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| PHOTOGRAPHY INTERNATIONAL | | 24 Nov – 1 Dec 2021 | |
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| | | | The Seventh Jimei x Arles International Photo Festival will open in Xiamen on November 26, 2021, and run until January 3, 2022. Christoph Wiesner, director of Les Rencontres d'Arles, and RongRong, Chinese contemporary photographer and co-founder of Three Shadows Photography Art Centre, will present four brilliant exhibitions from Les Rencontres d'Arles, ten Discovery Award exhibitions highlighting young Chinese photographers, three Greetings from Singapore exhibitions, one China Pulse exhibition, three Crossover Photography exhibitions, one Tribute exhibition, one Collector's Tale exhibition, and two Local Action exhibitions showcasing Xiamen. |
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| | | | On Tuesday Nov 30 ART MIAMI, UNTITLED, SCOPE and Context are starting the Miami Art Week 2021, ART BASEL Miami Beach on Wednesday Dec 1.
More than 500 galleries will exhibit more than 1,000 artworks in photography and videoart. |
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| | | from the series Quarantine Blues © Leonard Surayajaya, courtesy of the artist. | | | | | | | Celebrating artists shaping the future of photography. | | | | | | | | ... until 30 January 2022 | | | | | | | | | | | | | | | Following the award-winning first edition in 2020, Foam presents a brand new online exhibition celebrating a new generation of image-makers.
www.foam.org/events/foam-talent-2021-digital | | |
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| | | Zanele Muholi, Bona, Charlottesville, 2015, 800 × 503 mm, photograph, gelatin silver print on paper © Zanele Muholi, purchased with funds provided by the Africa Acquisitions Committee 2017 | | | | | | | | 26 November 2021 – 13 March 2022 | | | | Opening reception: Thursday 25 November 2021, 7pm | | | | | | | | | | | | | Zanele Muholi self-identifies as a visual activist and has been documenting the life of Black LGBTQIA+ communities since the early 2000s in intimate and powerful photographs across South Africa and beyond. From 26 November 2021 to 13 March 2022, the Gropius Bau will host Muholi’s first major survey in Germany.
Alongside their earlier, lesser-known series, the show will feature recent works to display the full range of Muholi’s photographic practice, which addresses sexual politics, racial violence, communal resistance and self-assertion. Muholi’s photography is not only a gesture of empowerment, but consistently challenges the heteronormative gaze while building a network of affinity and new pictorial histories. Series such as Faces and Phases and Brave Beauties have contributed to a growing visual archive that celebrates Black queer and trans selfhood, acting as a testimony of those who risk their lives to live authentically in the face of repression and discrimination.
Curated by Natasha Ginwala, Associate Curator, Gropius Bau; Yasufumi Nakamori, Senior Curator International Art (Photography), Tate Modern and Sarah Allen, former Assistant Curator, Tate Modern
Content Guidance
This exhibition contains themes related to gender and sexuality-based discrimination, hate crimes, rape and racism. It also contains sexual images. | | |
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| | | Jörn Vanhöfen: Hagia Sophia # 392, 2019, c-print, 70 x 90 cm | | | | | | | | ... until 4 December 2021 | | | | | | | | | | | | | As with his earlier series of works AFTERMATH and LOOP, Jörn Vanhöfen set off on a journey. In our current exhibition we are presenting selected photographs from TALMID, a work for which Jörn Vanhöfen followed the 1873 journals of a twenty-eight-year-old man on his travels through the Middle East.
In September 1873, Ignaz Goldziher started his five-month journey to the Middle East in Budapest. He was young, eloquent, inquisitive, daring and, as a devout Jew, educated in the scriptures of Judaism and Islam. The scholarly destinations of his trip were the libraries and cultural sites of Islam in Damascus and Cairo, as well as Jewish sites in Israel, Damascus, and Constantinople. He searched for historical scriptures, researched Islamic teachings and the Arabic language, and was the first non-Muslim granted permission to study at Al Azhar University in Cairo.
His personal journals from this trip reveal his joy and sadness, passion and curiosity, in addition to his aversions and arrogance; in other words, the multi-faceted portrait of a twenty-eight-year-old young man who is full of expectation and eagerly yearns to experience the world. With his life’s work, Ignaz Goldziher is regarded as the founder of modern Islamic studies. He taught at various European universities and in 1905 was the first Jew to be appointed a lifetime position as professor in Budapest. November 13, 2021 will mark the 100th anniversary of Ignaz Goldziher’s death.
Nearly 150 years later, Jörn Vanhöfen followed this very emotional journal and traveled to a region shaped by the Arab Spring, political-religious conflicts, and the aftermath of the war in Syria.
Once again, the results are images o… | | |
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| | | Lillian Birnbaum: "MAN IN NEBBIA", Venedig, 1984 | | | | | | | | | | | | | 23 November to 11 March 2022 | | | | | | | | | | | | | Winter, those are memories. The crunching of deep firn under the boots; wondrous ice flowers on the window panes; the sweet sightings of early snowdrops. But above all, winter is the season when the world becomes quieter. Thomas Mann once caressed a snow-covered mountain landscape with his words as "padded soundlessness". It is not only the world that becomes quieter, but also the colours. Grey light, white fields, black branches. The paint of winter is as monochrome as it is rich in contrast; and yet the winter colouring is a nuanced one. In her upcoming group exhibition, Johanna Breede creates a multifaceted picture of the quietest of all seasons. With a love of detail, Breede condenses various aesthetic approaches and photographic signatures into a small kaleidoscope of winter.
You think you can hear it, the silence in the photographs on display. It lies in the meditative and formally clear landscapes of the Japanese artist Koichiro Kurita; it sits in the snow-covered tips of Nomi Baumgartl's firs and in the bare branches that stand out against the white in Jens Knigge's photographs like calligraphic characters of an unknown alphabet. A quiet solitude also envelops the silhouette of a male figure portrayed by Donata Wenders, who walks in the snow, in a blur, as if he wants to escape the visible together with the world. Even the penguins in tails turn away from the photographer and waddle into the all-swallowing expanse of Antarctica.
Isa Marcelli, Ulrike Ottinger and Stefan Moses also visualise the quiet side of winter. The snow stains the world, it rubs against the trees. Only from a portrait of Herbert List does the cold clink at us in the form of two tin milk cans. The Magnum photographer casts a surreal, magical glance at a w… | | |
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| | Rania Matar, Rayven, Miami Beach, Florida, 2019
25 1/2 x 30 inches - (other sizes & pricing available)
Pigment print from a limited edition of 8 | | | | | | | | ... until 15 December 2021 | | | | | | | | | | | | | | | The women photographed in SHE contain multitudes: They’re playful but self-assured; soft yet strong; curious and adventurous. From Massachusetts to Beirut, Matar collaborates with young women to create images that reflect their experiences leaving home and entering adulthood.
"Whereas in earlier projects, I photographed young women in relationship to the curated and controlled environment of their bedrooms," says Matar, "I am photographing them here in the larger environment they find themselves in after they leave home, the more global and complicated backdrop that now constitutes their lives in transitions."
Below, Matar shares the stories behind four of the works that are now on view at the gallery. | | |
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| | | | | | | | | | | | | In Our Own Image Photography in Ireland 1839 to the Present | | 29 Nov 2021 – 6 Feb 2022 | | | | | | | |
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| | Peter Fink
Model, Paris, France, 1960s
© VG Bild-Kunst, Bonn, 2021 | | | | | | | | ... until 9 January 2022 | | | | | | | | | | | | | A voyager of beauty: Including more than 200 pictures and objects from all phases of his career, the Fotografie Forum Frankfurt presents a comprehensive exhibition of the American photographer Peter Fink.
An affinity for beauty shaped the life and work of the American photographer Peter Fink (1907 – 1984). After studying art in Chicago, his talents led him into the world of exclusive interiors and lifestyle. He worked as an art director for the couturier Lucien Lelong and Lanvin Parfums, responsible for showroom design, product packaging and advertising at both luxury houses. He lived in New York and Paris, met greats of the cultural scene, discovered photography. From the 1950s onwards, Fink travelled for fashion photography, throughout Europe, North Africa, Mexico, Asia and his native USA. On the road, he made the camera his eye – to translate into pictures the beauty he discovered in people, things and places throughout his life, as Fink once explained in an interview.
During his lifetime, Peter Fink’s photographs were collected by renowned institutions worldwide and celebrated in more than 50 solo exhibitions. A good 15 years after the last solo show, the Artistic Director of Fotografie Forum Frankfurt (FFF), Celina Lunsford and her co-curator Andrea Horvay, have taken a completely new look at the photographer’s œuvre: After two years of intensive researching his artist archive, the FFF now presents the retrospective "PETER FINK. MY MIND’S EYE". On view are more than 200 images, mostly vintage black and white prints, and objects by the American photographer from over 30 years of his work. This selection conveys his rich variety of themes, his respectful empathy for models and motifs, a… | | |
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| | Image (Left): Dannielle Bowman, Vision (Garage), 2019, inkjet print, 30 × 24 in., Los Angeles County Museum of Art, LENS: Photography Council, 2021, © Dannielle Bowman, digital image courtesy of the artist and Sasha Wolf Projects
Image (Right): Janna Ireland, The Black Suit, 2012, inkjet print, 40 × 32 in., Los Angeles County Museum of Art, purchased with funds provided by the Ralph M. Parsons Fund, © Janna Ireland, digital image courtesy of the artist | | | | | | | Dannielle Bowman, Janna Ireland and Contemporary Works from LACMA | | | | | | | | 27 November 2021 – 5 June 2022 | | | | | | | | | | | | | Revealing insights about family life and the quotidian in the 21st century, Family Album explores the work of artists of color who examine themselves and history through the visual language of family photographs. The exhibition presents new work by Dannielle Bowman and Janna Ireland among contemporaries including Germane Barnes, Mark Bradford, Micaiah Carter, Tony Cokes, Sandra de la Loza, Mercedes Dorame, LaToya Ruby Frazier, Genevieve Gaignard, Leslie Hewitt, Deana Lawson, Tyler Mitchell, Star Montana, and Zora Murff.
Featured artists confront the physical, political, and emotional aspects of home. Some artists mine their personal archives, while others challenge the aesthetic conventions of snapshots. Integral to the exhibition is the exploration of community. Design, installation, and video consider the impact of segregation laws in American neighborhoods today. Photography, the medium that simulates seeing, summons sensations of daily life and memories of loved ones. | | |
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| | | | | | | James Barnor
Portrait of Evelyn Abbew, Ever Young Studio, Accra
c. 1954-59 |
| | | | | | | | | | | | Wed 24 Nov
25 Nov 2021 – 19 Feb 2022 | | | | | |
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| | | | | | | | | | Part 1: Night, Alleys ＆ People | | | 27 Nov – 25 Dec 2021 | | | | | |
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| | | | | | | | James Van Der Zee, Portrait of a Couple, 1924, gelatin silver print, National Gallery of Art, Washington, Robert B. Menschel Fund © 1969 Van Der Zee |
| | | | | | | | James Van Der Zee’s Photographs | | | 28 Nov 2021 – 30 May 2022 | | | | | |
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| | Image (Left): Rudolph Heinrich Ernst, Valérie and Emilie Meyer-Bischoff, c. 1844. © Collection W. + T. Bosshard
Image (Right): Emanuel Friedrich Dänzer, The photographer’s daughter Marie, c. 1856. © Private Collection Liestal | | | | | | | Swiss Photography in the 19th Century | | | | | | | | ... until 30 January 2022 | | | | | | | | | | | | | | | After photography was proclaimed as a French invention in 1839 in Paris, the new medium quickly embarked on its victory march throughout Europe. Although the race for technical innovation and the development of this new craft began in the continent’s cultural centres, the heavy cameras soon made their way to the villages and the countryside, to remote valleys and mountains, where photographers gained recognition for their images “after nature”. How was photography able to spread so rapidly? Who were the pioneers who constantly came up with new applications, from representative portraits to wanted posters, from nature and landscape studies to the representation of industry and technology, from scientific illustration to the documentation of events?
This exhibition, organised as a co-production between the Fotostiftung Schweiz (Winterthur), the Musée de l’Elysée (Lausanne) and the MASI Museo d’arte della Svizzera italiana (Lugano), and curated by Martin Gasser and Sylvie Henguely, presents a previously underexplored chapter in the story of Swiss photography. For the very first time, a retrospective exhibition presents the first 50 years of this new medium in Switzerland. It brings together exquisite works from numerous public and private collections, in order to capture this momentous invention in its artistic, social and economic dimensions. Impressive examples also convey the competition and correlations between the various types of pictorial media. Up until the 1890s, photographic images were judged according to the same standards as paintings. They were often also reproduced in printed form, as this was deemed more trustworthy, and they could be reproduced in greater numbers.
Switzerland was not able to … | | |
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| | | | | | | | | | | | | | Tue 30 Nov
30 Nov – 4 Dec 2021 | | | | | |
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| | | | | | | | | | | | | | Mon 29 Nov 13:00
30 Nov – 4 Dec 2021 | | | | | |
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| | | | | | | | | | | | | | Tue 30 Nov
1 Dec – 5 Dec 2021 | | | | | |
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| | | | | | | | | | | | | | Tue 30 Nov
30 Nov – 5 Dec 2021 | | | | | |
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| | Lot 2024
Henri Cartier-Bresson
Playground in Madrid, Spain. 1933.
Gelatin silver print, 1959.
17.2 × 25.1 cm.
Estimate EUR 15,000–20,000 | | | The Art of Photography – A New York Collection | | | | | | | | | | | | | | | | | Grisebach is delighted to offer over 120 lots from a prime photography collection in the United States on December 1st, 2021, as part of its Anniversary Auctions in Berlin. This spectacular trove of works, with a low-end estimate of EUR 1.3 million, includes works of museum-level importance and of breathtaking quality and beauty. That they will be put up for auction with us is a mark of confidence in the German market – and in our expertise.
The auction’s top lot is Helmut Newton‘s legendary diptych "Sie Kommen" (Dressed/Naked). Created in 1981 for French VOGUE, this is one of the iconic images of Newton’s oeuvre: Four women in the studio, striding forward in high heels – and nothing else! The second image shows the women stepping toward us in exactly the same arrangement, but this time, they are dressed. Viewing both images side by side makes us aware that nudity can be more than just erotic allure; it can also be a statement of self-confidence and verve (EUR 150,000/200,000). Another standout is "Dovima with Elephants," created in 1955 by the consummate visualizer of absolute beauty, Richard Avedon: The top model Dovima, resplendent in a black evening gown with sash by Christian Dior, poses between two circus elephants. With an allegorical nod, the figures refer to the fairytale of "Beauty and the Beast." The image often has been described as the most famous fashion photo of the 20th century, testifying as it does to a golden age of glamour (EUR 100,000/150,000).
Likely the best-known work by Rudolf Koppitz, the leading international exponent of the Symbolist style in photography, is the movement study Bewegungsstudie showing a group of … | | |
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| | Lot 121
J H Engström (Jan Henrik Engström,1969)
Series Trying to dance, 2000-2004
C-Print, 50 x 70 cm, signed, vintage print, edition of 20 copies
2500 - 3500 € | | | XIX - XXI Century Art | | | | | | Auction
Tue 30 November, 2021, 7 pm
Preview 29 November, 10 am - 2 pm and 3 pm - 7 pm
30 November, 10 am - 2 pm
by appointment only: subasta@juannaranjo.eu
Catalog: here | |
| | | | | | Juan Naranjo Galería & Documentos de Arte Calle Taulat, 93, 2nd floor . 08005 Barcelona
T +34 (0)93-452 81 64
info@juannaranjo.eu
juannaranjo.eu
Tue-Thu 5-8pm, Wed 11am-2pm | |
| | | | | | The auction will offer 131 lots including photographs, drawings and artist books by important 19th century creators such as Jules Itier, Felix Alexander Oppenheim, William E. Kilburn, Antoine Claudet, Charles Clifford, Disderi, Louis de Clerg, From the 20th century Constant Puyo, Salvador Dalí, Joan Miró, Edward Ruscha, Hans Peter Feldmann, Joan Brossa, Fabrizio Plessi, Miroslav Klivar, Kyungwood Chu, Marc Nagtzaam, Miguel Río Branco, Mariano Zuzunaga, Rafael Navarro, Pere Formiguera, Miguel Río Branco, Jean Marie Del Moral, Chema Madoz, Daniel Canogar, Bèla Adler among others.
The auction highlight is a set of lots from the Joaquim Gomis Collection (Barcelona 1902 - 1991). Joaquim Gomis Serdañons was a Catalan photographer, collector, entrepreneur, and promoter of the arts.
In 1932 he was a founding member and the first president of the ADLAN Amics de l'Art Nou (Friends of New Art) association, who promoted artists such as Salvador Dalí, Joan Miró, Man Ray, Alexander Calder. In 1940, in collaboration with Joan Prats, Gomis published his images in Fotoscops, a series of books. His work can be associated with the Neues Sehen movement. In 1952 he was named president of the Amics de Gaudí (Friends of Gaudí) group, and from 1972 to 1975 he presided over the Fundació Joan Miró. | | |
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| | | | | | | | | | | | | | Fri 3 Dec 14:00
Preview: 27 Nov – 2 Dec 2021 | | | | | |
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| | | | | | | | | | | | | | 26 November 2021 – 3 Janyuar 2022 | | | | | | | | | | | | | The Seventh Jimei x Arles International Photo Festival will open in Xiamen on November 26, 2021, and run until January 3, 2022.
The Jimei x Arles International Photo Festival was co-founded in Xiamen's Jimei District in 2015, and it is jointly organized by Three Shadows Photography Art Centre and Tianxia Jimei Media. Since its founding, Jimei x Arles has presented more than 200 exhibitions from China and the rest of Asia, as well as a selection of excellent shows from Les Rencontres d'Arles. To date, the festival has attracted 350,000 visitors.
For this edition of Jimei x Arles, Christoph Wiesner, director of Les Rencontres d'Arles, and RongRong, Chinese contemporary photographer and co-founder of Three Shadows Photography Art Centre, will serve as Co-Directors, with noted photography critic Gu Zheng serving as Art Director. This year's festival will present 25 exhibitions featuring more than 50 artists from France, Singapore, Brazil, the Czech Republic, mainland China, and elsewhere, including four brilliant exhibitions from Les Rencontres d'Arles, ten Discovery Award exhibitions highlighting young Chinese photographers, three Greetings from Singapore exhibitions, one China Pulse exhibition presenting how photography developed at one Chinese art academy, three Crossover Photography exhibitions, one Tribute exhibition, one Collector's Tale exhibition, and two Local Action exhibitions showcasing Xiamen.
The exhibitions will be primarily presented in the Jimei Citizen Square Main Exhibition Hall and the Three Shadows Photography Art Centre Xiamen, as well as other sites across the island of Xiamen. During the opening weekend (November 26 to 28) and the entire run of the festival, art lovers and the general public will be able to enjo… | | |
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| | | | | | | | | | | | | | 26 Nov 2021 – 15 Jan 2022 | | | | | |
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| | | | | | VI BIENNIAL OF PHOTOGRAPHY ON INDUSTRY AND WORK: 11 EXHIBITIONS / 10 VENUES | | | | | | | – 28 Nov 2021 | | | | | |
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| | | | | | guest country: Azerbaijan | | | | | | | 19 – 28 Nov 2021 | | | | | |
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| | | | | | The Makeable Mind: 15 locations, over 70 artists | | | | | | | – 28 Nov 2021 | | | | | |
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| | | | | | | | | | | | | | ... until 1 December 2021 | | | | | | | | | | | | | | The PHOTOVILLE Festival, New York City’s FREE premier photo destination, returns on September 18 for its 10th anniversary year with a free community day, virtual online storytelling events, artist talks, workshops, demonstrations, educational programs, community programming, and open-air exhibitions across parks and public spaces throughout New York City till December 1, 2021. | | |
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| | | | | | PLACE À LA PHOTO ! . UNE VIRÉE PHOTO . VIDÉO | | | | | | | – 30 Nov 2021 | | | | | |
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| | | | | | Edition 2021 | | | | | | | – 1 Dec 2021 | | | | | |
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| | | | | | | | Ten satellite exhibitions: 4 November - 5 December | | | | | | | | | | | | | | | | | | | | | During a month of exhibitions and events located in the 20th arrondissement of Paris, the Biennale de l'Image Tangible presents a selection of works that tend to break free from a classic use of the photographic medium.
Whether it is looking for new supports, hybrid techniques or a new relationship to reality, this event tends to demonstrate that photography never stops inventing. In this, the Tangible Image Biennale supports the emergence of new languages and new practices related to photography : a photograph which upsets the assumptions of reality, a photograph which changes in nature, form and postulate, and which thus participates in a broadening of the field of its discipline.
The second edition of the Tangible Image Biennale focuses its calendar on the month of November 2021. It retains its roots in the 20th arrondissement, following the idea already acclaimed by the public to draw an artistic journey in eastern Paris.
Its program revolves around an exhibition curated by the organizers of the Biennale, and ten exhibitions bringing together the 31 winning artists of the call for projects (February - May 2020), selected by a jury of professionals from the world of art, image and photo. As well as an Instagram prize, an afternoon of meetings and discussions, and an in situ project in the public space.
The 2021 edition of the Biennale is the one which was to be held in 2020 but which has been postponed for health reasons. | | |
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| | | | | | | | Leopoldo Cebrián Alonso — Cortesía de TEA Tenerife Espacio de las Artes |
| | | | International Photography Festival of Tenerife | | | | | | | – 9 Jan 2022 | | | | | |
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| | | | | | THOUGH IT'S DARK, STILL I SING | | | | | | | – 5 Dec 2021 | | | | | |
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| | | | | | over 100 exhibitions and 750 photographers | | | | | | | 19 – 28 Nov 2021 | | | | | |
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| | | | | | 9th International Photography Festival | | | | | | | – 27 Nov 2021 | | | | | |
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| | | | | | 19 exhibitions of Greek and international photography, of 94 artists from 18 countries | | | | | | | – 20 Feb 2022 | | | | | |
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| | | | | | Corpo / Body | | | | | | | – 8 Dec 2021 | | | | | |
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© 17 November 2021 photo-index UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editor: Claudia Stein & Michael Steinke
contact@photo-index.art . T +49.30.24 34 27 80 |
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