| |
| |
| |
| PHOTOGRAPHY INTERNATIONAL | | 20 - 27 November 2019 | |
|
| |
|
| |
| |
| | Since 2015, Les Rencontres d’Arles (France), travel to China with the Jimei x Arles International Photography Festival in Xiamen! The 2019 Jimei × Arles Festival will kick off with an Opening Weekend (November 22-24) full of events and activities for photography professionals, art lovers and the general public: portfolio reviews conducted by renowned professionals, lectures, performances and guided tours by artists and curators. |
| | | | | | | | | |
|
|
| |
| |
|
| |
| |
|
| |
| |
| | Streetwalker near Place d'Italie, 1932
© Estate Brassaï Succession, Paris | Gala Soiree at Maxims, 1949
© Estate Brassaï Succession, Paris |
| | | | Amsterdam Art Weekend: 21 - 24 November 2019 | | | | | | | ... until 4 December 2019 | | | | | | | | ... until 19 January 2020 | | | | | | | ... until 8 December 2019 | | | | | | | | | | | | | Foam is proud to announce the first retrospective of Brassaï in the Netherlands. This French photographer of Hungarian descent is considered as one of the key figures of 20th-century photography. Brassaï (1899- 1984) created countless iconic images of 1930s Parisian life. He was famous for capturing the grittier aspects of the city, but also documented high society, including the ballet, opera, and intellectuals - among them his friends and contemporaries like Pablo Picasso, Salvador Dalí and Henri Matisse. The exhibition at Foam traces his career with over 170 vintage prints, plus a selection of drawings, a sculpture and documentary material.
Gyula Halász, Brassaï's original name, was born in 1899 in Brassó, Transylvania (then part of the Austro-Hungarian empire, nowadays Brasov, Romania). He studied at the University of Arts in Berlin before finally settling in Paris in 1924, a city that was to become the main subject of his work. He started as a painter but soon discovered that his strongest and most original talent lay in photography. To keep his real name for his paintings, he signed journalistic work, caricatures and photographs with ‘Brassaï’ (‘from Brassó). His photos would make this pseudonym more famous than his real name. Brassaï’s work of the 1930s would become a cornerstone of a new tradition as photography was discovered as a medium with aesthetic potential. A generation earlier photographers had merely emulated the established arts. Now photography became an art in itself and the perfect medium to capture modern life. | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | Harry Callahan
Chicago. Circa 1964
Ektacolor print
© The Estate of Harry Callahan | | | | | | | | 22 November – 20 December 2019 | | | | Opening: Thursday, 21 November, 6-8pm | | | | | | | | | | | | | Harry Callahan (1912 – 1999) is regarded as one of the most influential photographers of the 20th century however his works have rarely been shown in Europe. The exhibition presents a collection of circa 25 works by the American that comprise important examples of the three central themes in the photographer's work: street scenes and façade views, landscape photographs, and nude studies of his wife Eleanor. In addition to classic icons of black-and-white photography, rare color prints will be included.
Harry Callahan was a self-taught photographer. Born in Detroit in 1912, he only began to work as a photographer in 1938. Soon photography became his vocation, and only eight years later he followed László Moholy-Nagy's invitation and taught at the Institute of Design in Chicago, heading the photography department there as of 1949. In 1961 he was appointed professor of photography at the Rhode Island School of Design, Providence. With growing success and the sale of his first works, Callahan withdrew from his teaching position at the end of the 1970s and concentrated on color photography until the late 1980s, with which he had already experimented over the years.
Repeatedly, from his early to his late work, Callahan produced inspired photographs of his daily walks through the cities. They form the largest group of works in the exhibition. From 1941 to 1945 in Detroit, as of 1946 in Chicago, then in Providence, and finally on his travels through countries such as Mexico, Peru, Ireland, and Morocco. His work titles usually only refer to place and year; there are façade views with shop windows; street corners; intersections and house entrances, not always deserted, but simple and elegant, sometimes as abstract clo… | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
|
| |
|
| | | | | | | | Martin Zellerhoff: aus der Serie "Archiv" |
| | | | | | | | | | | | Fri 22 Nov 19:00
23 Nov 2019 – 24 Jan 2020 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | Aitor Ortiz: Espacio Latente 016, 2018, 70 x 70 cm, Archival pigment print on Hahnemühle paper © Aitor Ortiz | | | Aitor Ortiz » EXPANDED PHOTOGRAPHY 2002 – 2018 | | | | ... until 11 January 2020 | | | | | | | | | | | | | In the exhibition "Expanded Photography 2002–2018", Galerie Springer Berlin is showing three different work cycles by the Basque artist Aitor Ortiz in which traditional photographic boundaries are surpassed in surprising and fascinating ways.
The highlight of the exhibition is the presentation of works from the related series Vicinay and Link (2018). Vicinay is a chain factory in the former industrial area of Zorrotzaurre in Bilbao. The manufacturing plant, which produced a total of 10,000km of ship-mooring chains over a 60-year period, was moved to a new location as a result of urban-development measures and gentrification. Ortiz, who grew up in the vicinity of the industrial site and has been based there via his studio for many years, had parts of the steel floor panels in the former manufacturing plant removed piece-by-piece, involving extensive effort. These heavy steel plates are characterised by distortions, folds and scars resulting from decades of pulling kilometres of extremely heavy, hot chains. The steel plates from Vicinay, which are being shown in the exhibition in the original (100 x 100cm), are therefore prints or impressions in the wider sense of the words.
The related series Link is the photographic treatment of Vicinay. With great clarity and striking sharpness, the works give expression to the work processes that formed or deformed the steel plates over decades, and to the cracks and ‘injuries’ caused to them as a result.
In the series Espacio Latente (2008/2018) and Modular Mod (2002), Ortiz works with space and architecture as source elements in order to puzzle us both visually and cognitively. His works, which he presents only in back an… | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
|
| |
|
| | | | | | | Weronicka Gesicka: From the series "Traces", 2015-2018
© Weronicka Gesicka |
| | | | | | | | | | | | 22 Nov 2019 – 22 Feb 2020 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | Walter Schels: Pierrot Lunaire, 1981, übermalter Pigmentprint, 40 x 50 cm |
| | | | | | | | | | | | Fri 22 Nov 19:00
23 Nov 2019 – 18 Jan 2020 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | Paolo Pellegrin: A family. USA. Rochester, NY. 2013
© Paolo Pellegrin/Magnum Photos | | | | | | | | RETROSPECTIVE OF THE MAGNUM-PHOTOGRAPHER | | | | ... until 1 March 2020 | | | | | | | | | | | | | Paolo Pellegrin is known today as one of the world’s leading documentary and conflict photographers. A winner of many awards and the Robert Capa Gold Medal (among many others), he has been a full member of Magnum Photos since 2001. The career-spanning exhibition PAOLO PELLEGRIN – UN’ANTOLOGIA at the House of Photography sheds new light on his creative vision.
At its core is Paolo Pellegrin’s reportage photography, drawn from his personal archive and featuring work created throughout his career from the early 1990s to the present day. However, this is not a conventional retrospective.
Pellegrin has had many solo exhibitions during his long career, which commenced in 1987. UN’ANTOLOGIA was first shown at Maxxi, Rome and will be extended by further works in Hamburg. UN’ANTOLOGIA, was curated by Germano Celant, a celebrated Italian art historian, for the Maxxi, Rome. The exhibition, which will be extended by further works in Hamburg, is a meditation on the impact, consequences and legacy of the human condition, as witnessed by Pellegrin, and an exploration of his artistic vision. The combination surprises, challenges and fascinates in turn.
More than 200 analogue and digital prints, some vintage, some unpublished, are displayed in the exhibition accompanied by the bare minimum of interpretive text. Instead, the photographs are contextualized by occasional video clips shot by the photographer and a fascinating installation – created in the gallery by Pellegrin himself – which uses notebooks, sketches, prints, negatives, transparencies and printed ephemera to showcase the exhaustive process of visual research which underpins Pellegrin’s working practice. The interactive natur… | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| | Hans Strand » | | | | | | | | | | | | ERDE Retrospektive des schwedischen Natur- und Landschaftsfotografen | | 22 Nov 2019 – 2 Feb 2020 | | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | CARL MYDANS On the 6:25 from Grand Central to Stamford, 1963
Gelatin silver print
©CARL MYDANS / LIFE | | | | | | | | | | | | | 28 November 2019 – 1 February 2020 | | | | | | | | | | | | | | Atlas Gallery is pleased to present LIFE, an exhibition of photographs celebrating the golden age of the first American all-photographic magazine. LIFE’s photographers documented the most important events, memorable people and places in modern history. The exhibition will showcase the work of stellar names associated with the magazine, such as Andreas Feininger, Joe Rosenthal, Margaret Bourke-White, Alfred Eisenstaedt, John Dominis, John Loengard, Nina Leen and J.R. Eyerman, whose professional engagement in the events of the 20th century led to an epic form of photojournalism that captured both momentous and intimate moments with unparalleled perception. | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | | | | | | | Sat 23 Nov 17:00
23 Nov – 14 Dec 2019 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | Miles Aldridge
Home works #7, 2008
© Miles Aldridge / Courtesy of Christophe Guye Galerie | | | | | | | | 21 November 2019 – 23 February 2020 | | | | | | | | | | | | | The Lumiere Brothers Photography Center presents the first Russian exhibition of British fashion photographer Miles Aldridge, which will feature more than forty of the photographer’s most recognizable works.
"The King of Color" Miles Aldridge is a favorite photographerand cover artist for magazines such as Vogue, Harper’s Bazaar, GQ, Vanity Fair, Numéro, The New York Times and The New Yorker.
On the one hand, his works fit perfectly into the aesthetics of glossy magazines, because in terms of their visual characteristics they correspond to society’s ideas ofbeauty. On the other hand, they criticize the ideals of the modern world and the system of which they are a part.
Aldridge always frames a woman: beautiful, sexy, strong. Moreover, she often finds herself in situations or places that emphasize the roles assigned to her by society: wife, mother, housewife, lover. The ideal femme fatale appears before the viewer as an object of consumption, part of the world of consumerism. | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | Installation view, Ugo Rondinone: thanx 4 nothing, 2015 |
| | | | | | | | | | | | Sat 23 Nov
23 Nov – 21 Dec 2019 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | Mati Maldre (German, b. 1947)
Untitled (Nude Multiple Views), 1971
Gelatin silver print
7-1/8 x 6 in. (18.1 x 15.2 cm)
Norton Simon Museum, Museum Purchase through the Florence V. Burden Foundation
© Mati Maldre |
| | | | | | | | | | | | 22 Nov 2019 – 20 Apr 2020 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | "Fiesta—Sevilla or Málaga" from the series España Gran Tarde, 1963-65 © Ikko Narahara |
| | | | | | | | | | | | 23 Nov 2019 – 26 Jan 2020 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
| |
| |
|
| |
| |
| | Portraits from ”People of the 20th Century“. 1912–32
70 Gelatin silver prints, printed by Gunther Sander 1961–63.
From 40,9 × 26,9cm to 49,7×39cm (161/8×105⁄8in. to 195⁄8×153⁄8in.).
Each laid down on original cardboard (c. 59,7 x 49,3 cm (23 1⁄2 x 19 3⁄8 in.)).
On the reverse of each cardboard the stamp: “printed by Gunther Sander, 19...”, therein date of the print in pencil: “61/63”.
Each signed, dated, titled and annotated in pencil by Gerd Sander as well as numbered in pencil by further hands.
32 original cardboards with black adhesive numbers on the lower right.
Unique set of large-format exhibition prints, printed in August Sander's lifetime.
Provenance: Formerly August Sander, Cologne / European Corporate Collection | | | | | | | August Sander » 70 Portraits | | | | A European Corporate Collection | | | | | | | | Wednesday 27 November 2019 6 pm | | | Preview Berlin: Friday, 22 November, 10 am–8 pm
Saturday, 23 November, 10 am–6pm | Sunday, 24 November, 10 am–6pm
Monday, 25 November, 10 am–6 pm | Tuesday, 26 November, 10 am–3 pm | | | | | | | | | | | | | Our upcoming photography auction will feature an entire corporate collection comprising iconic works of photography. These include early photographs from the 19th century by the likes of Negres, Cameron, and Kühn as well as images by recognized Modernists such as Renger-Patzsch, Steinert, Irving Penn and others.
Particularly noteworthy are the 70 portraits by August Sander, which will be offered at auction for the first time. August Sander himself compiled these works for a final exhibition in the years 1961 to 1963, before his death in 1964. A legacy. And his life’s work.
August Sander – Portraits from "Menschen des 20. Jahrhunderts", Lot 2149
You may view the complete illustrations of this lot in our brochure August Sander – 70 Portraits. | | |
| |
|
|
| |
| |
| |
|
| |
| |
| | | Lot 4159. Detlef B. Christel. Berlin. 1980s. Vintage gelatin silver print. | | | Bassenge Photography Auction 114 | | | | 19th – 21st Century Photography | | | | | | Wednesday December 4, 2019
15:00 Erdener Str. 5a, 14193 Berlin
Preview:
Rankestrasse 24, 10789 Berlin Mon 25 – Fri 29 Nov, 10:00 – 18:00
Mon 2 Dec, 10:00 – 18:00
Tue 3 Dec, 10:00 – 15:00
as well as by appointment
Online Catalogue:
www.bassenge.com | | |
| | | | | | | | | | | | | | |
| |
|
|
| |
| |
| |
|
| |
| |
| | Peter Lindbergh
Helena Christensen, Mohave Desert, Vogue Italy, 1990
Gelatin silver print, printed c. 2000
24.2 x 36 cm (30.3 x 40.3 cm)
€ 10,000-15,000
Lot 23 / Auction 1142 | | | Lempertz Photography | | | Auctions 1142 | 30 Years of Photography at Lempertz – 30 Photographic Masterpieces
Photography | Friday 29 November 2019, 1.30 pm
Auctions 1144 | Contemporary Art + Photography
Friday 29 November 2019, 7 pm | Saturday 30 November 2019, 3 pm | | | Vernissage: Friday 22 November 2019, 6 pm
Reception with lectures (Prof. Dr. Rolf Sachsse, Prof. Klaus Honnef): Tuesday, 26 November 2019, 6 pm
Preview: Sat 23 Nov, 10 am - 4 pm | Sun 24 Nov, 11 am - 4 pm
Mon 25 - Wed 27 Nov, 10 am - 5.30 pm | Thu 28 Nov, 10 am – 2 pm | | | | | | Lempertz Neumarkt 3, 50667 Cologne / Germany
Experts: Maren Klinge M.A. & Dr. Christine Nielsen
Tel: +49-(0)221-92 57 29-28 or -56
Fax: +49-(0)221-92 57 29-6
photo@lempertz.com
www.lempertz.com | |
| | | | | | Auction 1142 │ 30 Years of Photography at Lempertz – 30 Photographic Masterpieces (lot 1-30)
On the occasion of our anniversary, we are covering a wide range in terms of content and technology with this special catalogue from the beginnings of photography up to the most recent present. The first is the exceptionally beautiful, large-format daguerreotype by an anonymous photographer who immortalised the Reinecke Quartett in the mid-19th century (lot 1, € 3/4,000). With Heinrich Kühn’s blue pigmented, impressionistic gum bichromate Auslaufendes Segelboot, a top piece of pictorialist photography from the turn of the century comes to the fore (Lot 2, € 20/25,000). Names such as August Sander, Albert Renger-Patzsch, and Karl Blossfeldt are emblematic of New Objectivity photography of the 1920s and are each represented by characteristic works (lots 4 – 6, € 12/40,000). Raoul Ubac’s photographic interpretation of the Penthesilea theme from Greek mythology is one of the most fascinating images produced by French surrealism (lot 11, € 20/25,000). In the context of the social documentary Photographie Humaniste, Henri Cartier-Bresson’s famous photograph of two couples relaxing on the banks of the Marne River was taken at about the same time (lot 10, €8/12,000).
A considerable part of the photographic production of the 20th century is due to the field of applied, commissioned photography. It is represented in our catalogue by Horst P. Horst’s famous fashion photo of the Mainbocher Corset (lot 12, € 10/15,000) or Julius Shulman’s night shot of the spectacular Case Study House #22 (lot 17, € 10/15,000). | | |
| |
|
|
| |
| |
| |
|
| |
|
| |
| |
| |
|
| |
|
|
| |
|
| | | | | | Every Step in the Right Direction | | | | | | | 22 Nov 2019 – 22 Mar 2020 | | | | | |
| | | | | | | |
|
| |
| |
|
| |
| |
| | Kate Durbin, Film Still from Hello Selfie, 2015. Miami video. Courtesy of the artist.
Crossover Photography 2019 | | | | | | | | | | | | | 22 November 2019 – 5 January 2020 | | | | The 2019 Jimei × Arles Festival will kick off with an Opening Weekend (November 22-24) full of events and activities for photography professionals, art lovers and the general public: portfolio reviews conducted by renowned professionals, lectures, performances and guided tours by artists and curators. | | | | | | | | | | | | | The Jimei x Arles International Photo Festival celebrates its 5th anniversary this year alongside Rencontres d’Arles celebrating its 50th anniversary!
Since 2015, Les Rencontres d’Arles (France), travel to China with the Jimei x Arles International Photography Festival in Xiamen! Each Winter, Jimei x Arles shows 8 exhibitions coming from Rencontres d’Arles alongside 20 Chinese and Asian photography exhibitions – with a focus on India this year. The festival also promotes Chinese talents on an international scale, with its Discovery Award, shown in Arles every year.
The fifth Jimei x Arles International Photo Festival will take place in Xiamen from 22 November 2019 to 5 January 2020. Co-created in 2015 by Chinese pioneer photographer RongRong (also the founder of China’s first ever photography museum Three Shadows Photography Art Centre) and Sam Stourdzé, the director of the world’s most important international photo festival, Rencontres d’Arles (France), Jimei x Arles has become a must-see event for photo lovers in China, and attracted more than 230,000 visitors in the last years (70,000 in 2018). | | |
| |
|
|
| |
| |
| |
|
| |
| |
|
| |
| |
| | | | | | | | TAXED TO THE MAX | | | | | | | | ... until 1 December 2019 | | | | | | | | | | | | | | | The 26th edition of the festival examines the societal tensions created by international conglomerates with their vast accumulations of capital and their influence on national and global politics. TAXED TO THE MAX asks: how does the increasingly perfected entanglement of corporatism, finance capital and modern government affect the lives of regular people?
With the 34 participants, the festival presents a refreshing mix of photo series, mixed media, video and sound installations, performances, and spatial work on this theme.
TAXED TO THE MAX
...at least you are not afraid to live life on the brink of chaos
Alan Gignoux | Anika Schwarzlose | Bérangère Fromont | Brigitte de Langen | Coralie Vogelaar | David Klammer | Davide Monteleone | Dorothée Elisa Baumann | Ezio D’Agostino | Gina Peyran Tan | Glenna Gordon | Igor Tereshkov | Ishan Tankha | Ivar Veermäe | John Vink | Jos Jansen | Joseph Rodríguez | Kanad Chakrabarti | Lana Mesić | Lena Dobrowolska & Teo Ormond-Skeaping | Mari Bastashevski | Mark Curran | Martin Toft | Marvin Leuvrey | Michele Borzoni | Oliver Ressler & Zanny Begg | Sergey Novikov & Max Sher | Sven Johne | Thomas Kuijpers | Tony Fouhse | Ursula Biemann Mentorship young curators: George Knegtel & Laura Carbonell Reyes
A new Noorderlicht initiative is a mentorship for young curators who are invited to curate an exhibition that will flank the festival. With this mentorship program Noorderlicht realizes the ambition to not only produce exhibitions and festivals, but to also facilitate the photographic community, invest in emerging voices and share its experience and knowledge. George Knegtel (Netherlands, 1992) and Laura Carbonell Reyes (Colombia, 1986) have been selected for this pilot edition. For their exhibition, they have invited the following participants.
Daniël Siegersma | Keijiro Kai | Lonnie van Brummelen & Siebren de Haan & Tolin Alexander | Lucia Nimcova & Sholto Dobie | Marcos Ávila Forero | Roberto Huarcaya | | |
| |
|
|
| |
| |
|
|
| |
|
| |
|
| |
|
| | | | | | Even Outer Space | | | | | | | 12 – 24 Nov 2019 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | V BIENNIAL OF PHOTOGRAPHY ON INDUSTRY AND WORK: 11 EXHIBITIONS / 11 VENUES | | | | | | | – 24 Nov 2019 | | | | | |
| | | | | | | |
|
| |
|
|
| |
|
|
| |
|
| |
|
| |
|
| | | | | | | | © Julio Bittencourt // aus der Serie "Ramos" |
| | | | Gerechtigkeit | | | | | | | – 24 Nov 2019 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | | | © Johanna Heldebro, Night Watch II, from To Come Within Reach of You (Gunnar Heldebro, Hässelby Strandväg 55, 165 65 Hässelby, Sweden), 2009 |
| | | | | | | | | | | | Chapter One: 06 JUN - 25 SEP
Chapter Two: 17 OCT - 21 DEC | | | | | |
| | | | | | | |
|
| |
|
| | | | | | Mondi| Lucca | | | | | | | – 8 Dec 2019 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
|
| |
|
| | | | | | International Photography Festival | | | | | | | – 31 Dec 2019 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | Terra Nostra - The Age of the Anthropocenee | | | | | | | – 5 Jan 2020 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
|
| |
|
| |
|
| |
|
|
| |
|
|
| |
|
|
| |
|
| | | | | | IMAGINED COMMUNITIES | | | | | | | – 2 Feb 2020 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | 72 DAYS OF FREE ART | | | | | | | – 1 Dec 2019 | | | | | |
| | | | | | | |
|
| |
| |
|
| |
| |
| | | Bárbara Wagner & Benjamin de Burca, Swinguerra, 2019. Film still. | | | | | | | May You Live in Interesting Times | | | | | | | | ...until 24 Nov 2019 | | | | | | | | | | | | | | | The 58th International Art Exhibition, titled May You Live In Interesting Times, will take place from 11 May to 24 November 2019 (Pre-opening on 8, 9, 10 May). The title is a phrase of English invention that has long been mistakenly cited as an ancient Chinese curse that invokes periods of uncertainty, crisis and turmoil; "interesting times", exactly as the ones we live in today. The 58th Exhibition is curated by Ralph Rugoff, currently the director of the Hayward Gallery in London. Between 1985 and 2002 he wrote art and cultural criticism for numerous periodicals, publishing widely in art magazines as well as newspapers, and published a collection of essays, Circus Americanus (1995). During the same period he began working as an independent curator. The Exhibition will also include 90 National Participations in the historic Pavilions at the Giardini, at the Arsenale and in the historic city centre of Venice. Four countries will be participating for the first time at the Biennale Arte: Ghana, Madagascar, Malaysia and Pakistan. The Dominican Republic exhibits for the first time at the Biennale Arte with its own national pavilion. | | |
| |
|
|
| |
| |
| |
| |
|
| |
| |
|
| |
© 13 November 2019 photo-index UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editor: Claudia Stein & Michael Steinke
contact@photo-index.art . T +49.30.24 34 27 80 |
| |
