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| PHOTOGRAPHY INTERNATIONAL | | 1 — 8 November 2017 | |
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| | | | | Private opening: Wednesday, November 8 (by invitation only) Next week’s upcoming photo fairs are already making their mark: This week more than 50 photography exhibitions are opening in Paris, notably through the festival Photo Saint-Germain. Many photo auctions also commence their previews. |
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| | Nico Krijno: Pattern Study with Fabric, 2016
Print size: 84 x 70 cm / framed 85,8 x 71,8 cm
Inkjet print on photorag paper, Ashwood frame with optiwhite glass
Edition of 5 | | | | | | | | 4 November – 9 December 2017 | | | | Opening reception: Friday, 3 November, 5-7pm | | | | | | | | | | | | | For his upcoming show at The Ravestijn Gallery, The Fluid Right Edge, Nico Krijno (1981) further develops his pioneering and avant-garde approach to photography. In a series of both colour and black-and-white images – titled sculpture and pattern studies - Krijno’s unique sensibility of being a digital painter in an age oversaturated with images is strongly present.
Krijno, a sculptor as well as a photographer, previously presented Under Construction, a collection of digitally manipulated ‘objects’, architectural models, and sculptures. Krijno uses digital tools to push the boundaries of our understanding of what a photographic image is, especially when a photo seems to represent three-dimensional objects and spaces, and posing questions about the relationship between truthfulness and photographic representation. In his work, there is painstaking attention to materiality and ‘matter.’ Just when the viewer establishes an understanding of semblance, or of representation, this relation collapses: depth and surface exchange places, perspectives are confused, giving way to enigmatic as well as enticing aesthetic compositions.
In his studio Krijno builds installations of wood, fabrics, plants, and other materials, which he then photographs, only to cut them up digitally afterwards, ‘painting’ with the digital information of the images. Through this practice he achieves his unique and distinguished visual language that resonates with many artists working today. | | |
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| | | | | | | Samuel Henne: untitled #04 from "displacements", 2016
Fine Art Print and cut-out (detail), 40 x 30 cm |
| | | | | | | | | | | Fri 3 Nov 18:00
3 Nov 2017 – 13 Jan 2018 | | | | | |
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| | | | | | | | © Alexander Vinogradov, Russian Federation, Winner, Open Portraits |
| | | | | | | | | | | Tue 7 Nov 19:30
8 Nov 2017 – 21 Jan 2018 | | | | | |
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| | | | | | | | © Julia Peirone, Golden Sunset, 2016 |
| | | | | | | | | | | Sat 4 Nov
4 Nov 2017 – 18 Mar 2018 | | | | | |
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| | | Scarlett Hooft Graafland: Dragon's Blood, 2014 | | | | | | | | 6 November - 23 December, 2017 | | | Opening: Saturday, 4 November 4th, 7 – 9.30 pm
Scarlett Hooft Graafland will sign her book "Shores Like You" | | | | | | | | | | | | | In focus gallery, Cologne is proud to present acclaimed artist Scarlett Hooft Graafland "Shores Like You" in her first exhibition in Germany. Scarlett Hooft Graafland (1973) creates magical photographic images in far-flung places, including the high-altitude salt flats in Bolivia, remote farm sheds in Iceland, the beaches of Yemen, Madagascar, the polar region and the Dutch village of Gorinchem. Her work touches upon major themes such as the disappearance of traditional cultures and the fragility of nature, yet the tone is always light, colourful and surreal. Scarlett Hooft Graafland turns these austere surroundings into live actors in the highly choreographed performances that she stages there. Weeks of preparation, in which she works closely with inhabitants, culminate in a scene where local social issues take centre stage and the vast surreal landscape becomes the chorus of a calssical tragicomedy that silently comments on the subject. Without the use of any digital manipulation, using only her analogue camera and the natural light that reveals itself during the enactment, the artist truthfully captures the joyful drama in the open scenery. Scarlett Hooft Graafland received a BFA at the Royal Academy of Art in The Hague, the Netherlands and a MFA in sculpture at Parsons School of Design, New York. Initially, Scarlett Hooft Graafland mainly took photographs to document her sculptures and performances, but gradually, her photographs became works of art in their own right. Her work is in art collections such as the Museum of Photography, Seoul; Huis Marseille Museum of Photography, Amsterdam; Landskrona Museum, Sweden; Contemporary Art Museum – Palestine (CAMP), Jerusalem; AMC Hospital, Amsterdam; Museum Vo… | | |
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| | | | | | Fotopreisträger der Michael Horbach Stiftung | | | | | | Sun 5 Nov 11:00
5 – 26 Nov 2017 | | | | | |
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| | | | | | | | | | Michael Horbach Stipendium | | Sun 5 Nov 11:00
5 – 26 Nov 2017 | | | | | |
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| | | | | | | | | | | | | Sun 5 Nov 11:00
5 – 26 Nov 2017 | | | | | |
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| | | Distaff.01, 2017. © Juana Gómez, courtesy Isabel Croxatto Galería | | | | | | | | 2 November - 22 December 2017 | | | | | | | | | | | | | “We are so addicted to patterns that we let them sneak into almost everything we do. Moreover, these patterns are the key to predicting many aspects of our behavior, even the darkest parts of our nature. “
Chilean artist Juana Gómez’s hand embroidered photographic canvases combine the spheres of scientific exploration with ancestral tradition. Weaving complex scientific and mythological patterns onto images of both her own and her daughters’ bodies, her work is interested in placing mankind within a broader context of interconnectivity. Rather than seeing us as individuals, dethatched from one another and the world around us, Gómez positions us as part of an ancient chain that goes back to the origin of life: a combination of patterns, molecules and small organisms. | | |
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| | | | | | | | Shibuya Crossing, 2017 © Marcy Cohen |
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| | | I due bagnanti, 2016 © Paolo Ventura. Courtesy of the artist and Edwynn Houk Gallery, New York | | | | | | | | until 11 November 2017 | | | | | | | | | | | | | Paolo Ventura, born in Milan in 1968, grew up with storytellers. His father was a popular author of children’s books, while his grandmother told memorable tales of living in the Italian countryside during World War II. Ventura has developed his own inventive approach to narrative, blending two forms of storytelling—one inspired by historical events and the other entirely fictive—with a creative technical approach that has earned him widespread recognition. Each of Ventura’s photographs involves multiple steps. The process includes building and painting simple sets, dressing and directing actors, and combining photographs of the two in a unique topographic reality. Lovers, soldiers, and jesters are some of the recurring characters, often played by family members, including his twin brother, son, wife, and himself. In this present exhibition, Ventura collages and hand-paints over every image. The resulting tableaus engage each other in dialogue, but each exists as its own imaginative world. Ventura’s work is characterized by a delicate and complex balance. His images are photographic yet appear painterly; familiar yet dream-like; historical yet modern. Even his artistic inspirations, which are as varied as surrealist painting and Neorealist cinema, find equilibrium in his work. Most importantly, Ventura’s sense of genuine curiosity is contagious. When Ventura hears a story, he is known to exclaim with excitement, “No way! Really?”, as curator Bill Hunt wrote in an essay on Ventura’s work for Aperture Magazine. His photographs invite viewers to share in this spirit of discovery. Seen collectively, the series of images loosely tells a story, as if the artist is drifting from dream to dream, enveloped in the theatrical sets of his own imagination. Ventura’s work has been exhibited in museums and private galleries worldwide, including at the Italian Pavilion of the 2011 Venice Biennale. Solo exhibitions include Galleria Nazionale d’Arte Moderna, Rome; The Hague Museum of Photography; Halsey Institute of Contemporary Art, Charleston, SC; and MACRO Museum of Contemporary Art, Rome. His work is included in notable public collections including the Boston Museum of Fine Arts; the Lowe Art Museum, Miami; and the Museum Het Valkhof, Nijmegen, The Netherlands. | | |
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| | | | | | | | from the series 'The Mechanism' © Mårten Lange |
| | | | | | | | | | | Fri 3 Nov 19:00
4 Nov – 26 Nov 2017 | | | | | |
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| | | | | | | Claire de Virieu, Le Jardin du Luxembourg, triptyque, 2005, tirage pigmentaire, 20x20 cm x 3, édition de 12
Courtesy Galerie Esther Woerdehoff, Paris |
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| | | | | | | | © Kadir van Lohuizen / NOOR |
| | | | | | | | | | | Thu 2 Nov 18:00
3 Nov – 19 Nov 2017 | | | | | |
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| | | Monika Barth: from the series "Rencontres à Paris" | | | | | | | | 2 – 12 November 2017 | | | | Opening reception: Thursday 2 November 18:00 | | | | | | | | | | | | | With the title of "Je Suis Touchée – Je Te Vois", the Galerie Le Ballon Rouge in Paris presents an exhibition comprising three projects by German photographer Monika Barth. The first series, "Présence Éternelle", features black and white portraits of a woman the photographer encountered in Los Angeles. It explores themes such as time, ageing, beauty and transience. The portraits are complemented by images of the California desert in the early morning hours. For the project "Rencontres à Paris", also shot in black and white, the photographer captured people in Paris. The third series on display, titled "Mona L.", combines images of Hamburg’s cityscape with portraits of women who the photographer approached on the Hanseatic city’s streets. Further information: www.leballonrouge.paris | www.monika-barth.com | | |
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| | | | | | | | Hiding in the city, Nine Dragons Screen, 2010, archival pigment print, 63 x 90 cm (x9) © Liu Bolin / courtesy Galerie Paris-Beijing |
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| | | © Charles Xelot | | | | | | | | 7 – 9 November 2017 | | | | Opening reception: Tuesday 7 November 18:00 | | | | | | | | | | | | | To celebrate the opening of Paris Photo, FMR gallery is proud to present an ephemeral exhibition of the work of Charles Xelot. The exhibition will showcase works from his most recent series "There is gas under the tundra" which was photographed in the Russian Arctic. The photographs question the tremendous changes occurring in Russia’s Far North; where industrial gas exploration, climate change, and traditional life confront each other. Across two years Charles Xelot immersed himself in the Arctic and returned with powerful images that highlight human ambition. In contrast to a documentary approach, his vision of contemporary issues is imbued with symbolism. | | |
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| | | Confine #257 © Vittoria Gerardi & Confine #256 © Vittoria Gerardi | | | | | | | | until 4 November 2017 | | | | | | | | | | | | | Following the remarkable success that Vittoria Gerardi’s works had during its preview in May, the Galerie Thierry Bigaignon has decided to offer Vittoria Gerardi her first solo show. In "Confine", Italian photographer Vittoria Gerardi presents her perception of the landscape, a visual and mental experience through Death Valley. Located in the eastern Californian desert, Death Valley is the lowest, driest and hottest area in North America. 139 miles long, the valley varies from massive mountain formations to expanses of ground covered with salt, revealing a martial scenery where no human being deserves to live. The dazzling light, therefore the incapability of seeing is portrayed by the photographer by selecting portions of the negative, distilling fragments of the landscape and making them become symbolic lines between inconsistency and matter, almost as scars of light and time.
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| | Agnese Purgatorio
Perhaps you can write to me - Plato, 2015
digital collage on baryt paper inkjet print on Alu-Dibond framed
110 x 140 cm
Ed. 1/5 + 2 AP
Courtesy Podbielski Contemporary, Berlin | | | | | | | | | | | | | 3 – 5 November 2017 | | | | opening day (upon invitation only): Thursday 2 November | | | | | | | | | | | | | Artissima is Italy’s most important contemporary art fair. Since its establishment in 1994, it has combined the presence of an international market with a focus on experimentation and research. Nearly two hundred galleries from around the world participate every year. In addition to the fair, Artissima is also composed of three art sections, headed by a board of international curators and museum directors, devoted to emerging artists, drawings and rediscovering the great pioneers of contemporary art. | | |
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| | | | | | | | | | | | | Thu 2 Nov 18:00
2 – 19 Nov 2017 | | | | | |
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| | | | | | | | | | | | | Fri 3 Nov 18:00
3 – 5 Nov 2017 | | | | | |
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| | Lise Sarfati, oh man.phg16_2012 (detail). Archival pigment print.
© Lise Sarfati. Courtesy La Galerie Particulière, Paris-Bruxelles. | | | | | | | 160 galleries and 31 art book dealers | | | | | | | | 9 – 12 November 2017 | | | | Private view (by invitation): Wednesday 8 November | | | | | | | | | | | | | Paris Photo, the international art fair for photography, will reunite 160 galleries and 31 art book dealers across 4 sectors: Main Gallery Sector, PRISMES sector, Book sector and the new Film/Video sector. Discover the most important selection of exceptional photographic art and published works from 30 countries worldwide. 29 Solo shows delve deeper into the work of one artist. The new film/video sector allows exhibitors to spotlight artists who explore the moving image featuring this year: Evangelia Kranioti, Goran Skofic, Hao Jingban, Laura Henno, Noémie Goudal, Roy Samaha, Sergio Vega, Smith, and Vanessa Beecroft. PRISMES, dedicated to large formats, series and installations highlights 14 galleries exhibiting major works and unveiling specially commissioned projects. This year, the sector located in the Salon d’Honneur will feature works by Aurélie Pétrel, Evangelia Kranioti, Gilles Caron, Grey Crawford, Henry Chalfant, John Chiara, Jungjin Lee, Karlheinz Weinberger, Katsunobu Yaguchi, Klaus Rinke, Nadev Kander, Timm Rautert, Victor Burgin, and Wilhelm Schürmann.
See the 2017 exhibitor list | | |
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| | | | | | 14 contemporary approaches to photography | | | | | | 9 – 12 Nov 2017 | | | | | |
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| | | | | | | | | | The French forum for photographers and photography enthusiasts!
More than 150 brands - | | 9 Nov – 13 Nov 2017 | | | | | |
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| | | | | | | | | | a curated bookfair with 48 selected publishers, booksellers and photographers from all continents. | | Wed 8 Nov 13:00
8 – 11 Nov 2017 | | | | | |
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| | | © Christophe Beauregard (Detail) courtesy EXPOSED | | | | | | | 80 galleries presenting more than 150 emerging artists | | | | | | | | 10 – 12 November 2017 | | | | Thursday 9 November (on invitation only) | Preview : 3pm to 6pm | Opening night : 6pm to 10pm | | | | | | | | | | | | | fotofever is the first platform dedicated to the discovery of emerging photography for both established and aspiring collectors. In 2017, fotofever returns to the Carrousel du Louvre for the 6th edition of the art fair, ART FAIR FOTOFEVER PARIS 10 – 12 NOV 2017
The big rendezvous for established and aspiring collectors returns to the Carrousel du Louvre for its 6th edition with 80 French and international galleries, presenting over 150 emerging artists. START TO COLLECT
fotofever recognises collection as a major support system for young artistic creation and photography as the ideal medium to start one’s collection. fotofever therefore reinforces its START TO COLLECT program to accompany, throughout the year, established and aspiring collectors in the discovery of new artists, techniques and artistic horizons. | | |
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| | | | | | | | | | Art Publishing Fair | | Thu 9 Nov 17:00
9 – 12 Nov 2017 | | | | | |
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| | Lot 176
Peter LINDBERGH (né en 1944)
Helena Christensen, Debbie Lee Carrington, Vogue Italy, ET Mirage, California, 1990
Silver gelatin print, dedication from the author on the image
74 x 114 cm, à vue, framed
20 000 / 30 000 €
© Peter Lindbergh / © Courtesy Millon | | | PHOTOGRAPHIES | | | | Collections & Propositions | | | | | | | Tuesday, 7 November, 2017 14:30 | | | Expert:
Christophe Gœury
Tel + 33 (0)6 16 02 64 91
chgoeury@gmail.com Live bidding:
www.drouotlive.com Public exhibitions:
SVV 3 rue Rossini – 75009 Paris, France
Saturday, 4 November 2017, from 11 am to 7 pm
Monday, 6 November 2017, from 11 am to 7 pm
Tuesday 7 November 2017 from 11 am to 12 noon Online catalog:
www.millon.com
The catalog is available upon request from the Photography Department at the Millon Auction House Contact and inquiries:
Natalia Raciborski
MILLON Photography Department
16 rue de la Grange Batelière - 75009 Paris
Tel + 33 (0)7 88 09 91 86
photographie@millon.com | |
| | | | | | | | | | | | | | This coming Tuesday November 7th, the expert Christophe Goeury and the Millon Auction House will present several exceptional collections as well as high quality prints of the 19th and 20th centuries in their next photography auction. | | |
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| | Lot 8
MAN RAY (1890–1976)
Noire et Blanche, 1926
Gelatin silver print
Image/sheet: 8⅛ x 10¾ in.
Estimate: €1,000,000–1,500,000
© MAN RAY TRUST / Adagp, Paris 2017 | | | Stripped Bare | | | | Photographs from the Collection of Thomas Koerfer | | | | | | Auction: Thursday, 9 November 2017, 3pm
Viewing:
4 & 6–8 November, 10am – 6pm
9 November, 10am – 1pm
E-catalogue: www.christies.com
Contact: Elodie Morel, Head of Department
+33 (0) 1 40 76 84 16
emorel@christies.com
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| | | | | | | | | | | | | | Christie’s is honored to offer for sale a selection of photographs from the collection of renowned Swiss filmmaker Thomas Koerfer. Koerfer’s exceptional collection of 20th century art has a particular focus on the human body and the nude figure. The sale’s highlights include Noire et Blanche, one of Man Ray’s most iconic works, and a large-format print of Diane Arbus’ Identical twins, Roselle, N.J., 1966 dating from the artist’s lifetime. | | |
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| | Lot 126
GUSTAVE LE GRAY (1820–1882)
Flotte Française en Rade de Cherbourg, 1858
Albumen print, mounted on board
Image/sheet: 12½ x 15¾ in.
Mount: 19⅜ x 22¾ in.
Estimate: €80,000–120,000 | | | PHOTOGRAPHIES | | | | | | Auction: Friday, 10 November 2017, 3pm
Viewing:
4 & 6–9 November, 10am – 6pm
10 November, 10am – 1pm
E-catalogue: www.christies.com
Contact: Elodie Morel, Head of Department
+33 (0) 1 40 76 84 16
emorel@christies.com
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| | | | | | | | | | | | | | Photographies presents 143 lots with a large selection of early 19th century works, including a superb Gustave Le Gray print and several John Murray paper negatives. The sale also features a selection of early Brassaï prints from the Albert Skira Collection, as well as a beautiful selection of contemporary works from the likes of Hiroshi Sugimoto, Robert Mapplethorpe and Guido Mocafico. | | |
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| | 323.
Peter Beard (1938)
Maureen Gallagher and a late night feeder, Hog Ranch, 1987.
Gelatin silver print (1996) | | | Photographs | | | | | | Auction:
Sunday November, 12th 2017 2:00 p.m. Viewing: Friday, November 10th, 10.00 am to 06.00 pm
Saturday, November 11th, 10.00 am to 06.00 pm
Sunday, November 12th, 11:00 am to 12:00 am
Phone during exhibition / sale : + 33 (0)1 53 40 77 10 | |
| | | | | | | | | | | | | Important set of papier négatives by Alphonse Davanne Prints by Gustave Le Gray : marines, Fontainebleau, portraits Unknown set of Eugène Atget’s horses Interesting set of photographs by Raoul Hausmann Space conquest, NASA prints | | |
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| | | | | | | | | | | | | Thu 2 Nov 18:00
3 – 19 Nov 2017 | | | | | | |
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| | | Peeter Laurits- Ariadne's Envoy (from the series 'Codex Naturalis') | | | | | | | Noorderlicht Photofestival 2017 | | | | | | | | until 26 November 2017 | | | | | | | | | | | | | NUCLEUS | Imagining science
From 22 October - 26 November 2017, the 24th edition of the Noorderlicht International Photography Festival will take place. During ‘NUCLEUS, imagining science’ work of 74 photographers from 26 countries can be seen at seven locations in Groningen, Eelde and Assen.
Tribute to human ingenuity
NUCLEUS is about science and the representation of it by independent photographers and artists. In response to social developments, more and more artists use science in their research and as a source of inspiration. Science and art form a fertile combination after all. Both disciplines work from an investigative urge, with curiosity, originality, creativity and an open mind as fundamental principles. In NUCLEUS, the photographers tell their stories about science and the representation of it in around 700 images. It is the first time a collaboration from Noorderlicht will occur with KINK in Assen and Museum De Buitenplaats in Eelde.
www.noorderlicht.com | | |
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| | | | | | Borderlines Città divise/Città plurali | | | | | | – 10 Dec 2017 | | | | | |
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| | | Pétrel I Roumagnac (duo), Reset/Résidus #3, 2015, Direktdruck auf Plexiglas (Installationsansicht, Galerie Escougnou-Cetraro, Paris) © Pétrel I Roumagnac (duo), courtesy die Künstler und Galerie Escougnou-Cetraro | | | | | | | Farewell Photography | | | | | | | – 5 November, 2017 | | | | In 2017 the internationally renowned Fotofestival Mannheim-Ludwigshafen-Heidelberg will be renamed as the Biennale für aktuelle Fotografie | | | | | | | | | | | | | | The first Biennale für aktuelle Fotografie, which will be on show from 9 September 2017 in Mannheim, Ludwigshafen and Heidelberg, takes its leave from photography as it has been known hitherto. Under the title “Farewell Photography”, a six-member curator team will shed light on radical ways of handling images in the digital age and present an alternative look at photography’s history. The Biennale will be showing works by more than 60 international photographers and artists in seven chapters in seven museums of the region. | | |
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| | | | | | | Mannheim-Ludwigshafen-Heidelberg DE | OFF//FOTO | |
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| | | © Eugenia Martínez | | | FOTOMÉXICO 2017 | | | | LATITUDES - International Photography Festival | | | | 136 venues | 147 exhibitions | 614 artists | 23 cities | | | | | | | October ‐ December 2017 | | | More information and complete program:
www.fotomexicofestival.com.mx | | | | | | | | | | | | | FOTOMÉXICO 2017, the International Photography Festival is a space for creativity, a reference in the reflection and dialogue about national and international photographic production, a diverse expression of the vitality, relevance, and strength of this medium and its creators. From October to December, under the coordination of the Centro de la Imagen, FOTOMÉXICO 2017 is a forum open to the diverse and multiple works of our photographic creators. It is a meeting place for the photography community with venues in museums, galleries, and exhibition spaces that also join the Foto México Network’s initiatives. Dedicated to theme of "Latitudes", this second edition of the festival offers plural, geographic, anthropological, and multidisciplinary perspectives, with exhibitions by renowned artists from Mexico, Brasil, Chile, France, Brasil, United States, Argentina, Peru, Spain, France, Germany, Scandinavia, India, Japan, South Africa, Mali and Nigeria, among others. A broad program of parallel activities complements the festival, which for the first time organizes a call for entries to participate in portfolio review that brings together outstanding photographers, visual artists, and curators, to generate a dynamic of feedback with all those who have submitted their work. The Museo Amparo in Puebla once again opens its doors to host the International Photography Meeting 2017, an event not to be missed in this edition of the festival. FOTOMÉXICO 2017 is an opportunity for the public to experience in this artistic expression that captures the moment to eternalize it through the multiple eyes of the photographic c… | | |
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| | Michael Najjar: "europa", 2015
hybrid photography, archival pigment print, diasec, custom-made aluminium frame
© Michael Najjar, Courtesy the artist | | | Clouds ⇄ Forests | | | | 7th Moscow International Biennale of Contemporary Art | | | | | | | – 18 January 2018 | | | | | | | | | | | | | The 7th Moscow International Biennale of Contemporary Art takes place in the New Tretyakov Gallery (The State Tretyakov Gallery, 10, Krymsky Val, Moscow) from 19 September 2017 to 18 January 2018. The Main Project Clouds⇄Forests is curated by Yuko Hasegawa - one of the leading curators in the international art world - and includes 52 artists from 25 countries. The concept of Clouds⇄Forests focuses on a new eco-system formed through the circulation of "Cloud Tribes" born on the Internet cloud space, and "Forest Tribes" born in an analogue world. Works of the artists in the Main Project are displayed in dialogue with works from the permanent exhibition of The State Tretyakov Gallery. Michael Najjar » has been invited to participate in the Biennale with several large-scale artworks from his celebrated "outer space" series. On view for the first time will be his "liquid time" triptych, created especially for the Biennale. This work highlights the fragility of our ecological balance and the significance of the change of state from ice to water because glaciers are storehouses of time - layer on layer they capture the air, water and oxygen of countless thousands of years. The picture was taken in early 2017 in an ice cave under the Breiðamerkurjökull glacier in Iceland.
Also on view, in the All-Russian State Library, will be Michael Najjar´s striking new video artwork "terraforming". The work focuses on transformation of a natural environment through energy input and combines footage taken on various locations in Iceland in early 2017 with Martian landscapes shot by NASA´s Curiosity Mars rover. | | |
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| | | Jordi Colomer, 2017/ ¡Únete! Join Us!, video still SPAIN | | | | | | | | | | | | – 26 November 2017 | | | | | | | | | | | | | The 57th International Art Exhibition, titled VIVA ARTE VIVA and curated by Christine Macel, is organized by La Biennale di Venezia chaired by Paolo Baratta. The Exhibition will be open to the public from Saturday May 13th to Sunday November 26th 2017, at the Giardini and the Arsenale venues. The preview will take place on May 10th, 11th and 12th, the awards ceremony and inauguration will be held on Saturday May 13th 2017. The Exhibition will also include 85 National Participations in the historic Pavilions at the Giardini, at the Arsenale and in the historic city centre of Venice. Also for this edition, selected Collateral Events by non-profit national and international institutions, present exhibitions and initiatives. Detailed information can be found on www.labiennale.org/en/art/ | | |
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© 1 November 2017 photography-now.com
Ziegelstr. 29 . D–10117 DE . Berlin . Editor: Claudia Stein + Michael Steinke . contact@photography-now.com . T +49.30.24 34 27 80 |
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