| | | |  | | | Richard Mosse, "Feu souterrain", Pantanal, Mato Grosso, 2020
© Richard Mosse. Avec l'autorisation de l'artiste,
Carlier Gebauer et Jack Shainman Gallery | | | | | | | | | | | | | 3 November 2023 – 25 February 2024 | | | | Opening: Thursday 2 November 2023 6pm | | |  | | | | | | | | | | | | |
| | | | | | | | | |  | | | | Richard Mosse, still from "Broken Spectre", Roraima, Multispectral GIS aerial © Richard Mosse | | | | | | | 3 November 2023 – 25 February 2024 | | | | Opening: Thursday 2 November 2023 6pm | | | | | |  | | | | Richard Mosse, still from "Broken Spectre", Rondônia, Multispectral GIS aerial © Richard Mosse | | | | | | | Richard Mosse (Ireland, 1980) gained recognition for his socially committed documentaires often presented via immersive and monumental installations. He is known for his landscapes in shades of red and pink from the series Infra (2010) depicting the civil war in the Democratic Republic of Congo. More recently, he has focused on migratory flows, which he captures with military thermal imaging cameras (The Castle, 2017, Incoming, 2018). | | | | | |  | | | | Richard Mosse, still from "Broken Spectre", Rondônia, Multispectral GIS aerial © Richard Mosse | | | | | | Broken Spectre, shot over three years, plunges into the heart of the Brazilian Amazon. With this monumental video installation, Mosse shows the devastating impact of deforestation in the Amazonian forest.
Playing with different scales and perspectives, the artist offers a striking portrayal of the scope and organisation of the environment's destruction. Switching between aerial views and sequences shot in remote areas of the world's lagest tropical forest, Broken Spectre represents an alarm bell that warns of the rainforest's disappearance. | | | | |
| | | | | | | | | |  | | | | Deborah Turbeville, “Untitled”, Rhode Island, 1976 © Deborah Turbeville MUUS Collection | | | | | | | 3 November 2023 – 25 February 2024 | | | | Opening: Thursday 2 November 2023 6pm | | | | | |  | | | Deborah Turbeville, "Untitled Hoboken, New Jersey", 1975
© Deborah Turbeville/MUUS Collection | | | | | | The work of Deborah Turbeville (1932-2013) defies classification. The American photographer belonged to no school or movement. Her unique visual signature has been recognisable since she emerged as a major talent in the 1970s; a certain timelessness melancholy and a patina emanate from her haunting photographs taken over four decades.
This retrospective will present Turbeville's photographic explorations, from fashion photos to her very personal work. | | | | | |  | | | Deborah Turbeville, "Untitled", from the series "Comme des Garçons",
Passage Vivienne, Paris, France, November 1980
© Deborah Turbeville/MUUS Collection | | | | | | | The aim of the exhibition is to show how Turbeville's art, still essentially unknown, followed a very specific path, testifying to the manual work involved in producing images. By highlighting a wide variety of handmade collages spanning four decades, the show will offer a new appreciation of Turbeville's contribution to the history of photography. | | | | |
| | | | | | | | | |  | | | | Virginie Otth, "13_quotidiennetés", 2013-2023 © Virginie Otth | | | | | | | 3 November 2023 – 25 February 2024 | | | | Opening: Thursday 2 November 2023 6pm | | | | | |  | | | | Virginie Otth, "Doigt-scotch", 2023 © Virginie Otth | | | | | | | A key figure in contemporary photography in Lausanne, Virginie Otth (Switzerland, 1971) presents four previously unseen works, as well as her first film. This monographic exhibition brings together works that combine the various interests and reflections that have animated the artist for many years, and which question the relationship to the fragmentary, lacunar and ever-renewed world offered by photography, but also by our gaze and our perception. | | | | | | unsubscribe here
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