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| PHOTOGRAPHY INTERNATIONAL | | 6 - 13 December 2023 | |
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| | Legendary photographer and long-time Magnum member Elliott Erwitt has passed away at the age of 95.
www.magnumphotos.com Currently a major retrospective of his work is on view at La Sucrière in Lyon. The exhibition runs until March 17, 2024.
expo-elliotterwitt.com
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| | Miami Art Week takes place with ART BASEL Miami Beach, Art Miami, Untitled, Scope and Context.
More than 500 galleries will exhibit more than 1,000 artworks in photography and videoart.
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| | | Installtion view: Inka & Niclas Extensions, 2023, Dorothée Nilsson, Berlin | | | | | | | | ... until 6 January 2024 | | | | | | | | | | | | | Swedish artist duo Inka & Niclas manipulate the visual mechanics of nature photographs and playfully examine the everyday usage of landscape imagery. The artists probe the desire to consume nature through travels and photography and present oneself as being in harmony with nature. The exhibition Extensions consists of a combination of different bodies of work that revolve around this central theme.
The photographic sculptures Sunset Photography consist of landscapes and sunsets solidified in a state of wetness. Browsing through their photographic catalog Inka and Niclas picked out the panoramas they photographed on impulse, never to be looked at again. The digital waste that fills up our phones, is here used as a raw material. The glass-like, slimy creases of the sculptures hide and obscure. Only parts of the scenery are visible to us, yet it is easy to fill in the blanks, the image has been produced, shared, and seen so many times before.
In the mechanics of traveling and photography, a beautiful photo of a beach means that more photos will be taken of that same beach. This is true also in the case of the series Extensions, where the artists, before leaving home, identified the most popular spots at the tropical islands of Saô Tomé and Principe. In the works, the flashgun has left its usual position and turned 180 degrees, now aiming straight towards the photographer and us as viewers. The light striking the lens creates a sparkle as from a diamond. With the addition of extra bling to the hyper-romantic tropical beaches depicted, the artists points at the circulation of nature imagery as a commodity.
Extensions tap into the vibrant, glossy realm of fashion and style. The thin, dry, almost… | | |
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| | Christiane Feser
Lamellen 31, 2023
zweilagiges Fotoobjekt, Archival Fine Art Print
68 x 97 x 4 cm
Unikat
© Christiane Feser | | | | | | | | 7 December 2023 – 3 February 2024 | | | | Opening: Wednesday, 6 December, 7pm | | | | | | | | | | | | | Christiane Feser's works operate at the border between reality and illusion, between two-dimensional photography and three-dimensional object. Her art examines the relationship between formal structures and the interplay of light and shadow. In her photo objects, the artist reveals how photography can deceive perception by intricately weaving real objects and their photographic representations together. Through the apparent merging of materiality and its photographic interpretation, Christiane Feser creates a visual disturbance that invites a closer look and challenges the boundaries of photographic representation.
"Über Flächen" showcases a selection of Christiane Feser's latest works, originating from the geometric basic form of the line. Cut paper strips assemble into precisely staged compositions of individual surfaces, forming an image motif that evolves through a multistage process into a paper object where nothing is as it seems. It is precisely the intersection of art, perception, and imagination that Christiane Feser explores here. She uses the camera not only as a tool for capture but as a medium for expanding reality. This approach reveals a profound philosophical foundation. Her works not only reflect the visible aspects of reality but aim to establish a connection between the known and unknown.
Christiane Feser's art encourages transcending the concrete and material, opening a space for contemplating complex interweaving of temporal and reality layers. "Beyond Surfaces" represents both aesthetic contemplation and an opportunity to penetrate the complexity of reality beyond what is purely visually perceptible.
Christiane Feser (born in 1977 in Würzburg) studie… | | |
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| | | Installtion view Cindy Sherman: ANTI–FASHION, Sammlung Falckenberg 2023 | | | | | | | | ... until 28 January 2024 | | | | | | | | | | | | | The American artist Cindy Sherman (*1954 in New Jersey) is one of the most important and internationally successful contemporary artists. In her photographs, she stages herself in a wide range of roles that skewer entrenched ideals and stereotypes in a manner that is as playful as it is critical. Sherman finds inspiration in various forms of visual culture: cinema, television, advertising, magazines, art history, fairy tales, the Internet, and social media act as catalysts for a multifaceted body of photographic work in which fashion is a constant.
With around 50 works spanning five decades, the exhibition "ANTI-FASHION" takes an in-depth look at the fascinating dialogue the artist maintains with the fashion world. Since the 1980s, Sherman has been drawing on a number of commercial commissions from renowned fashion houses and designers such as Chanel and Stella McCartney as well as international fashion magazines such as Vogue and Harper’s Bazaar as a constant source of inspiration. By the same token, the artist influences and stimulates the aesthetics of the fashion world and continues to inspire an entire generation of photographers.
Sherman’s provocative photographs do not convey the glamour, sex appeal, or elegance that we commonly associate with fashion. Instead, they show characters that are anything but desirable and run counter to the fashion world ideals of flawlessness. Last, but by no means least, the exhibition reveals the subject of fashion as the starting point for the artist’s critical examination of aspects of identity, sex, gender, and age. Sherman’s myriad characters demonstrate the artificiality and mutability of identity, which appears – now more than ever – to be selectable, (self-)co… | | |
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| | | Jim Clark auf Lotus, Großer Preis von England, Silverstone 1963 © Horst H. Baumann | | | | | | | | ... until 28 January 2024 | | | | | | | | | | | | | The photographer Horst H. Baumann (1934 - 2019) was one of the shooting stars of his generation. Already awarded several prizes at a young age, the self-taught photographer advanced from the 1960s onwards to become a highly successful photographer who was omnipresent in the printed media.
It was above all his photographs of car races at the Nürburgring, Spa or Le Mans that made Horst H. Baumann famous. From the mid-1960s, he turned to multimedia projects, especially laser art, with which he presented himself, for example, at documenta 6 in Kassel in 1977. To this day, the green laser beam regularly shines as a nocturnal landmark of the Hessian art metropolis. The still-active light-time level on the Düsseldorf Rhine Tower is also due to his ideas. Consistently from the late 1960s onwards, Baumann has worked with multivision, light installations or temporary architecture, while his contribution to German photography of the 1950s and 1960s has largely been forgotten. | | |
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| | | | | | | This Way Up
Restricted with Melinda Napurrurla Wilson, Polly Anne, Napangardi Dixon, Kirsten Nangala Egan and Delena Napaljarri Turner |
| | | | | | | | made by the Warlpiri of Central Australia and Patrick Waterhouse | | | Thu 7 Dec 19:00
8 Dec 2023 – 7 Apr 2024 | | | | | |
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| | August Sander
Jungbauern, 1914
Gelatin silver print
printed 1990 by Gerd Sander
59 x 43.1 cm | 23 ⁷⁄₃₂ x 16 ¹⁵⁄₁₆ inches
Edition of 18
© Die Photographische Sammlung / SK Stiftung Kultur
– August Sander Archiv, Köln: VG Bild-Kunst, Bonn | | | | | | | August Sander. du Magazin 1959 - The rediscovery of an oeuvre | | | | 9 December 2023 - 3 February, 2024 | | | | Opening: Friday, 8 December, 6-9 p.m. | | | | | | | | | | | | | With the exhibition "August Sander. du Magazin 1959 - The Rediscovery of an Oeuvre", Galerie Julian Sander refers to a special issue of the Swiss monthly magazine du from November 1959, which was dedicated to the work of the then 83-year-old photographer August Sander. Since it was founded in 1941, the magazine saw itself not only as a forum for humanistic educational journalism, but also as a presentation medium for historical and experimental photography. Internationally renowned photographers such as Werner Bischof, René Burri, Henri Cartier-Bresson, Bruce Davidson, Robert Frank and Herbert List were among its authors. The special issue on August Sander marked the end of a decade in which the photographer's epochal portrait work had gradually gained new recognition. The publication was preceded by exhibitions of his work at the second photokina in 1951 and the famous "Family of Man" show curated by Edward Steichen, which first opened in New York in 1955. The city of Cologne also acquired Sander's portfolio "Cologne as it was" in 1953. With the publication in the Schweizer du, August Sander's work was also extensively recognized in the media for the first time after the war.
The then editor-in-chief of the magazine and later co-founder of the Swiss "Foundation for Photography", Manuel Gasser, describes his first encounter with August Sander's 1929 photo book "Antlitz der Zeit" as a "shock". He first became aware of the photographer Sander through the book just one year after the end of the war. In his text, which follows the fifty portraits in the magazine du, Gasser notes: "What kind of man is this Sander? What attitude towards his environment and fellow hu… | | |
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| | | | | | | | | | | | | | | | | A CARTE BLANCHE GIVEN TO VIRGINIE OTTH | | | | | | | ... until 25 February 2024 | | | | | | | | | | | | | Richard Mosse (Ireland, 1980) gained recognition for his socially committed documentaires often presented via immersive and monumental installations. He is known for his landscapes in shades of red and pink from the series Infra (2010) depicting the civil war in the Democratic Republic of Congo. More recently, he has focused on migratory flows, which he captures with military thermal imaging cameras (The Castle, 2017, Incoming, 2018).
The work of Deborah Turbeville (1932-2013) defies classification. The American photographer belonged to no school or movement. Her unique visual signature has been recognisable since she emerged as a major talent in the 1970s; a certain timelessness melancholy and a patina emanate from her haunting photographs taken over four decades. This retrospective will present Turbeville's photographic explorations, from fashion photos to her very personal work.
A key figure in contemporary photography in Lausanne, Virginie Otth (Switzerland, 1971) presents four previously unseen works, as well as her first film. This monographic exhibition brings together works that combine the various interests and reflections that have animated the artist for many years, and which question the relationship to the fragmentary, lacunar and ever-renewed world offered by photography, but also by our gaze and our perception.
In this photographic exploration, Mathieu Bernard-Reymond (France, 1976) has chosen to combine extracts from the writings of C. F. Ramuz with image-generating artificial intelligence tools. In D’après Ramuz, a project initiated by La Muette – literary spaces, he gives form to the mental images that are shaped when reading a text, gradually transforming them into a visual reality.
>In tandem with her exhibition A Lake in the Eye, Virginie Otth (Switzerland, 1971) has invited ten artists with whom she has crossed paths at the Vevey School of Photography (CEPV) over the past two decades.
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| | | Showgirls. Las Vegas, Nevada, USA. 1957. © Elliott Erwitt / Magnum Photos | | | | | | | | Elliott Erwitt (1928 - 2023) | | | | ... until 17 March 2024 | | | | | | | | | | | | | | | Divided into eight themes) and the colour works ("Kolor"), the exhibition invites you to discover the multi-faceted artist and his work. His work is structured along two axes. One is the distinction between black and white and colour - personal black and white pictures, commissioned colour work: "I don't use colour in my personal work. Colour is a professional matter. My life is complicated enough as it is. I stick to black and white. That's enough." However, if the distinction is intended, it is theoretical: Erwitt, in fact, combined artistic and commercial activity, not without adding his own touch to his commissioned work, which thus acquired an undeniable artistic quality. The other axis is thematic. The themes were defined by Elliott Erwitt himself; you will discover his work the way he intended.
I would say that the most important thing about a photograph is to stir emotions, to make people laugh or cry, or both at the same time.
– Elliott Erwitt
After a tremendous success at the Musée Maillol in Paris with hundreds of thousands of amused visitors, we are glad to announce the opening of "Elliott Erwitt. A Retrospective" in Lyon, at La Sucrière!
An exhibition conceived and created by Tempora in close collaboration with Magnum Photos and the Musée Maillol.
Exhibition curators: Elie Barnavi, Isabelle Benoit, Peter Logan et Benoît Remiche.
Humanism, irony, humor
The exhibition "Elliott Erwitt. A Retrospective" pays tribute to one of the greatest photographs of the 20th century, member of Magnum Photos since 1954. The exhibition presents his work through a collection of 215 black and white and color photographs.
An American photographer of European descent, Elliott Erwitt is a multi-faceted artist: he’s at the same time a painter of intimacy, a photojournalist, a commercial photographer, a film director, and a portrait photographer of famous personalities such as Marilyn Monroe, Jackie Kennedy, Charles de Gaulle, Ernesto “Che” Guevara, Alfred Hitchcock, Nikita Khrushchev... He captures moments of everyday life with a perspective that belongs only to him and combines humor and emotion. | | |
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| | | Jack Lemmon, actor. Hollywood, 1996, © Abe Frajndlich, 2023 | | | | | | | | 13 December 2023 – 1 April 2024 | | | | | | | | | | | | | He has portrayed creatives from music, art, and showbiz, surreally depicted the boundlessness of the big city and brought the greats of photographic history in front of the camera. With ABE FRAJNDLICH. CHAMELEON , the Kunstfoyer presents the iridescent diversity in themes of the American photographer Abe Frajndlich (*1946, Frankfurt am Main). Facets of his biography, which oscillate between many worlds, are also given space in the exhibition.
On display are about 200 works from the 1970s onwards, including Frajndlich’s earliest vintage prints from Cleveland. The streets, whether in New York, long his home, or wherever his journey led him, provided an ongoing stage. A chance meeting on the streets of London with John Kobal, the collector and publisher of 20th-century Hollywood portraits, led to pursuing ideas about identity, freedom, and photography.
Naturally, a large proportion of this exhibition presents portraits of artists who influenced his life, above all the performer Rosebud Conway, known as »Rosie«, and Minor White, photographer, founder of Aperture magazine, and Frajndlich’s photographic mentor. After his book Lives I’ve Never Lived about Minor White, Abe realized that he wanted to continue to make images of the photographers he felt had impacted the 20th century; eventually becoming his first major series in color, Masters of Light , underwritten by Eastman Kodak for the 150th anniversary of photography. Each of these staged pictures uniquely alludes to aspects of the icons' life or work.
Commissioned throughout the 1980s and 1990s by FAZ magazine, Frajndlich was able to provide his insight into the American art scene. Extensive series of Cindy Sherman, Nancy Spero, and David Ireland ar… | | |
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| | Thandiwe Muriu, Fortress Of Wisdom, 2023
Signed and dated on a label in the back of the artwork
Photography, Jet Ink Print of FineArt RAG+ MATT 310g
59 x 39 3/8 in, 150 x 100 cm
Edition of 3 plus 2 artist's proofs (#2/3) | Thandiwe Muriu, The Perfect Masterpiece , 2023
Signed and dated on a label on the back of the artwork
Photography, Jet Ink Print of FineArt RAG+ MATT 310g
59 x 39 3/8 in, 150 x 100 cm
Edition of 3 plus 2 artist's proofs (#3/3) |
| | | Thandiwe Muriu » You thought you could throw me away | | | | ... until 30 December 2023 | | | | | | | | | | | | | The perception and treatment of others in a globalized world is one of the cornerstones of our society. Images carry as much weight as the loudest speeches. Quite often, they even help to legitimize certain behaviors. For the different generations of the 21st century, Africa has always been represented as a subcontinent. Those who live there are dehumanized, reduced to poor children covered in flies or, at best, worn as trophets, glorifying the examples of those who find success once they arrive (and are accepted) in the West. But this mechanism of pity, of the single narrative, often even of demonization, tirelessly produces a distortion of reality. There's something to never be the norm in a world where that term seems empty of meaning. What's more, this frustration can only be reinforced when we are dispossessed of one's own narrative.
But therein lies Thandiwe Muriu's strength. An atypical career path, breaking with the norms of her country and the expectations of a "great artistic career", while recounting the beauty of her reality. You thought you could throw me away presents the elements that make the artist's work so iconic. Her work encourages viewers to take a fresh look at the concepts of identity and free expression, exploring what it means to be a strong, modern woman. By drawing on her own experience, the Kenyan artist is ultimately addressing women the world over. Indeed, if there's one subject common to all the demands, expectations, criticisms and stolen speeches, it's Woman. In just 3 years, the young photographer has established a vibrant identity that cannot be ignored, joining the ranks of those who are helping to reclaim the African narrative and its image. | | |
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| | Marie Denis » | | | | | | | | | | | | Nos Natures in collaboration with artist and filmmaker Vladimir Vatsev. | | Sat 9 Dec 17:00 9 Dec 2023 – 10 Feb 2024 | | | | | | | |
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| | | | | | | Édouard Baldus
Arc de Triomphe, Blatt 4 im Album PHOTOGRAPHIES DE PARIS, 1851-1870
Saarlandmuseum – Moderne Galerie, Saarbrücken |
| | | | Fotografie von 1860 bis 1960 | | | | | | | Fri 8 Dec 18:00
9 Dec 2023 – 10 Mar 2024 | | | | | |
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| | | | | | | Paul Strand
Calvario, Patzcuaro
plate 12, from The Mexican portfolio 1932-33, printed 1967
photogravure on paper |
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| | Christopher Anderson, Canada (1970)
from the series Family Trilogy, 2020
| | | | | | | | 6 December 2023 – 14 April 2024 | | | OPENING: Wednesday 6th December 2023 at 6pm
In the main hall of the Vevey train station, on the 2nd floor | | | | | | | | | | | | | | Christopher Anderson naturally began photographing his family after his son Atlas came into the world in 2008. When his daughter Pia was born, he continued the fatherly attempt to stop time and not let a single moment of this new life slip away. Marion features throughout these albums, as a woman, mother, and partner. As a documentary photographer, Christopher Anderson had never considered these personal photos as a ‘series’, but his opinion changed when war photographer Tim Hetherington pointed out that “They’re all about the passage of time.” Christopher Anderson began seeing his family pictures in a new light and realised that they may well be his best work. Pia, Son and Marion were published as three separate books, forming a unique and moving intimate family trilogy. | | |
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| | | Kristine Potter, from the series Dark Waters, 2020 | | | | | | | | 6 December 2023 – 14 April 2024 | | | OPENING: Wednesday 6th December 2023 at 6pm
In the main hall of the Vevey train station, on the 2nd floor | | | | | | | | | | | | | | Kristine Potter’s latest photobook, Dark Waters, focuses on the violence that permeates the territory and popular culture of the USA. She contrasts a series of portraits of women with scenery that appears serene but is in fact views of places with sordid names, such as Murder Creek, Bloody River, and Rape Pond, evoking the domestic violence that allegedly took place there in the past. Drawing on the musical genre of murder ballads from the 19th and 20th centuries, Kristine Potter alludes to the flippant popular glorification of violence towards women that still pervades today’s cultural landscape. | | |
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| | Jean-Marie Donat, France (1962)
Christmas Nightmare, 2016 | | | | | | | | 6 December 2023 – 14 April 2024 | | | OPENING: Wednesday 6th December 2023 at 6pm
In the main hall of the Vevey train station, on the 2nd floor | | | | | | | | | | | | | | Advertisements generally encourage us to picture Santa Claus as a cheerful chubby man with a bushy white beard and a smart red suit, always smiling and huggable. But what’s he really like? Collector Jean-Marie Donat scoured flea markets all over Europe to compile this extraordinary collection of photographs from the 1930s to the 1970s, in which we see the beloved myth become a nightmare of triviality and awkward clumsiness. This witty series seems most likely to confirm our childhood suspicions: Is Santa Claus just an ordinary man, after all? | | |
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| | | | | | | | | | | | | | Wed, Thu 6,7 Dec
8 – 10 Dec 2023 | | | | | |
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| | | | | | | | | | | | | | Tue 5 Dec
6 – 10 Dec 2023 | | | | | |
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| | | | Prix Elysée 2025 | | | | International Photography Prize | | | Apply until January 28, 2024
More information: prixelysee.ch | | | | | | | | | | | | | The Prix Elysée is one of the world's most prestigious photography awards, with a prize of CHF 80,000. Its aim is to support the photographic production of a mid-career artist. Thanks to this financial support, the artist can develop an original project on the theme of his or her choice.
The call for entries for the Prix Elysée 2025 is open from November 10, 2023 to January 28, 2024 on Picter.
Founded in 2014, the Prix Elysée is the result of an exclusive partnership between Photo Elysée and Parmigiani Fleurier. The eight nominees will be announced in June 2024, and the winner will be chosen by an international jury in 2025.
Who is the Prix Elysée for?
The aim of the Prix Elysée is to raise the international profile of a promising photographer, recognized in his or her own country, and to provide substantial financial support for an ambitious project. Photographers who have built their careers on exhibitions and publications, but who have not yet benefited from a mid-career retrospective, are eligible. Photographers must be recommended by a recognized professional in the field of photography or art (gallery, publishing house, etc.).
How to apply?
Entries can be submitted from November 10, 2023 to January 28, 2024 on the Picter platform. Instructions and prize regulations are available in English and French at prixelysee.ch
How does it work?
Eight nominated photographers are selected on the basis of the quality of their applications. Each nominee receives a contribution of CHF 5,000 to further his or her research. Photo Elysée announces the selection of the eight artists nominated for the Prix Elysée 2025. The winner is then chosen by a jury of international experts and receives CHF 40,000 to complete the project. A further CHF 40,000 is dedicated to promoting the project (publication and/or exhibition). | | | Timeline 10 November 2023: Application open 28 January 2024: Closing date for applications 22 June 2024: Announcement of the 8 nominees for the Prix Elysée 2025 and presentation of the finalized project by Debi Cornwall, winner of the Prix Elysée 2023. June 2025: Announcement of Prix Elysée 2025 winner | | |
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| | | | | | Festival de la photographie sociale | | | | | | | – 17 Dec 2023 | | | | | |
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| | | | | | Groningen - Friesland - Drenthe | | | | | | | – 10 Dec 2023 | | | | | |
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| | | | | | | | | | | | | | ... until 7 January 2024 | | | | | | | | | | | | | The 9th edition of the Indian Photo Festival will be presented from November 23 to January 7 at the State Gallery of Art, Madhapur, and other venues across Hyderabad. The event is free and open to the public.
The Indian Photo Festival (IPF) - Hyderabad, a not-for-profit initiative of the Light Craft Foundation, is India's longest-running international photo festival, showcasing a wide range of photography from India and around the globe with a series of events including Talks and Discussions, Exhibitions, Portfolio Reviews, Screenings, Book launches and Workshops. The IPF creates a platform for professional and aspiring photographers, photography lovers and the public. The festival strives to promote the art of photography and, at the same time, address social issues through the medium of photography.
The 9th edition of the Indian Photo Festival will be presented from November 23 to January 7 at the State Gallery of Art, Madhapur, and other venues across Hyderabad. The event is free and open to the public.
Stay up to date with what we’re up to: IPF 2023 Schedule | Facebook | Instagram | | |
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| | | | | | WORLD PRESS PHOTO 2023 | | | | | | | – 17 Dec 2023 | | | | | |
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| | | | | | Die Allgegenwärtigkeit fotografischer Bilder | | | | | | | – 4 Feb 2024 | | | | | |
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| | | | | | Memory is an Editing Station | | | | | | | – 28 Apr 2024 | | | | | |
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| | | | | | choreographies of the impossible | | | | | | | – 10 Dec 2023 | | | | | |
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| | | | | | Cosmos Cinema | | | | | | | – 31 Mar 2024 | | | | | |
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| | | | | | | Noga Shadmi's series of the kidnapped penetrates the heart.
Keep sharing your images, together we will raise the global awareness and bring them back home. |
| | | | | | | | International Photography Festival | | | postponed >> March 2024 | | | | | |
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| | | | | | More than 100 photographers and artists from 18 countries of 25 exhibitions | | | | | | | – 11 Feb 2024 | | | | | |
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© 6 December 2023 photography now UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editor: Michael Steinke
contact@photography-now.com . T +49.30.24 34 27 80 |
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