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| PHOTOGRAPHY INTERNATIONAL | | 9 – 16 March 2022 | |
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| | | | The 2022 Hasselblad Award recipient is the photographer Dayanita Singh. She lives in New Delhi and is the first laureate from South Asia as well as the first to receive the new prize sum of SEK 2,000,000.
Opening next week at Gropius Bau, Berlin, Dancing with my Camera » is a major survey of the work of Dayanita Singh. |
| | Dayanita Singh. Photo: Cecilia Sandblom / Hasselblad Foundation | |
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| | MARK MAHANEY
POLAR NIGHT #10, 2019
Archival pigment print on baryta archival paper
50,80 x 65,40 cm in an edition of 10 + 2 AP
76,20 x 98.42 cm in an edition of 6 + 2 AP
Edition #5/10 - Total edition of 16 plus 4 artist's proofs | | | Exclamation Mark: a groupshow | | | | | | | 12 March - 23 April, 2022 | | | | Opening: Saturday, 12 March, 5 - 7pm | | | | | | | | | | | | | The Ravestijn Gallery proudly presents "Exclamation Mark", a group show with works by Salim Bayri, Nico Krijno, Matt Lipps, Mark Mahaney, and Theis Wendt. Five artists from different parts of the world whose work we follow and admire turning the gallery space into a curated treasure trove. What is real and what is not we leave up to the eye of the beholder.
Salim Bayri (Morocco, 1992) grew up in Casablanca and left for Barcelona in 2010 to study at the art academy. He subsequently ended up in the Netherlands where he did a residency at the Rijksakademie. A recurring theme in Bayri's artistic practice is the 'wunderkammer' in which he creates his digital art world. In this digital space, he meticulously brings together shapes and figures that caught his attention. The work on show entitled Smart_shop is an ever-changing cabinet of curiosities, each edition being a unique one.
Nico Krijno (South Africa, 1981) has a background in theatre and experimental video and works at the blurry intersection of photography, collage, painting, sculpture, and performance. Probing the thresholds of each, his work materializes through a stream of unique and colorful abstractions that not only act as autonomous pieces of art but when seen as a collection, Krijno’s obsession and constant intrigue into the perception of photographs become decidedly evident.
Matt Lipps (United States, 1975) has a BFA in Photography from California State University, Long Beach, and an MFA from the University of California, Irvine. Employing collage strategies, sculptural tropes, and theater staging, he constructs three-dimensional compositions of appropriated images from high and low culture made int… | | |
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| | | | | | | | | | | | | | Sat 12 Mar 18:00
12 Mar – 16 Apr 2022 | | | | | |
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| | | | | | | I am as I am, 1999
© Dayanita Singh |
| | | | | | | | | | | | Thu 17 Mar 13:00
18 Mar – 7 Aug 2022 | | | | | |
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| | Kokerei in Ordos, Innere Mongolei, März 2005
© Lu Guang (Contact Press Images) | | | LU Guang » Black Gold and China | | | | ... until 17 April 2022 | | | | | | | | | | | | | From 1995 to 2017, photographer Lu Guang traveled through his native country, China. His impressive photographs document the effects of coal mining on people and nature. They show workers in precarious conditions, the thick smoke of the factories, illegally disposal of wastewater and devastated landscapes. Yet the images never seem voyeuristic. They were intended as a worldwide appeal for environmental protection and against social injustice. In addition to their documentary character, they also have a strong artistic component. The expressive compositions and strong colours form a striking contrast to the sometimes emotionally stirring subjects.
With over one hundred colour and black-and-white photographs, the special exhibition offers an insight into the work of one of China's most important photographers as well as the first monographic museum exhibition of Lu Guang in Germany. | | |
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| | | | | | | | Glory, ca. 2020 © Lara Chahine |
| | | | Arab Women and Body Politics | | | | | | | – 15 Apr 2022 | | | | | |
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| | | | | | | Herbert Döring-Spengler
Tanz, 1992
Polaroid
72 x 60 cm
Unikat |
| | | | | | | | | | | | Rheinischer Kunstpreis 2020 | | | ... until 19 March 2022 | | | | | |
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| | | | | | | | Sabine Weiss: Neuilly sur Seine, Felix Labisse, 1952, Silbergelatine 40 x 30 cm |
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| | | | | | | | Ingrid Pollard, Self Evident, 1995 (detail), © and courtesy the artist |
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| | | | | | | | Frieda Riess: Selbstbildnis mit Papgei, 1922 © Ullsteinbild |
| | | | | | | | | | | | Sun 13 Mar 12:00
13 Mar – 5 Jun 2022 | | | | | |
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| | | | | | | | side walk, 6' apart in New York City © Renate Aller |
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| | | © Harry Gruyaert © Merry Alpern; | | | Society/Spectacle | | | | | | | ... until 30 April 2022 | | | | | | | | | | | | | The spring 2022 exhibition at Galerie Miranda brings together two cult and pioneering photographic series, Dirty Windows by Merry Alpern and TV Shots by Harry Gruyaert, in a reflection on the convergence since the 1960s of real life with screen life and on the commoditisation of the human experience.
In the winter of 1993, photographer Merry Alpern visited a friend’s New York loft, situated in the Wall Street district. He led her to a back room and from his window, one floor below, she could see a tiny bathroom window from which pounded the heavy bass of nightclub music. She realized that she was looking into the bathroom of an illegal lap-dance club, where "stock-brokers and other well-to-do businessmen handed over hundreds of dollars and drugs to women in G-strings and black lace." Transfixed by the spectacle, the artist started taking pictures of what she saw, using a fast black and white film that gave the photos a peep-show quality. In 1994 she submitted the series to the NEA (National Endowment for the Arts) only to find her work, along with that of co-candidates Andres Serrano, and Barbara DeGenevieve, rejected and vilified by conservatives who sought to undermine the NEA, creating a huge debate that paradoxically served to promote the series.
Acquired by major museums worldwide, the series has since become a reference point for exhibitions on female exploitation, surveillance, censorship and the female gaze. In 1999, following the Dirty Windows series, Merry Alpern produced the series Shopping whereby, equipped with a tiny surveillance camera and a video camcorder hidden in her discreetly perforated purse, Alpern wandered through department stores, malls, and fitting rooms, capturin… | | |
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| | | | | | | Anna Jermolaewa
Chernobyl Safari, 2014/21
Fotografie (Wildkamera-Aufnahme)
© Anna Jermolaewa
Bildrecht, Wien |
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| | Sebastião Salgado, Guatemala, 1978.
Vintage gelatin silver print. | | | Photographs
from a private collection Photographies
issues d'une collection privée | | | | | | | | | | | | | | | | | | |
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| | | | | | rīvus | | | | | | | 12 Mar – 13 Jun 2022 | | | | | |
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| | | | | | | | | | | | | | Wed 9 Mar 17:00
9 – 27 Mar 2022 | | | | | |
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| | | | | | Butterflies Frolicking on the Mud: Engendering Sensible Capital | | | | | | | – 31 Mar 2022 | | | | | |
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| | | | | | | | House of Summer, 2009 © Kim Jungman |
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© 9 March 2022 photo-index UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editor: Claudia Stein & Michael Steinke
contact@photo-index.art . T +49.30.24 34 27 80 |
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