| |
| |
| |
| PHOTOGRAPHY INTERNATIONAL | | 26 Oct – 2 Nov 2022 | |
|
| |
|
| |
| |
| | Clervaux - cité de l'image enters its new season 2022-2023 with 6 new open-air exhibitions. Co-produced by the Centre national de l'audiovisuel (CNA), this new edition focuses on the diversity of photographic creation in Luxembourg. The opening will take place on Saturday, 29 October, at 11 a.m. in the presence of the artists. |
| | | | | | | | | |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | CM 16815, 2017
C-print
71.2 x 95 cm
Edition M, 2 of 5 + 2AP
© Michael Lange, courtesy of ROBERT MORAT GALERIE, Berlin | | | | | | | | 21 October – 22 December 2022 | | | | Artist Talk: Saturday 5 November 2022 3pm with Dr. Christiane Stahl | | | | | | | | | | | | | Over a period of six years, photographer Michael Lange embarked on extensive journeys to various regions of the French Alps. He created a collection of impressive, meditative landscape images, set between light and dark, silence and storm. On the occasion of the publication with Hartmann Books in 2021, Stefan Fischer wrote in Süddeutsche Zeitung:
"The heaviest and the lightest come together in the mountains. Here the massive, seemingly immovable rock, piled thousands of meters high, chapped and mighty, sometimes covered by additional snow loads weighing tons. And there, wisps of clouds, driven together by the wind and immediately blown apart again, without place and without support. (...) Lange's photographs from the French Alps are extraordinary. Because they sound out the border region between the just visible and the invisible. Because they capture the moment when the first structures just emerge from the darkness of night or from the thicket of clouds – or, conversely, when a curtain is drawn and a last fleeting glimpse is possible of what will be completely hidden a second later.”
Michael Lange (*1953, Heidelberg, Germany) became known for meditative investigations of landscapes. The series "Wald” (Forrest) was published in 2012 by Hatje Cantz and gave Michael Lange international recognition as an artist working in photography. Just as in the follow-up project "Fluss” (River), also published by Hatje Cantz in 2015, Lange is concerned with the search for stillness and an emotional relationship with nature. The publication of "Cold Mountain”, now available from Hartmann Books, concludes this trilogy of landscape projects. Michael Lange lives and works in Hamburg.
Books:
Cold Mountain, Hartma… | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | Inge Morath: Marilyn Monroe on the set of The Misfits, Reno, Nevada, USA, 1960 © Inge Morath/Magnum Photos | | | | | | | | | | | | | ... until 20 November 2022 | | | | | | | | | | | | | "Magnum Photos. The Misfits" in the project room of the Helmut Newton Foundation is the second parallel exhibition to the extensive main exhibition "HOLLYWOOD" on the museum’s upper level. With "The Misfits", we look back to an important era of major film productions. Arthur Miller’s play was filmed by John Huston in 1960 with a star-studded cast, and nearly all of the Magnum members took photographs on its set in Reno. This was the first and only such occasion with this combination of participants. We see Marilyn concentrating on her lines in a shot by Inge Morath, Montgomery Clift in the rear of a car, photographed by Dennis Stock, and the famous group shot with the actors and actresses flanked by the director and writer, photographed by Elliott Erwitt. In addition, the exhibition brings together photographs from the film set by Henri Cartier-Bresson, Bruce Davidson, Cornell Capa, Ernst Haas, and Erich Hartmann – in short, a who’s who of the history of photography at that time.
The Magnum members make us posthumous witnesses to the making of a Hollywood classic while remaining almost invisible during their work. This marks a shift from the staged star photos of earlier times, carried out on behalf of the major film studios, which we encounter in the "HOLLYWOOD" exhibition on the upper floor, and a decisive development in the visualization of cinema. | | |
| |
|
|
| |
| |
| | | Eve Arnold, Marilyn Monroe in The Misfits, Reno 1960 © Eve Arnold / Magnum Photos | | | | | | | | | | | | | ... until 20 November 2022 | | | | | | | | | | | | | On 2 June 2022, the Helmut Newton Foundation in Berlin will open its new exhibition "HOLLYWOOD" featuring works by Eve Arnold, Anton Corbijn, Philip-Lorca diCorcia, Michael Dressel, George Hoyningen-Huene, Jens Liebchen, Ruth Harriet Louise, Inge Morath, Helmut Newton, Steve Schapiro, Julius Shulman, Alice Springs, and Larry Sultan. Photographs by George Hurrell and publications by Annie Leibovitz and Ed Ruscha will also be on view in glass displays.
Helmut Newton is always the point of departure and reference for group exhibitions like this one. His photographic works often include references to film and even quote specific scenes, such as by Alfred Hitchcock or the French Nouvelle Vague. Starting in the 1960s, some of his fashion photographs seem cinematic in their staging, while from the 1970s onward, some of his portraits look like artful film stills. In the 1980s and ‘90s, Newton photographed actors at the Cannes Film Festival and fashion on the Croisette.
In addition to those images by Newton, this new group exhibition features 13 photographers and their interpretations of Hollywood, presented as usual in larger groups of works. The main exhibition space is dedicated to the medium of film and the Hollywood system. It features portraits of actors from Hollywood’s early years by Ruth Harriet Louise and George Hoyningen-Huene, as well as later film stills and on-set photographs by Steve Schapiro and several Magnum photographers, including Eve Arnold and Inge Morath, who documented the 1960 production of the John Huston film, Misfits. A glass display presents an extensive portfolio … | | |
| |
|
|
| |
| |
|
| |
|
| |
| |
|
| |
| |
| | | De la série American Diorama – Streets, 2011 © Véronique Kolber | | | Saison 2022 – 2023: Kaleidoscope | | | | | | | | 29 October 2022 - 9 October 2023 | | | Clervaux - cité de l'image enters its new season 2022-2023 with 6 new open-air exhibitions.
Co-produced by the Centre national de l'audiovisuel (CNA), this new edition focuses on the diversity of photographic creation in Luxembourg.
OPENING: Saturday, 29 October, at 11 a.m. in the presence of the artists.
Departure point: Maison du Tourisme (2nd floor), 11 Grand-Rue in L-9710 Clervaux. | | | | | | | | | | | | | Various photographic installations throughout the city of Clervaux transform it into an open-air gallery. Discover the work of national and international contemporary photographers in an extraordinary setting: on the walls of houses, in flowering gardens and along the narrow streets.
Six different visions invite us on a journey, each uniquely opening up a world that unfolds in photography and lingers in our imagination. A play of momentary dialogues strikes up between the images, their open air exhibition setting – as it changes with the seasons - and the viewer that contemplates them. The photographers transform the image of the city and the gaze we bring to bear upon it by way of reflections from elsewhere.
The 2022-2023 photographic season celebrates the diversity of Luxembourg creation through the work of six contemporary photographers. On the market square, we set out with Bruno Oliveira to Cap Vert, via a documentary collection shot through with personal sensations, while along the rise to the church, Véronique Kolber presents a series of American street scenes, captured through her lens, that resonate in our cinematographic memory. Behind the church, Marie Capesius, by way of calm and sensual images, explores the question of paradise and the contrasts between the two worlds that co-exist on the Ile du Levant. Inspired by the methods of archaeology, Boris Loder collects objects, examines them, and thus condenses the identities of the City of Luxembourg’s various neighbourhoods and their stereotypes into sculptural photographs that can be seen in the arcades of Grand- Rue.
On the Castle concourse, we are greeted by Marc Schroeder’s black and white minimalist photographs capturing urban landscapes which seem to follow a strict graphic logic. While in the Castle gardens, the women portrayed by Jeannine Unsen share with us a moment that is both intimate and intense. Thus, by way of these encounters, different paths, readings and connections interweave to keep us questioning. | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | from the series I went to the worst of bars hoping to get killed. But all I could do was to get drunk again. © Ciarán Óg Arnold | | | | | | | Photography and the Social Gaze | | | | | | | | ... until 5 November 2022 | | | | | | | | | | | | | The latest chapter of Photo Museum Ireland’s year-long In Our Own Image exhibition programme, Photography & the Social Gaze is a landmark survey which undertakes a critical reframing of the way Irish life has been represented through photography. It explores how photographers have used their medium to reflect on immense social change in Ireland over recent decades.
With the breakdown of long established norms, which at one time were almost beyond question, we have seen the emergence of new, plural experiences of Irishness. The featured photographers engage with this profound shift, which encompasses our understanding of gender, family, community, and the place of religion, by asking difficult questions of the world around them, even of their own lives and values.
In doing so these photographers also contribute to the process of social change, offering new ways for us to see ourselves and each other. Not passive witnesses and not activists, they instead embrace their own often conflicted positions, reflecting the difficult process of change as it is lived. By interrogating conventional points of view, these artists create a space to address the diverse experiences that make up Irishness today.
Moving away from traditional documentary towards more socially-engaged and inclusive ways of thinking about the medium, the selected works by emerging and established artists featured in Photography & the Social Gaze touch on the most pressing issues around Irish identity and history, coming to terms with the legacies of the past and the challenges of the future.
Rather than presenting a canon of photography, this exhibition has been curated to emphasise the visual and conceptual languages characteristic of recent photographic practice in Ireland. It highlights Photo Museum Ireland’s long-term commitment to developing and showcasing major bodies of work by Irish artists at the cutting-edge of contemporary trends. Collectively, the artists question what Irishness is, and help us to reimagine what it might look like. | | |
| |
|
|
| |
| |
|
| |
|
| |
| |
|
| |
| |
| | Jürgen Klauke
Verdichtungsvorgang 3, 2004/2006
schwarz–weiß Druck
180 ✕ 240 cm
© Jürgen Klauke / VG-Bildkunst, Bonn | | | | | | | | 27 October 2022 - 7 January 2023 | | | | Opening: Wednesday, 26 October, 7 – 9pm | | | | | | | | | | | | | Since the 1970s, Jürgen Klauke has been exploring questions of human existence in his photo sequences, video performances and drawings. Identity, sexuality, fears, religion, life and death are recurring themes that he confronts in ever new constellations. In doing so, he himself is usually the sole actor in his formally strictly composed scenarios, which are often combined in thematic cycles and make processes of inner or outer tensions and transformations visible.
In the exhibition Wackelkontakt we present a selection from a complex of works from 2004-2006 that deals with electrophysiology: Experimental Neurosis, Wackelkontakt I, and Verdichtungsvorgang are large-scale, serial black-and-white photographs. In Experimentelle Neurose and Verdichtungsvorgang Jürgen Klauke is physically present and his body is connected to electric current via cable harnesses.
The other series shows differently arranged sockets, which only represent the system of electrical energy itself. The works seem like a prophecy in today’s world and take on a startling topicality and urgency: after all, it is not only the individual body that depends on the energy of light and electricity, but also the collective social body, which in the current energy crisis is sensitively affected by the catastrophic scenario of the failure or disruption of the life-sustaining flow of energy.
Jürgen Klauke was born in Kliding/Cochem in 1943. He studied free graphics at the Fachhochschule für Design und Kunst in Cologne from 1964-70, where he subsequently held a teaching position until 1975. This was followed by further guest professorships at the Hochschule für Bildende Künste in Hamburg, the Akademie… | | |
| |
|
|
| |
| |
|
| | | | | | | Jens Klein
Ohne Titel, 2022, aus der Serie: Schlüfter. Annäherung an eine Heimat, 2021–2022
Fotografien (1968–1985) von Ingo Wrzalik |
| | | | | | | | | | | | Wed 26 Oct 19:00
27 Oct 2022 – 28 Jan 2023 | | | | | |
| | | | | | | |
|
| |
| |
|
| |
| |
| | | Mila Teshaieva: aus der Serie "Moments of Life: Diary from Kyiv", 2022 | | | | | | | A cooperation with Odesa Photo Days Festival | | | | | | | ... until 6 November 2022 | | | | | | | | | | | | | The exhibition "THE NEW ABNORMAL" at PHOXXI, the temporary House of Photography of Deichtorhallen Hamburg, is a cooperation with Odesa Photo Days Festival under the direction of Kateryna Radchenko. From September 3 to November 6, 2022 works by twelve Ukrainian photographers will convey an impression of everyday life in the face of the war.
The escalation of war and the full-scale invasion of the Russian troops into the territory of Ukraine on February 24, 2022, had a significant impact on the course of history and life in Ukraine. These events have affected every citizen of the country and all the spheres of social and political life. In an instant, life has divided into "before" and "during." The Ukrainian people went through all the stages of transformation—shock, denial, fear, acceptance, and adaptation.
The goal of the exhibition is to show a new form of life during the war, the processes of adaptation in the social and public space, the transformation of usual rules of conduct and daily routines, and the combination of emotional states of fear, anger, and joy.
The international festival of contemporary photography Odesa Photo Days was founded in 2015 as a reaction to the war Russia started in the eastern part of Ukraine accompanied by the outbreak of propaganda and media manipulation. Held annually for 7 years, Odesa Photo Days Festival in 2022 was canceled due to the full-scale Russian attack in February. Now the festival team is working to spread the word about the situation in Ukraine and to support Ukrainian documentary photographers and photography-based artists affected by the war. Among the House of Photography of the Deichtorhallen Hamburg the… | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | Sajik Kim, People Walking for Eternity 2022 |
| | | | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | François Hers : "sans titre, série Intérieurs" |
| | | | La photographie en France 1968–1989 | | | | | | | Fri 28 Oct 18:30
29 Oct 2022 – 15 Jan 2023 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | © Nadia Bseiso | | | | | | | Selections from the Arab Documentary Photography Program | | | | 28 October – 18 December 2022 | | | | | | | | Opening Magnum Foundation NY: Wednesday 26 October 7-8:30 PM | | | | | | | | Opening Bronx Documentary Center: Friday 28 October 6-9 PM | | | | | | | | | | | | | The Bronx Documentary Center and Magnum Foundation present An Expression of Absence, an exhibit taking inspiration from poet Mahmoud Darwish and critic John Berger that explores the ways photography conjures absence to represent time, memory, disappearance, loss, and erasure. In a context where the legacies of colonialism and political instability have imbued notions of home and belonging with impermanence and nostalgia, how can what's within the frame point to the hidden and missing?
The exhibit, divided in two parts displayed at the BDC and Magnum Foundation, features fifteen projects produced in the Arab Documentary Photography Program (ADPP). Many of these works move from the exterior realms of the public and the political to the interior domains of the mind and body, while others explore absent histories whose spirits populate the present.
Founded in 2014 in the wake of the Arab Spring, ADPP provides support and mentorship to photographers from across the Middle East and North Africa, challenging entrenched stereotypes of the region. Since its founding, ADPP has supported over 86 photographers and formed an extended community of creative cross-pollination that circumvents geographies and political barriers. | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | État de Sucre, 11 novembre 2021. Des pêcheurs s’activent près d’une épave échouée sur les côtes, dans le nord-est du Venezuela
© Fabiola Ferrero for Fondation Carmignac | | | | | | | | Carmignac Photojournalism Award 12th edition — Venezuela | | | | 28 October — 22 November, 2022 | | | | | | Fondation Carmignac Indoor: Réfectoire des Cordeliers,
15 rue de l’École de Médecine, 75006 Paris Outdoor: Port de Solférino, 75006 Paris www.fondationcarmignac.com | |
| | | | | | The 12th edition of the Carmignac Photojournalism Award is dedicated to Venezuela and its hardships at the individual, social and ecological levels. Chaired by Quentin Bajac, Director of the Jeu de Paume, the jury met in November 2021 and awarded Fabiola Ferrero.
The exhibition Venezuela, The Wells Run Dry by Fabiola Ferrero, laureate of the 12th Carmignac Photojournalism Award, explores the disappearance of the Venezuelan middle class. A prosperous democracy in the 1960s and 1970s, the country is struggling to extricate itself from a deep economic crisis, marked by the plummeting price of oil, endemic corruption and hyperinflation. Seven consecutive years of economic collapse and political crisis have widened the inequality gap and destroyed the middle class.
The Venezuelan photographer set out to document years of wealth that now exist only in memory. She travelled to places that were once symbols of prosperity, looking for the remnants of a vanished economic success story. Her reportage took her across the country, photographing the disappearing oil and salt industries and the communities that depend on them, the looted and abandoned universities, and the last traces left behind by Venezuelans who decided to leave the country for a better future. Combining archival images, videos and photographs, Ferrero creates a visual capsule that documents the economic downturn in her country and the consequences for its people. She compares her project to trying to photograph a lake before it becomes a desert. "If there is a time to document and leave a trace of the memory of who we were, it is now." | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | Antoine Henault, Touristes, "Insolations", Martinique, 2021 |
| | | | | | | | | | | | Thu 3 Nov 19:00
26 Oct – 31 Dec 2022 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | Sokchanlina Lim, Letter to the Sea (video still), 2019 Courtesy of the artist |
| | | | | | | | Through the lens of contemporaneity | | | 28 Oct – 9 Nov 2022 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | Bertien van Manen, Toulouse 2003
from the series Give Me Your Image | | | L'APPARTEMENT SESSION 4 | | | | | | | | | | | | | | | | EXHIBITIONS until 13 November 2022 | | | | For its fourth exhibition session, L’Appartement – Espace Images Vevey presents four artists whose reflections echo domestic space, living together and intimacy. | | | | | | | | | | | | | The Dutch photographer Bertien van Manen created her Give Me Your Image series while travelling across Europe between 2002 and 2005. At each stage of her journey, while staying with friends or strangers she photographed their souvenir snapshots displayed amid everyday objects. These small pictures, as commonplace as they are moving, plunged the artist into the heart and soul of each home. With Give Me Your Image, van Manen creates a clever mise en abyme that evokes the time when L’Appartement – Espace Images Vevey was a family home.
In 2013, Gillian Wearing, a major figure in British contemporary art, started creating an open submissions participative project by inviting people around the world to film a short clip of the view from a window in their homes. From the United States to Saudi Arabia, Greece and India, Your Views shows a succession of curtains and blinds opening onto commonplace yet varied scenes. Both unique and universal, these views reveal a part of the participants’ private lives. Screened in Le Cinéma of L’Appartement – Espace Images Vevey, Your Views opens a multitude of windows onto the world, in keeping with the theme of a window that is at the very heart of the visual identity of this new venue, which once served as railway workers’ housing at Vevey station.
Dog Days, Bogotá is a project Alec Soth holds very dear to his heart. In 2003, while in the final stages of the official process to adopt his daughter, this well-known photographer spent two months in Colombia. With time on his hands, he explored her hometown and its inhabitants. Dog Days, Bogotá is presented in Le Couloir, the corridor of L’Appartement – Espace Images Vevey, specifically designed for children. This project tells the story of parents’ long wait as they prepare to adopt their daughter and start a new life.
Laureate of the Images Vevey Book Award 2021/2022, Carmen Winant presents her innovative Arrangements project, an assembly of pages torn out of various publications she gathered over the years. This American artist rearranged these images in pairs, in their original format, to compose new narratives. Her publication, displayed in the form of an exhibit, presents a journey into the heart of multiple archives examining, in a novel way, the recycling and reappropriation of printed objects for new editorial purposes. | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | Jean Painlevé, Hippocampe dans les algues, ca. 1934
© Les Documents Cinématographiques / Archives Jean Painlevé, Paris | | | | | | | | 29 October 2022 – 12 February 2023 | | | | Openng: Friday, 28 October 2022 6pm | | | | | | | | | | | | | French film director Jean Painlevé (1902–1989) had a passion for scientific cinema. He was interested in engaging a broad audience in the discovery of natural science through film and devoted most of his life to documenting fauna – especially species from the underwater world. Over a period of more than 50 years, Painlevé shot over 200 short films, marked by his characteristic approach, which he developed through meticulous observation, technical mastery and experimentation. The works in the exhibition – a selection of numerous black-and-white and colour films, photographs and documents – reflect not only his engagement with science but also his desire to share the mysteries of living matter and creatures that inhabit Earth.
Painlevé used film to explore living organisms using certain techniques to reveal characteristics of their life cycles and their anatomy. He made precise observations of his subjects and recorded their movements and processes of development. Painlevé began by concentrating on marine life: crabs, shrimps, octopuses and sea urchins. These creatures inhabit the coast, especially the foreshore – the border zone between land and sea that is washed by the tides.
Painlevé’s films include shots that show the animals filmed full-size but also at microscopic scales. These graphic images, the careful editing and his use of both slow motion and time lapse offer us an unusual journey into the curious world of underwater creatures, their bodies and their habitats.
"It is obvious, that movement, which is specific to cinema, adds a grace or astonishing power to forms. Simple or complicated, the lines and rhythms are recorded like a form of the eternal. It is … | | |
| |
|
|
| |
| |
| |
|
| |
| |
| | Peter Knapp, Grace Coddington, for Vogue, London, 1971
© Peter Knapp / Fotostiftung Schweiz | | | | | | | | 29 October – 12 February, 2023 | | | | Opening: Friday, 28 October 2022, 6 pm | | | | | | | | | | | | | Peter Knapp’s ideas on layout and typography, along with his dynamic photographs, made the magazine Elle a leading medium in the fashion industry from the 1960s onwards. Fotostiftung Schweiz presents a selection from around 700 donated photographs by Peter Knapp. While paying tribute to this outstanding Swiss designer’s oeuvre, the exhibition brings to life the mood of an epoch and the societal transformation that took place within it.
"What drives me is the act of translating ideas into images. I want to visualise my thoughts, to express my fantasies and stories pictorially. Je ne prends pas de photos, je les fais."
With this credo, Peter Knapp, born in 1931 in Bäretswil, Zürcher Oberland, became an influential figure in the international fashion world during the 1960s and ’70s. After studying at the Zurich School of Applied Arts, he had great success, especially as art director at Paris-based magazine Elle. In a time of social upheaval, which was reflected to no small extent in fashion, he found the right images for the liberation of the body and mind.
Elle, a leading medium of emancipation under editor-in-chief Hélène Lazareff, contributed significantly to a buoyant democratisation of women’s clothing: prêt-à-porter instead of haute-couture, minijupe instead of corset, functionality instead of stiff ele… | | |
| |
|
|
| |
| |
| | | Heinrich Kühn, Mädchen im Sonntagskleid, 1910, Sammlung Förderverein Fotostiftung Schweiz | | | | | | | Works from the Friends of Fotostiftung Schweiz collection | | | | | | | | ... until 11 December 2022 | | | | | | | | | | | | | Fotostiftung Schweiz is expanding: From mid-September 2022, it will be operating on additional premises at Grüzenstrasse 45 in Winterthur. Treasures from the collection and archives will be presented in a new exhibition room. Right next door, in the adjacent archive room, the infrastructure for processing photo archives has been enlarged and modernised. Since 1971, Fotostiftung Schweiz has been devoted to preserving, researching and conveying photographic works. On behalf of the Federal Office of Culture, it looks after around 100 prominent photographers’ archives or partial archives and a comprehensive collection of Swiss photography. On its new converted premises, covering an area of 250 m², visitors will for the first time be able to take a look behind the scenes of Fotostiftung Schweiz and thus have increased access to its wide-ranging activities.
Déjà vu? Part 1
The first two exhibitions in room 2 are dedicated to the high-calibre collection that the association Friends of Fotostiftung Schweiz has amassed since it was founded in 1982. Today, this collection comprises over 2000 photographs and has two focal points: outstanding works from the history of international photography and important positions in recent Swiss photography. To mark the association’s 40th anniversary, these two focal points are to be presented one after the other. Under the title Déjà-vu? Part 1, the aim is, on one hand, to take a fresh contemporary look at masterpieces from the history of photography, by photographers such as Man Ray, Julian Margaret Cameron, Alexander Rodchenko and Berenice Abbott; on the other hand, the story of how this collection came about, the value attached to it and the gaps within it are to be addressed and thematised. Dé… | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
| |
|
| |
| |
| | | | | | | | | | | | | | 10 – 13 November 2022 | | | 183 EXHIBITORS (ALL SECTORS)
48 New exhibitors compared to 2021, including 18 first participations. 31 countries
180 stands in the Grand Palais Ephémère
24 solo shows, 14 duo shows, 92 group shows.
613 artists, including 31% women artists. | | | | | | | | | | | | | Paris Photo, the leading international fair dedicated to the photographic medium, returns to the Grand Palais Éphémère in the heart of Paris from November 10 to 13th, 2022. Since 1997, the fair has worked to develop and support photographic creation by promoting the work of gallery owners, publishers and artists.
The 25th edition of Paris Photo is organized around 3 sectors bringing together 183 exhibitors from 31 countries.
In the main sector gathers 134 galleries from 29 countries, including 18 new galleries compared to 2021. The Curiosa sector, dedicated to emerging art, brings together 16 galleries (including 11 new) from 9 countries under the direction of guest curator Holly Roussell.
The book sector gathers 34 publishers (including 4 new) from 9 countries, offering unique editions and avant-premiere book releases with a signature program bringing together the greatest names in photography from all over the world.
The Elles x Paris Photo fair path, orchestrated this year by Federica Chiocchetti promotes the visitbility of women artists and their contribution to the history of photography. A program of conversations, exhibitions and prizes is offered to visitors allowing them to develop their knowledge of the medium.
Thanks to the lasting engagement and support of BMW and J.P. Morgan Private Bank, official partners, and the fair's many public and private partners, Paris Photo reaffirms for its 25th edition its role as the most important annual meeting place for photography. | | |
| |
|
|
| |
| |
|
|
| |
|
|
| |
|
| |
|
| |
|
| |
|
| |
|
|
| |
| |
|
| |
|
| |
| |
|
| |
| |
| | Prince Gyasi (B. 1995)
The Power of Choice / The Choice of Power, 2021
Fujiflex print, flush-mounted on aluminium
24.1/2 x 31.1/2 in.
Estimate : €4,000-6,000
© Prince Gyasi | | | Photographies | | | | | | Online Auction:
25 October - 8 November 2022 4pm
Viewing: From 4 - 8 November, 10 am – 6 pm
Sun 6 November, 2 – 6 pm
Online catalogue: here
Contacts:
Elodie Morel-Bazin
emorel-bazin@christies.com
+33 (0) 1 40 76 84 16
Fannie Bourgeois
fbourgeois@christies.com
+33 (0)1 40 76 84 41 | |
| | | | | | | | | | | | | Christie’s Photographs department in Paris is pleased to announce their fall Photographs sale, an online auction open for bidding from 25 October - 8 November.
The auction will present Circles, The Collection of Joanna Vestey, fifty photographs spanning over a century of image-making. Gathered discreetly over a period of twenty-five years, the collection focuses on the interpretation of the circle. Highlights include works by Edward Steichen, Adam Fuss, John Baldessari, Guy Bourdin, Sarah Moon, Robert Frank and Francesca Woodman.
The sale will also feature property by significant 20th photographers including Man Ray, Irving Penn, Richard Avedon, Hiroshi Sugimoto and Peter Lindbergh alongside artists such as Zanele Muholi, Nan Goldin, Candida Höfer or Alex Prager.
All lots offered in the sale will be exhibited at Christie’s Paris from November 4 - 8. | | |
| |
|
|
| |
| |
| |
|
| |
| |
| | Lot 98
Henri Cartier-Bresson
Calle Cuauhtemoctzin, Mexico 1934
Gelatin silver print c. 1947
23.5 x 34.7 cm (27 x 35.8 cm)
Estimate: EUR 5,000 to EUR 7,000 | | | Photography | | | | | | Online Auction:
Friday 28 October, 2022, 3pm
Preview by appointment
Catalogue: here | |
| | | | | | | | | | | | | The offer in the Dorotheum's auction ranges from early Austrian photography from the 1850s to pictorialism, Viennese studios of the 1930s, photographs from the environment of the Dadaists, reportage, actionism and contemporary photography.
Tilla Durieux (born Ottilie Godefroy, Vienna 1880-1971 Berlin) was a famous actress, a politically engaged figure, and is regarded as the most portrayed woman of her era. A photograph shows Auguste Renoir in front of Durieux’s portrait, which he executed in 1914 at the behest of her second husband, the famous art dealer Paul Cassirer.
Four photographs offered in the auction were taken in 1927 in the course of a reportage entitled "My Zoo", which shows Tilla Durieux in the company of her animals in her apartment on Kaiserin-Augusta Strasse in Berlin. Three more photographs of her animals and the "Fischzimmer" with a collection of African wood figures complete the zoo. All the photos of the actress were produced by Atelier Stone, which was located only a few houses away from Durieux’s apartment. Sasha Stone (born Aleksander Serge Steinsapir, St. Petersburg 1895-1940 Perpignan) ran his highly successful studio for reportage and advertising photography together with his wife, Cami Stone. He was a dazzling character and a globetrotter, who lived in Warsaw, New York and Paris before settling in Berlin and at last moving to Brussels. Originally trained as an electrician, he worked both in Thomas Edison’s laboratories and for the sculptor Hunt Diederich. During World War I, he joined the American army. After returning to Europe, he studied drawing, painting and sculpture in Paris.
A special highlight of the auction, which i… | | |
| |
|
|
| |
| |
|
| | | | | | | | Images: Robert Nickelsberg; Gillian Laub; Elinor Carucci; Hector Guerrero; Ed Kashi |
| | | | | | | | | | | | Thu 27 Oct 18:00
13 – 26 Oct 2022 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | | | | | 200 PHOTOGRAPHIES ISSUES DU FONDS DE L'AGENCE FRANCE-PRESSE - AFP | | | Sat 5 Nov 14:00
1 – 5 Nov 2022 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | | | | | | | | | Thu 10 Nov 13:30
7 – 10 Nov 2022 | | | | | |
| | | | | | | |
|
| |
| |
|
| |
| |
| | 103
MARIO GIACOMELLI (1925–2000)
PRETINI (DANCING PRIESTS), ITALY C.1962
Starting Bid: €4,000
Estimate: €6,000 - €8,000 | | | | | | | | | | | | | Saturday 19 November 2022 17:00 | | | Preview: from 2 November 2022
Wednesday to Saturday 12 - 5pm and by appointment | | | | | | | | | | | | | The upcoming auction is already the 26th photo auction run by me and my team.
I founded WestLicht Photo Auctions in 2009, after running the largest auction house for cameras worldwide since 2001. In 2020, the auction was renamed in "OstLicht Photo Auction" and is held twice a year at the OstLicht Photo Gallery.
For the upcoming autumn auction, we were able to put together a particularly exciting and high-quality program with more than 230 works from all eras of photography history.
In our new online catalogue, you will find a detailed description of all lots, including images of all front and back pages. You can place your bids there with immediate effect.
For the first time, you can also bid live in this new catalogue during the auction at no additional cost.
If you wish to bid by phone, please email us your requested lot numbers in advance. Please feel free to contact us at any time with any further questions or for condition reports.
We would be particularly pleased to welcome you in person in Vienna for the preview or the auction. | | |
| |
|
|
| |
| |
| |
|
| |
|
| |
|
| |
|
|
| |
|
|
| |
|
|
| |
|
| | | | | | International Urban Photo festival 8th edition | | | | | | | 28 – 30 Oct 2022 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | Japan Contemporary Art Platform in collaboration with ART BASEL | | | | | | | 3 – 6 Nov 2022 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | | | | | | | | | Thu 3 Nov
3 – 19 Nov 2022 | | | | | |
| | | | | | | |
|
| |
| |
|
| |
|
| | | | | | Bangkok Art Biennale 2022 | | | | | | | – 23 Feb 2023 | | | | | |
| | | | | | | |
|
| |
|
| |
| | | | | | | | | | | | | Barcelona Foto Biennale I The 7th Biennial of Fine Art and Documentary Photography - showcasing 358 artists from 47 countries | | – 30 Oct 2022 | | | | | | | |
|
| |
|
|
| |
|
|
| |
|
| | | | | | We, on the Rising Wave | | | | | | | – 6 Nov 2022 | | | | | |
| | | | | | | |
|
| |
|
|
| |
| |
|
| |
| |
| | Chow and Lin, 2020:06:13, 13:31:23, 2020. From the series I want to bring you around the world, 2020–22.
Archival inkjet print. Courtesy of the artists. | | | | | | | If I Had a Hammer | | | | | | | | African Cosmologies: Redux | | | | | | | ... until 6 November 2022 | | | | | | | | | | | | | | Houston’s Fotofest Biennial 2022 "If I Had a Hammer" (September 24 through November 6) considers the ways artists utilize images to unpack the ideological underpinnings that inspire collective cultural movements around the globe. Together, the twenty-three included artists propose alternative techniques of seeing and engaging with the world, working with both conventional and new medi. | | |
| |
|
|
| |
| |
|
|
| |
|
|
| |
|
|
| |
|
| | | | | | New beginnings from images - Investigations into reality and the inner gaze: 1,800 exhibitions, 1,760 authors and 742 exhibition spaces, | | | | | | | – 31 Oct 2022 | | | | | |
| | | | | | | |
|
| |
|
|
| |
|
|
| |
|
| | | | | | associé au Parcours Saint-Germain et partenaire VIP de Paris+ par ArtBasel | | | | | | | – 29 Oct 2022 | | | | | |
| | | | | | | |
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|
| |
| |
|
| |
| |
| | | Melanie Bonajo: ‘Big Spoon’, film still from ‘When the body says Yes’ . Courtesy of the artist. The Netherlands national Pavillion | | | | | | | The Milk of Dreams | | | | | | | | ... until 27 November 2022 | | | | | | | | | | | | | The 59th International Art Exhibition of La Biennale di Venezia, titled The Milk of Dreams, will open to the public from Saturday April 23 to Sunday November 27, 2022, at the Giardini and the Arsenale; it will be curated by Cecilia Alemani and organised by La Biennale di Venezia chaired by Roberto Cicutto. The Pre-opening will take place on April 20, 21 and 22; the Awards Ceremony and Inauguration will be held on 23 April 2022
Read the statement by Cecilia Alemani »
Read the statement by Roberto Cicutto »
THE INTERNATIONAL EXHIBITION
The Exhibition will take place in the Central Pavilion (Giardini) and in the Arsenale, including 213 artists from 58 countries; 180 of these are participating for the first time in the International Exhibition. 1433 the works and objects on display, 80 new projects are conceived specifically for the Biennale Arte.
The artists »
NATIONAL PARTICIPATIONS
The Exhibition will also include 80 National Participations in the historic Pavilions at the Giardini, at the Arsenale and in the city centre of Venice. 5 countries will be participating for the first time at the Biennale Arte: Republic of Cameroon, Namibia, Nepal, Sultanate of Oman, andUganda. Republic of Kazakhstan, Kyrgyz Republic and Republic of Uzbekistan participate for the first time with their own Pavilion.
The National Participations » | | |
| |
|
|
| |
| |
| |
| |
|
| |
| |
|
| |
© 26 October 2022 photo-index UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editor: Claudia Stein & Michael Steinke
contact@photo-index.art . T +49.30.24 34 27 80 |
| |
