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| PHOTOGRAPHY INTERNATIONAL | | 27 Nov — 4 Dec 2024 | |
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| | Botter, 2022
© Viviane Sassen | Blue Alchemy, from the series Modern Alchemy, 2022
© Viviane Sassen and Stevenson
(Johannesburg / Cape Town / Amsterdam) |
| | | | | | | | ... bis 12. Januar 2025 | | | | | | | | | | | | | Foam is thrilled to present the first large-scale retrospective of the Dutch fashion photographer and artist Viviane Sassen in the Netherlands. The exhibition PHOSPHOR: Art & Fashion, which comprises more than 200 works, reveals over thirty years of her multifaceted career bringing together photography, collage, painting and video. The exhibition serves a significant homecoming for Sassen, following her first museum showcase at Foam in 2008 titled Flamboya.
The Dutch contemporary artist Viviane Sassen rapidly gained worldwide recognition, both in the fashion industry and in the photography world. Her distinctive and eclectic visual oeuvre will fill almost the entire building of Foam. This exhibition will shed light on Sassen’s creative process by focusing on two main themes: the incessant search for new photographic forms and the importance of intimacy in her work.
The exhibition features iconic series, including Flamboya (2008), Umbra (2014) and Parasomnia (2011), along with unseen archives, mixed-media works that blend photography, painting, collage and video.
Sassen's fashion photography for brands such as Louis Vuitton and Dior will be presented in a monumental installation. Early experiments with objects from her personal archives, her initial self-portraits, and her final photo project from her studies illustrate the beginnings of Sassen's visual language. These images are being showcased for the first time in the exhibition PHOSPHOR: Art & Fashion.
Sassen's oeuvre explores both the depths of human emotion and the boundaries of artistic expression. Death, sexuality, desire and connection with others are all motifs that structure her work. Renowned for her adept u… | | |
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| | | | | | | René Groebli
#500 aus der Serie "Das Auge der Liebe", 1952
© René Groebli |
| | | | | | | | | | | | Fri 29 Nov 17:00
29 Nov 2024 – 8 Mar 2025 | | | | | |
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| | | | | | | | Andy Warhol: Keith Haring with Wanakee Pugh, 1984 |
| | | | Künstler/innen Portraits | | | | | | | Fri 29 Nov 19:00
29 Nov 2024 – 15 Feb 2025 | | | | | |
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| | Anastasia Samoylova
Art Poster (Magritte), Los Angeles 2022
Pigment print, mounted, framed, 100 x 80 cm | Anastasia Samoylova
Historic Theater, Barcelona 2022
Pigment print, mounted, framed, 100 x 80 cm |
| | | | | | | | ... until 14 December 2024 | | | | | | | | | | | | | Parallel to Anastasia Samoylova's major institutional exhibitions at the Metropolitan Museum in New York and the Saatchi Gallery in London, we are delighted to present her latest series, Image Cities, a photographic journey through some of the world's most prominent metropolises, including New York, Paris, London, Zurich, Tokyo, and Milan. The artist turns her camera towards the publicly visible images that shape the façades of these cities.
Rather than highlighting what makes these places unique, she reveals what they have in common: the menacing and gradual homogenization of consumer culture, emerging from a world increasingly dominated by corporations.
Anastasia Samoylova (1984) is an American artist who moves between observational photography, studio practice and installation. By utilizing tools related to digital media and commercial photography, her work explores notions of environmentalism, consumerism and the picturesque.
Her books FloodZone and Floridas: Anastasia Samoylova & Walker Evans were published by Steidl, her book Image Cities is out with Hatje Cantz. Her works have been presented in solo exhibitions at the Chrysler Museum of Art; Orlando Museum of Art; Contemporary Art Museum, Tampa; The Print Center Philadelphia, the Eastman Museum, Rochester, NY, C/O Berlin, Germany, and the KBr Fundación MAPFRE, Barcelona, Spain, among others.
Her work is in the collections of the Metropolitan Museum of Art, New York; Perez Art Museum, Miami; High Museum of Art, Atlanta; and Museum of Contemporary Photography, Chicago; among others.
Anastasia Samoylova was shortlisted for the Deutsche Börse Photography Foundation Prize 2022 and received the first KBr Photo Award by KBr Fundació… | | |
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| | Elfriede Stegemeyer
fotomontage, 1933/1934
Vintage gelatin silver print on Agfa-Lupex Paper
12 x 8.9 cm
Museum Ludwig, Cologne
© The Estate of Elfriede Stegemeyer | Alfred Ehrhardt
Eigenartiges Formenspiel des Windes im feuchten Sand
(The playful wind’s strange shapes in the damp sand)
from: Die Kurische Nehrung (The Curonian Spit), 1934
Gelatine silver process
34,5 x 49,5 cm
Museum Ludwig, Cologne
© Alfred Ehrhardt Foundation Repro: Rheinisches Bildarchiv, Cologne |
| | | Seescapes | | | | | | | 30 November 2024 – 27 April 2025 | | | | In a double presentation, the Museum Ludwig is showing newly acquired photographs by Alfred Ehrhardt (1901–1984) in dialogue with photographs by Elfriede Stegemeyer (1908–1988). Although the two photographers never met, they shared an interest in the subject matter of water, beaches, and sand for several years. | | | | | | | | | | | | | Alfred Ehrhardt studied painting with masters such as Paul Klee and Wassily Kandinsky at the Bauhaus in Dessau in 1928–29. Due to his modernist approach to art, he was dismissed from his teaching job at the Landeskunstschule Hamburg by the Nazis in 1933. Using a camera, he searched for structures and abstract forms in the sand dunes of the Curonian Spit and in the tidal flats of northern Germany, and discovered the sublime in details—his form of inner emigration. He was always intent on capturing the impact of Urkräfte, primordial forces, far away from civilization, as well as "the essential." Summing up his work in 1967, he wrote, "I wanted to convey the organic whole through one detail, which is only possible if with your choice of the detail you overcome the statics of outward appearance and grasp the dynamism of the object in terms of light and angle, making the whole come alive although you are only showing a detail. In photography there is nothing wrong about mentioning design. However, it is not a matter of optical gimmicks and tricks. Much more, it’s a fundamentally new way seeing that reveals to us the essential elements of things." Erhardt published his works in photography books such as Die Kurische Nehrung (The Curonian Spit, 1934), Das Watt (The Tidelands, 1937), and, later, Wattenmeer: Formen und Strukturen (Mudflats: Forms and Structures, 1967). Alongside his pictures taken outdoors, he created enlargements of seashells and snail shells in the style of Neue Sachlichkeit, and later he also made award-winning avant-garde films such as Tanz der Muscheln (Dance of the Seashells), which was released in 1959.
Elfriede Stegemeyer also began her work as an artist in a different genre before turning to photography in 1932. She was closely associated with the artist group of the Cologne Progressives and Dadaists, going one step further: she used photographs that she had taken of Sylt, Ibiza—where she visited artist Raoul Hausmann—and Sicily in her collages and overpainted them. In 1981 she wrote to art historian Uli Bohnen, "I am much too dedicated to my work to be able to put a label on it, but if I muse about it, I would classify it as ‘nature loving’ because I see all living things as being in danger, and I think that I sometimes approached the essence of things in my work. I allow my ‘thing’ to grow on its own as much as possible, what I do to that end is observe, investigate, isolate, connect—even at the risk of drawing false conclusions. If we don’t take risks ourselves, we cannot extract the vividness. That is why I risk making the following observation: I do not believe that abstraction alone leads to the goal. Structure per se is not an abstraction, but structure encompasses it and excludes it. I believe that all doctrines should be avoided; they impede the natural flow." Much of Stegemeyer’s oeuvre was destroyed in an air raid in 1943.
Both Elfriede Stegemeyer and Alfred Ehrhardt replaced the traditional seascape—that is, the maritime genre—with the visual experience of seeing natural structures. Both began using the camera during the Nazi era, as the medium was less in the focus of Nazi censorship and destruction. They both turned to nature in their pictures, and away from human beings, choosing details that captured natural structures in an abstract way. Although Stegemeyer and Ehrhardt both belonged to the photographic avant-garde, it took a long time for them to be truly discovered.
All photographs in the presentation are new acquisitions of the Photography Collection at the Museum Ludwig. Alfred Ehrhardt’s works are part of a generous donation from the Bartenbach family, and Elfriede Stegemeyer’s works were recently acquired from the estate of Cologne gallerist Gerd Sander, who was influential in making Stegemeyer’s work better known. This exhibition demonstrates once again that modernist photography has yet to be fully explored. | | |
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| | | | | | | Barbara Klemm
Braunkohleabbau bei Leipzig, 1990
© Barbara Klemm |
| | | | | | | | Photographs from Germany | | | Fri 29 Nov 19:00
30 Nov 2024 – 23 Mar 2025 | | | | | |
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| | d’Ora Paris
Ballett des Marquis de Cuevas, 1950–1957
Silbergelatine, 27,2 x 33,2 cm
OÖLKG, Land Oberösterreich, Fotosammlung | | | | | | | | 5 December 2024 – 9 March 2025 | | | | Opening: Wednesday 4 December 19:00 | | | | | | | | | | | | | Dora Kallmus (1881–1963), also known as Madame d'Ora, is one of the most important photographers of the early 20th century. From 1907 onwards, she ran a studio in Vienna under the brand name d'Ora, which was frequented by illustrious personalities from the aristocracy, art and society, and quickly became the first address for artistic portrait photography. Inspired by art photography around 1900, she created images that radiate elegance and individuality and reflect the prevailing zeitgeist.
As one of the first fashion photographers, she documented the clothing creations of the Wiener Werkstätte and portrayed the fashion entrepreneur and style icon Emilie Flöge. The splendid portraits of the Hungarian high aristocracy that Dora Kallmus photographed in 1916/17 on the occasion of the coronation of Emperor Charles as King of Hungary show in a unique way the splendor of an era that is coming to an end.
The exhibition, which exclusively includes the photographer's own collection, spans the period from her early days in Vienna to the later phases of her work, which she lived in Paris from 1925 onwards. In Paris, Dora Kallmus portrayed stars such as Josephine Baker and Ida Rubinstein, created glamorous fashion photographs and worked on the consistent further development of her photographic style. The experience of persecution and loss during the Second World War ultimately shaped the photographer's later work. The glamorous mixed with morbid aspects to create a new artistic visual language that found expression in photographs of animal carcasses in Parisian slaughterhouses.
Curated by Gabriele Hofer-Hagenauer | | |
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| | Kansuke Yamamoto
UNTITLED , 1950
Vintage silver gelatin print
Paper size: 22.4 x 29.9 cm
Artist estate stamp, signed and dated by Toshio Yamamoto verso
Copyright The Artist | | | | | | | 4 December 2024 – 24 January 2025 | | | | | | | | | | | | | Michael Hoppen is delighted to announce a solo exhibition dedicated to the photography of Japanese Surrealist artist Kansuke Yamamoto (1914-1987). Vintage prints from the artist’s estate in Tokyo, including unique collages and solarised compositions, will be on display at our gallery in 10 Portland Road from December 4th. An illustrated monograph dedicated to Yamamoto’s work will also be on sale, strictly limited to an edition of 125 copies. Yamamoto’s creative practice began to emerge during the 1930s, when he started studying French, writing poetry and constructing his first collage compositions from newspaper headlines and cutouts. Touring exhibitions and independent journals continued to feed Japanese enthusiasm for European Surrealism throughout this period, and in 1939 Yamamoto co-founded the Nagoya Photo Avant-Garde.
In spite of the suspicion, and increasingly repression, with which avant-garde movements were treated by Japan’s imperial authorities, Yamamoto persisted in refining his distinctive perspective, combining graphic boldness with a kind of visual lyricism. His playful approach to juxtaposition invoked everyday objects in unfamiliar, symbolically charged constellations, that resonate with the Surrealist visions of his peers from across the international avant garde. | | |
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| | | | | | | | Karoliina Paatos. aus: »HEROES«, The Angry Bat, 2021 |
| | | | Publishers as guests | | | | | | | Fri 29 Nov 19:00
3 Dec 2024 – 27 Feb 2025 | | | | | |
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| | | | | | | | Norbert Rosing: Skag Rocks - einsame Kormoran-Felsen im Südatlantik / Antarktis |
| | | | | | | | | | | | Ein Leben für die Naturfotografie
(A life for nature photography) | | | Thu 28 Nov 18:30
29 Nov 2024 – 23 Feb 2025 | | | | | |
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| | | A Home with No Roof © ECAL/Sara De Brito Faustino | | | | 10th session at L'Appartement - Espace Images Vevey | | |
27 November 2024 to 16 March 2025
Vernissage
Wednesday 27 November From 17:30
17:30 – Doors open
18:30 – Presentation of artists and projects
Free admission | |
| | | | | | | | | | | | | From 27 November 2024 to 16 March 2025, L'Appartement – Espace Images Vevey presents four artists : Sara De Brito Faustino, Debi Cornwall, Christian Patterson and Alberto Vieceli. For its tenth edition of exhibitions, L'Appartement – Espace Images Vevey presents four installations that explore the domestic universe and highlight the unique qualities that make our living spaces so intensely personal.
In LES CHAMBRES, Winner of the 2023 Images Vevey × ECAL Award, Sara De Brito Faustino recreates the interior of the appartement of her childhood creating an intimate and theatrical mise en abyme.
In LE COULOIR, Alberto Vieceli collected over 300 vinyl record sleeves on which artists and animals, both domestic and wild, pose together, presented thourgh an installation that reveals the special place that this quintessential vintage object occupies in our homes.
In LE CINEMA, Debi Cornwall revisits the Hollywood dramas and B-movies of the last fifty years and provides a different perspective on the United States in an experimental short film presented in the home cinéma of L'Appartement.
Last but not least, in LE SALON, through a series of photographs taken over a period of twenty years, the laureate of the Grand Prix Images Vevey 2015/2016 Christian Patterson unveils the interior of a bankrupt family-run grocery store in the southern US, where groceries, practical items and household goods used to be sold piled on the shelves. | | |
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| | | | | | | | | | | | | | Wed/Thu 4/5 Dec
6 – 8 Dec 2024 | | | | | |
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| | | | | | fair of today for art, antiques and design | | | | | | | – 1 Dec 2024 | | | | | |
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| | Thomas Florschuetz
"o.T. (Orchideen) IX, I + II", 2000/01
Diptych: C-print
Each 148,5 × 101,5 cm (frame: 153 × 105,8 cm)
EUR 6.000 - 8.000 | | | Contemporary Art | | | | | | | Auction: Friday, 29 November, 2024, 6pm | | | | To the online catalogue | | | | | | | | | | | | | The evening sale "Contemporary Art" presents outstanding works by established contemporary artists such as Georg Baselitz, Günther Uecker, Sigmar Polke, Isa Genzken and Katharina Grosse.
Beyond that photographic works that include internationally renowned artists like Wolfgang Tillmans, Thomas Ruff, Candida Höfer or Valie Export. | | |
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| | Robert Mapplethorpe
Clifton, 1981
Gelatin silver print
35.4 × 35.8 cm (50.3 × 40.4 cm)
EUR 10,000–15,000 | | | Photography Online Only | | | | | | | Auction 6 – 15 December 2024 | | | | | | | | | | | | | Grisebach is pleased to present a spectacular selection of photographs from the last 100 years. From 6 through 15 December make sure to bid on works from icons such as Nan Goldin, Dieter Rehm, Peter Beard, Diane Arbus and Wolfgang Tillmans. 159 lots, ranging from the 1920s to the 2000s, will be on offer.
Highlights from fashion photography includes a work by Steven Klein, depicting Kate Moss. Three photographs by Bert Stern for Vogue will also be auctioned, including a sensational portrait of the great Marilyn Monroe. Other powerful portraits are by Dorothea Lange, Lotte Jacobi and Ellen Auerbach. André Villers gives us a glimpse into the eyes of Pablo Picasso. We plunge into urban life in Paris, Hanoi, New York and Berlin and meet icons such as August Sander, Robert Mapplethorpe and Nobuyoshi Araki. | | |
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| | Lot 4177
Nan Goldin (b. 1953).
James King: Supermodel Mappe. 1995.
12 cibachrome prints.
Estimate € 15,000 | | | Photography from the 19th - 21st Century | | | | | | Bassenge Photography Auction: Wednesday, 4 December, 3pmErdener Str. 5a, 14193 Berlin
Online Catalogue: here
Preview:
Rankestrasse 24, 10789 Berlin
25 – 30 November
and 2 December, 10am – 6pm
and 3 December, 10am – 2pm
More information:
Jennifer Augustyniak
+ 49 30 219 97 277
jennifer@bassenge.com or art@bassenge.com | |
| | | | | | | | | | | | | | Édouard Baldus | Max Baur | Henri Béchard | Ludwig Belitski | Hans Bellmer | Sibylle Bergemann | Roman Bezjak | Bisson frères | Karl Blossfeldt | Erwin Blumenfeld | Monika von Boch | Frédéric Boissonnas | Félix Bonfils | Christian Borchert | Bill Brandt | Christian Friedrich Brandt | Kurt Buchwald | Jan Bulhak | John Bulmer | Norbert Bunge | Henri Cartier-Bresson | Jewgeni Chaldej | Claude Joseph Désiré | Detlef Christel | Conningham & O’Brien | Bruce Davidson | Joseph Daziaro | Lutz Dille | Robert Doisneau | Harold Edgerton | Hermann Emden | Dimitri Ermakov | Elliott Erwitt | Susanne Esche | Walker Evans | Arno Fischer | Robert Frank | Leonard Freed | Jorge Friedmann Francis Frith | Gerhard Gäbler | Vincenzo Galdi | Mario Giacomelli | Wilhelm von Gloeden | Ulrich Görlich | Nan Goldin | Greg Gorman | Herb Greene | Andreas Groll | Heinz Hajek-Halke | Peter Hebler | Herbert Hensky | Bernd Heyden | Marta Hoepffner | Thomas Hoepker | Candida Höfer | Ewald Hoinkis | Horst P. Horst | William Henry Jackson | Lotte Jacobi | Tom Jacobi | Max Jacoby | William Keck | Peter Keetman | André Kertész | Stefanie Ketzscher | Jürgen Klauke | Barbara Klemm | Gustav Klutsis | Viktor Kolár | Alberto Korda | Jerzy Kujawski | Lou Landauer | Gustave Le Gray | Robert Lebeck | Russell Lee | Lehnert & Landrock | Nathan Lerner | Matthias Leupold | George Leuzinger | Manfred Leve | El Lissitzsky | Herbert List | Ulrich Mack | Man Ray | Guido Mangold | Sven Marquardt | Willy Maywald | Will McBride | Max Missmann | Georges Morache | Otto Müller Eibenstock | Eadweard Muybridge | NASA | Charles Niedringhaus | Kazumasa Ogawa | Ferdinando Ongania | Hilmar Pabel | Robert Paris | Frank Paulin | Hans Pieler | Wilhelm von Plüschow | Allen Porter | Max Pritikin | Thies Rätzke | Dirk Reinartz | Leni Riefenstahl | William M. Rittase | Karin Rocholl | Tata Ronkholz | Arthur Rothstein | Willi Ruge | August Sander | Robert F. Sargent | Karl Schenker | Ferdinand Schmidt | Michael Schmidt | Pascal Sébah | Friedrich Seidenstücker | Hans Martin Sewcz | Julius Shulman | Arthur Siegel | Raghubir Singh | Max Slevogt | Giorgio Sommer | Uwe Steinberg | Otto Steinert | Thomas Struth | Félix Teynard | Elsa Thiemann | Miriam Tölke | Holger Trulzsch and Vera Lehndorff | Bruce Weber | Ulrich Wüst | Count Theodore Zichy | Hartmut Zickmantel | Heinrich Zille | Günther Zint and many others. | | |
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| | Auction 1255/lot 711
William Eggleston
Untitled (Boy in Red Sweater), 1971
Dye Transfer print, printed 1996
32.2 x 45.1 cm (39 x 48.6 cm)
From an edition of 15
Estimate € 20,000 – 30,000 | | | Lempertz – Photography | | | Auction 1255 | Photography
Friday, 29 November, 2024, 2 pm (lots 500 – 724)
Online catalogue | PDF catalogue
Auction 1256 | Evening Sale
Friday, 29 November, 2024, 6 pm (lots 1 – 76)
Online catalogue | PDF catalogue
Auction 1257 | Day Sale
Saturday, 30 November, 2024, 2 pm (lots 300 – 473)
Online catalogue | PDF catalogue
Preview
Saturday, 23 November to Thursday, 28 November
weekdays 10 am – 5.30 pm
Sat 10 am – 4 pm | Sun 11 am – 4 pm | |
| | | Further information:
Dr. Christine Nielsen
Tel: +49-(0)221-92 57 29-56
Fax: +49-(0)221-92 57 29-6
photo@lempertz.com | | | | | | | | | | | | | Auktion 1255 Classical Photography For 35 years, Galerie Clairefontaine in Luxemburg was an important player on the international art scene, due, above all, to its commitment to photography. Lempertz now has the special honour of taking on the gallery’s entire photographic inventory and offering it for sale in the current and upcoming photography auctions. The artistic breadth of the gallery is reflected in the chosen 60 photographs offered here as the start of a series of auctions.
The collection stretches from early photography of the 20th century – represented here by a still life by the Dresden pictorialist Otto Ehrhardt – through American Straight Photography with works by Edward Steichen and Edward Weston (lot 507, € 3/4,000), French Photographie Humaniste with Brassaï (lot 533, € 4/5,000) and Lucien Aigner, the reportage photography of James Nachtwey, to positions from the field of contemporary photo art with Jürgen Klauke and Joseph Beuys, alongside individual highlights from Andreas Feininger (lot 580, € 3/4,000), Helmut Newton (lot 643, € 10/15,000), William Klein (lots 583/652, each € 3/4,000), Arno Rafael Minkkinen (lots 612/613, each € 2/3,000) and Edward Burtynsky (lots 678/679, each € 10/20,000).
A further highlight of the auctions comprises a private collection focused on photography to the theme of 'youth', consisting of 25 portraits of children and adolescents from different countries and decades. Here the arc reaches from the early 20th century with Heinrich Kühn (lot 701, € 1-1,500), Hugo Erfurth (lot 700, € 3-4,000) and Aenne Biermann (lot 703, € 1,800-2,000), up to the present day. The top piece in the collection is the untitled portrait of a little boy in a red sweater by William Eggleston (lot 711, € 20/30,000). Diane Arbus (lots 704-709, € 4/6,000 to € 6/8,000), Sally Mann (lots 719-722, € 6/8,000 each) and Tom Wood (lots 712-718, € 1/1,500 to € 1,200/1,500) are each represented with several outstanding works.
In addition to these two collections with their differing orientations, individual works of various provenance are of note, such as the bookbinder Rudolf Rieser’s personal example of Lee Friedlander’s portfolio '15 photographs' (lot 622, € 18/20,000), as well as two musician portraits by Anton Corbijn (lots 654/655, each € 5/6,000).
Auction 1256 / 1257 Day Sale / Evening Sale / Contemporary Art and Photography
The Modern and Contemporary Art auctions in the evening and the following day showcase some interesting higher-priced photographic works: Several works of the Düsseldorf School come from a German corporate collection and include chromogenic prints by Andreas Gursky (lots 24, 391 and 392, € 8/10,000 to 25/30,000), Candida Höfer (lot 381, €10/15,000), Axel Hütte (lots 379/380, € 7/9,000) and Thomas Ruff (lot 440, € 10/15,000). Two characteristic industry shots by Bernd and Hilla Becher (lots 314/315, € 10/15,000 to 15/20,000), each from an edition of five, and a large-format, formally reduced seascape by Elger Esser (lot 382, € 15/20,000) round off the offer. | | |
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| | | François Bellabas. MOTORSTUDIES_DTB, 2016. , Courtesy of the artist/ADAPG, Paris. | | | | | | | 23 exhibitions, featuring a total of 2,000 works by artists from France, Spain, Germany, India, Japan, Canada, the United States, and China | | | | | | | | 29 November 2024 – 12 January 2025 | | | | | | | | | | | | | This year marks the 10th edition of the Jimei x Arles International Photo Festival, which will take place in Xiamen, China, from 29 November 2024 to 12 January 2025.
The Jimei x Arles International Photo Festival is a cultural and artistic exchange project between Xiamen’s Jimei District and the Rencontres d'Arles in France. Since its establishment in 2015, the festival has showcased outstanding photography from around the world with a spirit of openness and diversity. It actively supports the creation, research, and curation of Chinese photography, enhancing its visibility to the public and amplifying its voice on the international stage. To date, Jimei x Arles has successfully held over 300 exhibitions, featuring selections from China, Asia, and the Rencontres d'Arles, and has presented the works of over 700 artists. It has organised more than 800 public events, attracting a total of over 500,000 visitors.
This year, the festival will showcase 23 exhibitions, featuring a total of 2,000 works by artists from France, Spain, Germany, India, Japan, Canada, the United States, and China. Highlights include 5 exhibitions selected from the Rencontres d'Arles, covering themes such as AI, architectural landscapes, and environmental issues. There will be a focus on works by renowned photographers Masahisa Fukase and Luo Bonian, allowing audiences to experience the artistry of these top photographers. Additionally, 3 exhibitions in the ‘Crossover Photography’ section will offer diverse perspectives from creators in music, video, and other fields. The ‘Jimei x Arles Discovery Award’ will present 8 exhibitions along with a group show under the ‘China Pulse’ theme, featuring Chinese photographers. Another exhibition, showcasing finalists of the ‘Jimei x Arles Curatorial Award for Photography and Moving Image’, aims to discover and cultivate young Chinese curators and researchers. This year, the festival also collaborates with vivo VISION+ and Xiaohongshu's Inspiring Moments Award Exhibition, presenting works by global image creators and encouraging photography that reflects everyday life.
This year, the Jimei x Arles International Photo Festival will focus more deeply on integrating with local culture, exploring the connections between photography and the cultural heritage of Xiamen and its surrounding areas. As an international platform for photographic arts, the 10th edition will also connect with local art and culture through the ‘Parallel Exhibitions’ and ‘Isles Project’.
Leading up to the festival’s opening and throughout its duration, experts, scholars, artists, and curators from around the world will deliver a diverse array of events. These include university lecture tours, the ‘Young Curators' Seminar’, portfolio reviews, artist talks, workshops, guided tours, performances, and study trips.
Programme information » | | |
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| | | | | | | | | | | | | | Sun 1 Dec 10:00
30 Nov 2024 – 27 Apr 2025 | | | | | |
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| | | | | | L'album de Famille des Aixois 2ième Edition | | | | | | | – 30 Nov 2024 | | | This exhibition crosses two photographic sources: those from the archives of the Aix family album collected by Fontaine Obscure and those from the archives of Lebanese families collected in Tyre (Lebanon) by the artist Chaza CHARAFEDDINE (Athar Collection).
The chosen subject is that of portraits of women from the 50s and 70s, just before the civil war in Lebanon. | | |
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| | | | | | Nurture Gaia | | | | | | | – 25 Feb 2025 | | | | | |
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| | | Image courtesy of The 14th Bamako Encounters – The African Biennal of Photography | | | | | | | The 14th African Biennale of Photography - Bamako Encounters | | | | | | | | ... until 31 January 2025 | | | | | | | | | | | | | Founded in 1994, the Bamako Encounters – African Biennial of Photography is organized by the Ministry of Culture of Mali with the support of the Institut Français.
The Biennale is the first and principal event dedicated to contemporary photography and new imagery in Africa.
Internationally renowned, the Bamako Encounters is a platform for discoveries, exchanges, and visibility. It is an essential venue for the revelation of African photographers and those of the Diaspora, a time of exchange with the Malian public and the professionals from around the world. | | |
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| | | | | | Workshops - Exposition / Flash Sale - Photobook Fair | | | | | | | – 15 Dec 2024 | | | | | |
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| | | | | | PANSORI: A Soundscape of the 21st Century | | | | | | | – 1 Dec 2024 | | | | | |
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| | | | | | Mega Family — Imagining Home | | | | | | | – 8 Dec 2024 | | | | | |
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| | | | | | Biennale Internazionale di Fotografia | | | | | | | – 15 Dec 2024 | | | | | |
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| | | | | | triennial of contemporary art | | | | | | | – 2 Feb 2025 | | | | | |
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| | | | | | Featuring over 110 exhibitions, 700 artists, and a variety of talks and events. | | | | | | | – 1 Dec 2024 | | | | | |
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| | | | | | Precarious Joys | | | | | | | – 1 Dec 2024 | | | | | |
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| | | | | | Futuri imperfetti | | | | | | | – 30 Nov 2024 | | | | | |
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© 27 November 2024 photography now UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editors: Claudia Stein & Michael Steinke
contact@photography-now.com . T +49.30.24 34 27 80 |
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