|
|
|
PHOTOGRAPHY INTERNATIONAL | | 19 - 26 September 2018 | |
|
|
|
|
|
| | | Unseen is the leading platform for contemporary photography. Exclusively focusing on what’s new in the photography world, Unseen provides a channel for up-and-coming talent to showcase their work. Unseen is an all year round platform with physical events throughout the year with the main event Unseen Amsterdam from the 21st to the 23rd of September 2018. Unseen Amsterdam aspires to provide novel and diverse approaches to engage with photography: |
| |
| | | | | | |
|
|
|
| PHOTOFAIRS | Shanghai celebrates its fifth anniversary at the Shanghai Exhibition Center from September 21-23, 2018. The fair features more than 50 of the world’s leading galleries and over 500 artists from 16 countries. www.photoshanghai.org |
| | | | | | | | |
|
|
|
| Encontros da Imagem 2018 Braga, PT 28th Edition - "Beauty & Consolation" 21 September - 28 October 2018 www.encontrosdaimagem.com |
| | | | | | | | |
|
|
|
|
|
|
|
|
|
|
|
| | | | #243, from the series Mouth of Krishna, 2013 © Albarrán Cabrera/BILDHALLE |
| | | | | | | | |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Two granny pines, Scotland, February, 2017 from the series Borealis © Jeroen Toirkens | | Jeroen Toirkens » Borealis: Halfway | | 22 September – 20 November 2018 | | Opening: Saturday 22 September 2018, 18:00 - 22:00 - Open Gallery Night Unseen Amsterdam | | | | | | | | Kahmann Gallery is proud to present the solo exhibition of Jeroen Toirkens (NL, 1971), Borealis: Halfway. Borealis is a collaborative project with renowned journalist and writer Jelle Brandt Corstius (NL, 1978). The exhibition marks the halfway point of this impressive feat of slow journalism. For Borealis, Toirkens and Brandt Corstius are capturing the stories of the boreal forests and the people who inhabit them. The boreal forest (also known as taiga) is a circle of mostly coniferous trees stretching across northern Europe, Asia and North America. It is the largest vegetation zone on earth and makes up around 30% of the total forested area. Boreal forests convert carbon dioxide into oxygen on a massive scale. Together, the Amazon rainforest and the boreal forest act as our earth’s lungs. Yet less than twelve per cent of these forests are a protected area. Toirkens and Brandt Corstius made various trips to the boreal forests, starting in 2016, and will continue until the end of 2019. Working from a base location, they explored the wider area surrounding it, actively searching the forest for the stories that lie hidden within. | |
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| William Eggleston: Untitled, Memphis, 1970 © Eggleston Artistic Trust, Courtesy Eggleston Artistic Trust and David Zwirner | | The Moment is Eternity | | Works from the Olbricht Collection | | Diane Arbus » Tina Barney » Robert Capa » Henri Cartier-Bresson » Larry Clark » Philip-Lorca diCorcia » Rineke Dijkstra » Robert Doisneau » William Eggleston » Elger Esser » Louis Faurer » Lee Friedlander » André Gelpke » Paul Graham » Jitka Hanzlová » Zoe Leonard » Robert Mapplethorpe » Lisette Model » Eadweard J. Muybridge » Helmut Newton » Nicholas Nixon » Gerhard Richter » August Sander » Cindy Sherman » Giorgio Sommer » Otto Steinert » Bert Stern » Juergen Teller » Wolfgang Tillmans » Ed van der Elsken » | | 26 September 2018 – 1 April 2019 | | | | | | | | With some 300 works by approximately 60 artists on display, "The Moment is Eternity" shines the spotlight on the photographic works in the Olbricht Collection, showing them in dialogue with other artworks from the collection, as well as artefacts from the Wunderkammer. Transience is one of the key themes of the Olbricht Collection. And what artistic medium other than photography could be better suited to addressing the questions of time and history that this theme throws up? Lending duration to the moment is inscribed into the very medium itself. In this property, art and philosophy come together. Ever since Antiquity, eternity has been described as timeless, and it is in this sense that Goethe equates the moment with eternity in his poem 'Vermächtnis' (Legacy, 1830). For humanity, the moment is the only perceptible slice of eternity. Goethe’s 'legacy' is to shape the world through sensuous and reasoned perception: Jumping ahead through the epochs, this fits together with Henri Cartier-Bresson’s dictum of the ‘decisive moment’ to describe an art that is able to simultaneously capture the essence of an event and the form that corresponds to that essence. Just as the photographic grasp on reality intensifies the signs and symbols of an era, the interplay of other art forms also reflects diverse aspects such as duration and transience. The expansive range of the Olbricht Collection explores such themes as beauty and sensuousness, becoming and disappearing, and the body and society, as manifested in various epochs and media. Photography’s replication of reality is only apparent. From documentation to self-reflection, it provides information about the human condition and a… | |
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
| | | | Bogdan Dziworski: f 5,6-109, Łódź, 1965 |
| | | | | | | | |
|
|
|
|
|
|
|
| | | | Kai Löffelbein: aus "CTRL-X. A topography of e-waste" © Kai Löffelbein / laif |
| | | | | | | | |
|
|
|
|
|
|
|
| | | | Vivian Maier: New York, 1952–59 © Estate of Vivian Maier, Courtesy of Maloof Collection and Howard Greenberg Gallery, NY |
| | | | | | | | |
|
|
| | | | Juchitán, Mexiko, 1954 © Bernice Kolko/Sammlung Ariel Zuñiga |
| | | | | | | | |
|
|
|
|
|
|
|
|
|
|
| La vanité de l´archiviste, 2018 © Gilles Lorin | | Gilles Lorin » Platinum prints | | 26 September – 21 December 2018 | | | | | | | | The Kunsthandel Jörg Maaß will show a selection of works by Gilles Lorin. This Artist photographer and printmaker works with historical and traditional techniques; he carefully choses each process, precious metal and paper, conscious that only such requisite will lead to transcendence. Whether it is a portrait in platinum-palladium or his exquisite works on pure gold-leaf, Gilles Lorin captures the soul and essence of the subject, shielding it magnificently from the flight of time. Born in Aix-en-Provence in 1973 Gilles Lorin studies painting, drawing, sculpture and photography at the Trinity Preparatory School in Florida. He then studies business Administration at the Loyal University where he takes art history and fine art classes where he considers his interest in art. 1997 Gilles returns to France, studying art history and Archaelogogy at the Université Panthéon-Sorbonne in Paris. He joins the British auction house Christie's as a specialist in Japanese art. 2001 Lorin returns to the US to work in the family business with Asian antiques. Because of a near-fatal car accident he changes the vision he has of the world. That was the moment when taking pictures became his absolute passion. For the past fifteen years, he has been exploring all manner of materials and techniques of historical photographic processes, with a particular fondness for glass negatives, photogravure and platinum printing. The exhibition presents a selection of more than 30 works in our gallery. The Exhibition is divided into different groups such as Memento Mori & Classical studies, Divin, Flower still lifes and Portraits. During the Exhibition the Artist will talk about his works and his techniques. There will also be an exhibition-c… | |
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Mako & Saba. From the series “Tbilisi Portraits”, 2007 © Beso Uznadze | | PICTURE LANGUAGES | | Photographic Art from Georgia | | Andro Eradze » Dimitri Ermakov » Natela Grigalashvili » Nino Jorjadze » Lado Lomitashvili » Dina Oganova » Koka Ramishvili » Alexandre Roinashvili » Mariam Sitchinava » Daro Sulakauri » Guram Tsibakhashvili » Beso Uznadze » | | 22 September – 18 November 2018 | | Opening reception: Friday 21 September, 2018, 7pm Gallery Talks: Saturday, September 22, 2018, 3pm with artists of the exhibition e.g. Natela Grigalashvili, Dina Oganova und Lado Lomitashvili Lectures: Saturday, September 22, 2018, 6–8 pm »19th & 20th Century Georgian Photography« with Dr. Lika Mamatsashvili, Photo Historian, Georgia National Museum and Tina Schelhorn, Curator, Kolga Photo Festival Workshop: Sunday, September 23, 2018, 10am – 6pm “Fotografie Außen und Innen” with Guram Tsibakhashvili | | | | | | | | What inspires today’s photographers in Georga? Where are the roots? How do the photographic artists reflect upon their own identity? The exhibition "PICTURE LANGUAGES. PHOTOGRAPHIC ART FROM GEORGIA" provides answers and viewpoints presenting twelve important photographic 'voices' of Georgia’s relatively unknown scene. Their works, mainly created since the end of the Soviet Union, show current trends and developments: Documentary images of Georgia’s struggle for independence, forms of portraiture, studies of tradition and symbolic places can be seen. One main aspect of the exhibition are the works of young photographers born in the late 1980s and early 1990s. They consistently work in coming to terms with the identity of their generation and the experimental handling of the medium of photography. In addition the exhibit provides insight into Georgia’s history of photography: with reproductions of the early artists Dimitri Ermakov and Alexander Roinashvili and the first female war photographer Nino Jorjadze. Through this, the exhibition imparts impressions from the history and from modern life in Georgia – and as well various artistic positions of its contemporary photography. Guram Tsibakhashvili can be viewed as a photographic chronicler of soviet and post-soviet life in Tbilisi and other regions in Georgia. His images poetically reveal a society on the brink of survival and political ambiguity. Natela Grigalashvili documents the hardships as well as the simple joys of everyday life in Tagveti, her childhood-village. Her black and white photographs act also as memories of her time growing up. Beso Uznadze’s series of portraits of Georgians living in Tiblisi and London started before the 2008 Russ… | |
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Rachel Maclean, Make Me Up, 2018 (still). Courtesy of the artist. © Rachel Maclean | | Rachel Maclean » Annual Commission | | 20 September – 16 December 2018 | | Opening reception: Thursday 20 September, 2018, 6pm | | | | | | | | Maclean first exhibited at the Zabludowicz Collection in 2014 with a solo exhibition as part of our Invites programme, and now returns for the 2018 Annual Commission show. At its centre is I’m Terribly Sorry, a new Zabludowicz Collection commission in virtual reality, the artist’s first piece in the medium, made in collaboration with Werkflow. An interactive experience set in a dystopian urban British landscape of manic tourist merchandise, it reflects on societal unease and misunderstanding in a culture of voracious documentation, self-performance and voyeurism. Spite Your Face, 2017, the film with which Maclean represented Scotland at the 57th Venice Biennale, will be presented in the Main Hall. Referencing the Italian folktale The Adventures of Pinocchio, it was made in the context of significant changes in the political climate in the UK and abroad, in particular the divisive campaigns in the lead up to the Brexit vote and the US Presidential election – events central to heralding a new post-truth era. Presented in the Back Gallery is an exclusive gallery edition and installation of Make Me Up, 2018, Maclean’s major new film commission produced by Hopscotch Films with NVA for BBC and 14-18 NOW.† The central protagonist is Siri, who wakes to find herself trapped inside a brutalist dream house. Despite the cutesy décor, the place is far from benign, and she and her inmates are encouraged to compete for survival while being watched over by surveillance cameras. Presiding over the group is an authoritarian diva (played by Maclean) who speaks entirely with the voice of Kenneth Clark from the BBC series Civilisation (1969). Make Me Up takes darkly-satirical look … | |
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| | | | Han Youngsoo, Korea, 1956–63. © Han Youngsoo Foundation |
| | | | | | | | |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Ezra Stoller Cohen House. Paul Rudolph. Siesta Key, FL, 1955 © Ezra Stoller, Courtesy Yossi Milo Gallery, New York | | Ezra Stoller » Pioneers of American Modernism | | 20 September – 2 December 2018 | | | | | | | | | The Lumiere Brothers Center for Photography is presenting to the Russian public, for the first time, the work oftheoutstanding American architectural photographer of the 20th century—Ezra Stoller. The Guggenheim Museum, the former Whitney Museum of American Art building, Manhattan skyscrapers, the TWA Terminal at Kennedy International Airport, the famous Fallingwater house, the iconic building of the 20thcentury—the RonchampChapel and many other architectural landmarks of the modernist era captured by one of the most influential architectural photographers will be presented at the Center for Photography at the Red October. Works for the exhibition in Moscow were specially selected from Ezra Stoller's archive. The display includes black and white photographs of public buildings, offices and private homes from the very beginning of his career in the late 1930s to the 1970s. For many years, Stoller worked with the pioneers of modern American architecture and the most famous representatives of Modernism, including Frank Lloyd Wright, Ludwig Mies van der Rohe, Louis Kahn, Le Corbusier, Paul Rudolph and Marcel Breuer. Stollerized—was the name that architects gave to the architecture photographed by Ezra. | |
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Night Watch 2018, film by Shimon Attie | | Shimon Attie » Night Watch | | 20 – 27 September 2018 | | Night Watch will be projected on a LED screen mounted on a barge, and will be viewable from 6PM to 10PM for eight days during the 73rd United Nations General Assembly. Night Watch Opening: Thursday, September 20, 6:30-8:30 PM Wagner Park, Battery Park City | Directions In their own words: An evening with LGBTQ refugees Saturday, September 22, 5:00-8:00 PM Viewing Room at Jack Shainman Gallery (Directions) and Pier 63 | Please RSVP Catch it along the Hudson River from 7 to 9 PM on September 20, 22, 24, 26 For the Westside route, the barge will travel up and down the west side of Manhattan (from Battery Park to 23rd Street, Pier 63.) Catch it along the East River from 7 to 9 PM on September 21, 23, 25, 27 For the Eastside route, the barge will travel up the Brooklyn shore (from Red Hook to Greenpoint) and down the Manhattan shore (from Battery Park to 14th Street.) | | | | | | | | FLOATING MEDIA INSTALLATION “NIGHT WATCH” VISITS THE SHORES OF NYC TO PRESENT MOVING PORTRAITS OF NEW YORK ASYLEES More Art collaborates with multidisciplinary artist Shimon Attie and refugee empowerment organizations to present a floating multi-media film experience during the UN Annual General Assembly More Art – a NYC-based nonprofit organization that fosters collaborations between professional artists and communities – will present “Night Watch” by Shimon Attie. The first collaboration between Attie and More Art, “Night Watch” is a floating film installation featuring 12 recent New Yorkers fleeing violence and discrimination in their homelands, who have had their applications for political asylum in the United States approved. The portraits of asylees (largely LGBTQ and youth) will traverse New York City’s waterways during the United Nations Annual General Assembly, bringing world leaders and local New Yorkers face-to-face with some of the most vulnerable people who are currently being turned away by governments around the world. Displayed on a 20-foot-wide by 12-foot-tall LED screen mounted aboard a large, slow-moving utility vessel, “Night Watch” is a silent, but deeply human floating film. Each day, the public can track the boat to attend historical tours, cultural events, and workshops/training related to immigrant rights. Public programs are produced in collaboration with the film’s subjects, Immigration Equality, Safe Passage Project, RIF, and Queer Detainee Empowerment Project. | |
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| | | | Untitled (assignments), Elad Lassry, 2018 Impression numérique, détail, 27,94 x 35,56 cm © Elad Lassry |
| | | | | | | | |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Walter Bosshard: Soldiers of the Nationalist Army playing in their spare time, China, 1938 © Fotostiftung Schweiz / Archiv für Zeitgeschichte | | The race for China | | | Walter Bosshard » Robert Capa » | | 22 September 2018 – 10 February 2019 | | Opening reception: Fri 21 September 18:00 | | | | | | | | Walter Bosshard (1892–1975) was the first Swiss photojournalist to become inter-nationally famous as a result of his reportage. As early as 1930, his photo reports had already reached an audience of millions. From 1931, Bosshard concentrated on China.As a photographer and writer, he followed the devastating war with Japan and the power struggle between nationalists and communists, but also dedicated himself to everyday life and street scenes. As well as the classics, this exhibition by the Fotostiftung Schweiz also presents many unknown photographs, which have only recently come to light. These are juxtaposed with China photos by the star reporter Robert Capa. Capa worked in the same places as his friend Walter Bosshard and competed with him for features in the magazine Life. Walter Bosshard laid the foundations for his career in 1927/28 as a photographer for the German Central Asia Expedition, which took him to the Himalayas and the Taklamakan desert. As early as 1930, he received a large commission from the Münchner Illustrierte Presse and the then-leading Berlin Dephot photo agency. Over the course of eight months or so, he was able to travel all over India in order to report on the independence movement. During this period, he succeeded in capturing a number of sensational portraits of Gandhi, which were published all over the world. In 1933, Bosshard relocated to Beijing and became one of the most productive and highly regarded Asia correspondents of his time. His most important platforms were the Berliner Illustrierte Zeitung and sister titles from the publisher Ullstein, the Münchner Illustrierte Presse and the Zürcher Illustrierte. Later followed American… | |
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| N-TOKYO 1, from the series N-TOKYO, 2018 © Kenta Cobayashi / G/P gallery | | Unseen Photo Fair 2018 | | 53 galleries representing more than 140 artists from 35 countries Albarrán Cabrera » Alessandro Calabrese » Kyungwoo Chun » Edmund Clark » Kenta Cobayashi » Weronika Gęsicka » Jan Hoek » Whitney Hubbs » Jory Hull » Sayuri Ichida » Inez van Lamsweerde & Vinoodh Matadin » Yijun Liao (Pixy) » Bart Lunenburg » Flo Maak » Douglas Mandry » Scott McFarland » Rafal Milach » Simon Norfolk » Kevin Osepa » Benyamin Reich » Martina Sauter » Sara Skorgan Teigen » Eva Stenram » Yuki Tawada » Jeroen Toirkens » Lorenzo Vitturi » CHEN Wei » Sharon Ya'ari » Daisuke Yokota » Lin Zhipeng - 223 » Ji Zhou » ... | | 21 – 23 September 2018 | | Friday: 11.00 - 21.00 | Saturday 11.00 - 20.00 | Sunday 11.00 - 17.00 Preview: Thursday, 20 September 12h - 20h (by invitation only) | | | | | | | | Unseen Amsterdam returns for its seventh edition to highlight the latest developments at the forefront of fine art photography. As a platform for emerging talent and artistic development, Unseen commissioned Japanese artist Kenta Cobayashi to create this year's campaign image. Unseen Amsterdam will take place from the 21st to the 23rd September of 2018 at Amsterdam's Westergasfabriek. The Unseen team is delighted to announce 53 participating galleries, the return of the artist-led CO-OP programme which will be showcasing diverse collectives from all over the world, and new exhibitions and initiatives exploring new directions in contemporary art. The 2018 international showcase will enable around 300 up-and-coming and established artists to present boundary-pushing and noteworthy work, much of which has never been seen before on the open market. Unseen announces the list of galleries participating in 2018's fair element of Unseen Amsterdam. Galleries are drawn from around the world, including countries such as Iran, Czech Republic, Mexico, Japan and The United States. The fair welcomes 18 new galleries this year to present their artists, offering visitors the most diverse experience yet. New galleries include, Casemore Kirkeby (US) showing Sean McFarland (US) and Whitney Hubbs (US); JEDNOSTKA Gallery (PL) showing Weronika Gęsicka (PL) and Rafal Milach (PL) and Fotogalleri Vasli Souza (SE) showing Pixy Liao (CN). Returning galleries include Ron Mandos (NL) showing Jan Hoek (NL) and Aïda Mulunch (ET); G/P gallery (JP) showing Daisuke Yokota (JP) and Yuki Tawada (JP); LhGWR showing Nadine Stijns (NL) and Mustafa Saeed (SO) and Flowers Gallery (UK/USA) showing Edmund Clark (UK). | |
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| | PHOTOFAIRS Shanghai | | | Nobuyoshi Araki » Seung Woo Back » Nicolas Baghir » Julie Blackmon » HAI Bo » CHEN Chieh-Jen » Clark & Pougnaud » ZHANG Dali » Christine de Grancy » Liu Di » CAI Dongdong » VALIE EXPORT » YANG Fudong » Corina Gertz » Jacob Gils » Jim Goldberg » SHI Guorui » Carsten Höller » Frank Horvat » Inka Lindergard & Niclas Holmström » HU Jieming » Zhang Kechun » Annette Kelm » LI Lang » HAN Lei » Alexvi Li » Feng Li » Andreas Mühe » Robert Mapplethorpe » Bas Meeuws » Yoshinori Mizutani » Loredana Nemes » Anja Niemi » Koji Onaka » Hans Op de Beeck » Giovanni Ozzola » JIANG Pengyi » Irving Penn » Eric Pillot » Wang Qingsong » CHEN Qiulin » Robert Zhao Renhui » Marc Riboud » Julian Rosefeldt » Kris Scholz » Hiroshi Sugimoto » CHEN Wei » XIONG WenYun » Won Seoung Won » Zhang Xiao » Chen Xiaoyi » YAN Xinfa » Yasumasa Yonehara » LIANG Yue » Wang Yuwen » YANG Zhenzhong » JIANG Zhi » ... | | 21 – 23 September 2018 | | Preview: Thursday 20 September 2018 | | | | | | | | PHOTOFAIRS | Shanghai celebrates its fifth anniversary at the Shanghai Exhibition Center from September 21-23, 2018 with an exclusive Collectors' Preview and 5th Anniversary Gala Dinner on September 20, 2018. The fair is the leading destination in Asia Pacific for discovering and collecting photography; classic masterpieces, contemporary photography, large-scale installations, moving-image and the latest innovations in technology. PHOTOFAIRS | Shanghai features more than 50 of the world’s leading galleries from over 16 countries. View and buy art from over 1,000 leading artists, and experience the Fair’s critically acclaimed public program: PHOTOFAIRS | STAGED is a curated initiative spotlighting artists of particular relevance within the contemporary photography arena in the form of chapters placed throughout the fair space. Staged explores the relationship between photography and other art forms such as installation art, sculpture, video and painting. This curated initiative spotlights artists of particular relevance within the contemporary photography arena in the form of chapters placed throughout the fair space. Insights | The Same But Also Changed: Launched in 2016, Insights, is an initiative which focuses on a particular theme or an important moment in the development of photography. PHOTOFAIRS | Shanghai’s 2018 edition of Insights, powered by Patek Philippe, will be curated by Victor Wang 王宗孚, a curator, and researcher based in Shanghai and London.
| |
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Alberto Diaz Korda: Che, Fidel Castro, Osvaldo Dorticos, junto a un grupo de revolucionarios, 1959 | | From the Zafra to the Revolution – Cuban Photography | | Paco Altuna » Constantino Arias » Felipe Atoy » Luc Chessex » Raúl Corrales » Venancio Diaz (Maique) » Paolo Gasparini » Alberto Diaz Korda » Jorge Lezcano » Mayito (Mario García Joya) » Liborio Noval » Osvaldo Salas » Amador Vales » ... | | Auction Madrid: Tuesday, 25 September, 2018, 7pm | | Auction: Neptune III Hall, Palace Hotel (Westin Palace) plaza de las Cortes n. 7, 28014 Madrid Online Catalogue and bids: www.invaluable.co.uk Viewing Barcelona: 20 September, 11 to 13,30 and 17 to 19 h Juan Naranjo Galería de Arte & Documentos Casanova 136-138 B-3 08036 Barcelona Viewing Madrid: 25 September, 10 to 14 and from 15 to 17 Neptune Hall III Hotel Palace (Westin Palace) plaza de las Cortes n. 7, 28014 Madrid | | | | | | | | Juan Naranjo Galería de Arte & Documentos organizes an auction divided into three sessions, on September 25, 2018 at 7 pm in the Neptune III Hall of the Palace Hotel, Plaza de las Cortes no. 7, 28014 Madrid and online at invaluable.com Session I From the Zafra to the Revolution – Documentary photographs of Cuba, 1938-1979 composed of 175 lots of photographs taken by some of the most important Cuban photographers or who worked on the island between 1938 and 1979, among which are Korda, Salas, Mayito , Raul Corrales, Constantino Arias, Pancho Cano, Felipe Atoy, Venancio Diaz, Paco Altuna, Barcala, Liborio Noval, Jorge Lezcano, Jorge Oller, Naranjo, Amador Vales, Luc Chessex, Paolo Gasparini. Session II Documents and Archives 1776 - 1959 in which the handwritten note and the telegrams that Albert Einstein sent in favor of democracy and the Spanish government stand out, in December 1936, a few months after the start of the Civil War, the archive of Marcelino Domingo, politician, journalist and writer, who was minister during the Second Republic or the archive of 610 documentary units from the Cantabrian merchant Esteban González de Linares and his son-in-law Vicente de Cosío, related to colonial activity during his stay in Caracas, Venezuela, between 1785 and 1791, the set of military maps belonging to the Duke of Dalmatia, who became head of the French army in Spain, during the French occupation and Minister of War in France on several occasions The notes handwritten by El Che, Ernesto Guevara to Panchito, his personal advisor in 1959 during the Cuban Revolution. Session III Multiplicable works, photography and postcards composed of 111 lots of photographs and postcards that introduced an important change of social habits that became a new form of communication, had a wide visibility and became objects of desire and collection . Among the most important lots, we can find an important album of photographs belonging to the family of photographer Rafael Rocafull, group of stereoscopic nudes, 1850-1860, a set of daguerreotypes and modernist postcards of artists such as Raphael Kirchner, Ramon Casas, Henri Meunier... | |
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| En service of Arnold Odermatt on the façade BCV to be discovered in September 2018 in Vevey (photomontage). Photo: Céline Michel © Urs Odermatt, Windisch / ProLitteris, Zurich | | FESTIVAL IMAGES 2018 | | VISUAL ARTS BIENNALE | | Susan A. Barnett » Olivier Blanckart » Jeff Bridges » Antony Cairns » Marcos Chaves » Cristina De Middel » Bernard Demenge » Philippe Durand » Charles Fréger » Coco Fronsac » Naomi Harris » Fumiko Imano » Erik Kessels » Henry Leutwyler » Émeric Lhuisset » Olivier Lovey » Christian Marclay » Mauricio Dias & Walter Riedweg » Annette Messager » Daidō Moriyama » Frédéric Nauczyciel » Arnold Odermatt » Pierre-Philippe Hofmann & Mathias Domahidy » Cyril Porchet » Peter Puklus » Philippe Ramette » Augustin Rebetez » Jono Rotman » Jenny Rova » Pachi Santiago » SAYPE » Alexander Sorin » Angélique Stehli » Clare Strand » Lorenzo Vitturi » Marie Voignier » Erwin Wurm » Chen Xiaoyi » Martin Zimmermann » | | until 30 September 2018 | | | | | | | | Festival Images Vevey is the first and main biennale of visual arts in Switzerland. Every two years, it presents original photographic exhibitions, outdoors in the streets and the parks of Vevey as well as indoors in unusual venues, and features collaborations with people who ensure Vevey’s status as a “City of Images” all year round. From 8 to 30 September 2018, based on the theme Extravaganza. Out of the Ordinary, visitors will get to discover, free of charge, some sixty indoor and outdoor projects, some in monumental format, as well as the works produced thanks to Grand Prix Images Vevey 2017/2018. | |
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
This newsletter was sent to newsletter@newslettercollector.com If you can't read this mail, please click here. Forward this newsletter Like it on Facebook Unsubscribe here |
|
© 19 September 2018 photography-now.com Ziegelstr. 29 . D–10117 DE . Berlin . Editor: Claudia Stein + Michael Steinke . contact@photography-now.com . T +49.30.24 34 27 80 |
|