| Today's Rights Roundup, coinciding with World Book and Copyright Day, includes titles from Germany, Finland, Canada, Sweden and the United Kingdom. |
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| A series of virtual rights meetings and presentations featuring some 75 French publishers, BIEF's French Week is set for May 17 to 28. |
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| Guest editor and translator Larissa Kyzer's curation of Icelandic writings from the past five years describes 'a harbor both outward- and inward-looking.' |
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| More Reporting from Publishing Perspectives: |
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| Fraktura is an award-winning, independent, internationally acclaimed publishing house with nineteen years of experience on the Croatian and regional cultural scene. Written by established authors or emerging voices, our stories are worth telling and we believe in each one of them. Click here for foreign rights info and contacts » |
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| | | Love Me More than Anything in the World By Mira Furlan (to be published November 2021) Furlan is best known as Satai Delenn in the series Babylon 5 and Danielle Rousseau in the series Lost, with a wide range of fandom. Her memoirs give us an inside look at a person that left an indelible trace in so many ways. |
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| | | W By Igor Štiks (2019) Written in the manner of best Scandinavian thrillers and masterful plotting, full of intrigues, W offers us a cross-section through the last half of the century of the international left, its struggles, lapses and dead ends. |
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| | My Heart By Semezdin Mehmedinović (Me’med, crvena bandana i pahuljica, 2017)
Poetically explosive, purified to the core, My Heart is a cocktail of human strengths and weaknesses with a clear-cut reflection and expression of the most important issues on everyone’s mind – love and death, leaving and staying. |
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| | His Father's Son By Dino Pešut (Tatin sin, 2020)
Uncompromising, quick, His Father’s Son is a novel about the 90s generation, worse off than their parents, about young people who are exceptionally sensitive and educated, but society obstinately refuses to give them a chance. |
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| | Invisible Woman and Other Stories By Slavenka Drakulić (Nevidljiva žena i druge priče, 2018)
Honestly and delicately written, Drakulić’s stories depict the gradual disappearance of a person. Invisible Woman is read as a manifest of irreversible life loss or internalized rebellion against the injustice of aging. |
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