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| PHOTOGRAPHY INTERNATIONAL | | 20 — 27 September 2017 | |
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| | | | | 53 galleries from 14 countries will participate in the sixth edition of Unseen Amsterdam's Fair. This edition of the Fair will present from 22 to 24 September 2017 a great deal of brand new photography, the highlight being the Unseen Premieres. This year 95 artists are showing Premieres – photographic works that have never been seen before at any gallery, institution or fair - which is the highest number of premiering artists Unseen Amsterdam has ever welcomed to its fair. With 15 new galleries and 95 premiere artists, the 2017 edition of Unseen Amsterdam, is the most ambitious to date.
unseenamsterdam.com/photo-fair/exhibitors |
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| | | | | With ZONA MACO’s experience and background as Latin America’s leading art fair platform, the third edition of ZONA MACO FOTO will be held from September 20th through September 24th in Mexico City, shaping the biggest meeting point for the most important international photography and antique collectors, in an unprecedented way for the region.
zsonamaco.com/en/ |
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| | Ken Schles, Drowned in Sorrow, 1984
courtesy of Howard Greenberg Gallery, NY | | | GREENBERG BY KAHMANN | | | | Highlights from the Howard Greenberg Gallery collection | | | | | | | 23 September – 1 December 2017 | | | Opening during Open Gallery Night, Saturday, September 23
For one night during Unseen Photo Fair & Festival 2017 some of Amsterdam’s most exciting galleries exhibiting photography will open their doors for an exclusive late-night opening. Howard Greenberg will be present at the opening. | | | | | | | | | | | | | | Kahmann Gallery is proud to present the exhibition ‘Greenberg by Kahmann’. This exhibition is a special collaboration between Kahmann Gallery and the world renowned photo gallery Howard Greenberg Gallery from New York. A selection from the Greenberg Gallery collection will be on show and will include notable artists such as Dennis Stock, André Kertesz, Robert Frank, William Klein, Gordon Parks, Mike Disfarmer, Arnold Newman, Martin Munkacsi and Joel Meyerowitz. | | |
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| | BOWNIK "Disassembly 3" (Detail)
140 x 175 cm, Edition of 4 + 2 AP
Archival Pigment ink on cotton paper | | | BOWNIK » Disassembly / Reverse | | | | until 20 October 2017 | | | | UNSEEN Open Gallery Night: Saturday September 23, 2017 from 8 to 12 PM. | | | | | | | | | | | | | This autumn The Ravestijn Gallery presents two series by Polish photographer Bownik, "Disassembly" and "Reverse". In his work Bownik uses large format prints that perfectly fit his intellectual approach to photography, which mixes conceptual complexity with an astute sense of details and composition. Disassembly (2014) consists of images of plants and flowers, reminiscent of 19th century taxonomy and botanical drawings, as well as classical still life paintings. The plants on these photographs, however, are not just scientific illustrations, nor are they to be simply admired for their beauty. Instead Bownik "disassembled" his subjects, only to put them back together, according to scientific methods and making use of "unnatural" materials such as plastic cords and pushpins to restore the plant. A highly aestheticized albeit ambiguous effect is achieved by the emphasis on the beauty of the plants: at once demonstrating preoccupations with "beauty ideals", as if the plants were subject to plastic surgery, and the moribund quest to unravel the secrets of nature, inviting further considerations on the relationship between photography and death. In "Reverse" (2016), Bownik continues his fascination for details, technicality and historical representation. The photographs show traditional clothing, worn by historical leaders as well as peasants, from his native Poland and other Eastern European countries such as Ukraine. Instead of presenting the intricate embroidery these costumes are known for, Bownik turned the pieces inside out, exposing their reverse. Another story is laid bare, that of the work and socio-historical circumstances in which these clothes were made while at the same time denying t… | | |
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| | | | | | | | Exorsisters, Cape Town, 2012 © Jody Brand |
| | | | | | | | | | | Fri 22 Sep 11:00
22 Sep – 24 Sep 2017 | | | | | |
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| | | from the series Kawakubo - interpreter of dreams 2017 (detail) © Erik Madigan Heck | | | | | | | 20 international young artists | | | | | | | until 12 November, 2017 | | | | On Friday 22 September from 5.30pm the exhibition will be officially opened in the presence of the artists. On this occasion the new Talent Issue of Foam Magazine, which serves as an exhibition catalogue, will be officially presented. | | | | | | | | | | | | | Foam is proud to present the work of twenty new Foam Talents. The annual Talent Call is an international search for exceptionally talented photographers under the age of 35. The submissions form an intriguing barometer of current developments in contemporary photography.
The Foam Talent programme is a career building platform that helps launch aspiring image-makers into the international photography industry, giving them global acclaim and recognition. Many artists once selected as Foam Talent are now established names in photography. From 1 September until 12 November 2017 Foam presents the work of the twenty selected artists in the museum in Amsterdam, after which the exhibition will travel internationally. | | |
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| | | Raya Bruckenthal, In All her Glory, 2016. HD video projection. Photographer Stanislav Levor, Courtesy Raya Bruckenthal. | | | bilder fragen | | | | | | | 21 September 2017 - 18 February 2018 | | | | Opening: Thursday, 21 September, 7pm | | | | | | | | | | | | | | | "bilder fragen" is a play on words that is derived from the "Bilderfrage" (image question) from the Reformation period, which is just a springboard for us though for the current situation and discussion of the role, function and extraordinary importance of the artistic image today. "bilder fragen" should and will not be a recourse on religious history but a strong aesthetic postulate for the impact and existential importance but also latent danger of artistic images today: ultimately a postulate for the artistic image as human communication. Every artistic image is also implicitly questioned by the observer, in the same way as conversely strong artistic images always contain existential questions themselves, and are in fact such questions themselves: about the preservation and disappearance of things, about transformation, development and of course also about the destructive threat by all kinds of deprivation of liberty. Despite all attempts to deploy it as a media instrument, it is probably still and solely the artistic image that works as a communication tool across cultures and languages and can create emotional and intellectual bonds across borders. "bilder fragen" presents selected contributions from international artists as original, autonomous artistic positions, which in dialogue with each other will at the same time result in an impressive overall picture. | | |
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| | | | | | | Axel Hütte, San Miniato, Italien, 1990
© Axel Hütte |
| | | | | | | | | | | Sun 24 Sep 11:30
24 Sep 2017 – 7 Jan 2018 | | | | | |
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| | | Hoh Rain Forest 2, USA, 2007, c print 172 x 237 cm © Axel Hütte | | | | | | | | 23 September 2017 – 14 January 2018 | | | | Opening: Friday, 22 September, 7 p.m. | | | | | | | | | | | | | Museum Kunstpalast, Düsseldorf, is presenting 70 day and night pictures, spanning a period of more than 20 years, from the artistic oeuvre of Axel Hütte (*1951), including a number of new works and works that have never been shown publicly before. Axel Hütte, who for a long time has been regarded as a master of contemporary landscape photography, was a student in the famous Bernd Becher class at the Academy of Art in Düsseldorf, as were Andreas Gursky, Thomas Struth, Thomas Ruff and Candida Höfer. Together they rank among the important, internationally renowned representatives of the Düsseldorf School of Photography. The comprehensive exhibition of the Düsseldorf-based photographer, who to this day travels to all continents for his fascinating photographs, impressively reflects his interest in the perception of the picture, of representation and reality. Axel Hütte’s photographs surprise us with pictorial structures that place his work beyond the documentary. With water reflections, the dark of the night, but also with vertical or horizontal elements of architecture he composes atmospheric pictorial worlds. Making use of the blurring created by wafts of fog, and of structures found in bridge architecture, he creates both perspectival and atmospheric landscape pictures. Hütte’s photographs are characterised by a profound stillness, by an overwhelming sense of loneliness. The process of creating his pictures, which he takes using a plate camera, usually makes considerable demands on his patience. In photographs from the African desert, the Antarctic Sea, or in his nocturnal pictures of metropolises – Axel Hütte shows moments of astonishment and contemplation, inviting the visi… | | |
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| | | | | | | Gordon Parks: Untitled, Harlem, New York, 1948
Courtesy of and © The Gordon Parks Foundation |
| | | | | | | | Selected Works 1942 - 1978 | | 22 Sep 2017 – 5 Jan 2018 | | | | | |
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| | | | | | | | Masayoshi Sukita: Risky Folio Inc. Courtesy of The David Bowie ArchiveTM |
| | | | | | | | | | | Thu 21 Sep 19:00
22 Sep – 22 Dec 2017 | | | | | |
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| | Hollywood Sign I, Hollywood Hills, Los Angeles, 2017
Archival pigment print
22 x 30 in., Edition of 25
© Christopher Thomas | | | | | | | | 20 September – 14 October 2017 | | | | | | | | | | | | | | Hamiltons presents Lost in L.A., the most recent series by the photographer Christopher Thomas. With these atmospheric black and white photographs, Thomas brings his unique style of city portraiture to Los Angeles, originally established in Münchner Elegien (2001–2005), New York Sleeps (2009), Venice in Solitude (2010) and Paris: City of Light (2014). As with his previous series, he transports the viewer to a silent city, devoid of human presence and cars, particularly extraordinary in a portrait of L.A. The exhibition includes classic views and motifs associated with the city, such as the Hollywood Sign, Randy’s Donuts, Sleeping Beauty Castle in Disneyland and Santa Monica Beach, as well as more unexpected pictures of oil pumps, solitary piers stretching into the Pacific Ocean and the nucleus and centre of Los Angeles under the Spaniards. Prestel Publishers is releasing a new book, Christopher Thomas: Lost in L.A., with the full series of images and text by Ira Stehmann. | | |
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| | | | | | | Steve McQueen, Ashes, 2002-2015. Video still.
Courtesy the artist and Thomas Dane Gallery, London and Marian Goodman Gallery, New York, Paris and London. |
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| | Jean-Marie Périer. Vivienne Westwood. London, September 1994
© Jean-Marie Périer / Photo12 | | | | | | | | 22 September – 3 December 2017 | | | | Opening reception: Thursday 21 September 19:00 | | | | | | | | | | | | | The exhibition of Jean-Marie Périer, master of the French photographic scene will be among first projects opening the new art season at The Lumiere Brothers Center for Photography. Author of the outstanding portraits of the celebrities from the world of music, cinema and fashion Périer worked for the best-known magazines and brands and created a striking portrait series of the XX century luminaries. The key series presented at the exhibition is called «The World of Fashion Designers» and was created by Périer in the 1990’s. It includes photographs of the famous designers Yves Saint Laurent, Jean-Paul Gaultier, John Galliano, Vivienne Westwood, Kenzō Takada and has been produced for the ELLE magazine. This series of photographs best exemplifies the amazing attention the author shows to detail. Jean-Marie displays the meticulous eye of a couturier while forming every image and creating an ingenious portraiture collection. | | |
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| | | Sebastian Copeland. Icefloe VII, Ellesmere Island, Canadian Arctic, 2008 | | | | | | | | 22 September 2017 – 7 January 2018 | | | | Opening reception: Thursday 21 September 19:00 | | | | | | | | | | | | | As part of the 2017 Year of Ecology in Russia, The Lumiere Brothers Center for Photography is presenting the first Russian exhibition of the famous photographer, polar explorer and environmental activist Sebastian Copeland. The exhibition, one of Copeland’s most comprehensive retrospectives, features around fifty large-format photographs taken over the last ten years during expeditions to the Polar Regions of Norway, Canada, the USA, Greenland, across the Arctic Ocean and the Antarctic Peninsula. Ever since photography began, it has served as a tool for spreading knowledge about the world. Before the arrival of transport and means of communication, it allowed people to see the most remote places on Earth. Surprising as it may seem, even today photographers often assume the role of visual pioneers, not only by discovering the world, but also by addressing topical issues. The exhibition at the Center for Photography traces Copeland’s journeys to both the North and South Poles, focusing on the photographer’s most extensive Arctic series, to which he dedicated over 10 years of travelling. Copeland’s grandiose icy “canvases”, distant and poetic, are an extraordinary example of polar photography. “As with landscape photography, the Arctic’s visual payoff is commensurate with the time invested there. For visitors like me seeking immersive experiences, the ice can be especially rewarding when everything lines up. The dominance of water, in either frozen or liquid form, and the sun’s low angle makes for a limited color spectrum; while the stripped down landscape imposes focus. Visually, clouds and ice are kindred spirits: heavy skies and low contrast extract the best of the blues, and ice will acquire an iridescence … | | |
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| | | Tiro al Piccione, 2017 © Paolo Ventura. Courtesy of the artist and Edwynn Houk Gallery, New York | | | | | | | | 21 September – 11 November 2017 | | | | Opening reception: Thursday 21 September 18:00 | | | | | | | | | | | | | | Edwynn Houk Gallery is pleased to announce representation of artist Paolo Ventura (Italian, b. 1968) in coordination with his inaugural exhibition at the gallery's New York location. The exhibition opens 21 September and will continue through 11 November 2017. | | |
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| | | | | | | Thomas Wrede: Nach der Flut 1, 2012, aus der Serie "Real Landscapes", C-Print, 140 x 200 cm
© Thomas Wrede, VG Bild-Kunst, Bonn, 2017
Courtesy Mike Karstens, Münster; Wagner + Partner, Berlin und Beck & Eggeling, Düsseldorf |
| | | | | | | | | | | Wed 20 Sep 20:00
21 Sep – 12 Nov 2017 | | | | | |
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| | Fiume Savio, Cesena, 2007 C-Print
Image : 19,5 x 24,5 cm
© Guido Guidi / SAGE Paris. | | | | | | | | 21 September – 4 November, 2017 | | | | Opening: Thursday, 21 September, 6pm to 9pm | | | | | | | | | | | | | This exhibition of Guido Guidi's works ranging from the 60's to the present is a statement, a statement of admiration of Guido Guidi's fabulous vision of what is photography. In an interview with Prof. Antonello Frongia (APERTURE 220, p.51), Guido Guidi claims that he "was interested in evrything: the portrait of a person, of a house of a wall (...). Nothing was unimportant ; everything was worthy of attention." The man who was trained as an architect and a painter is not attracted by monumental spaces but by "uncodified situations, unclear, open, misunderstood or misconceived", what is beside, above, below, what is familiar or day-to-day to ourselves. As in his view "the spirit lies in simplicity, not in rethoric." | | |
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| | | | | | | | "After morning prayers, a lone monk stands in a doorway leading from the main sanctuary at Sakya Monastery," 2007 , © Marissa Roth |
| | | | | | | | | | | 23 Sep 2017 – 18 Feb 2018 | | | | | |
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| | | Poster 'Portrait of Andrei Tarkovsky'. Courtesy Marina Tarkovskaya | | | | | | The Exhibition: Artist of Space | | | | Saint-Petersburg: 20 September – 20 November 2017 | | | The State Russian Museum - Stroganov Palace
Opening: Wednesday 20 September 2017, 4pm | | | The Book: Bright, bright day | белый, белый день | | | | Few last copies in Russian language | | | | www.whitespacegallery.co.uk/product/andrey-tarkovsky/ | | | The limited edition portfolio | | | | 25 Tarkovsky polaroids | | | | www.whitespacegallery.co.uk/artist/andrey-tarkovsky/ | | | | | | | | | | | | | The exhibition is dedicated to the 85th anniversary of Andrei Tarkovsky (1932–1986), famous Russian filmmaker and film director. A renowned master of cinema, Tarkovsky gained international recognition during his lifetime. He is considered the creator of a new language in cinematic art, having introduced new aesthetics and philosophy to it and influenced its further development. Over the last 25 years, a lot of exhibitions and events dedicated to Andrei Tarkovsky and representation and musealization of his art have been carried out. Many creative people — filmmakers, artists, and photographers — have created a variety of projects thoughtfully reflecting and developing his principles and methods, using his symbolic and imaginative apparatus of artistic vision. ..
en.rusmuseum.ru | | |
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| | | MELISSIËR from the series Last Child in the Woods, 2017 © Melanie Bonajo/AKINCI/Selection made by Unseen | | | | | | | | | | | | | 22 – 24 September 2017 | | | | Preview, Thursday, 21 September 12h - 20h (by invitation only) | | | | | | | | | | | | | UNSEEN AMSTERDAM PRESENTS COMPLETE 2017 PROGRAMME 95 artists will be showing premiere works at this year's Fair Unseen CO-OP, a new dynamic and interactive element exclusively dedicated to the work of cutting edge artist collectives from all over the world New exclusive exhibitions, including Photo Pleasure Palace, The Currency of Ideas, and Lumix Meets Beyond 2020 by Japanese Photographers #5 Site-specific installations, featuring three interactive ventures by Zoe Karssen, the KABK and G/P Gallery Interactive City Programme with city-wide galleries and leading institutions including Foam, EYE Filmmuseum, Looiersgracht60 and many more Unseen Book Market, with 60 independent publishers and a rich programme of book launches and signings, featuring Irina Ionesco, Miles Aldridge, Daisuke Yokota, Henk Wildschut, Ricardo Cases, amongst others Unseen Living Room - the speakers programme, co-curated by the Barbican and the Centre for Creative Photography
Unseen Fair and Premiers
53 galleries from 14 countries will participate in the sixth edition of Unseen Amsterdam's Fair, taking place 22 - 24 September (Preview 21 September). This edition of the Fair will present a great deal of brand new photography, the highlight being the Unseen Premieres. This year 95 artists are showing Premieres – photographic works that have never been seen before at any gallery, institution or fair - which is the highest number of premiering artists Unseen Amsterdam has ever welcomed to its fair. With 15 new galleries and 95 premiere artists, the 2017 edition of Unseen Amsterdam, is the most ambitious to date. | | |
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| | | | | Artbaena+ La Hydra, Mexico City © ZONA MACO FOTO | | | | | | | | | | | | | 20 – 24 September 2017 | | | | | | | | | | | | | With ZONA MACO’s experience and background as Latin America’s leading art fair platform, the third edition of ZONA MACO FOTO will be held from September 20th through September 24th in Mexico City, simultaneously with ZONA MACO Salón del Anticuario, shaping the biggest meeting point for the most important international photography and antique collectors, in an unprecedented way for the region.
ZONA MACO has successfully settled Mexico as a collecting epicenter for the last 15 years. The ZONA MACO fairs are considered a benchmark within the art, design and antiques ecosystems in Latin America, and have had an annual growth along with solid reliance from key actors in the global scene.
ZONA MACO FOTO will feature vintage, modern and contemporary photography, establishing Mexico as the center of the photography world for the third time, while securing the links among galleries, institutions, collectors and specialized editors. | | |
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| | | | | | | | | | | | | Wed 20 Sep 17:00
21 Sep – 24 Sep 2017 | | | | | |
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| | liquid time (2017) © Michael Najjar
Format 1: 132 x 202 cm / 52 x 79.5 in, edition of 6 + 2 AP
Format 2: 67 x 102 cm / 26.3 in x 40.2, edition of 6 + 2 AP
Hybrid photography, archival pigment print, aludibond, diasec, custom-made aluminium frame | | | Clouds ⇄ Forests | | | | 7th Moscow International Biennale of Contemporary Art | | | | | | | 19 September 2017 – 18 January 2018 | | | | | | | | | | | | | The 7th Moscow International Biennale of Contemporary Art takes place in the New Tretyakov Gallery (The State Tretyakov Gallery, 10, Krymsky Val, Moscow) from 19 September 2017 to 18 January 2018. The Main Project Clouds⇄Forests is curated by Yuko Hasegawa - one of the leading curators in the international art world - and includes 52 artists from 25 countries. The concept of Clouds⇄Forests focuses on a new eco-system formed through the circulation of "Cloud Tribes" born on the Internet cloud space, and "Forest Tribes" born in an analogue world. Works of the artists in the Main Project are displayed in dialogue with works from the permanent exhibition of The State Tretyakov Gallery. Michael Najjar » has been invited to participate in the Biennale with several large-scale artworks from his celebrated "outer space" series. On view for the first time will be his "liquid time" triptych, created especially for the Biennale. This work highlights the fragility of our ecological balance and the significance of the change of state from ice to water because glaciers are storehouses of time - layer on layer they capture the air, water and oxygen of countless thousands of years. The picture was taken in early 2017 in an ice cave under the Breiðamerkurjökull glacier in Iceland.
Also on view, in the All-Russian State Library, will be Michael Najjar´s striking new video artwork "terraforming". The work focuses on transformation of a natural environment through energy input and combines footage taken on various locations in Iceland in early 2017 with Martian landscapes shot by NASA´s Curiosity Mars rover. | | |
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| | | | | | man-made landscapes | | | | | | – 21 Oct 2017 | | | | | |
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| | | Serafettin Keskin, Karneval in Ulm, 1963 © Familie Keskin | | | | | | | Farewell Photography | | | | | | | – 5 November, 2017 | | | | In 2017 the internationally renowned Fotofestival Mannheim-Ludwigshafen-Heidelberg will be renamed as the Biennale für aktuelle Fotografie | | | | | | | | | | | | | | The first Biennale für aktuelle Fotografie, which will be on show from 9 September 2017 in Mannheim, Ludwigshafen and Heidelberg, takes its leave from photography as it has been known hitherto. Under the title “Farewell Photography”, a six-member curator team will shed light on radical ways of handling images in the digital age and present an alternative look at photography’s history. The Biennale will be showing works by more than 60 international photographers and artists in seven chapters in seven museums of the region. | | |
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| | | | | | | Mannheim, Heidelberg, Ludwigshafen DE | OFF//FOTO | |
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Manfred Rinderspacher. HEADS
Kulturzentrum dasHaus, Ludwigshafen (2. –29.09.2017)
© Manfred Rinderspacher |
Universe Fancy Dancers – die Techno & House Scene der 90er
STAYTION Hotel, Mannheim (23.09. - 28.10.2017)
© Klaus Hecke |
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| | | | | | | | Über 70 Fotografieausstellungen in der Metropolregion Rhein-Neckar | | | | | | | | – 5 November 2017 | | | | | | | | | | | | | | |
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| | | | | | | | | | | | | ManifestO 2017 Rencontres Photographiques de Toulouse | | 15 – 30 Sep 2017 | | | | | | | |
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| | | Luay Fadhil, still from Cotton (2013). Courtesy of the artist. | | | | | | | | | | | | – 26 November 2017 | | | | | | | | | | | | | The 57th International Art Exhibition, titled VIVA ARTE VIVA and curated by Christine Macel, is organized by La Biennale di Venezia chaired by Paolo Baratta. The Exhibition will be open to the public from Saturday May 13th to Sunday November 26th 2017, at the Giardini and the Arsenale venues. The preview will take place on May 10th, 11th and 12th, the awards ceremony and inauguration will be held on Saturday May 13th 2017. The Exhibition will also include 85 National Participations in the historic Pavilions at the Giardini, at the Arsenale and in the historic city centre of Venice. Also for this edition, selected Collateral Events by non-profit national and international institutions, present exhibitions and initiatives. Detailed information can be found on www.labiennale.org/en/art/ | | |
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