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| PHOTOGRAPHY INTERNATIONAL | | 3 – 10 November 2021 | |
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| | Paris Photo 2021 opens with a Preview day on Wednesday, November 10th, 2021. Ader Nordmann (13 Nov), Millon (9 Nov) and CHRISTIE'S (9 Nov) are auctioning masterpieces of photography, while PHILLIPS (8-13 Nov) presents a preview of highlights from their later London sale (23 Nov).
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| | | Randa Maroufi, Barbès, 2019, Video, color, HD, 6', Courtesy of FRAC Bretagne, Rennes (França) | | | | | | | | LOOP Festival 2021 | | | | 9 – 21 November 2021 | | | | | | | | | | | | | Through a recurring collaboration with the Museu Nacional d’Art de Catalunya- MNAC, LOOP Barcelona presents Randa Maroufi’s ‘Les Intruses’ from the collection of FRAC Bretagne.
Part of the series Les Intruses [The Intruders], Barbès is a video that questions the decentring of archetypal representations that we produce around culture. A group of young women – «the intruders» – occupies the public space for the time of the mise en scène. They take on the same gestures, the same postures, as those of the men in such places: they play cards or watch a football match without minding the passage of time. They occupy terraces and expose themselves in the strangeness of a public space of exclusion – that of gender. | | |
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| | | | | | | Vera Mercer
Silver Fork, Paris 2019
© Vera Mercer |
| | | | | | | | | | | | 6 – 7 Nov 2021 | | | Booksigning: Saturday 6 November 2021, 2-4pm | | |
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| | | Gerry Johansson, Duisburg (from the series Deutschland 2005 – 2012) © Gerry Johansson | | | | | | | | Photography + Sculpture | | | | 6 November – 21 December 2021 | | | | Opening: Friday, 5 November, 6 - 9 pm | | | | | | | | | | | | | Dorothée Nilsson Gallery is pleased to present the group exhibition "Photography + Sculpture" with works by Gerry Johansson (Photography) and Johan Röing (Sculpture). As a symbol of continuity and timeless aesthetics, sculpture enters a stimulating dialogue with photography, which by its very nature aims to capture the momentary and the ephemeral. The geometric lines of Johansson’s black-and-white photographs are continued in Röing’s colorful sculptures, creating a system of reciprocal intervention.
In his precisely composed photographs of idyllic landscapes, abandoned peripheries, and urban environments, Gerry Johansson visualizes a phenomenon recognized as an abstract concept that is difficult to grasp – culture. In doing so, he often portrays everyday objects and sceneries in his monochrome photographs, which often go unnoticed by the wandering eye. The social-historical approach reveals cultural structures and hidden levels of meaning that can only be deciphered in the deeper layers of what is shown. The cultural and visual differences between the landscapes portrayed, such as Mongolian Ulan Bator or Swedish Kvidinge, are unmistakable. Johansson's idiosyncratic visual language aesthetically connects the places and allows the viewer to decode the cultural differences between the landscapes. As an encyclopedia of his travels, the reflect the local and national history of the landscapes portrayed and connect the different places aesthetically and visually.
Johan Röing works predominately with the material wood. His sculptures emerge from a processual intuition in an ablative procedure. In recent years, his sculptures have increasingly developed from figurative wor… | | |
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| | Ron Jude
Cooled Lava Flow #2 2019
106.7 x 142.25 cm
Archival pigment print
Ed. of 3 + 1AP | | | | | | | | 6 November – 23 December 2021 | | | | | | | | | | | | | "Acts of homage and acts of witness, these photographs induce the requisite wonder and gratitude to spur a much-needed sense of accountability." – Los Angeles Times
12 Hz – the lowest sound threshold of human hearing – suggests imperceptible forces, from plate tectonics to the ocean tides, from cycles of growth and decay in the forest, to the incomprehensibility of geological spans of time. The photographs in Ron Jude’s "12 Hz" allude to the ungraspable scale and veiled mechanics of these phenomena, while acknowledging a desire to gain a broader perspective, beyond the human enterprise, in a time of ecological and political crisis.
"12 Hz" consists of images of lava tubes and flows, tidal currents, glacial ice and welded tuff formations: pictures describing the raw materials of the planet, those that make organic life possible. The images were made in multiple locations – from the high lava plains, gorges and caves in the state of Oregon, to the glaciers of Iceland and lava flows of Kilauea in Hawaii.
Jude’s photographs do not attempt to tell us how to live or what we have done wrong, nor do they reduce the landscape to something sentimental, tame and possessable. Rather, they endeavour to describe and reckon with forces in our physical world that operate independently of anthropocentric experience. The photographs in 12 Hz work in service to a simple premise: that change is constant, whether we are able to perceive it or not. By stepping back to look at the larger system of flux – of which we are only a small part – this body of work evokes us to find our own pulse, as it were, and assert an appropriately scaled sense of being within the hierarchy of this system. | | |
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| | | | | | | | Susanne Wehr: Videostill aus: "The Blooming House", 2021 |
| | | | | | | | Artistic intervention in urban space. | | | Sat 6 Nov 17:00
6 – 21 Nov 2021 | | | Susanne Wehr will show video projections in the windows of the Haus am Kleistpark in the form of a cinematic compilation of nature photographs and films. The projections are only visible from the street. With this project, the artist points to the connections between the diversity of nature and the diversity of cultural life. She also refers to the history of the Haus am Kleistpark as a former botanical museum. | | |
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| | Rania Matar, Alae, Khylam, Lebanon, 2019
25 1/2 x 30 inches - (other sizes & pricing available)
Pigment print from a limited edition of 8 | | | | | | | | ... until 15 December 2021 | | | | | | | | | | | | | The women photographed in SHE contain multitudes: They’re playful but self-assured; soft yet strong; curious and adventurous. From Massachusetts to Beirut, Matar collaborates with young women to create images that reflect their experiences leaving home and entering adulthood.
"Whereas in earlier projects, I photographed young women in relationship to the curated and controlled environment of their bedrooms," says Matar, "I am photographing them here in the larger environment they find themselves in after they leave home, the more global and complicated backdrop that now constitutes their lives in transitions."
Below, Matar shares the stories behind four of the works that are now on view at the gallery. | | |
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| | | Champagner im Keller © Nina Röder | | | | | | | | ... until 23 September 2022 | | | | | | | | | | | | | | Nina Röder (*1983) lives and works in Hamburg and Berlin (Germany). She studied Media Art and Design with a focus on photography at Bauhaus University in Weimar. She has been a Professor of photography at the University of Europe for Applied Sciences Hamburg since 2017. Along with her artistic activities, she holds a Ph.D. in the field of artistic research. Her photographs have been shown at international festivals and exhibitions, such as the GoaPhoto Festival in India, the European Month of Photography in Berlin or the Format Festival in Derby. Her artistic focus lies on exposing hidden and unconscious structures or mechanisms of biographical narratives. In her work, she combines aspects of theatre, stage and performance with photography. | | |
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| | Alia Ali
Chevron, INDIGO series, 2021
Archival Pigment Print with UV laminate, mounted on aluminum Dibond
with white wooden frame
84 x 84 cm Edition of 5 + 1 EP + 1 AP | | | | | | | | 6 November — 18 December 2021 | | | Opening: Friday, 5 November, 6-8pm
Introductory remarks: Silke Hohmann
Artist talk: Saturday, 6 November, 4pm
Alia Ali in conversation with Silke Hohmann | | | | | | | | | | | | | Alia Ali’s new body of work "FLOW" (2021) is a photographic sculptural series that references intertwining histories, cultural narratives, and creative processes associated with ikat, It draws the viewer’s attention to the highly enigmatic textile, and also questions ikat’s vulnerability to the historical and geopolitical implications of its production.
Together with FLOW, we present works from Alia Ali's series "INDIGO" (2021) which is at once an homage to the complex historical significance of its titular pigment and a treatise on the nature of visual perception, itself.
Alia Ali // عاليه علي is a Yemeni-Bosnian-US multi-media artist. Having traveled to sixty-seven countries, lived in and between seven, and grown up among five languages, her most comfortable mode of communication is through photography, video, and installation. Alia Ali is a graduate of Wellesley College and the California Institiute of the Arts. Her work has been featured in the Financial Times, Le Monde, Vogue, and Hyperallergic. Alia has won numerous awards and has exhibited internationally. Her work is in collections at the British Museum, Princeton University, the New Orleans Museum of Art, the Benton Museum of Arts and in numerous international corporate and private collections. Alia Ali lives and works in Los Angeles and Marrakech, and is currently in residency at the Roswell Artist-in-Residence Program in Roswell, New Mexico.
A catalogue with an essay by Allison K. Young will be published to accompany this exhibition. | | |
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| | FLORE
from the series "MAROC"
Pigment print with mixed media 30 × 30 cm | | | FLORE » Le temp du souvenir | | | | 6 November 2021 – 18 January 2022 | | | | | | | | | | | | | | |
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| | | | | | | | | | CONTEMPORARY PHOTOGRAPHY
FROM CANADA AND THE USA | | | | | | | 6 Nov 2021 – 13 Feb 2022 | | | | | |
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| | | | | | | | MARYAM-EISLER, ONCE-UPON-A-TURQUOISE-PAST |
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| | | | | | | | Licht über Altona #11 © Herbert Dombrowski |
| | | | | | | | | | | | Sun 7 Nov 12:00
7 Nov 2021 – 6 Mar 2022 | | | | | |
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| | | Gillian Wearing in collaboration with Wieden+Kennedy, Wearing, Gillian, 2018. Color video, with sound, 5 min. Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by the Photography Council, 2019.67. © Gillian Wearing, courtesy Maureen Paley, London; Tanya Bonakdar Gallery, New York/Los Angeles; and Regen Projects, Los Angeles. | | | | | | | | 5 November 2021 – 4 April 2022 | | | | | | | | | | | | | Profoundly empathetic and psychologically intense, Gillian Wearing’s photographs, videos, sculptures, and paintings probe the tensions between self and society in an increasingly media-saturated world. Gillian Wearing: Wearing Masks is the first retrospective of Wearing’s work in North America. Featuring more than 100 pieces, the exhibition traces the artist’s development from her earliest Polaroids to her latest self-portraits, all of which explore the performative nature of identity.
Wearing’s work often involves her asking a diverse group of volunteers to represent their authentic selves, a process that highlights distinctions between public and private identities, and spontaneous versus rehearsed behavior. For her landmark piece Signs that say what you want them to say and not Signs that say what someone else wants you to say (1992–93), Wearing photographed strangers holding placards with messages they wrote themselves. In so doing, she changed the terms of documentary street photography and performance art by giving voice to the subjects of her art. Wearing also repeatedly turns the camera on herself to examine how one’s sense of self is established within familial, social, and historical contexts, especially in the aftermath of traumatic experience. Throughout her works, masks serve as both literal props and metaphors for the performances each of us stage every day as individuals and as citizens.
Gillian Wearing: Wearing Masks is organized by Jennifer Blessing, Senior Curator, Photography, and Nat Trotman, Curator, Performance and Media, with X Zhu-Nowell, Assistant Curator, and Ksenia Soboleva, Jan and Marica Vilcek Curatorial Fellow. The show is accompanied by a comprehensive monograph that will survey the… | | |
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| | | | | | | Jen deNike
Time Waves #4, 2021
Pigmented Inkjet Print
122,5 × 182,5 cm |
| | | | | | | | | | | | Sat 6 Nov 18:00
6 Nov – 21 Dec 2021 | | | | | |
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| | | | | | | | “Lobatus Gigas”, Palace Odyssée, impression jet d’encre semi-mate sur papier baryté,1/5, ED 5ex+2EA, H 60 x L 90 cm, 2020 |
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| | Stéphane Couturier
Seoul, Tanji #06
C print, 2003
90 x 90 cm | | | | | | | | | | | | | ... until 18 December 2021 | | | | | | | | | | | | | "The city exists as a mass and is scattered in seeds, in gramen, but what raises and rouses these seeds, touches them, makes them spin, is the luminous palpitation of the beings who walk through it, these are the paths themselves". Jean-Christophe Bailly
Each of the works in the exhibition "Urban Spirit" is like one of the seeds mentioned by Jean-Christophe Bailly: receptacles of germinating potential, urban experiences of ready to bloom.
Through the works of twenty-one artists, the exhibition poses the question of what the 'life' of a city is. Whether panoramic or fragmented, the image of urban space is constantly charged by life, even when humans aren't involved.
The city is a body, with a nervous system and limbs. Like every being, it is traversed by the paradox of being inhabited by stability as well as movement, identity as well as change. It is a plurality, a community of destinies and subject to the vagaries of the lives that inhabit it.
The exhibited works are inscribed in this confrontation with the other that is the urban space. Whether it provides the setting or subject of the work, the city is this mass of blurred and elusive contours with which we are confronted, including those that don’t live there. For the contemporary city is overflowing and constantly spreading according to an agglutinative logic. | | |
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| | | | | | | | Luo Yang, Ren Fang, 2019. Série « Youth » (2019-). Avec l’aimable autorisation de l’artiste. |
| | | | | | | | En tout genre | | | Thu 4 Nov 18:00
4 Nov – 27 Nov 2021 | | | | | |
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| | | | | | | | | | | | | | Thu 4 Nov 16:00
4 Nov – 23 Dec 2021 | | | | | |
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| | | Titts, 2019 @ Chloe Sells | | | Chloe Sells » I'll be coming back as lightning | | | | 4 November 2021 – 15 January 2022 | | | | Opening reception: Thursday 4 November 18:00 | | | | | | | | | | | | | For her second solo exhibition at Miranda Gallery, Anglo-American artist Chloe Sells presents her new photographic work, inspired by her years spent at the side of the famous writer and 'gonzo journalist', Hunter S. Thompson, author of many fierce books critical of American society, including "Las Vegas Parano" (ed. 1972).
As the writer's last assistant, she shared his daily life and his unconventional style with the backdrop of the sumptuous natural setting of their hometown, Aspen, Colorado. Continuing her experimentation with the silver photographic print, Sells crosses documentary images from her personal archive with new landscape images, photographed in camera and then 'marbled', a traditional technique used in Japan and Italy since the 12th century. The result is a psychedelic slalom through the Rocky Mountains to the living room of one of the 20th century's freest thinkers. A monographic book will accompany the exhibition, published by GOST (England), the artist's third book. | | |
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| | | | | | | | Gilleam Trapenberg, Big Papi |
| | | | | | | | | | | | Thu 4 Nov 18:00
4 Nov – 27 Nov 2021 | | | | | |
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| | | | | | | | Evangelia Kranioti, Miss Without Papers, from the Beirut Fictions series. |
| | | | | | | | | | | | Sat 6 Nov 14:00
6 Nov – 23 Dec 2021 | | | | | |
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| | | | | | | | | | | | | Automated Photography Master en Photographie de l’ECAL/Ecole cantonale d’art de Lausanne | | 9 Nov – 14 Nov 2021 | | | | | | | |
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| | | | | | | | Luigi Ghirri. The Marazzi Years 1975-1985. © Eredi Luigi Ghirri. Courtesy Marazzi Ceramiche |
| | | | | | | | | | | | Tue 9 Nov 18:00
10 Nov – 21 Dec 2021 | | | | | |
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| | | | | | | W. Eugene Smith, The Walk to Paradise Garden, 1946
© 1946, 2021 The Heirs of W. Eugene Smith Collection
the National Museum of Modern Art, Kyoto |
| | | | | | | | Truths Revealed in Photographs | | | 5 Nov – 25 Nov 2021 | | | | | |
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| | | | | | | | | | | | | | Wed 3 Nov
4 Nov – 7 Nov 2021 | | | | | |
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| | | | | | | | | | | | | | 11 – 14 November 2021 | | | | Preview: Wednesday 10 November 2021 | | | | | | | | | | | | | Paris Photo, the international art fair for photography, reunites the world’s leading galeries and art book dealers in Paris at the Grand Palais Ephémère (November 11–14) and online for its it first-ever online viewing room (November 11–17). Discover the most important selection of exceptional photographic art and published works from 29 countries worldwide with more than 149 participating galleries and 30 art book dealers, 17 solo shows and 8 duo shows.
The Curiosa sector, curated this year by Shoair Mavlian (Director, Photoworks), brings to the foreground new trends in contemporary photographic practice, including new documentary practice, experimental approaches to photography, diaristic practice and contemporary conceptual practice. 20 emerging artists are spotlighted for this edition, some of whom exhibit in France for the first time, such as Maisie Cousins (TJ BOULTING London) and Jošt Dolinšek (PHOTON Ljubljana).
See the 2021 exhibitor list.
Paris Photo is a key event for collectors, art world professionals and those passionate about art and photography. Public programming, both on-site, online and throughout Paris, is an essential component of the fair and includes exhibitions, talks, awards, book signings, podcasts, curated fair selections and more. | | |
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| | | | | | | | | | 45 specialized international photography book publishers | | | Wed 10 Nov 15:00
10 – 14 Nov 2021 | | | | | |
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| | EDWARD BURTYNSKY (BORN IN 1955)
Colorado River Delta #2, Near San Felipe, Baja, Mexico, 2011
Chromogenic print, flush mounted on aluminium
60 x 80 in.
Estimate: €20,000-30,000
© Edward Burtynsky | | | Photographies | | | | | | Auction: Tuesday, 9 November 2021, 4 pm
Viewing: From 6 - 9 November, 10 am – 6 pm
Sun 7 November, 2 – 6 pm | | | | | | | | | | | | | | | | | Paris annual Photographs auction will take place on the 9th November to coincide with Paris Photo Fair. 100 lots will be offered, estimates ranging from €1,200 to €100,000, with some lots being sold without reserve. The auction will bring together iconic works by leading figures of the medium including William Eggleston, Candia Höfer, Peter Lindbergh, Irving Penn, Helmut Newton, Robert Mapplethorpe, Wolfgang Tillmans and Francesca Woodman.
While the Palais Galliera is presenting a major exhibition celebrating 100 years of Vogue Paris magazine (1920-2020), the Photography department is thrilled to offer the opportunity to the collectors to acquire iconic fashion photographs, including a portfolio presenting ten emblematic images of Helmut Newton’s oeuvre from 1973-1993, estimated at €100,000-150,000.
Another force in fashion photography, Peter Lindbergh’s monumental print Mathilde on the Eiffel Tower (Hommage à Marc Riboud), Paris, 1989 is a unique opportunity to acquire such an iconic work, this print being number 1 from an edition of 1, and over two metres in scale, estimated at €60,000-80,0000. Lindbergh was inspired by the photograph taken by photojournalist Marc Riboud, Painter of the Eiffel Tower in 1953, a print of which is also included in the sale, and created a work blending both these genres, as well as paying homage to the work of Erwim Blumenfeld.
This work is also offered alongside a dedicated print of "The Wild Ones" by Lindbergh, of supermodels Cindy Crawford, Tatjana Patitz, Helena Christensen, Linda Evangelista, Claudia Schiffer, Naomi Campbell, Karen Mulder and Stephanie Seymour taken for Vogue in 1991 (€35,000-45,000). | | |
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| | Lot 160
Nan GOLDIN (1953)
French Chris at the Drive In. N.J., 1979
Cibachrome-Print mounted on Sintra PVC
handwritten caption, artist proof "A. P. 3" and signed on the back
69.5 x 102 cm (including margins)
Estimate: 6,000 - 8,000 EUR | | | Photographies | | | | Collections & Propositions | | | | | | | Auction: Tuesday, 9 November, 2021, 2pm | | | | | | | | | | | | | | | | | All inquiries, catalog, absentee bids, condition reports and appointments:
Federica Barolo
Head of the Photography Department
Tel + 33 (0)1 87 03 04 70
photographie@millon.com |
| | | | | | Christophe Goeury and the Million Auction house are pleased to announce their upcoming prestige photography auction of exemplary 19th and 20th century photography, that will be held in Paris in Salle VV near Hôtel Drouot on November 9th.
The first collection is a set of more than 250 prints including 100 prints on salted paper (80 lots) from the Studio’s fonds of the painter photographer Jean-Baptiste FRENET (1814-1889). Painter, politician and scientist with a rebellious and passionate character, Jean-Baptiste Frénet reveals himself through the presentation of his studio’s collection as a pioneering photographer in the art of portraiture, contemporary of Nadar. His work is closely linked to the history of photography in the 19th century. He proposed an innovative approach to photographic portraiture by exploiting intimacy and the instantaneous in human subjects. This collection offers a significant range of Jean-Baptiste Frénet photographic work.
The second collection belonging to Mr D. presents for the first time 15 originals photographs by Jacques-Henri LARTIGUE (1894-1986). These images were acquired directly by our collector from Florette, Jacques-Henri Lartigue's last wife.
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| | Lot No. 160
Christian Schad
Schadographie 131, 1975
vintage gelatin silver print, unique print with collage
18.2 x 24 cm, on original cardboard
there titled in pencil, signed, dated, 50 x 35 cm
Estimate: EUR 2,800 to EUR 3,800 | | | Photography | | | | | | Online Auction: 3 November, 2021, 3pm
Preview by appointment
Catalogue: here | |
| | | | | | | | | | | | | Dorotheum's photography auction spans a broad spectrum, from early travel documentaries of the 19th century to snapshots, studies and portraits.
Rare views of Jerusalem photographed by an Austrian photographer in the service of the Viceroy of Egypt are part of the offer, alongside the works of pictorialists, Magnum photographers, Viennese Actionists and famous names including Alfred Eisenstaedt, Margaret Bourke-White, Josef Sudek, Bill Brandt, Ernst Haas and many others to choose from.
The painter and graphic artist Christian Schad is represented with three unique works from the second cycle of Schadographies. | | |
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| | | | | | The Photographers' Gallery London | | | | | | | 10 – 16 Nov 2021 | | | | | |
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| | | | | | PLACE À LA PHOTO ! . UNE VIRÉE PHOTO . VIDÉO | | | | | | | 2 - 9 Nov
– 30 Nov 2021 | | | | | |
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| | | | | | | | | | | | | | Thu 4 Nov
4 – 20 Nov 2021 | | | | | |
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| | | | | | Edition 2021 | | | | | | | Thu 4 Nov
4 Nov – 1 Dec 2021 | | | | | |
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| | | | | | VI BIENNIAL OF PHOTOGRAPHY ON INDUSTRY AND WORK: 11 EXHIBITIONS / 10 VENUES | | | | | | | – 28 Nov 2021 | | | | | |
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| | | | | | FAKE – visual distortion | | | | | | | – 14 Nov 2021 | | | | | |
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| | | | | | The Makeable Mind: 15 locations, over 70 artists | | | | | | | – 28 Nov 2021 | | | | | |
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| | | | | | | | | | | | | | ... until 1 December 2021 | | | | | | | | | | | | | | The PHOTOVILLE Festival, New York City’s FREE premier photo destination, returns on September 18 for its 10th anniversary year with a free community day, virtual online storytelling events, artist talks, workshops, demonstrations, educational programs, community programming, and open-air exhibitions across parks and public spaces throughout New York City till December 1, 2021. | | |
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| | | | | | Women and Photography: Ways of Seeing and Being Seen | | | | | | | – 15 Nov 2021 | | | | | |
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| | | | | | | | Leopoldo Cebrián Alonso — Cortesía de TEA Tenerife Espacio de las Artes |
| | | | International Photography Festival of Tenerife | | | | | | | – 9 Jan 2022 | | | | | |
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| | | | | | THOUGH IT'S DARK, STILL I SING | | | | | | | – 5 Dec 2021 | | | | | |
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© 3 November 2021 photo-index UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editor: Claudia Stein & Michael Steinke
contact@photo-index.art . T +49.30.24 34 27 80 |
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