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| PHOTOGRAPHY INTERNATIONAL | | 23 — 30 May 2018 | |
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| | | | | The international photography Triennial RAY Fotografieprojekte Frankfurt/RheinMain returns between 24 May and 9 September 2018 to present outstanding contemporary photography and related media at over ten venues in Frankfurt and the region.
For the first time, RAY will open with a Festival Kick-off: From 24 to 27 May photography fans, international experts of the medium as well as artists are invited to Frankfurt to explore the medium of photography and topics surrounding the RAY 2018 theme EXTREME. With over fifteen partners and a variety of public events RAY 2018 once again offers a summer of intriguing photographic highlights.
ray2018.de |
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Richard Mosse: Incoming, Filmstill, 2017
© Richard Mosse, mit freundlicher Genehmigung des Künstlers und der Galerie carlier|gebauer | | | | | | | |
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| | | | | The 10th anniversary FOTOBOOKFESTIVAL will be a long weekend full of artist lectures, talks, exhibitions, book reviews, special events and an international book market: 31 May – 3 June 2018 | documenta-Halle. The KASSEL PHOTOBOOK AWARD 2018 will show the best photobooks from the previous year selected by international experts, all shortlisted books of the KASSEL DUMMY AWARD 2018 will be on display. Every night, the festival’s evening venue DOCK4 will host special events and the 10th anniversary party on Saturday 2 June.
2018.fotobookfestival.org/ |
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| | | | | | | | Manuel. Desierto de Sonora, México. 1979, Gelatina de plata. © Graciela Iturbide |
| | | | | | | | PHOTOESPAÑA 2018 | | 23 May – 25 Aug 2018 | | | | | |
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| | | © Bas de Jager, Untitled #3, from the series 'Comfort', 2016 | | | | | | | | | | | | | 24 May - 30 June 2018 | | | (Re)Opening of New Dimensions on Thursday May 24, from 17.00 - 20.00h.
Due to water damage the gallery had to interrupt the exhibition. | | | | | | | | | | | | | By playing with size, material and structure in his photographic works, Ramazan Barlas questions our relationship to the scale of the subject and of ourselves. These abstract geometric shapes seem to not be part of our physical reality.
The images stem from Barlas' own imagination, and he proves that photography is the perfect medium to visualise such ideas. He has the power to drag us into his own little universe and help us explore the unknown and unseen.
Barlas graduated in 2016 from the AKI, Enschede and currently lives and works in Amsterdam.
While working only with paper on a small scale in his studio, Bas de Jager creates complete environments. The resulting images are desolate spaces in which all sense of time and magnitude is lost. These empty and often dark spaces reflect the reality of contemporary urban life.
Despite the fact that people live clustered in densely populated areas, they often fail to connect and interact with each other beyond a superficial level. His empty and sereen worlds all seem to float in space; next to each other, but in different dimensions, just like many people.
The Jager graduated in 2016 from the Foto Academy in Amsterdam, where he lives and works. | | |
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| | | Green Bank Telescope, Green Bank, WY, 2015, 80x80 cm © Andrew Phelps & Paul Kranzler | | | | | | | | | | | | | 26 May – 28 July 2018 | | | | Opening reception: Friday 25 May 19:00 | | | | | | | | | | | | | The "National Radio Quiet Zone" was established in the 1950s in the state of Virginia. There are no radio or TV broadcasts and cell phones do not work - no radio wave is to disturb the grotesque, huge telescopes in their search for traces of extraterrestrial life. Photographers Andrew Phelps and Paul Kranzler visit a place where a bizarre mixture of people lives together: the rural population of a provincial town, the highly specialized scientists of the research facility and city dwellers fleeing electromagnetic fields, electro-sensitive civilization refugees. "I think that in the photographic work that you now hold in your hands, there are many things involved, time and science and technology and nature. For me, however, it is essentially a work on America“, writes Alard von Kittlitz in the text to the accompanying book, that has been published by Fountain Books Berlin.
Andrew Phelps, born 1967 in Mesa, Arizona, lives and works in Salzburg. Works by Andrew Phelps are found in major collections, both public and private, and have been exhibited internationally. Besides his work as a freelance photographer Phelps works as a curator at the prestigious “Fotohof“ in Salzburg.
Paul Kranzler, born in 1979 in Austria, studied at the Academy of Fine Arts Leipzig. His work is exhibited and published internationally and is found in important public collections such as the Albertina or the Photographic Collection at the Rupertinum in Vienna. | | |
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| | | | | | | | Aneta Grzeszykowska: Selfie #17, 2014, Courtesy Raster Gallery, Warsaw |
| | | | RAY 2018 Triennale | | | | | | Fri 25 May 19:00
26 May – 19 Aug 2018 | | | | | |
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| | | | | | | | Christoph Bangert: Kandahar, Afghanistan, 2010 © Christoph Bangert |
| | | | RAY 2018 Triennale | | | | | | Thu 24 May 18:30
25 May – 28 Sep 2018 | | | | | |
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| | | From the series Fuel Smuggling, 2017 © Sadegh Souri | | | | | | | Young International Photography | | | | | | | 24 May – 26 August, 2018 | | | Opening: Wednesday, May 23, 2018
at 7 pm as part of the photography triennial RAY 2018 at Zollamt (Domstr. 3) /
as from 8 pm at Frankfurter Kunstverein (Markt 44)
Foam Talent | Frankfurt is a cooperation with Foam Fotografiemuseum Amsterdam and partner project of the photography triennial RAY 2018. | | | | | | | | | | | | | For the first time in Germany, the Frankfurter Kunstverein presents the internationally renowned, showcase exhibition "Foam Talent" in collaboration with Foam.
The exhibition is considered one of the most innovative formats for discovering emerging trends in photography. Foam Talent presents 20 young artistic positions, who in extensive installations paint the picture of a generation concerned with questions about social identity, the repercussions of territorial conflicts, subcultural phenomena or the potentials of photographic production. A number of artists employ anthropological methods in their projects and proceed toward intense long-term research. Some take found footage from historical archives, private collections or the Internet and use it as raw material for their artistic investigations. Other positions are characterised by activist approaches as well as strategies of investigative journalism.
foam.org/museum/programme/foam-talent-frankfurt | | |
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| | | | | | | Frankfurt (Main) DE | MMK 1 | |
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| | | Gideon Mendel, Florence Abraham, Igbogene, Bayelsa State, Nigeria, November 2012, from the series Submerged Portraits © Gideon Mendel | | | | | | | Fototriennale RAY 2018 | | | | | | | | 24 May – 9 September 2018 | | | Opening of Triennial RAY 2018: Wednesday, May 23, 2018, 7 pm
MMK 3, Domstraße 3, 60311 Frankfurt am Main;
»EXTREME. ENVIRONMENTS« at FFF is open at 7 pm;
RAY artists from the FFF exhibition introduce their works at 8 pm. | | | | | | | | | | | | | For RAY 2018 contemporary photo-based artists who are working on the forefront of environmental awareness are brought together at the Fotografie Forum Frankfurt. Nearly half a century after the exhibition curated by William Jenkins "New Topographics: The Man-Altered Landscape" was shown in Rochester, New York, the photo-activists, story tellers and artists today are concerned with obvious and hidden aspects of man’s impact on the environment. The exhibition "EXTREME. ENVIRONMENTS" addresses drastic environmental developments concerning global warming, extinction and industrial or political fraudulence.
In his long-term project "Drowning World", South African born photographer Gideon Mendel has crossed the world portraying those whose lives have been devastated through massive floods; Lois Hechenblaikner’s behind-the-scenes photographs and short films reveal how "Gletscherpathologie" and "Alpine Entertainment" effect winter sport tourism.
Three very different artistic approaches deal with the effects of when governments or corporations hide damages that evolve to epic proportions: Mathieu Asselin’s award-winning book and installation project deals with the multinational agrochemical and biotechnology corporation Monsanto, Pradip Malde’s "The Third Heaven", a homage to the resilience of Haiti, and Paula Luttringer’s "Entrevero" — a series of double exposures of a forgotten disaster in Argentina resurfacing through draught. National Geographic photographer Ami Vitale or artist duo Frank Ekeberg & Krista Caballero take viewers to … | | |
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| | | | | | | Jan Dibbets
Untitled, 1989
Aus der Serie: Three Cupolas
Collage, chromogener Abzug auf PE-Papier, Siebdruck auf Karton
98 x 98 cm |
| | | | RAY 2018 Triennale | | | | | | 24 May – 20 Oct 2018 | | | | | |
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| | | | | | | | "Diaolou – Die Wachtürme von Kaiping" © Sabine Bungert und Stefan Dolfen |
| | | | | | | | | | | Thu 24 May 18:30
24 May – 1 Sep 2018 | | | | | |
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| | | | | | | | Jens Umbach: THE AFGHANS © Jens Umbach |
| | | | SHOTS AND CIRCULAR ARGUMENTS | | | | | | Fri 25 May 18:00
26 May – 16 Sep 2018 | | | | | |
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| | | | | | | | Emily Schiffer: Carrying History, 2014 © Emily Schiffer |
| | | | | | | | | | | Wed 23 May 18:30
24 May – 2 Sep 2018 | | | | | |
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| | | | | | | | | | The Work of Kamoinge | | Thu 31 May 18:30
28 May – 30 Jun 2018 | | | | | |
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| | | © Batia Suter | | | | | | | | 25 May – 26 August 2018 | | | | Opening reception: Friday 25 May 2018 12:00 | | | | | | | | | | | | | "It’s rare that I see something without getting that oh so special feeling - Oh yes, THAT was me...I don’t remember anything in particular, it’s just a feeling. That’s why I love illustrated encyclopaedias so much. I leaf through the pages often getting a sense of satisfaction, because I see photos of people there I haven’t yet become. It relaxes me, a delicious feeling and I say to myself .”
- Henri Michaux
Batia Suter writes in images. She collects and hoards them relentlessly and has done so for the last 30 years. All types of images capture her imagination, in particular printed images. She favours random methods of research and her sources are as many and various as the types of publications she dips into: all kinds of photo albums, atlases, scientific journals, catalogues, art books, history books, animal magazines and many more besides...
Once the images have been patiently collected and organised, Batia Suter starts her game of montage and assembly. It really is a game, a game of chance arranging and rearranging the pictures until the image organically reveals itself. Printed imagery functions like Duchamp’s reday-mades, created from materials that are out of context and not in use and which from now on need to be taken up for her subject alone. The succession of ricochets gives rise to an astonishing alchemy, an autonomous poetic form, an alternative to our historical knowledge which transports us somewhere else. | | |
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| | | | | | | Thomas Wrede, The luminous Screen, 2015
140 x 190 cm
Serie: Real Landscapes
© VG Bild-Kunst, Bonn, 2018 |
| | | | | | | | | | | Sun 27 May 11:30
27 May – 26 Aug 2018 | | | | | |
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| | | Gordon Parks Foundation, Untitled, Miami, Florida, 1970, Baryta Print, 50 x 60 cm | | | | | | | MUHAMMAD ALI (1942-2016) | | | | | | | | 24 May – 7 July, 2018 | | | Opening: Thursday 24 May, 6–9pm
Thomas Hoepker and Eric Bachmann will be present. | | | | | | | | | | | | | The group exhibition "Now You See Me" at Bildhalle, curated by Mirjam Cavegn and Daniel Blochwitz, marks the second anniversary of Muhammad Ali’s death and—in a homage to him and his life—brings together works by a number of exceptional photographers: Thomas Hoepker (*1936, Germany), Gordon Parks (1912-2006, United States), Steve Shapiro (*1934, American), Marvin Newman (*1927, United States), Flip Schulke (1930-2008, United States), Carl Fischer (*1924, United States) and Eric Bachmann (*1940, Switzerland).
It’s a boxer’s life seen through multiple lenses, which in turn made this great athlete most human. There are photographs that show a fighting, loving, agitating, laughing, praying, caring, posing and playing Muhammad Ali. Some of these images have become icons of pop culture while others depict Ali in a rather unexpected light.
Before his 1974 World Heavyweight Championship match against George Foreman in Kinshasa (Congo), Muhammad Ali famously rhymed, "Float like a butterfly, sting like a bee. His hands can't hit what his eyes can't see. Now you see me, now you don't. George thinks he will, but I know he won’t." Ali challenged and teased his opponent Foreman with these words, but he also backed them up with a tremendous and smart fight - which, some people claim, was the greatest boxing match ever.
However, given the historic situation of African Americans in the United States, the excerpted line "Now you see me", which lends the exhibition its title, also marks Ali’s courageous stand against a discriminatory reality. For a people and their plight often rendered invisible, a Muhammad Ali in the spotlight echoed the Civil Rights call … | | |
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| | | | | | | | | | | | | Wed 23 May
24 May – 27 May 2018 | | | | | |
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| | Lot 140
Bruce Weber (b.1956) Kate Moss, Camp Longwood, Adirondack Park, NY, 1997
£4,000 - 6,000 | | | | | | | | | | | | | Friday 01st June 2018 1:00pm BST | | | PREVIEW: 220 Queenstown Road, London SW8 4LP
22nd - 25th May by appointment The Westbury Hotel, London W1S 2YF
Wednesday 30th May 9.30am - 7.30pm
Thursday 31st May 9.30am - 8.00pm
Day of sale from 9.00am | | | | | | | | | | | | | Forum Auctions is delighted to announce its inaugural Photographs and Photobooks auction taking place on Friday, 1st June 2018.
Spanning the history of photography, the auction contains powerful works from the medium’s earliest decades to the present day. It also features a strong selection of photobooks.
Highlights from the 19th century comprise two portraits by the Victorian photographer Julia Margaret Cameron, including one of her protégé Mary Ryan (lot 5, £3,000-5,000), two delicate landscapes of the Fontainebleau Forest in Corot style by Eugène Cuvelier (lot 13 & 14, £1,500-2,000 each) and one of Oscar Gustave Rejlander’s last portrait taken in 1874 (lot 4, £1,000-1,500). This section also showcases a rare group of intriguing and delicate hand-coloured albumen prints of botanical studies by Pietro Guidi (lot 7, £1,500-2,000) and fine examples of travel photography including views of and portraits from Japan, Italy, Hong-Kong, Macau. One particularly stunning highlight is the iconic view of Siniolchu in the Himalaya by mountaineer photographer Vittorio Sella (lot 23, £1,000-1,500).
Further on in the sale is a rare group of six vintage gelatin silver prints from the famous Romi Gallery series by Robert Doisneau, including ‘La Dame Indignée’ (lot 27, £6,000-8,000). Other iconic French humanist photographers such as Brassai, Martine Franck, Edouard Boubat and Willy Ronis are also featured in the sale. A unique Darwin Tulip print by Charles Jones opens the British photography section (lot 45, £3,000-5,000), followed by a large vintage print of Bill Brandt’s nude from the 1977 photo session in East Sussex. This is a piece that is rarely offered at auction (lot 46, £5,000-7,000). Bert Hardy’s best known image Gorbal Boys (lot 32, £1,000-1,500) leads the early British photography section, along with early views of London by Thurton Hopkins and followed by three strong and dramatic prints by Graham Smith (lots 87 to 89). Eastern European street photographers and their raw aesthetic captures of everyday life, as seen in works included by Rimaldas Viksraitis, Jindrich Streit and Romualdas Pozerskis. | | |
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| | Lot 2023
Peter Beard
New York 1938 – lives in New York & Kenya
„I‘ll write whenever I can...“. 1965
Later gelatin silver print.
33,6 × 49 cm (40,5 × 50,2 cm) (13 ¼ × 19 ¼ in. (16 × 19 ¾ in.))
EUR 30.000–40.000
USD 36,900–49,200 | | | | | | | | | | | | Auction: Wednesday 30 May 2018, 18:00 | | | Preview: Berlin, 25 - 29 May 2018
Grisebach, Fasanenstraße 25, 27 und 73
Fri - Mon 10:00 - 18:00, Tue 10:00 - 15:00 | | | | | | | | | | | | | | The Modern and Contemporary Photography department is delighted to present the most expensive offering ever seen on the German auction market with an estimated price of € 300 000 / 500 000. Forming an introduction to the 100th anniversary of the Bauhaus in 2019 is László Moholy-Nagy’s photogram, produced in 1923/25 during his time with the Weimar Bauhaus. In addition, further experimental works by Man Ray, Theodor Roszak and Thomas Ruff as well as others form a fascinating contextualisation of this rarity. Large prints by Alfred Renger-Patzsch from the estate of the architect Fritz Schupp as well as a “Composition” by František Drtikol and three iconic works by Peter Beard constitute the top lots of the auction. | | |
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| | Berenice Abbott
Fifth Avenue Houses #4, 6, 8, 1936
Vintage or early gelatin silver print.
19,1 x 24,3 cm
€ 10.000 - 15.000
Lot 84 / Auction 1109 Photography | | | | | | | | | | | Auction: Friday 1 June 2018, 2:30pm | | | Vernissage: Friday 25 May 2018, 6 pm
Preview:
Saturday 26 May, 10 am – 4 pm
Sunday 27 May, 11 am – 3 pm
Monday 28 – Wednesday 30 May, 10 am – 5.30 pm
Thursday 31 May, 12 am - 4 pm | | | | | | Lempertz Neumarkt 3 . 50667 Cologne / Germany
Experts: Maren Klinge M.A. & Dr. Christine Nielsen
Tel: +49-(0)221-92 57 29-28 or -56
Fax: +49-(0)221-92 57 29-6
photo@lempertz.com
www.lempertz.com | |
| | | | | | The auction starts off with a selection of 26 outstanding albumin prints by Wilhelm von Gloeden, Guglielmo Plüschow and Vincenzo Galdi from the Heinz-Peter Barandun collection: The open air portraits and nude studies of young men taken around 1900 originate directly from von Gloedens estate and pertain to one of the largest and most significant private collections of works by the photographer and his circle, which was extensively honoured in a large-scale museum exhibition in 2008 (lot 1-18, €1,000-2,200).
Three equally renowned and well-preserved views of Paris by Jean Eugène Auguste Atget pertain to the highlights from the area of classic photography of the early 20th century (lots 21-23, €4/5,000). Two further highlights of this auction also originated in Paris: The Eiffel tower, photographed by Germaine Krull in 1928 in a spectacular low angle shot, presented here as a print from the 1950s with comprehensive exhibition provenance (lot 71, 4/5000), also a series of three shots of the stage designs for the play “L'Éphémère est éternel” (Michel Seuphor), no longer existent as originals, designed by Piet Mondrian and documented by André Kertész in the studio of his artist friend in Paris in 1926. A hitherto unknown personal pen and ink drawing by Mondrian on the verso of one of the prints (lot 79, €12/15,000) provides the Mondrian research with new insights into the colouring of the work.
The rare view of the “Theater in Verona” is by Albert Renger-Patzsch and demonstrates the photographer’s clear style of New Objectivity to perfection. The cubature of the ancient building can be vividly experienced through the strong contrasts between light and dark (lot 37, €3/4,000). The striking portrait of the painter Otto Dix appears almost three-dimensional. It was taken by Hugo Erfurth who repeatedly portrayed Dix and his family photographically over a long period of time (lot 48, €8/10,000).
A further portrait is counted among the first class pieces from the field of post-war photography: The almost bizarre portrait “Coco” by Robert Doisneau, taken in 1952, here as a rare vintage print from the Robert Giraud collection, a close friend and companion of the photographer (lot 107, €5,500/6,500). The famous photo of “Fifth Avenue Houses #4, 6, 8” from the series “Changing New York” by Berenice Abbott, which documented the rapid transformation of the metropolis in the 1930s as part of a state-sponsored programme, is presented here as an early and equally rare print in subtle shades (lot 84, €10/15,000).
Lee Friedlander’s “Texas”, the shot of the 'Lone Star’ café with pick-up trucks, and the “Swedish Lutheran Church” in Clarkville, Colorado by Robert Adams convey the American attitude to life of the 1960s (lot 123, €5/7,000 und lot 124, €6/8,000). These are only two works of an entire group of American photographs from a south German private collection on offer at this auction, among them works that are only rarely offered on the German auction market.
Luigi Ghirri's “Ile Rousse” will be called here in a rare vintage cibachrome print. The shot is from his famous series “Kodachrome”, published in 1978 under the same title in book form, which gained the photographer international recognition (lot 157, €3/4,000).
All in all, four photographs originate from Peter Beard, including the important motif “Maureen Gallagher and a Late Night Feeder at Hog Ranch” dated 1987 (lot 164, €10/12,000) and a work from the series “Diary Pages”, a c-chromogenic print reworked with white ink, in which Beard refers to the genocide in Rwanda (lot 165, €15/20,000). | | |
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| | Gregory Crewdson
Untitled (Secret Liaison, from the series: Beneath the Roses), 2006
Digital pigment print on dibond.
Frame dimension 149 x 227.5 cm.
€30.000 - €40.000
Lot 646 / Auction 1111 Contemporary Art | | | | | | | | | | | | | Auction: Saturday 2 Jun2 2018, 2pm | | | Vernissage: Friday 25 May 2018, 6 pm
Preview:
Saturday 26 May, 10 am – 4 pm
Sunday 27 May, 11 am – 3 pm
Monday 28 – Wednesday 30 May, 10 am – 5.30 pm
Thursday 31 May, 12 am - 4 pm | | | | | | Lempertz Neumarkt 3 . 50667 Cologne / Germany
Experts: Maren Klinge M.A. & Dr. Christine Nielsen
Tel: +49-(0)221-92 57 29-28 or -56
Fax: +49-(0)221-92 57 29-6
photo@lempertz.com
www.lempertz.com | |
| | | | | | A group of contemporary photographic works will be called in the context of the “Contemporary Art” auction, among which are several highlights such as the large-scale pigment print by Gregory Crewdson “Untitled (Secret Liaison, from the series: Beneath the Roses)”. It is the mystery of the staging, reminiscent of a film scene, that makes this shot by the American so striking (lot 646, €30/40,000). The photograph from 2010 of the “Kunstmuseum Stuttgart” was taken by the Korean photographer Kim In Sook who is known for her series “Inside out” with meticulously arranged views of modern house facades and personnel behind the scenes (lot 652, €30/40,000).
Further works are bound to awaken the collector’s interest, among them Wolfgang Tillman’s famous still-life “Window/Caravaggio” (lot 873, €6/8,000) and “Bibliothek Madrid IV” by Candida Höfer (lot 729, €6/8,000). | | |
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| | Andres SERRANO (né en 1950) - Black Supper (I-V), 1990 Tirage Cibachrome
Signé du monogramme, titré et numéroté au dos Editions de 10 exemplaires
100 x 68 cm (chaque)
Estimation : 100 000 – 150 000 € | | | An Important French Photographic Collection | | | | | | Auction: Wednesday May 30, 2018 5pm | | | Viewing: May 25, 2018 from 10:00 to 18:00
May 26, 2018 from 11:00 to 18:00
May 27, 2018 from 14:00 to 18:00
May 28, 2018 from 10:00 to 18:00
May 29, 2018 from 10:00 to 18:00
May 30, 2018 from 10:00 to 12:00
Modern and Contemporary Art Department :
Florence Latieule, Laura Wilmotte-Koufopandelis,
Margot Denis-Lutard
For further informations, please contact :
Cécile Demtchenko Woringer | Director Communication & Press
T :+33 (0)1 53 34 12 95 – c.demtchenko@piasa.fr
Online Catalogue: www.piasa.fr | |
| | | | | | PIASA 118, rue du faubourg Saint-Honoré . 75008 Paris
T +33(0)1-53341010
www.piasa.fr
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| | | | | | PIASA is delighted to announce the sale of an important French Photographic Collection on Wednesday 30 May 2018. The collection – assembled over a period of more than 30 years – features 47 photographic masterpieces by Brassaï, Nan Goldin, Louise Lawler, Robert Mapplethorpe, Thomas Ruff, Candida Höfer, Andres Serrano and others, each with a remarkable international provenance. Every photographer is represented by an emblematic work, with meticulous attention paid to choice of print.
ANDRES SERRANO: THE ICONOCLAST
Andres Serrano (born 1950), hero of a solo show at the Petit Palais in Paris in 2017, is a prominent figure on the international contemporary art scene – provocatively asking the viewer to confront what he cannot see. In his famous Black Supper polyptych (est. €100,000-150,000), one of Serrano’s most charismatic allegories, Jesus and his apostles are submerged in a spray of effervescent bubbles exuding mystic vitality. | | |
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| | Richard Mosse: Incoming, Filmstill, 2017
© Richard Mosse, mit freundlicher Genehmigung des Künstlers und der Galerie carlier|gebauer | | | | | | | Extreme | | | | | | | 24 May – 9 September 2018 | | | Opening: Wednesday 23 May 19:00
Location: RAY 2018 Festival hub, MMK3, Domstraße 3, 60311 Frankfurt am Main. | | | | | | | | | | | | | To kick off the RAY 2018 EXTREME Triennale (opening on 23 May 2018), for the first time RAY presents an international festival programme with lectures, artist talks, guided tours and workshops on this year's main theme EXTREME between 24 and 27 May.
All events take place at the RAY Festival hub at MMK 3 of the MMK Museum für Moderne Kunst Frankfurt am Main (Domstr. 3), unless otherwise stated. All addresses and opening hours of the event and exhibition venues are available here.
RAY 2018 presents outstanding examples of contemporary photogaphy at over ten venues in Frankfurt and the Rhine/Main region. In collaboration with over 15 partner institutions and collections as well as countless events RAY offers yet another summer of photographic highlights.
https://ray2018.de/en/exhibitions/ | | |
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| | | | | | artist lectures, talks, exhibitions, book reviews, special events and an international book market | | | | | | Thu 31 May 18:00
31 May – 3 Jun 2018 | | | | | |
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| | | | UNSEEN | PHOTOBOOKFEST 2018 | | | | Weekend with Unseen | | | | | | | 25 – 27 May 2018 | | | ING Unseen Talent Award: the Curator’s Choice | | | | | | | 31 May – 3 June 2018 | | | | | | | | | | | | | Moscow international festival PHOTOBOOKFEST 2018 and Unseen, the leading international platform for contemporary photography founded in the Netherlands, present the program Weekend with Unseen, which will be held from the 25th to the 27th of May at The Lumiere Brothers Center for Photography in Moscow.
Exclusively focusing on what is new in the photography world, Unseen provides a channel for up-and-coming talent to showcase their work. Unseen brings together the international photography community to discuss and debate the directions in which the photographic medium evolves. Unseen is an all-year-round platform conducting events throughout the year. Its main event–Unseen Amsterdam, which consists of a fair, a book market, a speakers programme and much more–returns for the seventh time from the 21st to the 23rd of September 2018.
Unseen, together with PHOTOBOOKFEST, is hosting a three-day program, where you will be able to learn about the latest trends in the photography industry and get an inspiration for your own future projects. There is an extensive program of events filled with exhibitions, lectures and debates on the state of photography today.
Weekend with Unseen begins on Friday, May 25. The program is being opened by Emilia van Lynden, Artistic Director of Unseen, who will present the educational program of the weekend. After the introductory words, the Head of the Unseen Book Market & Dummy Award Daria Tuminas will present the short-list of the 2017 Unseen Dummy Award and give a lecture on contemporary photo-book practices. Tuminas will also be a member of the international jury team in the Photobookfest Dummy Contest 2018. On May 26, Laurence Aëgerter and Sjoerd Knibbeler, two artists working with photography in the Netherlands, will hold artist-talks and take part in an in-depth discussion program, together with gallery owner and UNIT c.m.a. founder Narda van ’t Veer, as well as several Russian speakers. The program ends on May 27 with a portfolio review session for photographers by an international team of photography experts (among them: Emilia van Lynden, Daria Tuminas, Narda van ’t Veer, Laurence Aëgerter, Sjoerd Knibbeler, Nadezhda Sheremetova, Igor Mukhin, Alexey Korsi). The winner of Unseen Dummy Award 2017, Małgorzata Stankiewicz, is going to conclude the program with an artist-talk and to present her new book “Cry of an Echo”.
The program is supported by the Embassy of the Kingdom of the Netherlands in Russia and is co-curated by Unseen. | | |
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| | | | | | | | aus: "Drowning World" © Gideon Mendel |
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| | | | | | A New Humanity | | | | | | – 2 Jun 2018 | | | | | |
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| | | from Unseen Dummy award shortlist. May 23 - June 3 | | | PHOTOBOOKFEST 2018 | | | | exhibitions | lectures | master-classes | workshops | portfolio review | | | | | | | until June 3, 2018 | | | | | | | | | | | | | It is the second time the international festival of emerging photography PHOTOBOOKFEST takes places in Moscow gathering experts in photography and book design from all over the world. The exhibitions open on April, 20 and will run through June, 3. The exhibitions will also be followed by lectures, master-classes, workshops for photographers and a portfolio review session by experts and the results of the Photobook Dummy contest will be revealed. The main venue for the event remains the Lumiere Brothers Center for Photography.
The mission of PHOTOBOOKFEST 2018 is to look at photography in the context of modern media, to decide what it is capable of and how it can reach the audience, including the potential of the modern photobook to exist as an independent art form.
Niels Ackermann. Looking for Lenin. - June 24
Małgorzata Stankiewicz. Cry of echo. May 23 - 27
NOOR. Come and see. May 17 – September 2
Apart from photographic exhibitions, there will also be books on display. In the Small Hall of the Center the visitors will be able to see shortlisted photobooks of the Unseen Dummy Award organized by the biggest festival pf photography in Europe, Unseen.
Swiss photobook today: from Amazon to the Vienna ball. May 8 - 20
Unseen Dummy award shortlist. May 23 - June 3
During the festival, an expert jury will decide on the results of the Photobook Dummy contest which took place from February till April. Photographers from all over Russia, Ukraine, Georgia and CIS countries participated in it hoping to win the main prize – getting their photobooks published.
Information about the educational programme and portfolio review will be available on the official web site photobookfest.com | | |
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| | | | | | SUPERPOSITION: Equilibrium & Engagement | | | | | | – 11 Jun 2018 | | | | | |
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© 16 May 2018 photography-now.com
Ziegelstr. 29 . D–10117 DE . Berlin . Editor: Claudia Stein + Michael Steinke . contact@photography-now.com . T +49.30.24 34 27 80 |
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