2022
Edition Spéciale N° : 1/1 » on verso.
Image : 37 x 56 cm - 14.6 x 22 in
Papier : 50 x 60 cm - 19.7 x 23.6 in | | | FROM SILVER TO ICONIC 200 PHOTOGRAPHS FROM THE AFP COLLECTION AND 3 NFT
DE L’ARGENTIQUE À L’ICONIQUE
200 PHOTOGRAPHIES ISSUES DU FONDS AFP ET 3 NFT | | | | | | | | | | ADER Entreprises & Patrimoine - Agrément 142-201920 6 rue PICOT 75116 Paris
Ellia Art Gallery; 10, rue de Turenne – 75004 Paris
Phone : + 33 (0) 1 76 21 26 41
contact@ader-ep.com
www.ader-ep.com
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| | | | | | This autumn, come and discover the photographic heritage of AFP Agence France-Presse, which will be celebrated with an exceptional auction of 200 art prints and the first NFTs in its history, as well as a major exhibition at the Ellia Gallery in the heart of Paris and the publication of a book offering a sensitive look at a century of history in 300 photos.
From October 26 to November 5, 2022, the world's oldest news agency will be offering visitors an exceptional selection of photos from its archives, some of them iconic, some of them unpublished, which will be auctioned off at the Ellia Art Gallery in the Marais district.
The exhibition and sale will offer an immersion in "news" photography, ranging from the Paris Commune in 1871 to the recent burning of Notre-Dame, as well as the Great War, the Liberation of Paris, the first French women's vote, Marcel Cerdan's raging fists, Jean-Paul Belmondo's winning smile and Josephine Baker's modernity.
Public exhibition: Ellia Art Gallery; 10, rue de Turenne – 75004 Paris
from Wednesday 26 October to Saturday 5 November 2022 10am-7pm
Online catalogue : www.ader-ep.com or PDF
Live bidding : www.drouotonline.com | | |
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| | Lot 14 (section Act & Help)
Sebastião Salgado (1944)
A Desert on Fire. Kuwait, 1991.
Gelatin silver print, signed. | | | Photographs Photographies | | | | | | | | | | | | | | | | | First section : sale for the benefit of the association Act & Help
Photos légendaires légendées (legendary photos with captions)
Fifty lots are being sold to benefit the Act and Help association, founded by Elisabeth Bernard, former director of the Paris office of Liaison agency. Photographers - William Klein, Sarah Moon, Martin Parr, Matthieu Ricard, Noémie Goudal, etc. - have generously consigned some of their prints. Each photo sold is accompanied by an autograph letter in which the photographer describes the creative process of his or her photograph.
19th century photographs by :
Hippolyte Bayard, Eugène Atget, Auguste Salzmann, Édouard Baldus, Charles Marville, Émile Béchard, Henri Becquerel, Julia Margaret Cameron, Lewis Carroll, Henry-René d'Allemagne, Guillaume Duchenne de Boulogne, Louis Ducos du Hauron, Louis-Émile Durandelle, Dmitri Ivanovitch Ermakov, George Robinson Fardon, Gustave Le Gray, Maison Adolphe Braun, Paul Nadar, Séeberger Frères, Edward Sherrif Curtis.
Rare still life with the Venus de Milo by Hippolyte Bayard, one of the inventors of photography.
Three exceptional albums (photographers' copies) on the construction of the Sacré-Coeur de Paris by Louis Durandelle and Albert Chevojon.
Albums of Edmond and Marie Ternynck on their trip aboard the Transcaucasian and Transcaspian, composed in large part of prints by Paul Nadar.
Modern and contemporary photographs by :
Berenice Abbott, Cecil Beaton, Denise Bellon, Jacques-André Boiffard, Bill Brandt, Brassaï, Claude Cahun, Walker Evans, Andreas Feininger, André Kertész, François Kollar, Germaine Krull, Eli Lotar, Man Ray, Willy Maywald, László Moholy-Nagy, M… | | |
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| | 220
NOBUYOSHI ARAKI (*1940)
UNTITLED (TOKYO COMEDY), FROM THE SERIES ‘RIVER BETWEEN LIFE AND DEATH’, JAPAN 1997
Starting Bid: €8,000
Estimate: €15,000 - €18,000 | | | | | | | | | | | | | Saturday 19 November 2022 17:00 | | | Preview: from 2 November 2022
Wednesday to Saturday 12 - 5pm and by appointment | | | | | | | | | | | | | The upcoming auction is already the 26th photo auction run by me and my team.
I founded WestLicht Photo Auctions in 2009, after running the largest auction house for cameras worldwide since 2001. In 2020, the auction was renamed in "OstLicht Photo Auction" and is held twice a year at the OstLicht Photo Gallery.
For the upcoming autumn auction, we were able to put together a particularly exciting and high-quality program with more than 230 works from all eras of photography history.
In our new online catalogue, you will find a detailed description of all lots, including images of all front and back pages. You can place your bids there with immediate effect.
For the first time, you can also bid live in this new catalogue during the auction at no additional cost.
If you wish to bid by phone, please email us your requested lot numbers in advance. Please feel free to contact us at any time with any further questions or for condition reports.
We would be particularly pleased to welcome you in person in Vienna for the preview or the auction. | | |
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| | | | | | | | | | | | | Barcelona Foto Biennale II The 7th Biennial of Fine Art and Documentary Photography - showcasing 358 artists from 47 countries | | 9 Nov – 27 Nov 2022 | | | | | | | |
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8 – 20 Nov 2022 | | | | | |
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3 – 19 Nov 2022 | | | | | |
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| | | | | | Festival de cinéma dédié à un nouveau genre : le film photographique. | | | | | | | 4 – 5 Nov 2022 | | | | | |
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| | | | | | au sein du programme VIP de Paris Photo | | | | | | | Tue 8 Nov
7 Nov – 11 Dec 2022 | | | | | |
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| | | | | | the art of photography across Sydney with 107 free outdoor exhibitions and 58 events | | | | | | | 4 – 20 Nov 2022 | | | | | |
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| | | | | | Japan Contemporary Art Platform in collaboration with ART BASEL | | | | | | | 3 – 6 Nov 2022 | | | | | |
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| | | | | | Bangkok Art Biennale 2022 | | | | | | | – 23 Feb 2023 | | | | | |
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| | | | | | We, on the Rising Wave | | | | | | | – 6 Nov 2022 | | | | | |
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| | Chow and Lin, 2020:06:13, 13:31:23, 2020. From the series I want to bring you around the world, 2020–22.
Archival inkjet print. Courtesy of the artists. | | | | | | | If I Had a Hammer | | | | | | | | African Cosmologies: Redux | | | | | | | ... until 6 November 2022 | | | | | | | | | | | | | | Houston’s Fotofest Biennial 2022 "If I Had a Hammer" (September 24 through November 6) considers the ways artists utilize images to unpack the ideological underpinnings that inspire collective cultural movements around the globe. Together, the twenty-three included artists propose alternative techniques of seeing and engaging with the world, working with both conventional and new medi. | | |
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| | | Melanie Bonajo: ‘Big Spoon’, film still from ‘When the body says Yes’ . Courtesy of the artist. The Netherlands national Pavillion | | | | | | | The Milk of Dreams | | | | | | | | ... until 27 November 2022 | | | | | | | | | | | | | The 59th International Art Exhibition of La Biennale di Venezia, titled The Milk of Dreams, will open to the public from Saturday April 23 to Sunday November 27, 2022, at the Giardini and the Arsenale; it will be curated by Cecilia Alemani and organised by La Biennale di Venezia chaired by Roberto Cicutto. The Pre-opening will take place on April 20, 21 and 22; the Awards Ceremony and Inauguration will be held on 23 April 2022
Read the statement by Cecilia Alemani »
Read the statement by Roberto Cicutto »
THE INTERNATIONAL EXHIBITION
The Exhibition will take place in the Central Pavilion (Giardini) and in the Arsenale, including 213 artists from 58 countries; 180 of these are participating for the first time in the International Exhibition. 1433 the works and objects on display, 80 new projects are conceived specifically for the Biennale Arte.
The artists »
NATIONAL PARTICIPATIONS
The Exhibition will also include 80 National Participations in the historic Pavilions at the Giardini, at the Arsenale and in the city centre of Venice. 5 countries will be participating for the first time at the Biennale Arte: Republic of Cameroon, Namibia, Nepal, Sultanate of Oman, andUganda. Republic of Kazakhstan, Kyrgyz Republic and Republic of Uzbekistan participate for the first time with their own Pavilion.
The National Participations » | | |
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© 2 November 2022 photo-index UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editor: Claudia Stein & Michael Steinke
contact@photo-index.art . T +49.30.24 34 27 80 |
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