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| PHOTOGRAPHY INTERNATIONAL | | 1 - 7 October 2020 | |
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| | The 9th edition of EMOP Berlin — European Month of Photography will take place from 1—31 October 2020. More than 100 Berlin museums, galleries, cultural institutions, embassies, alternative art spaces, project spaces, and photography schools will offer a wide range of exhibitions and events showcasing the beloved and celebrated medium in all its diversity. This year’s main theme is Europe — Identity, Crisis, Future. |
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| | Because Unseen Photo Fair is not taking place this year, 25 Amsterdam-based galleries will show the work that would have been presented during Unseen in their own respective gallery spaces. Taking place over the weekend of October 2, 3 and 4, "Unseen at the Gallery" is a physical response from these galleries to the digital versions of many art fairs worldwide. |
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| | Patrick Waterhouse
What's The Light Light Dark Dark Point Point Point / Restricted in workshop at Warlukurlangu Art Centre, 2014 - 2018
Acrylic paint on archival pigment print
67 x 100 cm / framed 89 x 122 cm
Unique piece | | | | | | | | ... until 7 November 2020 | | | | Friday, Oct 2 – Sunday, Oct 4: daily 12 - 18 hrs. | | | | | | | | | | | | | The Ravestijn Gallery is proud to present exclusively the first gallery exhibition of Patrick Waterhouse's acclaimed series "Restricted Images", made with the Warlpiri of Central Australia.
Patrick Waterhouse was born in the UK in 1981. The Restricted Images series is a collaboration between Waterhouse and the Warlukurlangu Art Centre. The works were made in the communities of Yuendumu and Nyirripi which are remote desert aboriginal communities in Central Australia.
The publication in 1899 of The Native Tribes of Central Australia caused a sensation in Europe. The book’s authors, telegraph-station master Francis J. Gillen and ethnologist W. Baldwin Spencer, had written in depth about the customs and traditions of the Aboriginal groups living near Alice Springs and also illustrated their texts with 119 photographs, many of which captured rituals and ceremonies. While the subject, quality and quantity of the images set a new standard for anthropological photography, the authors were largely oblivious to the impact they would have on the lives of the Aboriginals. The pictures revealed the gap in knowledge between the authors, whose goal was showing the exotic natives "in their natural state", and the subjects, who were completely unaware of the new medium and how it could invade their privacy or reveal their secrets to a wider audience. Unwittingly or not, the authors also infringed upon Aboriginal cultural protocols by showing sacred sites and the dead. | | |
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| | Jordis Antonia Schlösser
Jewish Community Center, Łódź, 2018
from the series The Unexpected Generation – New Jewish Life in Eastern Europe, 2016–2018
© Jordis Antonia Schlösser/OSTKREUZ | | | CONTINENT – In Search of Europe | | | | An exhibition by OSTKREUZ – Agentur der Fotografen and Akademie der Künste | | | | | | | 2 October 2020 – 10 January 2021 | | | Opening: Thursday, 1 October 12am-12pm (Registration)
Main exhibition of the EMOP Berlin—European Month of Photography 2020 | | | | | | | | | | | | | The joint exhibition "CONTINENT – In Search of Europe" put on by all members of OSTKREUZ – Agentur der Fotografen inaugurates this year’s EMOP Berlin: European Month of Photography and the EMOP Opening Days, starting on 1 October 2020. The exhibition, held on Pariser Platz, is conceived as an artistic and political statement on the current state of Europe, which it will critically examine in 22 positions.
The OSTKREUZ agency’s anniversary exhibition is a declaration of love for Europe. The photographers’ projects explore various aspects of coexistence in Europe, shedding light on personal, societal and political phenomena as well as fundamental structures and historical developments. They find access to complex subject matter through their pictures of people and the environment in which they live. At the same time, they put their finger in the wound of this utopia – the cosmopolitan international community we call Europe. The themes of their work range from issues of identity and security to re-nationalisation, migration and integration, call into question our understanding of humanism, democracy and freedom of expression. This variety of perspectives invites the viewer to engage in dynamic and complex reflection and aims to offer fruitful impulses for the current debate on the future of Europe.
"CONTINENT – In Search of Europe" is curated by Ingo Taubhorn. A series of 22 podcasts offers an acoustic complement to the exhibited photographs: www.ostkreuz.de/kontinent
The exhibition is supported by the European Regional Development Fund (ERDF), the Senate Department for Culture and Europe and the Society of Friends of the Akademie der Künste.
www.ostkreuz.de/kontinent | | |
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| | | | | | | | Jürgen Hohmuth: Leipzig, 1992 |
| | | | | | | | Fotografien 1990-1994 | | | 1 Oct 2020 – 11 Apr 2021 | | | | | |
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| | | | | | | Ingar Krauss: o.T. (aus der Serie GLAS, Jena/Zechin), 2014/15
Bromsilberpapier, Ölfarbe, 50 x 42 cm |
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| | | Gordon Clark, Back to School, 2013 | Gwala | ARTCO Gallery | | | GWALA - photo works from South Africa | | | | | | | 1-31 October 2020 | | | | The exhibition is part of the European Month of Photography (EMOP). | | | | | | | | | | | | | ARTCO Berlin is pleased to present next to the exhibition "ROGER THE RAT" with new works by Roger Ballen, additional photography works of two other South African artists. "GWALA" shows selected photographs by Gordon Clark and Imraan Christian in the project space Salon Wellenmaschine in Kreuzberg.
"Gwala" is a slang word of "Afrikaaps", a modification of Afrikaans that is spoken by the people living in the Cape Flats. The meaning of the term "GWALA" stands for the pride in one's own origin and identity. In their artistic work, both photographers dealing with documenting the identity, reality and fiction of the societies of the colored people in the Western Cape flats.
Imraan Christian, born in Cape Town in 1992, is a young photographer and filmmaker. The artist and committed activist describes himself as "Son of the soil". In recent years, in addition to his own series of works, he has worked on projects including worked with UNICEF, CNN and the BBC. Christian gained international fame with his documentation of the student unrest in South Africa in 2015/2016. In the exhibition "GWALA", works from his new series "Ma se Kinders" are on display for the first time. The title is named after a slang term of tenderness, which means "mother's children".
Gordon Clark (* 1955) was born in Johannesburg. He is a renowned photographer and director who has gained international fame for his fascinating portraits of unusual landscapes and people. | | |
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| | | Roger Ballen: SMOKED OUT, 2020 from the series "ROGER THE RAT" | | | | | | | | 1-31 October 2020 | | | | The exhibition is part of the European Month of Photography (EMOP). | | | | | | | | | | | | | The exhibition presents a new work series by Roger Ballen as a part of the European Month of Photography (EMOP).
"I cannot remember when I put this rat mask on for the first time…I am unsure whether I am a rat or human. Perhaps my mother was a rat and my father a human. I think I am a bit of each…" Roger Ballen
Throughout his career, Roger Ballen has pursued a singular artistic goal: to give expression to the human psyche—to explore visually, the hidden forces that shape who we are. In 60 black and white photographs a persona, Roger the Rat is created by Ballen, that is fundamentally archetypal even mythological, a half human, half animal character that has the capability to profoundly lodge itself in the mind of those viewing these images.
In this exhibition, Roger Ballen unveils a selection of uncanny photographs so completely different from his previous work, yet still with the unmistakable Ballenesque aesthetic. In true style to Roger Ballen, the photographs reveal a range of emotions from the comic to the tragic at the same time making a profound statement about the human condition.
Produced in Johannesburg South Africa over a five-year period from 2015 to 2020, Ballen creates and documents a quasi-person who lives an isolated life outside the mainstream of society surrounding himself with rats and mannequins that he collects from various locations. Friendless and deranged, Roger the Rat constructs a fantasy world with many of the lifeless figures communicating with them as if they were alive.
In many of the photographs we can view the impressive creations of Roger the Rat sometimes figures dressed in complete likeness to himself and at other times with objec… | | |
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| | | | | | | | Emanuel Gyger und Arnold Klopfenstein © Daniel Müller-Jentsch |
| | | | | | | | Emanuel Gyger (1886– 1951) and Arnold Klopfenstein (1896–1961) | | | 1 Oct – 1 Nov 2020 | | | | | |
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| | | | | | | | © Tatenda Chidora (Simbabwe), Paranoid, 2020 |
| | | | Eine Ausstellung zum Thema Pandemie | | | | | | | 2 Oct – 4 Oct 2020 | | | | | |
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| | | | | | | Gregory Halpern
Aus der Serie: ZZYZX, 2016, Chromogenic Print, 102 cm x 81 cm
© Gregory Halpern, Courtesy LOOCK, Berlin |
| | | | | | | | | | | | Fri 2 Oct 10:00
2 – 31 Oct 2020 | | | | | |
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| | | | | | | Manfred Paul
Aus: Steffi Scherzer, 1997, Silbergelatine auf Barytpapier, 26,6 x 22 cm (Motiv)
© Manfred Paul, Courtesy LOOCK, Berlin |
| | | | | | | | | | | | Fri 2 Oct 10:00
2 – 31 Oct 2020 | | | | | |
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| | | | | | | | Hildegard Ochse: o.T. "Filicudi - Seestücke und Felsen", 1985 © Hildegard Ochse Estate |
| | | | | | | | Seestücke und Felsen | | | Fri 2 Oct 19:00
3 Oct – 31 Oct 2020 | | | | | |
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| | | | | | | | Fiene Wollstadt: leave me alone, 2017 |
| | | | Close By - Das Miteinander 2020 | | | | | | | Fri 2 Oct 18:00
2 Oct – 4 Oct 2020 | | | | | |
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| | Ute & Werner Mahler; Wolga #524
At the Streams, 2019
Gelatin Silver Print
92 x 115 cm | | | | | | AT THE STREAMS &
ON THE COUNTRY.AT THE RIVER (fashion series, 2020) | | | | 6 October – 30 January 2021 | | | Opening: Saturday, 3 October, 1–7pm
The exhibition is part of the EMOP Berlin—European Month of Photography 2020 | | | | | | | | | | | | | This new and previously unpublished series "An den Strömen" (At the Streams) by Ute Mahler and Werner Mahler emerged from 2019 onwards for the exhibition "Kontinent – Auf der Suche nach Europa" (Continent – in search of Europe) by the Ostkreuz photographers’ agency at the Academy of Arts.
For this series, both photographers toured Europe’s major rivers and streams – the Elbe, Rhine/Waal, Danube, Po and Volga – where social, ecological, political, economic and historical themes become apparent and enable both artists to create a superlative portrait of Europe. In images that are both emotionally powerful and photographically impressive, they depict extracts from life, architecture, and portraits along Europe’s biggest streams. The artists started at the Elbe, the Rhine and the Danube in Bulgaria in 2019. The Po followed that autumn and in February 2020 they continued on their journey to the Volga. Visits to other rivers – the Rhône, Dnieper and Tagus – are planned.
Ute Mahler and Werner Mahler who have been working together for a few years now are photographing the series in black and white with an analogue large-format camera. In parallel with the exhibition at the Academy of Arts, the gallery is showing a selection of works in a 92 x 115 cm format.
In July this year, Ute Mahler and Werner Mahler photographed their first fashion spread for 27 years, this time for the Frankfurter Allgemeine Magazine. The series came about at a small location on the Elbe. Both photographers again took black-and-white pictures using a large-format camera. Sections of this new, unusual and outstanding body of work will provide a stunning complement to the exhibition. | | |
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| | | | | | | | © Susanne Emmermann / Fotostudio für Blinde Fotograf*innen |
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| | | | | | | | | | | | | | Fri 9 Oct 19:00
4 Oct – 1 Nov 2020 | | | | | |
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| | | She Disappeared into Complete Silence © Mona Kuhn AD, 2014 | | | Mona Kuhn » She Disappeared Into Complete Silence | | | | ... until 20 October 2020 | | | | | | | | | | | | | The quality of light, according to Mona Kuhn, is measured in nuances of colour and – as strange as it may seam – even in sounds, or the absence of sounds. The photographer has translated this empirical experience into photographic images. Her journey towards the light took her to the Joshua Tree desert in California.
As a classical symphony is built upon rhythm and the development of an initial motif, so the potential of light is observable through its rhythmic and evolving intensity. The viewer can easily discern the alternating chromatic effects and the play of shadows. As the saturation of light increases, the shadows fade and the sounds dim. In an orchestra, every instrument is waiting for its entry or an interval. Faced with the everincreasing intensity of the sun, everything seems to hold its breath. The brightness yields only to time – a few, fleeting moments can be captured in the fullness of the light. The shadows will not be banished for long: as soon as the sun crosses the zenith, they prepare their resurrection.
The impression emanating from this magical moment is exhilarating. Do even the insects go quiet in the midday sun? There is complete silence. An illusion? This ephemeral stillness is not isolated. The muted soundscape gives way to a series of optical phenomena: reflections. The light paints non-tangible, transparent images into the desert. Mirages. Images appear and repeat themselves – mirrored or inverted. Up and down flow into each other; far blends into close. Apparitions are superimposed on each other. Straight lines are curving in the heat and brightness. Perception takes on surreal traits. Paradoxically, the light seems static amidst the shimmering vibrations. Suddenly the shadows start taking shape a… | | |
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| | | from the series Sleeper © Drhuv Malhotra | | | | | | | A New Exhibition of Social Documentary and Portrait Photography | | | | | | | | 7 October – 1 November 2020 | | | | | | | | | | | | | Face to Face is a free, public exhibition of social documentary and portrait photography, curated by Ekow Eshun, in partnership with the Fund for Global Human Rights. The exhibition will take place from 7th October to 1st November 2020 at Kings Cross Tunnel, London.
Featuring the work of emerging international artists: Alejandro Cartagena, Margaret Courtney-Clarke, Medina Dugger, Mahtab Hussain, Dhruv Malhotra, Sabelo Mlangeni, George Osodi, and Kyle Weeks.
For more than 18 years, the Fund for Global Human Rights (the Fund) has catalysed the work of courageous grassroots activists across the globe. Through equipping these bold local leaders with the funding, tools and contacts they need to create transformational change, the Fund has helped millions of people lead lives of dignity with access to basic resources and their fundamental rights.
Face to Face, a new exhibition curated by Ekow Eshun, gathers social documentary and portrait photography from regions where the Fund is active—Africa, Latin America, South Asia, and Southeast Asia—presenting encounters that celebrate the agency, energy, and potential of people and causes on the ground.
In working closely with individuals and local communities, the approach of the selected photographers in Face t… | | |
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| | Max Burchartz: Lotte’s eye, 1928
© Münchner Stadtmuseum, Photography Collection / VG Bild-Kunst, Bonn 2020 | | | World in Transition | | | | From Otto Dix to August Sander – Art of the 1920s | | | | | | | October 2, 2020 – January 10, 2021 | | | Opening Weekend: Saturday/Sunday, 3 & 4 October 2020, 10am-6pm
Free Admission | | | | | | | | | | | | | The exhibition illuminates a time of extremes and contrasts, an age full of hope and misery, light and shadows, which also awakes associations with the present. In the dialogue between painting and photography, the exhibition presents highlights of a culture, which was full of artistic innovations and which, at the same time, multiplied itself in the forerunners of the cultural decline during the Nazi regime. The modern style of "Neue Sachlichkeit" (New Objectivity) in painting and of "Neues Sehen" (New Vision) in photography strived to depict the object of the image objectively, and realistically. The cool, distanced view on what is happening is characteristic. This records the world without illusions, soberly and more or less without emotion. Dismissing the hymnic pathos of Expressionism, the painters now turned their attention to the supposedly banal, to everyday life in the big city and to "ugly" subjects.
Like the world of painting, photography was also facing radical changes at the start of the 1920s. Instead of pictorial fuzziness, which suggested a closeness to the art of Impressionism and Symbolism, modern photographers were committed to image sharpness and to an unmanipulated depiction of reality.
Contemporary art critics, such as Adolf Behne or Paul Westheim, referred at an early stage to the presence of a photographic aesthetic in the painting of New Objectivity. This photographic presence included the realistic recording of materiality and surface texture, as well as the fragmentation and isolation of the object and the choice of close-up, top view or oblique angles, which transform the composition into a dynamic image.
The figurative painting and photography of the 1920s link the reversion to the… | | |
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| | | | | | | | Venus, Lorenzo Triburgo, 2020 |
| | | | | | | | with Sarah Van Dyck | | | 7 Oct – 4 Nov 2020 | | | | | |
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| | | | | | | | Anita Witek: "Do It In The Dark" (Vogue 2018), 2019 |
| | | | | | | | | | | | Sat 3 Oct 16:00
6 Oct – 21 Nov 2020 | | | | | |
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| | | | | | | | Vera Rüttimann: Club Eschlorak im Haus Schwarzenberg, 20.4.2003 |
| | | | | | | | 30 Jahre in Bildern von Vera Rüttimann | | | 1 Oct – 11 Oct 2020 | | | | | |
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| | Thomas Struth
Stanze di Raffaello 2, Roma, 1990
Chromogenic print under plexiglass 2008
125 x 172 cm (175.5 x 221.5 cm)
From an edition of 10
Est. 80/100,000 EUR | | | Lempertz - Photography | | | | Invitation to Consign - Appraisal Days | | | New York (by appointment)
Brussels 22/23 September
Paris 24/25 September
Amsterdam (by appointment)
London (by appointment)
Auction 1161 Photography | Friday, 1 Dec 2020
Auction 1162 Evening Sale | Friday, 1 Dec 2020
Auction 1163 Day Sale | Saturday, 2 Dec 2020
Consignments are welcome until end of September.
Please do not hesitate to contact us for a non-binding estimation of your photography as well as for any questions concerning the auction. | | | | | | | | | | | | |
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| | Patrick Waterhouse
SHE GONE TO TOWN / RESTRICTED WITH MADELEINE NAPANGARDI DIXON, MELINDA NAPURRURLA WILSON AND POLLY ANNE NAPANGARDI DIXON, 2014 - 2018
Acrylic paint on archival pigment print
67 x 100 cm / framed 89 x 122 cm
Unique piece | | | | | | | One weekend of contemporary photography in 23 Amsterdam based galleries | | | | | | Friday, Oct 2 – Sunday, Oct 4 | | | | Opening hours: daily 12 - 18 hrs. | | | | | | | | | | | | | Because Unseen is not taking place this year, 25 Amsterdam-based galleries will show the work that would have been presented during Unseen in their own respective gallery spaces. Taking place over the weekend of October 2, 3 and 4, "Unseen at the Gallery" is a physical response from these galleries to the digital versions of many art fairs worldwide. It offers you the opportunity to experience the works physically, and to have personal contact with gallery owners in a responsible setting. As a fair, Unseen is not only international in character, but also deeply rooted in Amsterdam and connected to the community of progressive and leading galleries and their photographers. Unseen therefore wholeheartedly supports this initiative and is proud of the resourcefulness of the galleries and their dedication to Unseen and its mission.
Participating galleries and artists:
Albada Jelgersma – Erin O'Keefe » Misha de Ridder »
AKINCI – Melanie Bonajo »
Andriesse Eyck – Charlotte Dumas »
Galerie Bart – Isabelle Wenzel »
Vriend van Bavink – Roosmarijn Pallandt » Natascha Libbert »
Bildhalle – Paul Cupido »
Bradwolff & Partners – Katrin Korfmann » Roy Villevoye »
Ellen de Bruijne – Uta Eisenreich » Klaas Kloosterboer »
Josilda da Conceicao – Jim Mooijekind Mark van Overeem » Leendert Vooijce » Luke McCowan
Marian Cramer – Güler Ates » Lucy Cordes Engelman Miguel Milló » Siyue Pan »
Galerie Dudok de Groot – Daan Paans » Lex ter Braak Ilona Plaum » Paul Bogaers »
Galerie Fontana – Max Kraanen » Simone Hoang »
Gerhard Hofland – John Kayser »
Roy Kahmann – Bastiaan Woudt »
Wouter van Leeuwen – Jenia Fridlyand » Raymond Meeks » Bryan Schutmaat »
Lumen Travo – Judith Westerveld »
Ron Mandos – Erwin Olaf » Sebastiaan Bremer »
The Merchant House – Dennis Oppenheim » Mary Sue » Craigie Horsfield » Sylvie Bonnot »
Caroline O’Breen – Elsa Leydier » Tasio Bidegain »
The Ravestijn Gallery – Patrick Waterhouse »
Stigter van Doesburg – Elspeth Diederix »
tegenboschvanvreden – Paul Kooiker »
Torch Gallery – Eddy Posthuma de Boer »
Fons Welters – Jennifer Tee »
Martin van Zomeren – Sander Wassink » | | |
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| | Shirin Aliabadi: Girls in Car 2, 2005 © Shirin Aliabadi and The Third Line
from the exhibition Time Present - Photography from the Deutsche Bank Collection | | | EMOP BERLIN — EUROPEAN MONTH OF PHOTOGRAPHY | | | | 500 artists in more than 100 Berlin-based institutions | | | | | | | October 1 – 31, 2020 | | | EMOP Opening Days: 1 – 4 October 2020
Akademie der Künste, Pariser Platz 4 | | | | | | | | | | | | | The 9th edition of EMOP Berlin — European Month of Photography will take place from 1—31 October 2020. More than 100 Berlin museums, galleries, cultural institutions, embassies, alternative art spaces, project spaces, and photography schools will offer a wide range of exhibitions and events showcasing the beloved and celebrated medium in all its diversity. This year’s main theme is Europe — Identity, Crisis, Future. Further topics such as 30 years of German reunification and 100 years of Greater Berlin, as well as classical genres such as portrait, architectural, and fashion photography will also be represented.
Thanks to its decentralized program with numerous partner institutions and parallel exhibitions, EMOP Berlin can take place in autumn regardless of any possible restrictions due to the coronavirus pandemic. Suitable measures regarding entrances and other hygiene requirements will be taken in response to the situation as needed.
In 2016 and 2018, the EMOP Opening Days were held at C/O Berlin Foundation in Amerika Haus to kick off the festival. This year, Kulturprojekte Berlin is working together with Akademie der Künste; the EMOP Opening Days will take place from 1—4 October at Pariser Platz. Under the main theme of Photography between Art, Politics, and Mass Media, an extensive program with internationally renowned photographers, curators, media experts, and journalists will be offered. Panel discussions, artist talks, discursive events, a film program, and guided tours of the exhibition by the photographers of OSTKREUZ will mark the beginning of this year’s Month of Photography.
At the end of March 2020, 110 projects were selected for participation by this year’s jury, consisting of Thomas Licek (former Managing Director of Eyes On, Vienna), Barbara Esch Marowski (Director, Haus am Kleistpark), Annette Hauschild (photographer, OSTKREUZ — Agentur der Fotografen), Dr. Susanne Holschbach (art and media scholar, lecturer, Neue Schule für Fotografie), and Dr. Christiane Stahl (Director, Alfred Ehrhardt Foundation). Excerpt from the Jury 2020 statement: “The 9th edition of the festival in Berlin will once again showcase photographic gems and offer an exciting and aesthetically sophisticated examination of photography that is sure to bring this multifaceted medium closer to thousands of visitors.” | | |
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| | | © Sergey Maximishin / Festival La Gacilly-Baden Photo 2020 / Fotomontage | | | Festival La Gacilly-Baden Photo 2020 | | | | All Eyes East | | | | | | Baden bei Wien: The festival will take place
14 July (French National Holiday)
to 26 October 2020 (Austrian National Holiday).
festival-lagacilly-baden.photo | |
| | | | | | | | | | | | | FESTIVAL LA GACILLY-BADEN PHOTO 2020
The festival will take place 14 July (French National Holiday) to 26 October 2020 (Austrian National Holiday).
The festival is entering its third year and it has become a communicator of topics with a strong humanistic orientation showcasing the various aspects of the relationships between people and their environment.
The festival extends over a length of 7 kilometers – divided into a "garden route" and a "town route", starting from the visitor center on Brusattiplatz. Integrated into the public space, there are about 2,000 photographs to be seen, some as large as up to 280m2.
It is the largest outdoor photography festival in Europe, visited by 266,751 visitors in 2019. Entry is free.
NEVER GIVE UP! – This is the motto 2020, which combines the work of the photographers of the Festival La Gacilly-Baden Photo in two impressive themes: "All Eyes East" and "Renaissance".
Renaissance or rebirth – stands for the commitment and awareness of the exhibiting photographers for our planet Earth with their work, just like festival founder Jacques Rocher with his gigantic 100 million trees reforestation project "Plant for the Planet".
Rebirth consequently means the hope of change for the better of our world. In this sense, remembering the Fall of the Berlin Wall 31 years ago as a unique example of how the wind of freedom triggered Glasnost (openness) and Perestroika (remodeling). And thus enabled the modernization of the social, political and economic system of the former Soviet Union, which ultimately led to the end of the Cold War. | | |
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| | | | | | KW Institute for Contemporary Art, daadgalerie, Gropius Bau | | | | | | | – 1 Nov 2020 | | | | | |
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| | | | | | The best of times - The worst of times | | | | | | | – 25 Oct 2020 | | | | | |
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| | | | | | Propositions for Alternative Narratives | | | | | | | – 25 Oct 2020 | | | | | |
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| | | | | | The Things I Tell You | | | | | | | – 18 Jul 2021 | | | | | |
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| | | | | | open air festival - VIVA LATINA ! | | | | | | | – 31 Oct 2020 | | | | | |
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| | | | | | THIS IS THE END | | | | | | | – 31 Oct 2020 | | | | | |
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| | | | | | | | | | 60 outdoor exhibitions city-wide & free online programming | | | – 29 Nov 2020 | | | | | |
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© 30 September 2020 photo-index UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editor: Claudia Stein & Michael Steinke
contact@photo-index.art . T +49.30.24 34 27 80 |
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