| |
| |
| |
| PHOTOGRAPHY INTERNATIONAL | | 30 Oct - 6 Nov 2019 | |
|
| |
|
| |
| |
| | | | | Private opening: Wednesday, November 6 (by invitation only) |
| | | | | | | | | |
|
|
| |
| |
|
| |
|
| | | | | | | Aberdeen Highland Games, Hazlehead Park, Aberdeen, Scotland, 2017
© Martin Parr / Magnum Photos |
| | | | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | Ausstellung zum Gedenkjahr "30 Jahre Mauerfall" von Teammitgliedern der Neuen Schule für Fotografie Berlin | | | | | | | Sat 2 Nov 18:00
3 Nov – 8 Dec 2019 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | "Hecken, 2017", aus der Serie "das Dorf"
© Jens Schünemann |
| | | | | | | | | | | | Sat 2 Nov 19:00
2 Nov – 14 Dec 2019 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | Michael Vahrenwald, Untitled #2,
from the series Forest Floor, Brooklyn NY 2016 | Michael Vahrenwald, Untitled #4,
from the series Hudson Yards NY 2019 |
| | | | | | | | November 3rd - November 25th 2019 | | | Opening: Saturday November 2nd, 4pm-8pm
(short artist talk around 5pm) | | | | | | | | | | | | | Wild-growing plants on sidewalks, dumped equipment, discarded objects, broken fences, rubbish – these are the elements of found buildups on the streets of the metropoles of our planet; illuminated by the theatrical light of the photographer. The nocturnal scenes of Michael Vahrenwald appear to be deserted, like empty stages, in contrast to the botanical still lives of the Dutch painter Otto Marseus van Schrieck (1619-1678) which are the initial reference for this project. In the images of van Schrieck, there is bad and good in contest between the growth in the guise of snakes, martens, butterflies and other creatures. While these animalian elements are absent from the tableaus of Vahrenwald, his depicted microcosms in New York, Dubai, Tokyo and Berlin are also the showplaces of violence within the internationally networked real estate markets. They are the dark corners of the glistening cities, mundane as we all know them, appearing in a poetic but unerring light.
Michael Vahrenwald (1977) holds an MFA in photography from Yale University and he is associate professor for photography at the Hartford Art School, Connecticut, USA. He exhibits internationally and his work is part of several high-level collections as the one of the Whitney Museum of American Art, NYC. He is also publishing photo books under the label “Roman Nvmerals”. | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | Rotimi Fani-Kayode, Four Twins, 1985. © Rotimi Fani-Kayode/ Autograph ABP. Courtesy of Autograph ABP. |
| | | | | | | | | | | | Sat 2 Nov 18:00
2 Nov – 1 Dec 2019 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | Flamingo Suns © Alia Ali 2019 | Orange Palms © Alia Ali 2019 |
| | | | | | | | 2 November — 14 December 2019 | | | Opening reception: Friday 1 November, 6—8 pm
Introduction: Venetia Porter, Curator, The British Museum
Artist talk with Alia Ali: Saturday, 2 November, 11 am
in conversation with Venetia Porter, Curator Islamic and Contemporary Middle Eastern Art, The British Museum | | | | | | | | | | | | | "FLUX" is a series of shifting photographic artworks that embody silhouettes that are warped by textile, saturated in colors and a medley of motifs. Each frame is uniquely upholstered with wax print sourced from Cote d’Ivoire. While some of the images distort visibility, others create hypervisibility almost negating themselves into animated forms of camouflage.
The outburst of saturated colors and hyperoptic motifs in these images, lend themselves to vibrating results obscuring the complex and sometimes iniquitous conditions by which these textiles came into fruition and destabilizing the source(s) from where they came from. The multiple dimensionality creates a kaleidoscope of perspectives, horizontally and vertically. Horizontally, in that this material has come into existence across borders over land and water, and vertically in that they draw from and evoke cosmic, mythical and religious inspirations. Furthermore, these particular wax prints are a key to mapping the colonial trade routes. While they certainly can be seen as escapist dreamscapes, they are also objects of oppression and capitalism.
Alia Ali (Austria, 1985) is a Yemeni-Bosnian-American multi-media artist. She is a graduate of the United World College of the Atlantic (UWCAC) and holds a BA in Studio Art and Middle Eastern Studies from Wellesley College. She is currently finishing her Master of Fine Arts at CalTec, Los Angeles. She has been awarded the Alice C. Cole '42 Grant of Wellesley College, LensCulture’s Emerging Talent Awards 2016 and Gold Winner in a Fine Art Category of the Tokyo International Photo Awards. Alia has exhibited internationally in museums, fairs and festivals including PhotoLondon 2019 in the UK, 1:54 Contemporary Af… | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | Paolo Pellegrin: A family. USA. Rochester, NY. 2013
© Paolo Pellegrin/Magnum Photos | | | | | | | | RETROSPECTIVE OF THE MAGNUM-PHOTOGRAPHER | | | | 31 October 2019 — 1 March 2020 | | | | Opening: Thursday, 31 October, 11:30 am | | | | | | | | | | | | | Paolo Pellegrin is known today as one of the world’s leading documentary and conflict photographers. A winner of many awards and the Robert Capa Gold Medal (among many others), he has been a full member of Magnum Photos since 2001. The career-spanning exhibition PAOLO PELLEGRIN – UN’ANTOLOGIA at the House of Photography sheds new light on his creative vision.
At its core is Paolo Pellegrin’s reportage photography, drawn from his personal archive and featuring work created throughout his career from the early 1990s to the present day. However, this is not a conventional retrospective.
Pellegrin has had many solo exhibitions during his long career, which commenced in 1987. UN’ANTOLOGIA was first shown at Maxxi, Rome and will be extended by further works in Hamburg. UN’ANTOLOGIA, was curated by Germano Celant, a celebrated Italian art historian, for the Maxxi, Rome. The exhibition, which will be extended by further works in Hamburg, is a meditation on the impact, consequences and legacy of the human condition, as witnessed by Pellegrin, and an exploration of his artistic vision. The combination surprises, challenges and fascinates in turn.
More than 200 analogue and digital prints, some vintage, some unpublished, are displayed in the exhibition accompanied by the bare minimum of interpretive text. Instead, the photographs are contextualized by occasional video clips shot by the photographer and a fascinating installation – created in the gallery by Pellegrin himself – which uses notebooks, sketches, prints, negatives, transparencies and printed ephemera to showcase the exhaustive process of visual research which underpins Pellegrin’s working practice. The interactive natur… | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| | | | | | | Duane Michals
Selfportrait as a Devil, 1972
Silbergelatineabzug
20,4 x 25,2 cm
Courtesy the artist and DC Moore Gallery, New York
© Duane Michals, 2019 |
| | | | Porträt-Identitäten | | | | | | | 30 Oct 2019 – 26 Jan 2020 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | Sissi Farassat: Sissi in dress, 2019 | | | | | | | | 2 November – 21 December, 2019 | | | Opening: Saturday, 2 November, 7 pm
Sissi Farassat will join the opening. | | | | | | | | | | | | | Sissi Farassat was born in 1969 in Tehran and moved with her family to Vienna in 1978, where she still lives and works today. She has been working as a photographer since 1991 and participated in the 1993 International Summer Academy under the direction of Nan Goldin. She was a student of Friedl Kubelka at the Hochschule für Bildende Kunst Fotografie in Vienna (1993-94). She then received a scholarship from the Austrian Ministry of Education, Science and the Arts to realize her series Self Portrait Paris.
Sissi Farassat's works are largely autobiographical and often reveal her personal history through a unique combination of influences from Persian and Viennese art and design. She began by changing her own expired passports, decorating them with sequins and pearls, and returning the passport from its original use to a unique work of art. Through her handicraft, Farassat isolates parts of the photograph and replaces the original background with a fine overlay. Hundreds of hours have been spent manually transforming each photo into a unique object. Farassat drastically changes the most inherent characteristics of the photographic medium: the immediacy of the camera and the ability to make multiple photographic prints. Instead, she takes the needle and thread to each print and sews thousands of crystals, pearls, and sequins by hand, turning her photos into a kind of tapestry.
In doing so, she blurs the distinction between the photo and the object, the revealed and the hidden, and eliminates the subject from its original context. Farassat challenges our gaze and seems to rejoice in the ambivalence of her transformations. For her works she uses either intimate selfportraits or random snapshots of her friends and close acquaintances. | | |
| |
|
|
| |
| |
| | | Rene Mächler: Paysage de Femme, 1961-68 (Detail) | | | René Mächler » Paysages de Femme - 1961 – 1968 | | | | 2 November – 21 December, 2019 | | | | Opening: Saturday, 2 November, 7 pm | | | | | | | | | | | | | This is a presentation of one of René Mächler's first series, which already anticipates many features of his later major work of abstract concrete photography. They are abstracting, analytically detailed body landscapes designed for extreme contrasts.
Mächler commented on these works: "When I take photographs, I want to testify, but I do not want to capture the matter itself, but the meaning of the matter."
The in focus gallery shows very rare vintage photographs on Agfa silver gelatin baryte paper from the years 1961-68. | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | Well Basically Basuco Is Coke Mixed With Kerosine, 1994 © Inez van Lamsweerde and Vinoodh Matadin | | | | | | | | 31 October – 13 November 2019 | | | | | | | | | | | | | | As part of Photo Vogue Festival 2019, Francesco Bonami has curated a special show at Palazzo Reale with Inez & Vinoodh. The exhibition will consist of numerous iconic images from the duo’s career, transformed into large hand-painted billboards before being hung inside the Prince’s richly decorated rooms. A truly unmissable opportunity to understand the art of two seminal figures in the history of image making. | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
| |
| | | Noé SENDAS & Fernand FONSSAGRIVES | | | CORPS FORMELS | | | | | | | 2 November – 4 January 2020 | | | | Preview: Saturday, 2 November, 4-7 pm | | | | | | | | | | | | | Galerie Miranda presents a photographic dialogue between the sensuality of Fernand Fossagrives' formal black and white nudes from the 1950s and the contemporary manipulated works by Noé Sendas - rigorous, sophisticated and witty.
Fernand Fonssagrives (1910 - 2003, France)
Born in 1910 to a sculptor father and a musician mother, Fonssagrives developed an early sensitive to physical grace and movement and his first career was as a dancer. He moved to America at the age of 18 to continue his studies of dance and returned to Europe at the age of 21 for his military service. In 1935 he met the young Swedish dancer Lisa Bergstrom who would became his dance partner then his wife. Following a diving accident Lisa gave him a Rolleiflex and he commented that it was his first 'real' camera, and it would be become like a part of his body. The couple divorced in 1950 and Lisa later married Irving Penn. Fernand Fonssagrives' most memorable work traces their unique partnership, captured in sublime black and white chiaroscuro nudes formalized by a geometric play of light and shadow, that created a precedent at the time, much imitated since. Galerie Miranda will present a selection of signed artist prints of key works from the 1950s, exhibited in Paris for the first time.
Noé Sendas (b. 1972, Belgium, lives and works in Berlin)
Noé Sendas began exhibiting his work in the late nineties. He resorts to different means of expression: video, sculpture, collage, drawing and photography. Explicit and implicit references to artists and literary, cinematic, or musical creations are part of his raw materials. Rooted in cinematic and literary references, his images depict phantom-like, partial figures whose heads and limbs appear to be invisible, or which have seemingly blended into furniture or walls. Drawing upon photographic modernism, abstraction and surrealism, his staged, partly erased human bodies directly and indirectly reference Dora Maar and Man Ray, John Baldessari and Guy Bourdin, Robert Gober and John Stezaker. After more than 50 solo expositions in Europe, Galerie Miranda will present for the first time in Paris selected recent works by Noé Sendas, in particular his 2015 body of work "Wallpaper* Girl". | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | Young European photography | | | | | | | Tue 5 Nov 18:30
31 Oct – 10 Nov 2019 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| | | | | | | | Winter - Four Seasons 2006 © Wendy Red Star |
| | | | | | | | | | | | Thu 14 Nov 18:00
4 Nov – 12 Dec 2019 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| |
|
| |
|
| |
|
| | | | | | | | | | | | | | Thu 31 Oct 12:00
1 – 3 Nov 2019 | | | | | |
| | | | | | | |
|
| |
| |
|
| |
| |
| | | | | | | | | | | | | | 7 – 10 November 2019 | | | | Private opening: Wednesday, November 6 (by invitation only) | | | | | | | | | | | | | November 7 through 10, Paris Photo, the international art fair for photography, will reunite 180 galleries and 33 art book dealers across 5 sectors: Main Gallery and Book Sectors, PRISMES, Curiosa, and Film. Discover the most important selection of exceptional photographic art and published works from 31 countries worldwide. 30 Solo shows delve deeper into the work of one artist.
The Curiosa sector, this year presents a focus on emerging art and is curated by Osei Bonsu (Curator, International Art) featuring works by Olivia Mihălţianu, Marie Clerel, Leandro Feal, Roman Moriceau, Alfredo Rodriguez, Morvarid K, Nate Lewis, Elsa Leydier, David Meskhi, Elsa & Johanna, Marguerite Bornhauser, Nydia Blas, Andrès Denegri and Thomas Hauser. PRISMES, dedicated to large formats, series and installations highlights 14 projects exhibiting major works and unveiling specially commissioned projects by Marie Cloquet, Igor Eŝkinja, Stéphane Lavoué, Jérémie Lenoir, Inez & Vinoodh, Marianne Csáky, SubREAL Group, Zohra Opoku, Olaf Breuning, Susan Derges, Marco Maria Zanin, Yannig Hedel, Yhonnie Scarce and Joel Sternfeld.
See the 2019 exhibitor list
Paris Photo is a key event for collectors, art world professionals and those passionate about art and photography. Public programming is an essential component of the fair and includes curated exhibitions, talks, awards, book signing sessions, and off-site exhibitions.
View the public programme
Film Sector—mk2 Grand Palais
Paris Photo’s Film sector, presented in partnership with mk2 (Grand Palais) highlights the relationship between still and moving images in artistic creation. Curated this year by Matthieu Orléan (artistic advisor, la Cinémathèque française) and Pascale Cassagnau (head of audiovisual collections and new media, Centre national des arts plastiques - Cnap), programming includes film projects proposed by 2019 exhibitors and selections from the Cnap collection.
Fondation A Stichting, Brussels Fragments–Private Collection exhibition
Paris Photo is proud to present Fragments, a selection of works from the collection Fondation A Stichting, Brussels, founded upon the initiative of Astrid Ullens de Schooten, featuring works by Robert Adams, Lewis Baltz, Harry Callahan, Mitch Epstein, Facundo de Zuviria, Paolo Gasparini, Nicholas Nixon, Martha Rosler, Judith Joy Ross, Larry Sultan, Jaime Villaseca, among others. The exhibition focuses upon the superabundance of images today, exploring our capacity to see and question the world in which we live.
The Platform Conversations
Experimental forum, the platform proposes cycle of conversations with leading figures in the field with series led by David Campany, Hans-Ulrich Obrist, Osei Bonsu, Emanuele Quinz and Samuel Bianchini, and round-table discussions and presentations by Fannie Escoulen, Michel Poivert, Françoise Paviot. See the detailed program and the complete list of participants on-line.
Paris Photo-Aperture Foundation PhotoBook Awards
The PhotoBook Awards celebrate the book’s contribution to the evolving narrative of photography. The winners for categories: 1st PhotoBook (10,000 dollar prize), PhotoBook of the year, Photography Catalogue of the Year, will be announced at Paris Photo Friday, November 8, at 1pm. The shortlisted titles will be presented in the 8th edition of The Photobook Review and exhibited at the fair. See the shortlist announcement online at: www.aperture.org and www.parisphoto.com.
Carte Blanche—Students at the Gare du Nord
This October, 4 students selected from over 50 European Art schools are given carte blanche at the Paris Gare du Nord train station. Congratulations to Samuel Fordham (UWE Bristol, UK), Chris Hoare (UWE Bristol, UK), Fernando Marante (Ar.Co - Centro de Arte e Comunicação Visual, Portugal), Giulia Parlato: Royal College of Art, UK).The students will present their portfolios at the fair and take part in The Artist Talks. The Carte Blanche 2019 is co-organised by Paris Photo, SNCF Gares & Connexions and Picto Foundation.
The Artists talks by The Eyes
The Eyes Magazine presents a program of 33 intimate 15-minute talks in three 45-minute daily sessions dedicated to the photographic object and its author with renowned and emerging photographers including Martin Parr, Valerie Belin, Tom Wood (a French premiere), Joel Meyerowitz, Roger Ballen, Carolle Benitah, Katrien De Blauwer, Thibault Brunet, Alice Quaresma among others. Complete program available October 1st. | | |
| |
|
|
| |
| |
|
| | | | | | | | | | 45 specialized international photography book publishers | | | Wed 6 Nov 17:00
6 – 10 Nov 2019 | | | | | |
| | | | | | | |
|
| |
| |
|
| |
|
| |
| |
| |
|
| |
| |
| | Guy Bourdin (1928-1991)
Charles Jourdan, Spring 1976
Fujiflex Crystal Archive print
Estimate : €20,000-25,000
© Copyright The Guy Bourdin Estate 2019 - Courtesy of Louise Alexander Gallery | | | Photographs | | | | | | Tuesday 5 November 2019, 4pm
Viewing: 2–5 November 2019
E-catalogue: www.christies.com/salelanding
Contact: Elodie Morel-Bazin, Head of Department
+33 (0) 1 40 76 84 16
EMorel-Bazin@christies.com
|
Peter Lindbergh (1944–2019)
Cindy Crawford, Tatjana Patitz, Helena Christensen, Linda Evangelista, Claudia Schiffer, Naomi Campbell, Karen Mulder & Stephanie Seymour, for American Vogue, Brooklyn, New York, 1991
gelatin silver print
Estimate: €8,000–10,000
© Peter Lindbergh, courtesy Peter Lindbergh, Paris |
| | | | | | | | | | | | | | Coinciding with Paris Photo, Christie’s presents its Photographs sale on 5 November in the French capital, offering around 150 works by the greatest photographers of the 20th and 21st centuries. Highlights include a magnificent portrait of Marilyn Monroe by Richard Avedon, important still lifes by Irving Penn, such as Frozen Foods, Three Wines of France and Aphrodisiacs, a series of never-before-seen images by Constantin Brancusi and Charles-Henri Favrod’s collection of Henri Cartier-Bresson prints. | | |
| |
|
|
| |
| |
| |
|
| |
| |
| | Lot 259
Jean-François BAURET (1932-2014)
"Isabelle Barbôt, 1990"
Vintage silver print, titled and dated on the mounting, stamp of the author on the back
40 x 58 cm (51 x 60,5 cm)
1 500/2 000 € | | | PHOTOGRAPHIES | | | | Collections & Propositions | | | | | | | Auction: Tuesday, November 5th at 2 pm CET | | | Expert: Christophe Gœury
Tel + 33 (0)6 16 02 64 91
chgoeury@gmail.com
Live bidding: www.drouotlive.com
Public exhibitions:
Monday, November 4th, 2019 11am – 6pm
Tuesday, November 5th, 2019 11am – 12pm
Hôtel Drouot, room 12
9 Rue Drouot - 75009 Paris, France
Online catalog: www.millon.com
Contact and inquiries:
Natalia Raciborski
MILLON Head of the Photography Department
16 rue de la Grange Batelière - 75009 Paris
Tel + 33 (0)7 88 09 91 86
photographie@millon.com | |
| | | | | | | | | | | | | Christophe Goeury and the Millon Auction House are pleased to announce their upcoming prestige photography auction of exemplary 19th and 20th century vintage and later prints, and Contemporary photography, that will be held in Paris in the Hôtel Drouot on November 5th.
The first collection is an ensemble of 65 lots, over 100 vintage and later prints, by the Franco-Russian Photographer Genia Rubin. Known as a fashion photographer, Genia Rubin’s prints integrate into a Surrealist canon. Rubin's portraits defy notions of "normality" and go beyond pure advertising as is common with Fashion photography of the 1930s-1950s. With strange shapes, floating body parts and bizarre landscapes, as well as theatrical lighting and dramatic shadows, these composed scenes reject a rational way of seeing the world, turning instead to a dream-like and imaginative environment. This collection is presented for the first time at auction and offers a significant range of Genia Rubin's photographic work. (Lot 159: 1 000 / 1 500 €)
The second collection, from the family estate of Jean-François Bauret, presents a series of dramatic nude portraits. The photographer’s son summarizes the artist’s work beautifully: "The people Jean-François Bauret photographs are often stripped naked, but we tend to talk more about the genre of portraiture rather than the nude. If he has placed the body on the same plane as the face, it is the gaze of the subject that first catches the attention of the viewer, as their personality is revealed. Merging the two genres of portraiture and the nude is unexpected and modern because Bauret choses his subjects more for their character than for their beau… | | |
| |
|
|
| |
| |
| |
|
| |
| |
| | 356
Francesca Woodman (1958-1981)
Providence. Rhode Island, 1975-1978.
[Paula in a mirror].
Vintage gelatin silver print.
Estimate : 8 000 / 12 000 € | | | Photographs
Photographies | | | | | | | | | | | | | | | | | 19th century photographs by :
E. Baldus | H. Bayard | R. de Bérenger | P. Berthier | G. de Beaucorps | A. Braun | L. A. de Brébisson | E. Carjat | D. Charnay | E. Colliau | E. S. Curtis | A. Delaunay | E. Delessert | M. Du Camp | L. de Clercq | L. E. Durandelle | C. Famin | A. Fortier | A. Giroux | C. S. Grasset d’Orcet | Houseworth & Co. | L. A. Humbert de Molard | P. Jeuffrain | J-C. Langlois | E. Lebel | A. Le Blondel | G. Le Gray | H. Le Secq | E. Lory | C. Marville | R. du Manoir | Dux de Massa | L. E. Méhédin | F. Moulin | E. Muybridge | F. Nadar | C. Nègre | E. de Noailles | V. Orly | Otto | E. Pécarrère | E. de Rostaing | A. Salzmann | C. Silvy | E. Sulzer | A. Terris | A. Thivet | E. d’Urban | A. Vacquerie | J. Vallou de Villeneuve | A. Violin | and miscellaneous.
Modern and contemporary photographs by :
B. Abbott | L. Albin-Guillot | M. Alpern | N. Araki | D. Arbus | H. Bellmer | A. Bertsch | E. Boubat | G. Bourdin | M. Bourke-White | M. Bovis | B. Brandt | Brassaï | R. Capa | L. Carroll | H. Cartier-Bresson | V. Chochola | L. Clark | L. Clergue | D. Colomb | I. Cunningham | D. Dailleux | R. Doisneau | T. Drahos | F. Drtikol | E. Erwitt | G. Figueroa | N. Finkelstein | L. Fournol | R. Frank | C. Freire | G. Freund | F. Garduno | E. Gérhin | M. Giacomelli | R. Gibson | N. Goldin | S. Greene | R. Groebli | P. Halsman | R. Hausmann | M. E. Hewitt | S. Hiett | L. Hine | J. F. Jonvelle | A. Kertész | E. Khaldei | W. Klein | B. Klemm | A. Korda | Les Krims | O. Ly | S. Masour | Man Ray | R. Mapplethorpe | D. Masclet | R. Meatyard | S. McCurry | L. Miller | L. Misonne | P. Molinier | P. Monti | S. Moses | H. Newton E. Olaf | Orlan | B. Plossu | R. Rauschenberg | René-Jacques | M. Riboud | A. Rodtchenko | W. Ronis | J. Rossler | P. Roversi | L. Roze | T. Ruff | M. Sidibé | J. Sieff | S. Skoglund | B. Stern | A. Sterenberg | L. Stettner | J. Sudek | P. de Vallombreuse | E. Van der Elsken | A. Villers | Walery | Weegee | G. Winogrand | M. Wolf | F. Woodman
Specialist :
Antoine Romand - Assisted by François Cam-Drouhin and Agathe Ouallet
22, rue Bisson 75020 Paris
+ 33 (0)6 07 14 40 49
antoine@antoineromand.fr | francois@antoineromand.fr | agathe@antoineromand.fr
www.antoineromand.fr
Sales administrator :
Magdalena MARZEC
+ 33 (0)1 78 91 10 08
magda.marzec@ader-paris.fr
Viewing on appointment :
Salle des ventes Favart
Ader Nordmann Auction House
3, rue Favart 75002 Paris
Monday, November 4th, 11.00 am to 06.00 pm
Tuesday, November, 5th, 10.00 am to 12.00 pm
Exhibition:
Salle 11 - Hôtel Drouot
9, rue Drouot 75009 Paris
Wednesday, November 6th, 11.00 am to 06.00 pm
Thursday, November 7th, 11:00 am to 12:00 am
Online catalogue : www.ader-paris.fr
Live bidding : www.drouotonline.com | | |
| |
|
|
| |
| |
|
| |
|
| |
| |
|
| |
| |
| |
| |
| |
| |
| |
|
| |
|
| |
| |
| |
|
| |
|
| | | | | | | | | | | | | | Tue 5 Nov 16:00
6 – 23 Nov 2019 | | | | | |
| | | | | | | |
|
| |
|
|
| |
| |
|
| |
| |
|
| |
| |
| | | | | | | | TAXED TO THE MAX | | | | | | | | ... until 1 December 2019 | | | | | | | | | | | | | | | The 26th edition of the festival examines the societal tensions created by international conglomerates with their vast accumulations of capital and their influence on national and global politics. TAXED TO THE MAX asks: how does the increasingly perfected entanglement of corporatism, finance capital and modern government affect the lives of regular people?
With the 34 participants, the festival presents a refreshing mix of photo series, mixed media, video and sound installations, performances, and spatial work on this theme.
TAXED TO THE MAX
...at least you are not afraid to live life on the brink of chaos
Alan Gignoux | Anika Schwarzlose | Bérangère Fromont | Brigitte de Langen | Coralie Vogelaar | David Klammer | Davide Monteleone | Dorothée Elisa Baumann | Ezio D’Agostino | Gina Peyran Tan | Glenna Gordon | Igor Tereshkov | Ishan Tankha | Ivar Veermäe | John Vink | Jos Jansen | Joseph Rodríguez | Kanad Chakrabarti | Lana Mesić | Lena Dobrowolska & Teo Ormond-Skeaping | Mari Bastashevski | Mark Curran | Martin Toft | Marvin Leuvrey | Michele Borzoni | Oliver Ressler & Zanny Begg | Sergey Novikov & Max Sher | Sven Johne | Thomas Kuijpers | Tony Fouhse | Ursula Biemann Mentorship young curators: George Knegtel & Laura Carbonell Reyes
A new Noorderlicht initiative is a mentorship for young curators who are invited to curate an exhibition that will flank the festival. With this mentorship program Noorderlicht realizes the ambition to not only produce exhibitions and festivals, but to also facilitate the photographic community, invest in emerging voices and share its experience and knowledge. George Knegtel (Netherlands, 1992) and Laura Carbonell Reyes (Colombia, 1986) have been selected for this pilot edition. For their exhibition, they have invited the following participants.
Daniël Siegersma | Keijiro Kai | Lonnie van Brummelen & Siebren de Haan & Tolin Alexander | Lucia Nimcova & Sholto Dobie | Marcos Ávila Forero | Roberto Huarcaya | | |
| |
|
|
| |
| |
|
| |
|
| |
|
| | | | | | V BIENNIAL OF PHOTOGRAPHY ON INDUSTRY AND WORK: 11 EXHIBITIONS / 11 VENUES | | | | | | | – 24 Nov 2019 | | | | | |
| | | | | | | |
|
| |
|
|
| |
|
|
| |
|
| |
|
| |
|
| | | | | | The Seventh Continent | | | | | | | – 10 Nov 2019 | | | | | |
| | | | | | | |
|
| |
|
|
| |
|
| | | | | | | | © Johanna Heldebro, Night Watch II, from To Come Within Reach of You (Gunnar Heldebro, Hässelby Strandväg 55, 165 65 Hässelby, Sweden), 2009 |
| | | | | | | | | | | | Chapter One: 06 JUN - 25 SEP
Chapter Two: 17 OCT - 21 DEC | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
|
| |
|
| | | | | | International Photography Festival | | | | | | | – 31 Dec 2019 | | | | | |
| | | | | | | |
|
| |
|
| | | | | | Terra Nostra - The Age of the Anthropocenee | | | | | | | – 5 Jan 2020 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
|
| |
|
| | | | | | Edition 2019 | | | | | | | – 16 Nov 2019 | | | | | |
| | | | | | | |
|
| |
|
|
| |
|
| |
|
| |
|
|
| |
|
| | | | | | IMAGINED COMMUNITIES | | | | | | | – 2 Feb 2020 | | | | | |
| | | | | | | |
|
| |
|
| |
|
| |
|
| | | | | | 72 DAYS OF FREE ART | | | | | | | – 1 Dec 2019 | | | | | |
| | | | | | | |
|
| |
| |
|
| |
| |
| | | Bárbara Wagner & Benjamin de Burca, Swinguerra, 2019. Film still. | | | | | | | May You Live in Interesting Times | | | | | | | | ...until 24 Nov 2019 | | | | | | | | | | | | | | | The 58th International Art Exhibition, titled May You Live In Interesting Times, will take place from 11 May to 24 November 2019 (Pre-opening on 8, 9, 10 May). The title is a phrase of English invention that has long been mistakenly cited as an ancient Chinese curse that invokes periods of uncertainty, crisis and turmoil; "interesting times", exactly as the ones we live in today. The 58th Exhibition is curated by Ralph Rugoff, currently the director of the Hayward Gallery in London. Between 1985 and 2002 he wrote art and cultural criticism for numerous periodicals, publishing widely in art magazines as well as newspapers, and published a collection of essays, Circus Americanus (1995). During the same period he began working as an independent curator. The Exhibition will also include 90 National Participations in the historic Pavilions at the Giardini, at the Arsenale and in the historic city centre of Venice. Four countries will be participating for the first time at the Biennale Arte: Ghana, Madagascar, Malaysia and Pakistan. The Dominican Republic exhibits for the first time at the Biennale Arte with its own national pavilion. | | |
| |
|
|
| |
| |
| |
| |
|
| |
| |
|
| |
© 30 October 2019 photo-index UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editor: Claudia Stein & Michael Steinke
contact@photo-index.art . T +49.30.24 34 27 80 |
| |
