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| PHOTOGRAPHY INTERNATIONAL | | 25 Sept — 2 Oct 2024 | |
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| | | | | | | | Nigel de Jong, 2014 © Pim Ras |
| | | | | | | | | | | | Thu 26 Sep 18:00
26 Sep 2024 – 23 Jan 2025 | | | | | |
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| | | | | | | Birgit Kleber: aus der Serie "THE WALL",
Sonnenallee 9.November 1989, Mauerfall |
| | | | | | | | | | | | Fri 27 Sep 19:00
28 Sep – 17 Nov 2024 | | | | | |
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| | | Arwed Messmer/Fritz Tiedemann, Marx-Engels-Platz, Berlin 20. April 1951 (2008) © Arwed Messmer/Erbengemeinschaft Tiedemann | | | | | | | 20 years of the Helmut Newton Foundation | | | | | | | | ... until 16 February 2025 | | | | | | | | | | | | | The Helmut Newton Foundation celebrates its 20th anniversary in June 2024 with the group show Berlin, Berlin! – and simultaneously pays tribute to the city where Newton was born. In the fall of 2003, Helmut Newton established his foundation in Berlin to house parts of his archive, which opened to the public in June 2004 at the historic Landwehrkasino next to Zoologischer Garten station. It was from this very station that Helmut Neustädter, facing constant threat of deportation as a Jew, fled Berlin in early December 1938 – returning 65 years later as the world-famous photographer Helmut Newton. Since then, the Helmut Newton Foundation and the Berlin Art Library have jointly resided in the historic building now known as the Museum of Photography. After the death of June Newton (also known as Alice Springs) in April 2021, the entire collection of works by Helmut Newton and Alice Springs, along with all archival materials, have been housed in the foundation’s archive.
Helmut Newton trained under the legendary photographer Yva in Berlin-Charlottenburg from 1936 to 1938, following in her footsteps to carve his path in the three genres of fashion, portraits, and nudes. After stints in Singapore and Melbourne, Newton’s career took off in Paris in the early 1960s, a period during which he frequently returned to Berlin for fashion shoots in magazines like Constanze, Adam, and Vogue Europe. In this exhibition, we encounter Newton’s models posing at Brandenburg Gate before the 1961 construction of the Berlin Wall. We also see his controversial 1963 fashion series, Mata Hari Spy Story, featuring Brigitte Schilling near the Berlin Wall. In 1979, the newly relaunched German Vogue commissioned Newton to retra… | | |
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| | | | | | | Manjari Sharma
Garuda, 2024
Archival pigment print
75 x 57.5 in.
Edition of 2 + AP |
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| | | | | | | Ketuta Alexi-Meskhishvili
Appetite, 2021
© Ketuta Alexi-Meskhishvili |
| | | | 40 years Museum für Photographie | | | | | | | Fri 27 Sep 19:00
28 Sep – 1 Dec 2024 | | | | | |
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| | | Shane Lynam, Untitled, from the series Pebbledash Wonderland | | | | | | | | ... until 12 October 2024 | | | | Artist’s Talk: Thursday 26 September 19.00 | | | | | | | | | | | | | Photo Museum Ireland is delighted to present the premiere of Shane Lynam's Pebbledash Wonderland (2014 –2024), a photographic account of his adopted home city, Dublin. The exhibition builds on Lynam’s long-term engagement with urban space across Europe, pushing his practice in new subjective and narrative directions. Pebbledash Wonderland is Lynam's third major body of work and follows on from his acclaimed book, Fifty High Seasons, about modernist French resorts, published in 2018, and Contours exhibited in 2013.
Returning to Dublin in 2012, Lynam began an intensive process of mapping his encounters with the streets and buildings that make up the city’s varied architectural environment. Spanning Ireland’s post-crisis years, and extending into the current era of multinational fuelled economic expansion, he captures a time of profound transformation in Dublin as new construction disrupts established neighbourhoods and communities. | | |
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| | | | | | | | © Paolo Pellegrin / Magnum Photos |
| | | | | | | | | | | | Thu 26 Sep 19:00
26 Sep – 2 Dec 2024 | | | | | |
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| | Mattarbodum, Sweden, 2001
Gelatin silver print
© Gerry Johansson | | | | | | | | 20 September – 2 November 2024 | | | | | | | | | | | | | There are several common denominators found throughout Gerry Johansson’s work that become apparent with even casual viewing. Some of those shared characteristics are obvious at first glance, for instance; the physicality of several of Johansson's books and exhibition print sizes, the apparent use of traditional analog materials; while other traits like the sense of stillness, the seeming perpetual daylight, and the camera's steady almost drone-like orientation to the world set an underlying commonality. Perhaps a trait most recognizable is his choice of working primarily in black and white.
The "America" photographs began when Johansson's parents sent him to New York after finishing his schooling in Varberg Sweden. Those early pictures inspired by the energies of the city (and the pulse of jazz!) might appear as an artist finding their voice through exploring a loosened documentary style tangential to Garry Winogrand, or perhaps more closely Ray K. Metzger, yet the year 1962 places Johansson right in their midst, not successor. The few examples included here taken with a small-format 35mm camera, are characterized by a tonal scale that allows shadows to swallow some detail and highlights to succumb to atmospheric fog: a grouping of men riding a ferry on New York's Hudson River are reduced to simple silhouettes against a fading Manhattan skyline; a maintenance worker on a ladder contrasted with New York's most famous landmark, the Empire State Building, emphasizing the dizzying verticality of the city through a patchwork of shadow and light. Though authentic and drawn directly from the real world, there is a dreamlike quality to these works that evolved into the "translucid clearness" that signifies Johansson's practice today.
What I find refreshing about Johansson's work is the sense one feels of his enjoyment of moving through an unfamiliar landscape and simply taking in what is before him. The work seems formed not in the mind first, but through the physical footsteps he takes and directness at which he looks.
- Text by Jeffrey Ladd
Gerry Johansson, born 1945 in Örebro, lives in Höganäs, Sweden. Johansson studied graphic design in Gothenburg in the late 1960s. His work has been exhibited at distinguished museums and institutions internationally, including the Kunsthalle Rostock in Germany; Museum of Modern Art in Bogota, Colombia; Hasselblad Center in Göteborg and the Moderna Museet in Stockholm, Sweden. Johansson has produced a large number of books including the recently published "Spanish Summer" and "American Winter", both MACK and was awarded the Swedish Arts Grants Committee’s Award and the prestigious Lars Tunbjörk Prize. | | |
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| | | | | | | Shoichi Aoki, from the series FRUiTS, 1998.
Courtesy Shoichi Aoki |
| | | | Scenes from the Streets | | | | | | | 26 Sep 2024 – 6 Jan 2025 | | | | | |
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| | | | | | | Le Baiser de l’artiste, sculpture et piédestal, 1977
Black and white photographs, wooden base, flowers, candles,
plastic letters, chair, soundtrack 225.5 x 170 x 70 cm
© ORLAN |
| | | | | | | | | | | | Wed 25 Sep 18:00
25 Sep – 21 Oct 2024 | | | | | |
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| | | | | | | Thomas Kellner
Kolosseum, Rom, 2005
C-Print, 44#12
68,2 x 69,7 cm
© Thomas Kellner Siegen und VG Bild-Kunst, Bonn 2024 |
| | | | | | | | | | | | Fri 27 Sep 18:30
28 Sep 2024 – 12 Jan 2025 | | | | | |
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| | CHLOE SELLS, "The Song of The Mango Creature", 2023
Chromogenic print marbled with acrylic paint, 30 x 68 inches / 76.2 x 172.72 cm, Unique | | | | | | | fall partnership | | | | | | | | ... until 5 October 2024 | | | | | | | | | | | | | From September to December 2024, Galerie Miranda will welcome baudoin lebon as "guest gallery", in its space located at 21 rue du Château d'Eau in the 10th arrondissement of Paris. The two galleries will share the walls for a season, taking the opportunity to cross-fertilize their rosters and founders' convictions, both eclectic but united in their defence of strong contemporary and historical signatures as well as a deep connection to Australia.
For the first chapter of their partnership, Galerie Miranda and baudoin lebon will present a dialogue between two contemporary artists working at the opposite ends of the analogue-digital spectrum but who both consider the photographic image as the 'primary material' of their hybrid practice: where Chloe Sells (1976, USA) interprets handprinted chromogenic landscape, working in a entirely analogue process with paint, ink, collage and darkroom experimentation, Mathieu Bernard-Reymond (1976, France) works with technology to 'transform' his documentary images of French hydroelectric, industrial and nuclear facilities, into poetic, yet troubling, abstract compositions. | | |
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| | | | | | | | | | | | | | Thu 26 Sep 19:00
27 Sep – 17 Nov 2024 | | | | | |
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| | | | | | | | Haig Aivazian, All of your Stars are but Dust on my Shoes, 2021, 17 min. 34 sec. |
| | | | | | | | tri-annual video and performance art series | | | 25 Sep 2024 – 19 Jan 2025 | | | | | |
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| | | | | | | | © Atsushi Fujiwara "Sakura River" |
| | | | | | | | | | | | Sat 28 Sep 17:00
27 Sep – 19 Oct 2024 | | | | | |
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| | | | | | | | Jimmy Nelson, Ode aan Nederland, Friesland, 2021 |
| | | | | | | | | | | | 29 Sep 2024 – 24 Jan 2025 | | | | | |
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| | | | | | | | | | | | | | Thu 26 Sep
26 Sep – 30 Oct 2024 | | | | | |
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| | | | | | FESTIVAL DELLA FOTOGRAFIA ETICA | | | | | | | 28 Sep – 27 Oct 2024 | | | | | |
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| | | | | | 13th ORGAN VIDA: Creeps and Butterflies | | | | | | | Thu 26 Sep
26 Sep – 3 Nov 2024 | | | | | |
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| | An Obstacle in the Way [Una Piedra en el Camino],
Journey to the center series, 2021.
Courtesy of the artist/Magnum Photos © Cristina De Middel | | | | | | | | | | | – 29 September 2024 | | | | | | | | | | | | | | Every summer since 1970, over the course of more than forty exhibitions at various of the city's exceptional heritage sites, the Rencontres d'Arles has been a major influence in dissiminating the best of world photography and playing the role of a springboard for photographic and contemporary creative talents. | | |
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| | | GHOSTS OF MEMORY © NAZLI ABBASPOUR | | | Festival La Gacilly-Baden Photo 2024 | | | | WORLD.NATURE.HERITAGE | | | | | | Baden near Vienna:
The largest outdoor photography festival in Europe will take place
from 13 June until 13 October 2024.
festival-lagacilly-baden.photo | |
| | | | | | | | | | | | | WORLD.NATURE.HERITAGE – "Humanity has opened the gates to hell", warned Secretary- General António Guterres in an impassioned speech on the margins of the UN General Assembly in September 2023. UN General Assembly in September 2023 to politicians, entrepreneurs and activists, he warned of the terrible consequences of increasingly extreme weather events. "Our concern is that all climate action will be dwarfed by the scale of the challenge”, as humanity is heading for a temperature rise of 2.8°C.
An appeal to the world that has long been inscribed at the heart of our festival. It is our duty to preserve the poetry of creation for our children. On the fundamental issues of urbanisation, biodiversity, natural resources, environmental pollution and global warming, we will try to use images to provide, if not solutions, then at least food for thought. Therefore, in our seventh festival year, we will be showing the work of the great masters of environmental photography: Nazli Abbaspour, Evgenia Arbugaeva, Yasuhoshi Chiba, Joana Choumali, David Doubilet and Jennifer Hayes, Nadia Ferroukhi, Sacha Goldberger, Richard Ladkani, Lucas Lenci, Luca Locatelli, Pascal Maitre, Beth Moon, Maxime Riché, Sebastião Salgado, Alain Schroeder, Vee Speers, Brent Stirton, Lorraine Turci, David Turnley, Peter Turnley and Cássio Vasconcellos.
"We all need Eden as a horizon," writes Cyril Drouhet in his essay in the festival catalogue. "There was a time when we had a rainbow in our heads: We believed in the future, in progress, our dreams were full of utopias. In the third millennium, this colour has turned grey. But life needs radiant colours like in photography to enchant the world again. That is the cha… | | |
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| | | | | | the European Nomadic Biennial | | | | | | | – 24 Nov 2024 | | | | | |
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| | | | | | PANSORI: A Soundscape of the 21st Century | | | | | | | – 1 Dec 2024 | | | | | |
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| | | | | | | | | | annual event showcasing Nordic and international photography in the Greater Helsinki area | | | – 30 Sep 2024 | | | | | |
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| | | | | | International Festival of Contemporary Photography | | | | | | | – 28 Sep 2024 | | | | | |
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| | | | | | open air festival - Australie & Autres Regards | | | | | | | – 3 Nov 2024 | | | | | |
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| | | | | | See beyound the sea | | | | | | | – 3 Nov 2024 | | | | | |
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| | | | | | | | crédits : Andrej Polukord |
| | | | Mondes impossibles / Impossible Worlds | | | | | | | – 13 Oct 2024 | | | | | |
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| | | | | | TRANSCENDING THE COMMONPLACE | | | | | | | – 30 Sep 2024 | | | | | |
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| | | Ina Jang Three, 2008; Christophe Guye Galerie | | | Swiss Photomonth 2024 | | | | | | | Festival until 6 October 2024 | | | Schweizer Monat der Fotografie
Mois suisse de la photographie
Mese svizzero della fotografia Swiss
Swiss Photomonth | | | | | | | | | | | | | This autumn, the Swiss art scene will live to the rhythm of the Swiss Photomonth. The first edition of this Festival (30 August – 6 October 2024) will serve as a catalyst for the country’s abundant cultural offerings, and provide the public the chance to explore no fewer than sixty artistic spaces, ranging from world-renowned institutions to emerging venues. It is a unique opportunity to (re)discover the leading figures in photography, as well as the Swiss and international talents of tomorrow.
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| | | | | | Precarious Joys | | | | | | | – 1 Dec 2024 | | | | | |
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| | From the series Keepers of the Ocean (2019) © Inuuteq Storch
The Danish Pavilion: Rise of the Sunken Sun by the artist Inuuteq Storch | | | | | | | Stranieri Ovunque - Foreigners Everywhere | | | | | | | | – 24 November 2024 | | | | | | | | | | | | | The 60th International Art Exhibition , titled Stranieri Ovunque – Foreigners Everywhere , will open to the public from Saturday April 20 to Sunday November 24, 2024 , at the Giardini and the Arsenale; it will be curated by Adriano Pedrosa and organised by La Biennale di Venezia . The pre-opening will take place on April 17, 18 and 19 ; the awards ceremony and inauguration will be held on 20 April 2024 .
Since 2021, La Biennale di Venezia launched a plan to reconsider all of its activities in light of recognized and consolidated principles of environmental sustainability. For the year 2024, the goal is to extend the achievement of “carbon neutrality” certification , which was obtained in 2023 for La Biennale’s scheduled activities: the 80th Venice International Film Festival, the Theatre, Music and Dance Festivals and, in particular, the 18th International Architecture Exhibition which was the first major Exhibition in this discipline to test in the field a tangible process for achieving carbon neutrality – while furthermore itself reflecting upon the themes of decolonisation and decarbonisation.
The Exhibition will take place in the Central Pavilion (Giardini) and in the Arsenale, and it will present two sections: the Nucleo Contemporaneo and the Nucleo Storico.
As a guiding principle, the Biennale Arte 2024 has favored artists who have never participated in the International Exhibition—though a number of them may have been featured in a National Pavilion, a Collateral Event, or in a past edition of the International Exhibition. Special attention is being given to outdoor projects, both in the Arsenale and in the Giardini, where a performance program is being planned with events during the pre-opening and closing weekend of the 60th Exhibition.
Stranieri Ovunque - Foreigners Everywhere, the title of the 60th International Art Exhibition of La Biennale di Venezia, is drawn from a series of works started in 2004 by the Paris-born and Palermo-based Claire Fontaine collective. The works consist of neon sculptures in different colours that render in a growing number of languages the words “Foreigners Everywhere”. The phrase comes, in turn, from the name of a Turin collective who fought racism and xenophobia in Italy in the early 2000s.
«The expression Stranieri Ovunque - explains Adriano Pedrosa - has several meanings. First of all, that wherever you go and wherever you are you will always encounter foreigners— they/we are everywhere. Secondly, that no matter where you find yourself, you are always truly, and deep down inside, a foreigner.» | | |
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| | Daido Moriyama
Pretty Woman
Biennale Images Vevey 2024
© Laura Keller | | | | | | | (DIS)CONNECTED Entre passé et futur | | | | | | | | 7 – 29 September 2024 | | | | | | | | | | | | | With its ninth edition the Biennale Images Vevey returns for three weeks, from 7 to 29 September 2024, with around 50 new projects and expects to welcome more than 60,000 visitors.
Every two years, this festival presents a new unique collection of made-to-measure indoor and outdoor photography exhibitions and displays, to be discovered free of charge throughout Vevey.
The featured artistic projects invite the visitors to experience images in a different way through monumental installations and scenography that is often unusual... The biennial has the particularity of custom designing its exhibitions in order to strike the perfect balance between the works, the scenography and the place in which they are exhibited.
This year’s topic "(dis)connected" focuses on a contemporary conundrum of when unavoidable nostalgia meets inquisitiveness about an unpredictable future.
(dis)connected: the theme of the Biennale Images Vevey 2024 explore one of the major issues of our time – the great divide created by digital technologies between past and present. The projects presented aim to create links between a certain nostalgia for the past and curiosity about an uncertain future. With this in mind, some fifty national and international photographic projects will be presented, playing on the feelings of connection and disconnection between tangible reality and digital fantasy. Indoors and outdoors, throughout the city of Vevey, artistic proposals play on the feeling of connection and disconnection between tangible reality and digital fantasy. | | |
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© 25 September 2024 photography now UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editors: Claudia Stein & Michael Steinke
contact@photography-now.com . T +49.30.24 34 27 80 |
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