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| PHOTOGRAPHY INTERNATIONAL | | 5 — 12 June 2024 | |
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The 2024 exhibition of Zanele Muholi » is based on the artist’s 2020-21 exhibition at Tate Modern and will include new works produced since then. | |
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| | | | | | | Hibo and Hani from Somalia. Photo taken in Kenya, 2019
© Coco Olakunle / KLABU. |
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| | Yva
Strümpfe, Berlin, um 1935
Courtesy Privatsammlung Berlin | Helmut Newton
Jenny Capitain, Pension Florian, Berlin 1977
© Helmut Newton Foundation |
| | | | | | | 20 years of the Helmut Newton Foundation | | | | | | | | 7 June 2024 – 16 February 2025 | | | | Opening: Thursday, 6 June, 7 pm | | | | | | | | | | | | | The Helmut Newton Foundation celebrates its 20th anniversary in June 2024 with the group show Berlin, Berlin! – and simultaneously pays tribute to the city where Newton was born. In the fall of 2003, Helmut Newton established his foundation in Berlin to house parts of his archive, which opened to the public in June 2004 at the historic Landwehrkasino next to Zoologischer Garten station. It was from this very station that Helmut Neustädter, facing constant threat of deportation as a Jew, fled Berlin in early December 1938 – returning 65 years later as the world-famous photographer Helmut Newton. Since then, the Helmut Newton Foundation and the Berlin Art Library have jointly resided in the historic building now known as the Museum of Photography. After the death of June Newton (also known as Alice Springs) in April 2021, the entire collection of works by Helmut Newton and Alice Springs, along with all archival materials, have been housed in the foundation’s archive.
Helmut Newton trained under the legendary photographer Yva in Berlin-Charlottenburg from 1936 to 1938, following in her footsteps to carve his path in the three genres of fashion, portraits, and nudes. After stints in Singapore and Melbourne, Newton’s career took off in Paris in the early 1960s, a period during which he frequently returned to Berlin for fashion shoots in magazines like Constanze, Adam, and Vogue Europe. In this exhibition, we encounter Newton’s models posing at Brandenburg Gate before the 1961 construction of the Berlin Wall. We also see his controversial 1963 fashion series, Mata Hari Spy Story, featuring Brigitte Schilling near the Berlin Wall. In 1979, the newly relaunched German Vogue commissioned Newton to retra… | | |
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| | | | | | | Anthony Haughey
Lauretta, Mosney Reception Centre, entrance to the former Butlin’s Ballroom, 2006
aus der Serie Citizen |
| | | | Zeitgenössische Fotografie aus Irland | | | | | | | Thu 6 Jun 19:00
7 Jun – 11 Aug 2024 | | | | | |
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| | | | | | | Akinbode Akinbiyi
Wedding, Berlin, 2005
aus der Serie African Quarter
seit den 1990er Jahren
© Akinbode Akinbiyi |
| | | | | | | | | | | | Fri 7 Jun 19:00
8 Jun – 14 Oct 2024 | | | | | |
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| | | Nazanin Hafez: from the series "Discrete" | | | Prix de la Photographie 2024 - Clervaux Cité de l'image | | | Award winner: Nazanin Hafez » selected with the photography series "Discrete" | | | | | | | Exhibition until 30 June 2024 | | | Finissage and award ceremony of 'Prix du Public': Saturday 29 June, 11am
Until June 27, visitors are invited to vote anonymously on site for one of the artists participating in the exhibition to win the the Prix du Public, endowed with 2,500 euros. The award will be awarded during the exhibition finissage. | | | | | | | | | | | | | Following the success of the first edition of the prize, the organisers Clervaux - Cité de l'image and the Cercle Artistique de Luxembourg (CAL) are pleased to continue this joint project, which aims to promote the art of photography in Luxembourg and the Greater Region.
From a total of 106 submissions, 14 talented artists have been selected for the exhibition, who have captured the jury's attention through their recent contemporary photographic works, presenting a wide range of styles, research, innovation and originality.
The 14 finalists are: Marie Capesius, Cristina Dias de Magalhaes, Krystyna Dul, Willi Filz, Nazanin Hafez, Filip Markiewicz, Pierre Metzinger, Lukas Ratius, Margit Schäfer, Olivier Schillen, Neckel Scholtus, Giulia Thinnes, Jeannine Unsen and Mohammed Zanboa.
The Prix de la Photographie 2024 - Clervaux Cité de l'image goes to Nazanin Hafez, whose impressive photography series "Discrete" was selected from the finalists.
This year's jury, consisting of leading national and international experts from the art and culture scene, was particularly impressed by the presentation and realisation, both in terms of content and concept. There are several aspects of Nazanin Hafez's work that can be appreciated and admired. In particular, the very precise approach to the subject and the decision to limit herself to refreshingly small formats that nevertheless achieve a great visual impact. The overall presentation of the work, which is both skilful and integral to the immersive aesthetic - and which, above all, brings out the strengths of the images themselves. | | |
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| | Claudia Andujar
Floresta amazônica, Pará - da série Sonhos Yanomami. [Amazon Forest, Pará from Yanomami Dream series], 2002
© Claudia Andujar. Courtesy Galeria Vermelho, São Paulo | | | | | | | | ... until 11 August 2024 | | | | | | | | | | | | | The Swiss-born Brazilian photographer and activist Claudia Andujar (*1931) serves as a role model for many politically motivated artists today. She is not only an outstanding photographer but also an activist who uses her artistic voice to draw attention to social injustices and defend the rights of indigenous communities. Her political commitment is reflected in her photography, which is not only artistically documentary but also carries a clear political message.
After fleeing the Nazis, she decided to pursue a career as a photojournalist and became involved in the fight against dictatorship and violence in her new home of Brazil. From the early 1970s, she documented not only the daily life of the Yanomami indigenous community in the Amazon in northern Brazil, but also the conflicts they faced due to mining, land disputes, and diseases. Andujar henceforth dedicated her life and work to the struggle for the rights of the Yanomami, a community she joined.
As part of her five decades of dedication to the protection of the Yanomami, Andujar has taken over 60,000 photographs. She has advocated for the Yanomami through her art and has also become a vehement supporter of their rights. Her efforts helped to draw international attention to the threats they face. Many indigenous activists today refer to Andujar’s impactful work over the past decades.
Today, Claudia Andujar is considered one of the most important figures in photography in South America. Her works have been exhibited in renowned museums and galleries around the world, including the Museum of Modern Art (MoMA) in New York. She has received numerous awards and recognitions for her artistic and social work. | | |
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| | | | | | | Koen Hauser; Victory - Palazzo Vecchio - Volume 1, 2024
Inkjet on Hahnemühle Photo Rag Baryta paper, wooden frame with museum glass
70 x 53,7 cm / framed 71,6 x 55,3 cm / or size by special request / Unique piece |
| | | | | | | | | | | | Thu 6 Jun 19:30
6 Jun – 15 Sep 2024 | | | | | |
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| | Larry Sultan
My Mother posing for me, 1984, from the series "Pictures from Home", 1982–1991
© The Estate of Larry Sultan, courtesy Galerie Thomas Zander, Cologne | | | Looking back in Time | | | | Age and Ageing in Photographic Portraits | | | | | | | ... until July 7, 2024 | | | | The exhibition is accompanied by an extensive supporting program, mainly in German with guided tours on special topics and various target groups, e.g. for children or for adults in Ukrainian. There is also a theme day, a workshop and a film program. To the online ticket store | | | | | | | | | | | | | The exhibition shows 18 positions and includes photographs from the beginning of the 20th century to the present day. Using the example of the portrait, photographers of different generations and origins approach the many facets of the phenomenon of "age and ageing" in serial projects.
Above all, life means development and thus implies change and ageing. What is perceived as progress or regression depends on individual and social values. The images that find expression in art and photography are correspondingly diverse. Photography is particularly suited to dealing with time-related aspects. It gives age and ageing a face and confronts us with many different questions: How is life experience reflected in the appearance, physiognomy and posture of older people? What personality, what characteristics do the people portrayed radiate? What social roles are conveyed in the image? Do the gestures change against the background of different times and places of origin? What is the attitude towards death?
In impressive portraits taken at the beginning of the 20th century, August Sander depicts elderly people from a rural class, reflecting a sense of status, life experience and the living conditions of a bygone era. Sander himself can be seen in the exhibition in an old-age portrait created in 1960 by the American artist Imogen Cunningham. In more recent exhibits, such as those by Martin Rosswog and Albrecht Fuchs, the moment of life experience in particular comes to the fore. Each of their works is a tribute to the people portrayed and what they have achieved.
A portrait by the artist Cindy Sherman shows how ambivalent our society's relationship to age… | | |
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| | Jem Southam
The Pond at Upton Pyne, July 1996
© Jem Southam | | | | | | | ... until July 7, 2024 | | | | | | | | | | | | | Jem Southam's series shows the cyclical transformation of a pond and its surroundings in Upton Pyne, Devon, England. The pond is not of natural origin, but dates back to a disused manganese mine from the 18th century, an area that has long been neglected.
For the narrative series, which was created between 1996 and 2002, Southam designed three parts: The first shows the pond at a time when a man was working to transform the small area into a romantic paradise for his family. After the man left the village, the area became overgrown. The second part is dedicated to the work of the next inhabitant, who later took care of the pond. He was guided by a different vision and transformed the site into a place of recreation and leisure, for example by erecting new huts, tables and swings. The short third part of Southam's study deals with the surrounding landscape.
Focusing on a "microcosm", Jem Southam's series of images is both an allegorical story about how our dreams influence our actions and a reflection on aspects of the historical and socio-cultural development of the post-industrial Western world. | | |
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| | | | | | | Zanele Muholi Qiniso, The Sails, Durban 2019
Courtesy the artist and Yancey Richardson Gallery © Zanele Muholi |
| | | | | | | | Tate Modern, London; MEP, Paris; Gropius Bau, Berlin; IVAM Valencia | | | 6 Jun 2024 – 26 Jan 2025 | | | | | |
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| | Jordan Strafer, still from LOOPHOLE, 2023
Single-channel video, color, sound. 24:36 min. Courtesy of the artist. | | | Jordan Strafer »
LOOPHOLE (2023) and DECADENCE (2024) | | | | 9 June – 25 August 2024 | | | | | | | | | | | | | | New York-based artist and filmmaker Jordan Strafer’s (b. 1990, Miami) LOOPHOLE (2023) and DECADENCE (2024) are the first two chapters of a planned trilogy of videos set against the backdrop of a fictionalized high-profile rape trial in 1990s-era Florida. Pulling from the genre of erotic thrillers and televised court cases from the period, the project hinges upon the speculative love affair between the lead defense attorney and the jury foreman responsible for an unnamed rapist’s acquittal. Using both film scripts and publicly sourced courtroom documents, the videos are influenced in part by the artist’s mother’s role in the legal defense team in a rape trial that took place in 1991. This Hammer Project is the artist’s first solo exhibition in Los Angeles. | | |
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| | | | | | | | Iwan Baan, sede de la CCTV, Pekín, China, 2011. Diseñada por OMA © OMA © Iwan Baan |
| | | | | | | | PHotoEspaña'24 | | | 5 Jun – 8 Sep 2024 | | | | | |
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| | Jean-Claude Gautrand
Le Galet (#1), 1968-1969
Gelatin silver print, vintage. Printed by the artist.
© Estate Jean-Claude Gautrand
Courtesy Les Douches la Galerie, Paris | Jean-Claude Gautrand
Recherches, Cosmonaute, 1961
Gelatin silver print, vintage. Printed by the artist.
© Estate Jean-Claude Gautrand
Courtesy Les Douches la Galerie, Paris |
| | | | | | | | ... until 13 July 2024 | | | | | | | | | | | | | Ahead of the retrospective Libres expressions, dedicated to Jean-Claude Gautrand by the Musée Réattu in Arles this summer (June 29-October 6), Les Douches la Galerie is pleased to present, for the first time, a solo show dedicated to French photographer Jean-Claude Gautrand (1932-2019). You are invited to discover his early experiments from the 1960s, with a selection of vintages from his iconic series. The book Recompositions by Jean-Claude Gautrand, published last April by Contrejour editions, accompanies these two exhibitions.
"To photograph is to engage in a race against erasure, disappearance, nothingness. It is a fight against time, a challenge to oblivion. The camera, a magical instrument capable of immortalizing the fleeting, but also the irremediable."1
It is certainly this "irremediable" quality that demands the most attention in the work of Jean-Claude Gautrand, who photographs the disappearance of things, constructions, or places to inscribe them into eternity. Photography witnesses a battle where destructive forces ally with time to erase what was thought to be eternal. The various post-war photographic clubs he frequented hardly inspired him. "Apart from the world of reporting, the photographic field was then reduced to either illustrative or documentary photography of distressing conformity".2 He discovers in volumes I and II (catalogs of the exhibitions Subjektive Fotographie I and II, from 1952 and 1955) organized by German photographer Dr. Otto Steinert, a different photography that struck him as "an atomic bomb in the mire of photography." | | |
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| | From the series "ILLUSION"
© Christian von Alvensleben | | | | | | STORIES: ILLUSION | | | The numerous reservoirs to be found in Andalusia continue to provide water for agriculture and tourism up to the present day. Both of these economic sectors have grown enormously over the past decades whilst the annual rainfall has simultaneously fallen disproportionately.
Complete online exhibition (27 images): here | | | | | | | | | | | | | ILLUSION
The numerous reservoirs to be found in Andalusia continue to provide water for agriculture and tourism up to the present day. Both of these economic sectors have grown enormously over the past decades whilst the annual rainfall has simultaneously fallen disproportionately.
We took photographs at the GUADALCACIN reservoir, the second largest in Andalusia, which was almost a hundred metres deep in some places thirty years ago. Today the water level has dropped to a minimum. Trees, villages, roads and bridges which were lost to the waves decades ago have risen from the depths of the lake like memorials. Every year in the spring, slight rainfall enables the flora to appear as florid green and colourful blooms on the bed of the former lake. By the end of May it is all over and the landscapes become arid in the blazing sunlight of southern Spain. The dominant colour is then brown and the water level continues to sink.
Christian and Helga von Alvensleben
Grazalema / San José de Valle
April 2024 | | |
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| | | | | | | Edith Tudor Hart: "Frau mit Kind", Wien, ca. 1930
© Suschitzky / Donat Family. Courtesy FOTOHOF>ARCHIV |
| | | | | | | | | | | | Thu 6 Jun 19:00
7 Jun – 3 Aug 2024 | | | | | |
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| | | | | | | Violet Catching Firefly, Danville, VA
©Elijah Gowin |
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| | | | | | | Fryd Frydendahl: Sorat, 2021
© Fryd Frydendahl, 2024 |
| | | | | | | | Triennale der Fotografie RAY 202 | | | 7 Jun – 31 Jul 2024 | | | | | |
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| | | | photo basel 2024 | | | | | | | 11 – 16 June 2024 | | | Opening hours:
Mon, 10 June: 6 - 9 pm vip preview (invitation only)
Tue, 11 – Sat, 15 June: 12 – 20 pm
Sun, 16 Juni: 12 – 6pm | | | | | | | | | | | | | photo basel is Switzerland’s first and only international art fair dedicated to photography-based art. photo basel brings together galleries from around the world in a unique, authentic setting and sees itself as an integrative and hybrid platform that connects all actors of the art world (online and IRL). As a fair, we want to actively contribute to this dialogue and make art photography even more accessible. To achieve this, photo basel has put together a varied supporting program alongside 41 international galleries (coming from 15 countries) for this year's 9th edition.
Since 2016, photo basel is located in the immediate proximity of Art Basel, situated in the beautiful compound of the Volkshaus Basel. Volkshaus Basel is a building softly renovated by acclaimed Swiss architects Herzog & de Meuron. Volkshaus is located at Rebgasse 12, just 700 meters from the Art Basel exhibition center.
photo basel welcomes 41 galleries from 15 countries to its ninth edition. Over 450 photographic positions (artworks) by 150 artists are on show.
photo basel is delighted to count among this year's new galleries Anita Beckers (Frankfurt am Main), Doyle Wham (London), In The Gallery (Copenhagen & Palma de Mallorca), inside-out gallery (Brussels), nüüd.gallery (Berlin), POLARWIND (Zürich), SmithDavidson Gallery (Amsterdam, Mexico City & Miami), AN INC. (Seoul) as well as Window Fourteen (Geneva). | | |
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| | | | | | | | | | | | | | Mon 10 - Wed 12 June
13 – 16 June 2024 | | | | | |
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| | 8.
Louis-Émile Durandelle
Travaux du Nouvel Opéra de Paris, 1861-1875.
232 original negatives (collodion glass plates). | | | | | | | | | | Auction: Friday, June 7, 2024 – 2:00 p.m.
Public exhibition:
At Ader auction house, 3, rue Favart; 75002 Paris
Wednesday June 5, 11 a.m. to 6 p.m.
Thursday, June 6, 11 a.m. to 6 p.m.
Friday, June 7, 11 a.m. to 12 p.m.
Specialist: Antoine Romand
www.antoineromand.fr
Online catalogue: www.ader-paris.fr
Live bids: www.drouotonline.com | | |
| | | | | | | | | | | | | 19th century photographs by :
Abdullah Frères | Henry-René d’Allemagne | Eugène Atget | Felice Beato | Paul Marcellin Berthier | Alphonse Bertillon | Thomas Child | Pierre Choumoff | Louis-Jean Delton | Eugène Disdéri | Louis-Émile Durandelle | Giuseppe Enrie | Dmitri Ivanovitch Ermakov | George Robinson Fardon | Kazumasa Ogawa | Kusakabe Kimbei | Lai Afong | Jean-Charles Langlois | Nöel-Marie-Paymal Lerebours | Pierre-Louis Pierson | William Thomas Saunders | Raimund von Stillfried-Rathenitz | Joseph Tairraz | Henry Tournier | Benoît Henri Tyszkiewicz and others
Louis-Émile Durandelle, Travaux du Nouvel Opéra de Paris, 1861-1875. 232 original negatives (collodion glass plates). Count Benoit Henri Tyskiewicz Nine albums by the Lithuanian pictorialist photographer containing a previously unpublished set of 857 prints.
Modern and contemporary photographs by :
Berenice Abbott | Michael Ackerman | Antoine d’Agata | Pierre Auradon | Hugo Bernatzik | Édouard Boubat | Pierre Boucher | Bill Brandt | Brassaï | Manuel Alvarez Bravo | Denis Brihat | René Burri | Harry Callahan | Henri Cartier-Bresson | Yann Charbonnier | Roman Cieslewicz | Lucien Clergue | John Coplans | Louise Dahl-Wolfe | Robert Doisneau | Frantisek Drtikol | Alfred Eisenstaedt | Elliott Erwitt | Gene Fenn | Carlos Freire | Herbert G. French | Gisèle Freund | Lee Friedlander | Francis Giacobetti | Nan Goldin | Stanley Greene | Ernst Haas | Toni Von Haken | Philippe Halsman | Raoul Hausmann | Paul Haviland | Lucien Hervé | Horst P. Horst | Frank Horvat | George Hoyningen-Huene | Ayana Jackson | Lotte Jacobi | Agustín Jimenez | Gertrude Käsebier | Seydou Keita | André Kertész | William Klein | Heinrich Kühn | Inez van Lamsweerde | Peter Lindbergh | Henri Maccheroni | Man Ray | Henri Manuel | Robert Mapplethorpe | Fosco Maraini | Annette Messager | Duane Michals | Richard Misrach | Masao Mochizuki | Carlo Mollino | Sarah Moon | Daido Moriyama | Vik Muniz | Paulo Nozolino | Paul O’Doyé | Terry O’Neill | Orlan | André Ostier | Gordon Parks | Roger Parry | Ian Patrick | Bernard Plossu | Winter Prather | Marc Riboud | Eugene Robert Richee | George Rodger | Willy Ronis | Albert Rudomine,Thomas Ruff | Laurence Sackman | Armando Salas Portugal | Sebastião Salgado | Lise Sarfati | Jan Saudek | Gérard Schlosser | Eberhard Schrammen | George H. Seeley | David Seymour | Malick Sidibé | Jeanloup Sieff | Louis Stettner | Alfred Stieglitz | Dennis Stock | Josef Sudek | Miroslav Tichy | Deborah Turbeville | Pierre de Vallombreuse | André Villers | Alexandre Vitkine | Weegee | Joel Peter Witkin | Tom Wood | Gyula Zarand | René Zuber and others | | |
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| | Lot 165
BRUCE DAVIDSON (*1933)
Start price: €3.000
'East 100th Street', New York City 1966
Estimate: €5,000 - €6,000 | | | OstLicht Photo Auction | | | | | | | | | | | | | | | | | | | | The photo auction will start on Wednesday, 5 June 2024 at 6 p.m. CET following the camera auction. As in the two previous auctions from last year, part of the auction consists of the large-format prints from the famous Magnum travelling exhibition "In Our Time", which was shown in Japan around 1990. The Magnum greats Henri Cartier-Bresson, Robert Capa, Werner Bischof, Ernst Haas, Inge Morath, Eliott Erwitt, Bruce Davidson, René Burri, Josef Koudelka, and Sebastião Salgado are represented with icons of contemporary history.
"The photo auction is primarily dedicated to classic black-and-white and vintage photography because – unlike in some short-term hyped trends – we see the greatest long-term value in this art segment," says Peter Coeln. Among the classics from the 19th and early 20th centuries are international positions by Edward Steichen, Anton Josef Trčka, Edward Sheriff Curtis, August Sander, André Kertész, Paul Strand, Alfred Eisenstaedt, and Harold Edgerton.
The prominent Austrian women photographers of the interwar period are represented with important works by Madame d'Dora, Atelier Manassé, Trude Fleischmann, and Dora Horovitz. Apart from the Magnum photographs, works from 1950 onwards by Weegee, Eikō Hosoe, Günter Brus, Will McBride, Arno Rafael Minkkinen, Joel Meyerowitz, Luigi Ghirri, and Ulay can be purchased at the auction.
Again, special thanks go to the independent expert Simone Klein. Simone Klein has been an internationally recognized figure in the world of photography for many years. She was head of photography at Kunsthaus Lempertz for nine years, from 2007 to 2015 she was director of the photographic department at Sotheby’s Europe and led auctions in Paris, London, and New York. From 2015, she was sales director at Magnum Photo. Since 2018, she has been working as an independent appraiser for photography. | | |
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| | | | | | | | | | | | | | Thu 6 Jun 20:30
6 Jun – 28 Jul 2024 | | | | | |
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| | | | | | Divergence | | | | | | | 6 – 30 Jun 2024 | | | | | |
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| | | | | | Play | | | | | | | Thu 6 Jun
6 – 30 Jun 2024 | | | | | |
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| | | © Martin Ackerl; Lois Lammerhuber/Vee Speers | | | Festival La Gacilly-Baden Photo 2024 | | | | WORLD.NATURE.HERITAGE | | | | | | Baden near Vienna:
The largest outdoor photography festival in Europe will take place
from 13 June until 13 October 2024.
festival-lagacilly-baden.photo | |
| | | | | | | | | | | | | WORLD.NATURE.HERITAGE – "Humanity has opened the gates to hell", warned Secretary- General António Guterres in an impassioned speech on the margins of the UN General Assembly in September 2023. UN General Assembly in September 2023 to politicians, entrepreneurs and activists, he warned of the terrible consequences of increasingly extreme weather events. "Our concern is that all climate action will be dwarfed by the scale of the challenge”, as humanity is heading for a temperature rise of 2.8°C.
An appeal to the world that has long been inscribed at the heart of our festival. It is our duty to preserve the poetry of creation for our children. On the fundamental issues of urbanisation, biodiversity, natural resources, environmental pollution and global warming, we will try to use images to provide, if not solutions, then at least food for thought. Therefore, in our seventh festival year, we will be showing the work of the great masters of environmental photography: Nazli Abbaspour, Evgenia Arbugaeva, Yasuhoshi Chiba, Joana Choumali, David Doubilet and Jennifer Hayes, Nadia Ferroukhi, Sacha Goldberger, Richard Ladkani, Lucas Lenci, Luca Locatelli, Pascal Maitre, Beth Moon, Maxime Riché, Sebastião Salgado, Alain Schroeder, Vee Speers, Brent Stirton, Lorraine Turci, David Turnley, Peter Turnley and Cássio Vasconcellos.
"We all need Eden as a horizon," writes Cyril Drouhet in his essay in the festival catalogue. "There was a time when we had a rainbow in our heads: We believed in the future, in progress, our dreams were full of utopias. In the third millennium, this colour has turned grey. But life needs radiant colours like in photography to enchant the world again. That is the cha… | | |
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| | | | | | believe whakapono | | | | | | | – 12 Jun 2024 | | | | | |
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| | | | düsseldorf photo+ | | | | Biennale for Visual and Sonic Media: On Reality | | | | | | | ... until 14 July 2024 | | | | 50 participating institutions, galleries and off-spaces | | | | | | | | | | | | | | | The third edition of the Biennial for Visual and Sonic Media düsseldorf photo+ from 17 May to 14 July 2024 is themed "On Reality". In exhibitions and concerts, talks, panels and other events, current and updated photography as well as media-based art in its most diverse facets can be experienced throughout Düsseldorf. The artists will reflect in a wide variety of ways on how media significantly shapes our understanding of reality today and in the past. Computer-generated worlds of images and sounds surround us everywhere, and the Biennale integrates these into the art trail and links analogue-generated audiovisual realities. In total, the Biennale offers over 50 exhibitions and events in museums, collections, galleries, independent exhibition spaces and universities. This year's düsseldorf photo+ is being organised under the artistic direction of Pola Sieverding and Rupert Pfab. Ljiljana Radlovic oversees the project management.
Highlights from our varied exhibition programme:
In photographs, now seen as historic, Allan Sekula critically illuminates social structures operating within the industrial workforce of the USA at Galerie Konrad Fischer. The group exhibition at the gallery boa basedonart, another retrospective show, focuses on social stereotypes in relation to self-portraits. Sumi Anjuman offers a contemporary insight into gender inequality at the private Philara Collection.
Toby Binder also takes a sociological standpoint with a look at crisis-ridden milieux at the gallery Clara Maria Sels. The exhibition at Julia Ritterskamp further investigates this stance in a show of t… | | |
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| | | | RAY 2024 ECHOES | | | | 5th International Triennial of Photography | | | | | | | ... until 1 September 2024 | | | | | | | | | | | | | The international Triennial of Photography RAY is celebrating the diversity of photography in Frankfurt and the Rhine-Main region for the fifth time with a focus on "ECHOES". Eleven institutions and exhibition venues in Frankfurt and the Rhine-Main region will be showing works on the theme of "ECHOES" by contemporary photographers and artists. With exhibitions, numerous events, and a three-day festival on the triennial theme of "ECHOES", RAY offers a multifaceted exploration of photography.
How do images contribute to the understanding of our identity, our memories, our emotions, and the ability to grasp and process current social, communal, and political challenges? RAY Echoes offers no answers to these questions, but rather – like a laboratory – it offers many perspectives and opportunities for individual exploration.
The artists of the RAY 2024 – Triennial of Photography use photography and related media to explore and reflect on the challenges and tensions of self-perception and human interaction. Their works span the past, present, and future, from the intimate and personal to the collective. By capturing these diverse moments and phenomena, they generate an echo that draws the public’s attention to their themes. Similar to a sound experience, they create reverberation that is perceived as an independent event beyond what is depicted. On this basis, RAY Echoes concentrates on three focal points: identity, memory, and emotion.
In the exhibition RAY Echoes Identity at the Fotografie Forum Frankfurt (3 May – 1 September, 2024, opening on 2 May), the artists explore the making and breaking away from identities. Echoes are present in the form of reflections on personal experience… | | |
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| | | | | | Flucht in die Öffentlichkeit | | | | | | | – 16 Jun 2024 | | | | | |
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| | | | 6. Fotofestival Lenzburg | | | | Synthesis | | | | | | | Festival until 23 June 2023 | | | | | | | | | | | | | A synthesis of numerous topics
The exhibitions this year focus on the theme of 'Synthesis' and encourage us to consider the rapid advancements in technology and the overwhelming amount of information that we encounter. In the midst of this diversity, individuals can feel lost, but can also find ways to rediscover themselves and strive for balance. The theme of synthesis is also reflected in the art on display, which explores the permanence and transformation of images.
The exhibited artists address various urgent themes, such as light pollution, the intersection of bacteria and art, the love of food, the art of play, and the complexity of human relationships. Through their photographic projects, these artists evoke emotions and inspire reflection on these pressing issues in our society.
With over 300 images, 13 locations and 20 indoor and open-air exhibitions, this year's edition of Fotofestival Lenzburg is the most extensive to date. | | |
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| | | | | | Festival de photographie international et gratuit | | | | | | | – 14 Jul 2024 | | | | | |
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| | | | | | | | over 85 free outdoor photo exhibitions across all five boroughs of NYC | | | | | | | | – 16 June 2024 | | | | | | | | | | | | | | The annual Photoville Festival is returning to Brooklyn Bridge Park and in all five boroughs of NYC, June 1-16, 2024 ! This year brings a special and outstanding group of artists and programming partners to curate and present 85+ free outdoor photo exhibitions across all five boroughs of NYC . With stories highlighting hope, joy, and compassion, while honoring experiences of adversity and heartbreak, Photoville aims to elevate the power of visual storytelling by fostering empathy and understanding within our communities. Join in celebrating the kick off of this year’s festival, June 1st & 2nd, 2024 for the Opening Weekend Community Celebration in Brooklyn Bridge Park! Enjoy two full days of family-friendly activities, carefully curated photography workshops for professionals and lovers of the craft, engaging tours, and a powerfully captivating night of visual storytelling. And not to mention, free public programming throughout the month of June! | | |
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| | | | FOTOGRAFIA EUROPEA 2024 - XIX edition | | | | Nature loves to hide | | | | | | | Reggio Emilia until 9 June 2024 | | | Dedicated to the interconnections between humans and nature, and to the transformations human beings can undertake beyond an approach of dominant control, the 19th edition of the Reggio Emilia Festival returns to invite us reflect on pressing critical issues
Palazzo Magnani, Chiostri di San Pietro, Palazzo da Mosto, Villa Zironi, Palazzo dei Musei, Biblioteca Panizzi, Spazio Gerra and the spaces of the Circuito OFF host exhibitions by both established photographers and young talents | | | | | | | | | | | | | | | From 26 April to 9 June 2024, Reggio Emilia will once again observe the changes to the contemporary sphere through the eyes of great photographers and young practitioners with the 19th edition of FOTOGRAFIA EUROPEA: the festival promoted and organised by Fondazione Palazzo Magnani and the Municipality of Reggio Emilia, with support from the Emilia-Romagna Regional Council.
Nature loves to hide is the theme chosen by the Festival’s artistic board, this year made up of Tim Clark (editor of 1000 Words), Walter Guadagnini (photography historian and Director of CAMERA – Centro Italiano per la Fotografia) and Luce Lebart (researcher and curator, Archive of Modern Conflict).
Drawing on the paradox expressed in a famous fragment by Heraclitus, the title seeks to encompass the power of a nature that so often conceals its essence right before our eyes, while increasingly revealing it in destructive ways, in a continuous process that may be understood as an oscillation between being and becoming. Through this edition’s many prestigious solo and group exhibitions, Fotografia Europea 2024 sets out to explore the connections between concealment and discovery that characterise our relationship with nature, imagining new narratives bound up in an eco-centric conception as opposed to an attitude of dominant control that our species exercises over the planet, so as to understand the current dynamics and the new directions to be taken. | | |
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| | | | | | Ten Thousand Suns | | | | | | | – 10 Jun 2024 | | | | | |
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| | | | | | Triennial Exhibition | | | | | | | – 28 Jul 2024 | | | | | |
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| | From the series Keepers of the Ocean (2019) © Inuuteq Storch
The Danish Pavilion: Rise of the Sunken Sun by the artist Inuuteq Storch | | | | | | | Stranieri Ovunque - Foreigners Everywhere | | | | | | | | 20 April – 24 November 2024 | | | | | | | | | | | | | The 60th International Art Exhibition , titled Stranieri Ovunque – Foreigners Everywhere , will open to the public from Saturday April 20 to Sunday November 24, 2024 , at the Giardini and the Arsenale; it will be curated by Adriano Pedrosa and organised by La Biennale di Venezia . The pre-opening will take place on April 17, 18 and 19 ; the awards ceremony and inauguration will be held on 20 April 2024 .
Since 2021, La Biennale di Venezia launched a plan to reconsider all of its activities in light of recognized and consolidated principles of environmental sustainability. For the year 2024, the goal is to extend the achievement of “carbon neutrality” certification , which was obtained in 2023 for La Biennale’s scheduled activities: the 80th Venice International Film Festival, the Theatre, Music and Dance Festivals and, in particular, the 18th International Architecture Exhibition which was the first major Exhibition in this discipline to test in the field a tangible process for achieving carbon neutrality – while furthermore itself reflecting upon the themes of decolonisation and decarbonisation.
The Exhibition will take place in the Central Pavilion (Giardini) and in the Arsenale, and it will present two sections: the Nucleo Contemporaneo and the Nucleo Storico.
As a guiding principle, the Biennale Arte 2024 has favored artists who have never participated in the International Exhibition—though a number of them may have been featured in a National Pavilion, a Collateral Event, or in a past edition of the International Exhibition. Special attention is being given to outdoor projects, both in the Arsenale and in the Giardini, where a performance program is being planned with events during the pre-opening and closing weekend of the 60th Exhibition.
Stranieri Ovunque - Foreigners Everywhere, the title of the 60th International Art Exhibition of La Biennale di Venezia, is drawn from a series of works started in 2004 by the Paris-born and Palermo-based Claire Fontaine collective. The works consist of neon sculptures in different colours that render in a growing number of languages the words “Foreigners Everywhere”. The phrase comes, in turn, from the name of a Turin collective who fought racism and xenophobia in Italy in the early 2000s.
«The expression Stranieri Ovunque - explains Adriano Pedrosa - has several meanings. First of all, that wherever you go and wherever you are you will always encounter foreigners— they/we are everywhere. Secondly, that no matter where you find yourself, you are always truly, and deep down inside, a foreigner.» | | |
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© 5 June 2024 photography now UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editors: Claudia Stein & Michael Steinke
contact@photography-now.com . T +49.30.24 34 27 80 |
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