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| PHOTOGRAPHY INTERNATIONAL | | 29 Sep – 6 Oct 2021 | |
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| | Paolo Gasparini Efectos especiales, Hollywood, Los Ángeles, 1987
Fundación MAPFRE Collections
© Paolo Gasparini | | | | | | | | 30 September 2021 – 16 January 2022 | | | | | | | | | | | | | The exhibition Paolo Gasparini. Field of Images provides a comprehensive overview of the artist’s career, focusing not only on his photography but also another of his main expressive supports, the photobook, a crucial narrative mechanism for defining the history of photography in Latin America. His six decades as a photographer offer a broad itinerary through several mutating cityscapes: Caracas, Havana, São Paulo, and Mexico City, not forgetting feedback from Munich, Paris, London and Barcelona.
The exhibition is divided into sixteen sections that feature some of the artist’s most important projects, with an emphasis on his photobooks, which the photographer recognizes as a means of expression that is just as valid has his photographs.
Paolo Gasparini is the photographer who has best portrayed the cultural tensions and contradictions of the South American continent. His images convey the harsh social reality faced by a region whose cultural authenticity is unquestionable, and where the past and local traditions parley with a clumsily imposed modernity. Gasparini creates an oeuvre with its own visual language that always seems to express a criticism of consumer society while at the same time revealing a certain obsession with the way we are seduced by marketing and advertising.
Italian by birth yet Venezuelan in spirit, through his work the photographer has tried to eliminate the ethnocentric visions and stereotypes that have historically defined Latin America, almost always in terms of ‘the other’, fueled by the different populisms and nationalisms the region has endured.
The exhibition Paolo Gasparini. Field of Images provides a comprehensive overview of the artist’s career, focusing not only on his photography but also on another of his main expressive supports, the photobook, a crucial narrative mechanism for defining the history of photography in Latin America.
The exhibition offers the opportunity to enjoy a journey through several mutating cityscapes: Caracas, Havana, São Paulo, and Mexico City, not forgetting feedback from Munich, Paris and London.
At the end of so many trips, I think some images still bite, or sting, as Barthes points out. I believe that photographs can help us in the difficult task of ‘knowing how to see’, of thinking and resisting this world that is so consecrated to the grandiloquence of the cosmorama, of the representation that propagates lies and increasingly belittles and disparages life
- Paolo Gasparini | | |
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| | Gunnlöð Jóna Rúnarsdóttir
Serie Obscure Presence, 2018-2020
© Gunnlöð Jóna Rúnarsdótti | | | | | | | | | | | | | 30 September 2021 – 16 January 2022 | | | | | | | | | | | | | KBr Flama is a project that is conceived with the objective of supporting emerging creation and the new generations of photographers who are beginning their professional careers after completing their training at the schools of photography in Barcelona.
In this first edition of 2021, the four selected photographers have been Laura Gálvez-Rhein (Frankfurt-am-Main, 1998), Blanca Munt (Barcelona, 1997), Gael del Río (Barcelona, 1990) and Gunnlöð Jóna Rúndarsdóttir (Reykjavik, 1992). A panel of professionals linked to photography which included Marta Gili, Sergio Mah, Ramón Reverté and Arianna Rinaldo selected these photographers through the visualization of work produced by students from the following schools: Grisart, Idep Barcelona, IEFC and Elisava, Barcelona School of Design and Engineering. The exhibition groups four projects that take us to different realities in a very personal way. These realities are grounded in recollections of the past and in the observation of aspects of collective identity. | | |
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| | | | | | | | | | Fotografien aus Ost-Berlin | | | 29 Sep 2021 – 13 Feb 2022 | | | | | |
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| | | | | | | Mads Nissen
The First Embrace
World Press Photo of the Year
© Mads Nissen Denmark, Politiken/Panos Pictures |
| | | | | | | | | | | | Thu 30 Sep 12:00
1 Oct – 24 Oct 2021 | | | | | |
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| | | | | | | | © Anna Boyiazis, Global Peace Photo Award |
| | | | | | | | | | | | Thu 30 Sep 12:00
1 Oct – 24 Oct 2021 | | | | | |
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| | Mario Giacomelli, Pretini (Young Priests), 1961-63/1980s
Gelatin Silver Print, 12 x 16 inches
Signed and stamped in ink on verso, Printed by the artist
Courtesy Robert Klein Gallery, Boston | | | | | | | | ... until 10 October 2021 | | | | | | | | | | | | | | Robert Klein Gallery is pleased to present a curated selection of signed gelatin silver prints by Italian photographer Mario Giacomelli (1925-2000). The exhibition is titled “Paessagio and Pretini” - drawing from two of Giacomelli’s most important and poetic bodies of work and is on view from August 10 through October 10, 2021, at Robert Klein Gallery (38 Newbury Street, Boston) and on Artsy. The exhibition runs concurrently with the Getty Museum’s retrospective of Mario Giacomelli titled “Figure / Ground”. Additional photographs and information about the artist may be viewed at the Getty’s website. The gallery is currently operating on an appointment only basis, please contact us to schedule a viewing. | | |
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| | | From the series Mammoth Hunters © Evgenia Arbugaeva | | | | | | | | ... until 22 October 2021 | | | | | | | | | | | | | The Russian Republic of Sakha in north-eastern Siberia, also known as Yakutia, is the setting to a story worthy of Jules Verne.
Due to global warming, the permafrost in the region is melting - a phenomenon with yet unknown geological and climactic consequences for the planet, but a fascinating window into the past for historians and biologists. The soil is releasing what it has been preserving for 4000 years: the remains of the woolly mammoth.
This has turned some of the population around the New Siberian Islands to a strange new source of income: they have become mammoth hunters. Like the American gold prospectors in the19th century, the hunters are facing tough conditions on their digs. They often spend months isolated on the islands. The rush on mammoth teeth is particularly popular in China. The material is processed skilfully and sold at exorbitant prices.
Evgenia Arbugaeva accompanied a mammoth hunter, trawling the icy Siberian tundra for up to 18 hours a day. Securing a tusk can take 24 hours of uninterrupted digging. The resulting photographs show surreal scenes: inevitably, the meeting of past and present carries a certain drama. But the stuff dreams are made of comes at a cost. The hunt demands severe sacrifices, separates families, leaves physical scars and pushes everyone involved to their limits. These traces of history are converted into new, material currencies. They secure livelihoods and give answers to scientific questions. Artisanal skills lend new shine to the ivory fossils. But sadly, the resurrection of their woolly ancestors offers no respite to living elephants: the demand for their tusks continues uninterrupted.
Text: A. Meyer / Clervaux - cité de l'image | | |
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| | | | | | | | Paul Reas: I can help, 1988 © Paul Reas |
| | | | British Documentary Photography since the 1960s | | | | | | | – 9 Jan 2022 | | | | | |
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| | | | | | | Albrecht Fuchs: Isa Genzken Berlin 2003
© VG Bild-Kunst, Bonn 2021 |
| | | | | | | | Portraits 1989-2021 | | | Sun 29 Aug 12:00
– 21 Nov 2021 | | | | | |
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| | | | | | | F.C. Gundlach
"Sputnik Girl"
Space Age Look von Pierre Cardin
Paris 1966
© F.C. Gundlach / Stiftung F.C. Gundlach |
| | | | | | | | Pariser Couture 1962 - 1966 | | | – 6 Nov 2021 | | | | | |
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| | | Peter Fink: Israel, 1960s, © VG Bild-Kunst, Bonn, 2021 | | | | | | | | 2 October - 9 January 2022 | | | | Opening: Friday 1 October 2021, 7pm | | | | | | | | | | | | | A voyager of beauty: Including more than 200 pictures and objects from all phases of his career, the Fotografie Forum Frankfurt presents a comprehensive exhibition of the American photographer Peter Fink.
An affinity for beauty shaped the life and work of the American photographer Peter Fink (1907 – 1984). After studying art in Chicago, his talents led him into the world of exclusive interiors and lifestyle. He worked as an art director for the couturier Lucien Lelong and Lanvin Parfums, responsible for showroom design, product packaging and advertising at both luxury houses. He lived in New York and Paris, met greats of the cultural scene, discovered photography. From the 1950s onwards, Fink travelled for fashion photography, throughout Europe, North Africa, Mexico, Asia and his native USA. On the road, he made the camera his eye – to translate into pictures the beauty he discovered in people, things and places throughout his life, as Fink once explained in an interview.
During his lifetime, Peter Fink’s photographs were collected by renowned institutions worldwide and celebrated in more than 50 solo exhibitions. A good 15 years after the last solo show, the Artistic Director of Fotografie Forum Frankfurt (FFF), Celina Lunsford and her co-curator Andrea Horvay, have taken a completely new look at the photographer’s œuvre: After two years of intensive researching his artist archive, the FFF now presents the retrospective "PETER FINK. MY MIND’S EYE". On view are more than 200 images, mostly vintage black and white prints, and objects by the American photographer from over 30 years of his work. This selection conveys his rich variety of themes, his respectful empathy for models and motifs, and his poetic visual language.
With diverse street photography, for example, Fink gives insight into foreign cultures. He shows a quick haircut in a Hong Kong backstreet, the toil of field-hands in Portugal, the nocturnal lights of pulsating cities. In between, again and again, images of children – engrossed in play, curiously looking out of the window, dreaming on the merry-go-round. The young generation, for the photographer it is an expression of hope and joie de vivre in post-war times.
His stagings of fashion are uniquely fitting to the times and the locations, as well as his character driven portraits of celebrities and creatives. Never does the detail escape this voyager of beauty: delicate grasses breaking through a blanket of snow, the dark garment in front of a Tunesian wall, that for a moment in light becomes an haute couture robe. Fink’s key works from the 1960s and 1970s include Refractions, the painterly views of American architecture, distorted by reflection or cropping.
The most extensive book on the photographer to date, "PETER FINK. MY MIND’S EYE" (Kehrer Verlag, Heidelberg), accompanies this exhibition. With several never-before-seen Fink images, found through close cooperation with the Estate of Peter Fink, the show and the publication provide the chance to rediscover and revisit one of America’s most versatile and successful photographers. | | |
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| | Frida Orupabo: Untitled, 2019
Collages with paper pins mounted on aluminium
Overall dimensions: 112 x 153 cm
Copyright: Courtesy Galerie Nordenhake Berlin/Stockholm/Mexico City. Photo: Gerhard Kassner | | | | | | | | | | | | | 30 September 2021 – 23 January 2022 | | | | | | | | | | | | | Starting September 29, 2021, the Deichtorhallen Hamburg will open »PHOXXI«, the Temporary House of Photography, a new exhibition venue in Hamburg. PHOXXI will present international contemporary positions in photography at the main branch of the Deichtorhallen, thus bridging the three-year period during which the southern hall, where the House of Photography has been located since 2005, will be closed for renovations. The opening exhibitions will feature works by JACK DAVISON, OMER FAST, and FRIDA ORUPABO.
The name »PHOXXI« comes from the artistic discipline of photography and the Roman numeral »XXI«, thus signifying a transformation of photography and the dialogue with contemporary conceptions of photography in the 21st century.
The exterior of the building was designed by the Berlin-based artist Anselm Reyle, who teaches at the University of Fine Arts (HFBK) in Hamburg, and whose work was presented in a solo exhibition at the Deichtorhallen in 2012. His colorful design for the facade places works from the F. C. Gundlach Collection, among others, in an exciting dialogue with his characteristic stripes. Reyle became known at the early 2000s for works whose formal language ties in with the achievements of abstract art and which have a fascinating sense of spatial presence as objects.
The 50-by-12.5-meter, multi-story building offers a total surface area of around 820 square meters to accommodate a large exhibition space, an auditorium, and office space. The facilities are rounded out with a cloakroom and shop next to the foyer. In addition, during the renovation of the south hall, some photogra… | | |
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| | | | | | | Kwame Brathwaite b. 1938 in New York, NY
Changing Times, 1973 c., printed 2021
Archival pigment print, mounted and framed
60 x 60 in
152.4 x 152.4 cm |
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| | Francis Bacon on Primrose Hill, London, 1963 | Parlourmaid and Under-parlourmaid ready to serve dinner, 1936
Private collection, Courtesy Bill Brandt Archive and Edwynn Houk Gallery
© Bill Brandt / Bill Brandt Archive Ltd. | | | | | | | | 27 September ‐ 28 November 2021 | | | | | | | | | | | | | Bill Brandt is considered one of the founders of modern photography, alongside Walker Evans and Cartier-Bresson. Exploring English society, landscape and literature, his images are vital to our understanding of the history of photography and even the British way of life in the mid-20th century. Bill Brandt (born Hermann Wilhelm Brandt on May 3, 1904, in Hamburg, † December 20, 1983, in London) was a British photographer of German origin. Hermann Wilhelm Brandt, already called Bill as a child, was born in Hamburg as the second son of the British merchant Louis Brandt (his mother came from the St. Petersburg-based, German-Russian merchant family, von Oesterreich). His older brother Walter later became the head of the family-owned London private bank William Brandt & Co, and his younger brother Rolf who was a painter also lived in London. The rise of National Socialism and their strong convictions saw the family return to England.
But everyone kept in touch with the von Oesterreich family, who had since moved to Hamburg and whose most prominent representative is the actor, author and director Axel von Ambesser. As a young man, Bill Brandt had a weak constitution and first visited London in 1931 following a sanatorium stay in Davos via Vienna and Paris. In Paris, he met the surrealist circle around Man Ray – most likely through the poet Ezra Pound. In the UK, Brandt worked as a photographer and photojournalist for various magazines, including Lilliput and Harper’s Bazaar; his thematic focus was the standard of living in England during the Great Depression. From 1936 on, Brandt also published various photobooks. In 1937 he self-financed a photo tour to the slums of the Midlands. During the Second World War, Brandt worked for the Home Office. A… | | |
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| | GERARD DALLA SANTA
Paysage 4, 2015
Archival pigment print
60 x 70 cm
Limited edition of 5 | | | | | | | | ... until 30 October 2021 | | | | | | | | | | | | | Galerie Miranda is delighted to present a personal exhibition by Gérard Dalla Santa (b. 1947, France). Entitled Des Paysages Longtemps, the exhibition takes its name from a short poem by Rainer Maria Rilke.
The photographs presented in this solo show proceed from Gérard Dalla Santa's research into landscape that is anchored in two traditions: that of documentary photography and that of outdoor landscape painting (Corot, Courbet, Pissarro and Cézanne…) that considered the topography as well as the historical and collective dimension of landscape. Temporal markers punctuate the work of Gérard Dalla Santa, who captures, in the present tense of photography, the intersection between the time of landscape and the time of its representation. In his recent landscapes of river banks, the artist employs the picturesque and the banal to reveal a newfound lyricism, allowing living beings - human and animal - to enter the field on equal terms with nature.
Dalla Santa's work echoes the writings of English historian Simon Schama, whose seminal and exceptional publication 'Landscape and Memory' (Vintage books, 1995) draws upon science, geography, politics, literature, religion, art, architecture and mythology to weave a narrative of the 'necessary union' throughout history between civilization and nature. Avoiding the usual duel of conquering mankind vs. passive nature, Schama, seeks instead to reveal what binds them. To paraphrase Schama's introductory text:
"If...our entire landscape tradition is the process of a shared culture, it is by the same token a tradition built from a rich deposit of myths, memories and obsessions. The cults which we are told to seek in other native … | | |
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| | | | | | | | Margherita Spiluttini: aus der Serie: "Abriss Kulturzentrum Gassergasse, Wien", 1983 |
| | | | | | | | | | | | Sat 2 Oct 18:00
5 Oct – 13 Nov 2021 | | | | | |
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| | | | | | | | Yoshiko Sakuma, Photographer: Shoji Otake, ©Ayumi Otake |
| | | | | | | | Back then when Color Photographs Dreamed | | | – 19 Oct 2021 | | | | | |
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| | | | | | | | Katja Brinkmann: Galuut Sum, Bayankhongor Aimag, Mongolei, August 2018 |
| | | | | | | | | | | | Thu 30 Sep 19:00
1 Oct – 7 Nov 2021 | | | | | |
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| | | | | | | | | | | | | | 7 – 10 October 2021 | | | | | | | | | | | | | | | Celebrating the 10th anniversary, MIA Fair is rescheduled from May to Thursday, 7th to Sunday 10th October 2021 at the new venue of SUPERSTUDIO MAXI (Via Moncucco 35) in Milan.
The iconic images of the British photographer Rankin will mark and enforce with their powerful energy the visual identity of the first Italian fair dedicated to fine-art photography.
Until May 15, 2021 Galleries are welcomed to apply to participate to the Main Section and the new MIA& D - Photography & Design Section. The projects will be examined by the Selection Committee.
The decision to move MIA Fair to Autumn 2021, after the forced cancellation of the 2020 edition, is explained by the need to ensure the best safety conditions possible for visitors and exhibitors, considering the global vaccination campaign trend, and by the opportunity to seize the effects of the expected economic rebound.
The new venue of SUPERSTUDIO MAXI, with its size of 7.400 sq.mt. will make easier to comply with social distancing rules within the anti-Covid19 regulations and will offer the opportunity to further expand the disciplinary fields of MIA Fair.
Following the success of the experience of MIA&D Singapore, held in 2014 at Marina Bay Sands in Singapore, where, for the first time in the world, an art fair presented a dialogue between photography and design, this year MIA Fair will showcase for the first time in Milan a section devoted to historical, modern and contemporary art design in conjunction with fine art photography works, highlighting the harmony between t… | | |
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| | Herlinde Koelbl
[Marcel] "Reich Ranicki", 1991
Digital C-Print of a 6-part sequence, 2008
Fujicolor-Professional-paper
47.8 × 49 cm (55.2 × 57.7 cm)
EUR 2,000–3,000 | | | The Tie in Photography | | | | Stefan Thull Collection Online Only | | | | | | | Online Auction until 3 October 2021 | | | | | | | | | | | | | | Grisebach is delighted to be able to offer the collection of Rhinelander Stefan Thull and explore "the tie" in photography with you. 62 lots that introduce the world of the tie and its wearers and it becomes clear: a tie is an attitude, a cultural concept, still relevant and a symbol of power (and masculinity) – but in any case: more than just a small detail. Inspired by Oscar Wilde´s saying "A well-tied tie is the first serious step in life", the auction presenta this motif, collected with passion over decades, and its multifacetedness. From Paul Outerbridge to Andy Warhol, from Marianne Breslauer to Herlinde Koelbl and many more. | | |
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| | Luigi Ghirri, Venezia, Ponte dell'Arsenale, 1986
C-Print auf Agfa-Papier, 23,5 x 47,1 cm (29,4 x 50,6 cm)
Ergebnis € 10.600 | | | Lempertz – Photography | | | | Invitation to Consign | | | | Auctions 3, 4 December 2021 | | | Consignments welcome.
Please contact us for a free and non-binding valuation of your photographs.
Appraisal Days :
Amsterdam 30 September
Brussels 4 October
Paris 5, 6 October | | | | | | | | | | | | |
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| | | | 8th Triennal of Photography Hamburg 2022 | | | 8th Triennal of Photography Hamburg: "Currency"
Opening Week: 19 – 22 May 2022
Symposium "Lucid Knowledge"
30 September – 2 Okcober 2021
Livestream: here | | | | | | | | | | | | | The 8th edition of the Triennial of Photography Hamburg will be framed around the concept of Currency, inviting reflection on the contemporary power of the photograph to relay and relate meaning across distance. Rerouting this economic term to art and visual culture guides a multipart engagement with photography and its relationship to value-making, canon-making, access, circulation, and knowledge production.
Positioned as a discursive forerunner to the exhibitions, the symposium "Lucid Knowledge" will take place 30 September to 2 October, 2021, with all proceedings live-streamed.
The event gathers together artists, critics, curators, filmmakers, poets, researchers, scholars, and theorists to engage with three key themes, each devised with the aim of deconstructing an aspect of the Triennial's curatorial theme: Narrative Currents, Fields of Perception, and Image as Currency. Fostering interdisciplinary dialogue, the symposium provides a dedicated site for critical exchange and reflection with lectures, presentations, and roundtable discussions.
Contributors are: Nancy Adajania | Akinbode Akinbiyi | Ariella Aïsha Azoulay | Natalia Brizuela | Antawan I. Byrd | Tina Campt | Biljana Ciric | Robin Coste Lewis | Frieda Ekotto | Ariel Goldberg | Joana Hadjithomas and Khalil Joreige | Tala Hadid | Saidiya Hartman | Kapwani Kiwanga | Léopold Lambert | Miguel A. López | Doreen Mende | Maaza Mengiste | Samaneh Moafi | Bonaventure Soh Bejeng Ndikung | Tuan Andrew Nguyen | Uzma Z. Rizvi | Esther Ruelfs | Elias Sanbar | Andreas Schlaegel | Nicholas Tammens | Françoise Vergès. | | |
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| | | | | | INTERNATIONAL PHOTO FESTIVAL | | | | | | | Thu 30 Sep
1 – 10 Oct 2021 | | |
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| | | | | | 1. internationales Festival für zeitgenössische analoge Fotografie | | | | | | | 30 Sep – 9 Oct 2021 | | |
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| | | © Sebastião Salgado, Festival La Gacilly-Baden Photo | | | Festival La Gacilly-Baden Photo 2021 | | | | VIVA LATINA! | | | | | | Baden near Vienna:
The largest outdoor photography festival in Europe will take place
from 18 June until 17 October 2021.
festival-lagacilly-baden.photo | |
| | | | | | | | | | | | | FESTIVAL LA GACILLY-BADEN PHOTO 2021: VIVA LATINA!
VIVA LATINA! is the theme of the 2021 Festival La Gacilly-Baden Photo. It will present photographs from Latin America that reflect the complexity of the continent’s history, full of revolutions and hopes, its jumble of traditions, in which dreams of the West mingle with shamanistic world views; as well as the fervour of its society, shaped by violence and a powerful joy of life. Whether they come from Brazil, Ecuador, Chile, Mexico or Argentina, all photographers of our Festival are firmly rooted in everyday life. They capture the diversity of the people on this continent, explore the urban chaos and lament the damage done to nature – and they do this poetically, creatively and humorously. But above all, they stand for photographic art full of energy and inventiveness.
The Festival will also celebrate the biodiversity of our planet.
The World Conservation Congress of the International Union for Conservation of Nature (IUCN) was to be held in Marseille in mid-June 2020, to be followed by the COP15 of the UN Convention on Biodiversity in Kunming, China, in October. But the ongoing pandemic shredded the schedule and these two events, so essential for the protection of our ecosystems, were postponed to 2021. We have adapted to this change and will present exhibitions in 2021 that were created by some of the best photographers in the world to document the essence and importance of biodiversity on our planet. They want to help connecting people more deeply with the realm of nature.
To visualize these two highly complex narrative strands, 22 photographers, five photographer collectives and 16 Lower Austrian schools are taking part, in a humanist frame of min… | | |
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| | | | | | FAKE – visual distortion | | | | | | | – 14 Nov 2021 | | | | | |
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| | | | | | The Makeable Mind: 15 locations, over 70 artists | | | | | | | – 28 Nov 2021 | | | | | |
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| | | | | | biennale de la photographie | | | | | | | 25 Sep – 10 Oct 2021 | | | | | |
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| | | | | | Acts of Love and Rebellion | | | | | | | 23 Sep – 23 Oct 2021 | | | | | |
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| | | | | | open air festival - DUE NORTH ! | | | | | | | – 31 Oct 2021 | | | | | |
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| | | © Mary Ellen Mark | | | | | | | re:sources | | | | | | | | ... until 3 October 2021 | | | | | | | | | | | | | With the thema “re:sources”, the Fotofestival Lenzburg, conceived as a double edition for years 2021/2022, in its fourth edition places a special focus on women photographers and their work: their view of the world as well as aspects of being a woman in this world, with great exhibitions by Mary Ellen Mark, Elinor Carucci, Caroline Minjolle and others.
We prepared a rich programme of events to share our passion for photography together again. Have a look at the list of events and make a note on your calendar. | | |
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| | | | | | Festival de photographie international et gratuit | | | | | | | – 3 Oct 2021 | | | | | |
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| | | | | | | Martin Parr: Cannes, Frankreich 2018
© Martin Parr / Magnum Photos |
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| | | | | | | | | | | | | | ... until 1 December 2021 | | | | | | | | | | | | | | The PHOTOVILLE Festival, New York City’s FREE premier photo destination, returns on September 18 for its 10th anniversary year with a free community day, virtual online storytelling events, artist talks, workshops, demonstrations, educational programs, community programming, and open-air exhibitions across parks and public spaces throughout New York City till December 1, 2021. | | |
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| | | | | | THOUGH IT'S DARK, STILL I SING | | | | | | | – 5 Dec 2021 | | | | | |
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| | | | | | Rencontres Photographiques de Toulouse | | | | | | | – 2 Oct 2021 | | | | | |
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© 22 September 2021 photo-index UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editor: Claudia Stein & Michael Steinke
contact@photo-index.art . T +49.30.24 34 27 80 |
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